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But her story does not begin with a gun. It begins fourteen years earlier—with her rebellion against the pressure to find a husband, her affair with a wealthy married man called Doc, and her discovery that she’s pregnant on the same day of Doc’s unexpected death.
To avoid the shame of being an unwed mother, Sali accepts Kasunga’s proposal, and finds herself suddenly thrust into the shipikisha club: her society’s expectations that it is a wife’s duty to endure. Over the years, Sali navigates her husband’s infidelities and alcohol-filled nights, their money troubles, and her postpartum depression in silence. Until the day she speaks her mind, and Kasunga puts a gun in her face.The trial is a national scandal. Many are called to testify—the maid, Kasunga’s mother, and Ntashé, Sali's fifteen-year-old daughter. Even after Sali’s diary is dissected and laid bare for all to see, Sali calls no witnesses to her defense. With Kasunga gone, only Sali will ever know the truth. But is the truth enough?
Told through the rotating perspectives of Sali, Ntashé, and Sali’s mother Peggy, The Shipikisha Club is a riveting story of gender politics in Zambia and the world at large—a must-read for fans of Peace Adzo Medie, Abi Daré, Tayari P. Jones, and On Becoming a Guinea Fowl.
The Shipikisha Club is electric. From the very first page I was pulled into the worlds of Ntashé and her mother. This is a book where the passages, full of beautifully spare, sharp words, are there to serve the story of relationships put to severe tests."
—Farah Ali, author of The River, the Town“In The Shipikisha Club, Kalimamukwento creates an unflinching account of the myriad forms of intimate violence and betrayal within a patriarchal system, interspersed with moments of startling tenderness. She rejects moral certitude, instead pulling us into the minds of messy, complex women attempting to survive and connect in an unjust world. Kalimamukwento vividly renders the daily indignities of familial spaces with perfectly calibrated prose, every word uncompromising and honest, until the emotional and physical geography of these homes are seared into our brains.”
—Sarah Yahm, author of Unfinished Acts of Wild Creation