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The Electrocutionist

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Jaggedly depicting a mother’s death against the backdrop of a shattering affair, The Electrocutionist explores infidelity, athleticism, family loss, and the confines of traditional romantic relatio...
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  • 10 November 2026
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Once upon a time, you folded / around me like an envelope.

Confronting the contradictions, pains, and passions of infidelity, Danielle Hubbard’s new poetry collection jaggedly depicts a mother’s death against the backdrop of a shattering extramarital affair.

Following a strong narrative arc, The Electrocutionist shocks life into a full cast of characters – narrator, husband, lover, mother, father, sisters – each of whom is treated to their own portrait poem. The twin settings of rural Manitoba and Vancouver Island come to life as characters themselves. An electric physicality welds the collection together: What to do in the face of a mother’s terminal diagnosis? When a secret affair crashes into the open? When a marriage ties itself in knots? When a husband leaves? Run, run, run.

Both concrete and surreal, flailingly emotional and tongue-in-cheek, The Electrocutionist bridges the age-old tradition of romance and the modern desire to explode the strictures of monogamy.

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Price: $19.95
Publisher: McGill-Queen's University Press
Imprint: McGill-Queen's University Press
Publication Date: 10 November 2026
ISBN: 9780228028284
Format: eBook
BISACs: POETRY / Canadian
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“Energy in these poems is language, sound, and cadence; the physicality of this speaker pounds through the poems. The mother’s cancer and death paves and weaves between the narrator’s marriage and affair. Life’s elliptical dissatisfaction, an X-acto knife, and grief the muscled organ and bone, the force of the body running. Which ecstasy or tragedy can we stick a pin in? Who will squirm? The speaker, the reader, or the poems themselves.” Yvonne Blomer, author of Death of Persephone: A Murder

“Line after line in this book I read out loud, letting Hubbard’s words shape my voice: ‘Cellophane, Saran Wrap, monosodium glutamate. / I munch the inside of my cheek. / I mount the metaphorical monorail. I slather / salt on my omelet. // Monotremes are the last / egg-laying mammals. Whatever.’ This book is a song to the pleasures and dangers of life, words, the mortal body and all its languages. And because of that, it is also an elegy for the death of loved ones and a hymn to their memory.” Richard Harrison, Mount Royal University

“A tiny fuse burns inside these poems, a self set like a spark along exposed wire. Hubbard tests the capacity of desire, identity, and fidelity in a world made of yolk with all the appliances set on high. Here is the heart travelling on an alternating current, staying the course between domesticity and detonation. Hubbard shows us language as pure conduction.” Jennifer Still, author of Comma and the 2025–26 Winnipeg Poet Laureate
Danielle Hubbard is chief executive officer of the Okanagan Regional Library. Her poetry has appeared in The New Quarterly, EVENT, Grain, and The Malahat Review, among other places.