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The genres of Renaissance tragedy
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25 February 2019

Daniel Cadman is Lecturer in English at Sheffield Hallam University
Andrew Duxfield is Lecturer in English at the University of Liverpool
Lisa Hopkins is Professor of English at Sheffield Hallam University
Table of Contents
Introduction - Daniel Cadman, Andrew Duxfield and Lisa Hopkins
1. De Casibus tragedy: Marlowe’s Tamburlaine the Great - Andrew Duxfield
2. Biblical tragedy: George Peele’s David and Bethsabe - Annaliese Connolly
3. Closet tragedy: Fulke Greville’s Mustapha - Daniel Cadman
4. Tragedy of state: Macbeth - Alisa Manninen
5. Domestic Tragedy: Yarington(?)’s Two Lamentable Tragedies - Lisa Hopkins and Gemma Leggott
6. Rome and tragic ambivalence: the case of Jonson’s Sejanus - John Curran
7. Satiric tragedy: The Revenger’s Tragedy -Gabriel Rieger
8. Revenge tragedy: Hoffman - Derek Dunne
9. “Ha, O my horror!” grotesque tragedy in John Webster’s The White Devil - Paul Frazer
10. She-Tragedy: lust, luxury and empire in John Fletcher and Philip Massinger’s The False One - Domenico Lovascio
11. Ford’s Perkin Warbeck as historical tragedy - Sarah Dewar-Watson
Caroline tragedy: James Shirley’s The Traitor - Jessica Dyson
Index