Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
Inside "The Breakfast Machine" a chicken on squeaky tin legs is cooking you eggs and a squirrel plays tape-recorded birdsong high up in a tree. The Horsemen of the Apocalypse high-tail it into town as cowboys, and the fate of the world is decided by a game of cards. "The Breakfast Machine" is driven by the transformations of fairytale where the dark corners of childhood are explored and found to be alive and well in offices, kitchens and hen-houses. There is more than a hint of East European darkness in Helen Ivory's third collection, which sits more comfortably alongside the animations of Jan Svankmajer than any English poetic tradition.
Price: $16.95
Publisher: Bloodaxe Books
Imprint: Bloodaxe Books
Publication Date:
30 April 2010
ISBN: 9781852248734
Format: Paperback
Helen Ivory is a poet and visual artist. She edits the webzine Ink Sweat and Tears, and is a lecturer for the UEA/National Centre for Writing online creative writing programme. She has published five collections with Bloodaxe Books: The Double Life of Clocks (2002), The Dog in the Sky (2006), The Breakfast Machine (2010), Waiting for Bluebeard (2013) and The Anatomical Venus (2019). Fool’s World, a collaborative Tarot with artist Tom de Freston (Gatehouse Press), won the 2016 Saboteur Best Collaborative Work award. A book of collage/ mixed media poems, Hear What the Moon Told Me, was published KFS in 2017, and a chapbook, Maps of the Abandoned City, by SurVision in 2019. She has received an Eric Gregory Award from the Society of Authors, and was awarded Arts Council funding and an Author’s Award from the Society of Authors to work on The Anatomical Venus. She lives in Norwich.