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The Bodies We Are (Not)

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Antje Velsinger develops choreographic strategies for becoming unfamiliar to the own self and play as two means for emancipating the body from the neo-liberal imperative of optimization and control.
  • 23 April 2024
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In Western neo-liberal society, the human body is increasingly used as an »identity project« and »designable object«. Antje Velsinger investigates these specific roles of the body and develops choreographic strategies for becoming unfamiliar to the own self and play as two means for emancipating the body from the neo-liberal imperative of optimization and control. Theoretical and practical artistic perspectives are in constant dialogue throughout this study. It uses the choreographic field as a gray area between theory and practice to imagine, propose, and rehearse an alternative approach to the body.
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Price: $60.00
Pages: 208
Publisher: transcript publishing
Imprint: transcript publishing
Publication Date: 23 April 2024
Trim Size: 8.86 X 5.83 in
ISBN: 9783837670905
Format: Paperback
BISACs: PERFORMING ARTS / Dance / General, SOCIAL SCIENCE / Popular Culture, PERFORMING ARTS / Theater / History & Criticism
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»Vor allem die anschaulichen Berichte aus der Probenpraxis und damit die Offenlegung von Wissen aus zeitgenössischen Tanzproben, das sonst meist verborgen bleibt, machen Spaß bei der Lektüre. Hier liegt insgesamt das große Potenzial von Velsingers Studie, da es sich dabei um eine der ersten Publikationen im deutschsprachigen Raum handelt, die eine künstlerische Forschung in dieser Form vermittelt.«
— Anna Wieczorek, www.tanznetz.de, 02.08.2024
Antje Velsinger works as a choreographer, performer and researcher in the field of contemporary performing arts. She studied choreography and performance at the Institute for Applied Theater Studies at Gießen University and completed her doctorate within the artistic-scientific graduate program »Performing Citizenship« at HafenCity University Hamburg. As the artistic director of »Antje Velsinger / new trouble«, she creates multimedia stage pieces, sound-video-installations, and various research labs. Besides her artistic work, her practice includes writing, teaching, and lecturing at different European universities and art schools.

Frontmatter i
Contents 5
Acknowledgement 7
1. Introduction 9
2. State of the Art 29
3. On Methods 55
4. The first artistic research project "The bodies we are" 63
5. A historical perspective on the body and the ability to play with self-distancing 125
6. The second artistic research project "Let's face it!". 137
7. Conclusion 187
References 199