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The Jewish Persona in the European Imagination

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This book argues that the representation of Jews in European literature has little to do with actual, human Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Ot...
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  • 10 September 2010
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This book proposes that the idea of the Jews in European cultures has little to do with actual Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Other, eternally reenacting their morally ambiguous New Testament role as the Christ-bearing and -killing chosen people of God. Through new readings of canonical Russian literary texts by Gogol, Turgenev, Chekhov, Babel, and others, the author argues that these European writers—Christian, secular, and Jewish—based their representation of Jews on the Christian exegetical tradition of anti-Judaism. Indeed, Livak disputes the classification of some Jewish writers as belonging to "Jewish literature," arguing that such an approach obscures these writers' debt to European literary traditions and their ambivalence about their Jewishness.

This work seeks to move the study of Russian literature, and Russian-Jewish literature in particular, down a new path. It will stir up controversy around Christian-Jewish cultural interaction; the representation of otherness in European arts and folklore; modern Jewish experience; and Russian literature and culture.

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Price: $75.00
Pages: 512
Publisher: Stanford University Press
Imprint: Stanford University Press
Series: Stanford Studies in Jewish History and Culture
Publication Date: 10 September 2010
Trim Size: 9.00 X 6.00 in
ISBN: 9780804770552
Format: Hardcover
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"[T]here is a profound lack of research concerning [...] the presence of Jewish components in Russian culture. This vacuum begs the question whether Jewish-Russian cultural contacts can be considered a dialogue at all [...]. This is the key question in Leonid Livak's book The Jewish Persona in the European Imagination: A Case of Russian Literature . . . Livak offers fascinating interpretations of Anton Chekhov's stories 'Tina' and 'Skripka Rotshil'da' . . . [T]he examples of Jewish themes in Russian literature per se are quite scare, and most of them have found their way into this book."
Leonid Livak is Associate Professor at the University of Toronto, where he teaches at the Department of Slavic Languages and Literatures and in the Centre for Jewish Studies. He is the author of How It Was Done in Paris: Russian Émigré Literature and French Modernism (2003).