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The Artistic Object and Its Worlds

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“The best way of being an artist is not to serve a particular art.” The film critic André Bazin believed artists create without boundaries in mind. Literary criticism should be no different. This b...
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  • 01 May 2025
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“The best way of being an artist is not to serve a particular art.” The film critic André Bazin believed artists create without boundaries in mind. Literary criticism should be no different. This book is a unique collection that critically reflects on the complex, non-unidirectional, and organic relationship between cinema, literature, photography, and the other arts.

With essays by David Damrosch, Laura Marcus, Ignacio Sánchez Prado, Maria Dabija, and Michael Makarovsky among others, this volume establishes a much needed dialogue between the fields of world literature and world cinema.
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Price: $71.00
Pages: 206
Publisher: Brill
Imprint: Brill
Series: Contemporary Cinema
Publication Date: 01 May 2025
ISBN: 9789004732780
Format: Paperback
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Michael Wood, Ph.D. (1962), Cambridge University, is Emeritus Professor of English at Princeton University. He is the author of numerous books, including America in the Movies (1975; 1989) and The Road to Delphi: the Life and Afterlife of Oracles (2003).

Delia Ungureanu, Ph.D. (2012), University of Bucharest, is Associate Professor at that university and Executive Director of the Harvard Institute for World Literature. She is the author of several books, including From Paris to Tlön: Surrealism as World Literature (2017) and Time Regained: World Literature and Cinema (2022).