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How does literature evoke reality? This book takes cues from the history of scientific observation to provide a new approach to this longstanding question of literary studies. It reconstructs a narrative technique of ‘literary’ observation in which reality appears by mimicking processes of visual perception, and it traces the functioning of this technique through a wide range of European fiction from the early 18th to the late 19th centuries.
Price: $139.99
Pages: 192
Publisher: De Gruyter
Imprint: De Gruyter
Publication Date:
05 November 2018
ISBN: 9783110595185
Format: Hardcover
BISACs:
LIT006000 LITERARY CRITICISM / Semiotics & Theory, LIT020000 LITERARY CRITICISM / Comparative Literature, LIT025000 LITERARY CRITICISM / Subjects & Themes / General, SCI000000 SCIENCE / General, SCI043000 SCIENCE / Research & Methodology
How can literature show us a world that appears 'real'?
The basic premise of this book is that literature, in order to achieve this goal, has to emulate the way we experience the world visually, bringing curious objects to our attention and showing us how these objects develop over time. In terms of narratology, this means that literature must find ways to combine a vivid description of new images with a narrative in which these images are set in motion. This book thus moves beyond established approaches that associate realism’s visuality with description alone to argue that the imitation of visual perception is the product precisely of the combination of description with narration – a technique introduced here as literary observation. Through readings of European fiction from the early eighteenth to the late nineteenth centuries, this book explores how this technique is supported – and complicated – by a range of cultural and literary expectations.
Combining recent work in the history of knowledge with traditional questions of literary theory, The Narratology of Observation expands the conceptual vocabulary for analyzing fiction and offers new insights into the study of European realism.
The basic premise of this book is that literature, in order to achieve this goal, has to emulate the way we experience the world visually, bringing curious objects to our attention and showing us how these objects develop over time. In terms of narratology, this means that literature must find ways to combine a vivid description of new images with a narrative in which these images are set in motion. This book thus moves beyond established approaches that associate realism’s visuality with description alone to argue that the imitation of visual perception is the product precisely of the combination of description with narration – a technique introduced here as literary observation. Through readings of European fiction from the early eighteenth to the late nineteenth centuries, this book explores how this technique is supported – and complicated – by a range of cultural and literary expectations.
Combining recent work in the history of knowledge with traditional questions of literary theory, The Narratology of Observation expands the conceptual vocabulary for analyzing fiction and offers new insights into the study of European realism.