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The Rediscovered Writings of Veza Canetti
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A fresh, nuanced view of Veza Canetti's literary career and its relationship to that of her famous husband.The Viennese playwright, novelist, and short-story writer Veza Canetti was born in 1897 in...
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02 April 2007

A fresh, nuanced view of Veza Canetti's literary career and its relationship to that of her famous husband.
The Viennese playwright, novelist, and short-story writer Veza Canetti was born in 1897 into a mixed Sephardic-Ashkenazi Jewish family and died in 1963 in London. Part of the avant garde in 1920s Vienna (where she met her future husband and Nobel Prize winner, Elias Canetti), from 1932 she wrote radical short stories drawn from everyday life for the Vienna Arbeiter-Zeitung. After censorship under the so-called Corporate State reduced her opportunities for publication, she disguised her critique in irony and humor, but from then on published little. Until 1990, when her first novel, Yellow Street, was finally published, Veza was known only as her husband's muse and literary assistant. As more of her writings appeared, critics became convinced that it was he who was responsible for her decline into obscurity, notwithstanding his protestations of support and admiration. This biography tells a more nuanced story, presenting Veza's literary career against the background of her troubled times, drawing on Elias's unpublished papers to assess their literary partnership, showing how their early writings constituted a private dialogue on topics as diverse as feminism and Jewish identity and how several key themes in his work are anticipated in hers.
Julian Preece is Professor of German at the University of Wales, Swansea.
The Viennese playwright, novelist, and short-story writer Veza Canetti was born in 1897 into a mixed Sephardic-Ashkenazi Jewish family and died in 1963 in London. Part of the avant garde in 1920s Vienna (where she met her future husband and Nobel Prize winner, Elias Canetti), from 1932 she wrote radical short stories drawn from everyday life for the Vienna Arbeiter-Zeitung. After censorship under the so-called Corporate State reduced her opportunities for publication, she disguised her critique in irony and humor, but from then on published little. Until 1990, when her first novel, Yellow Street, was finally published, Veza was known only as her husband's muse and literary assistant. As more of her writings appeared, critics became convinced that it was he who was responsible for her decline into obscurity, notwithstanding his protestations of support and admiration. This biography tells a more nuanced story, presenting Veza's literary career against the background of her troubled times, drawing on Elias's unpublished papers to assess their literary partnership, showing how their early writings constituted a private dialogue on topics as diverse as feminism and Jewish identity and how several key themes in his work are anticipated in hers.
Julian Preece is Professor of German at the University of Wales, Swansea.
Price: $120.00
Pages: 196
Publisher: Boydell & Brewer Inc.
Imprint: Camden House
Series: Studies in German Literature Linguistics and Culture
Publication Date:
02 April 2007
Trim Size: 9.00 X 6.00 in
ISBN: 9781571133533
Format: Hardcover
BISACs:
LITERARY CRITICISM / European / German, LITERARY CRITICISM / Women Authors, BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures, Literature: history and criticism, Gender studies: women and girls
One of the most exciting events in German literature of the last few years has been the reappearance of Veza Canetti (1897-1963). The short stories she published in the 1930s had long been forgotten when five of them...were published in book form as Die Gelbe Strasse (Yellow Street) in 1990. [Her] controlled artistry, her injection of subtle, sometimes bitter irony into her informal narrative prose... made this a new and disturbing literary experience.... In this biographical and thematic study, Preece sensitively investigates the contradictions in Veza Canetti's life and work.... [T]he Rediscovered Writings of Veza Canetti is an indispensable starting point.
Introduction
A Lost Literary Life Recovered: Veza Canetti
The Case of Veza Magd
Shared Beginnings
Workers' Writer: Veza at the Arbeiter-Zeitung, 1932-33
What's in a Name? On Maids
Writing under Cover, 1934-38
Portraits
Rivalry and Partnership
Works Cited
Index
A Lost Literary Life Recovered: Veza Canetti
The Case of Veza Magd
Shared Beginnings
Workers' Writer: Veza at the Arbeiter-Zeitung, 1932-33
What's in a Name? On Maids
Writing under Cover, 1934-38
Portraits
Rivalry and Partnership
Works Cited
Index