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Although the Nijmegen artists Herman, Paul and Jean de Limbourg were barely thirty years old when they suddenly died in 1416, they already had a formidable career behind them. Now, almost six hundred years after their creation, the colourful and highly refined miniatures in the Belles Heures and Très Riches Heures du Duc de Berry still speak vividly to our imagination. In 2005 Museum Het Valkhof in Nijmegen presented the exhibition ‘The Limbourg Brothers. Nijmegen Masters at the French Court (1400-1416)’. This was the first time that original miniatures from four manuscripts by the Limbourg brothers were shown in the Netherlands. The exhibition formed an excellent opportunity to invite prominent scholars to share their views on the art of the Limbourg brothers during a two-day conference. This publication presents in written form the conference papers delivered by some of the leading scholars in the field. In that respect, the volume acts as an addendum to the catalogue.
Contributors are Hanneke van Asperen, Gregory T. Clark, Herman Th. Colenbrander, Rob Dückers, Eberhard König, Margaret Lawson, Stephen Perkinson, Pieter Roelofs and Victor M. Schmidt.
Contributors are Hanneke van Asperen, Gregory T. Clark, Herman Th. Colenbrander, Rob Dückers, Eberhard König, Margaret Lawson, Stephen Perkinson, Pieter Roelofs and Victor M. Schmidt.
Price: $143.00
Pages: 218
Publisher: Brill
Imprint: Brill
Publication Date:
25 March 2009
ISBN: 9789004175129
Format: Hardcover
"De succesvolle Nijmeegse tentoonstellingen en de bijbehorende catalogus inspireerden tot nieuwe verkenningen van het werk van de gebroeders Limburg, de receptie van hun werk, hun invloed en de (kunst)historische context waarbinnen ze actief waren. De in dit boek neergelegde resultaten laten zien dat uiteenlopende benaderingen tot nieuwe inzichten kunnen leiden." - Wim van Anrooij, in: De Gulden Passer 88 (2010) 149-150
Rob Dückers (1972) studied Art History and Classical Archaeology at Radboud University Nijmegen and Codicology at Leiden University. He specializes in medieval codices and in ecclesiastical art, publishing regularly in both fields. He was co-curator of the exhibition 'The Limbourg Brothers. Nijmegen Masters at the French Court 1400-1416'. Dückers is attached to Emerson College European Center and to the treasury at the Basilica of Saint Servatius in Maastricht.
Pieter Roelofs (1972) studied Art History and Classical Archaeology at Radboud University Nijmegen. He has been Curator of Seventeenth Century Dutch Painting at the Rijksmuseum Amsterdam since 2006. Roelofs has been involved in a variety of exhibitions in the Netherlands and abroad and has published on a wide range of art-historical themes. In 2005 he was project manager and co-curator of the exhibition 'The Limbourg Brothers. Nijmegen Masters at the French Court 1400-1416'.
Pieter Roelofs (1972) studied Art History and Classical Archaeology at Radboud University Nijmegen. He has been Curator of Seventeenth Century Dutch Painting at the Rijksmuseum Amsterdam since 2006. Roelofs has been involved in a variety of exhibitions in the Netherlands and abroad and has published on a wide range of art-historical themes. In 2005 he was project manager and co-curator of the exhibition 'The Limbourg Brothers. Nijmegen Masters at the French Court 1400-1416'.