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The Lumière Galaxy

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Travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema
  • 03 March 2015
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Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations.

Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.

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Price: $35.00
Pages: 312
Publisher: Columbia University Press
Imprint: Columbia University Press
Series: Film and Culture Series
Publication Date: 03 March 2015
Trim Size: 9.00 X 6.00 in
ISBN: 9780231172431
Format: Paperback
BISACs: PERFORMING ARTS / Film / History & Criticism, SOCIAL SCIENCE / Media Studies, ART / Criticism & Theory, ART / Film & Video, PERFORMING ARTS / Film / Direction & Production
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This is a passionate defense of both cinema and cinema studies, written by someone with a thorough command of both film and media theory and driven by a passion for cinema that covers the latest and most advanced incarnations of the screen arts as well as their history. Intellectually astute, refreshing, and liberating, Casetti's work aims to give cinema a new lease on life both as a cultural object and an object of academic study.
Francesco Casetti is professor of film and media at Yale University. His most recent book is Eye of the Century: Film, Experience, Modernity.

Acknowledgments
Introduction
1. Relocation
2. Relics/Icons
3. Assemblage
4. Expansion
5. Hypertopia
6. Display
7. Performance
8. The Persistence of Cinema in a Post-Cinematic Age
Notes
Bibliography
Index