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The Strict Metrical Tradition

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In the recent surge of interest in metre on the part of theorists in different disciplines and of practicing poets, the central issue has been that of variations in the iambic pentameter. Keppel-Jo...
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  • 04 May 2001
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In the recent surge of interest in metre on the part of theorists in different disciplines and of practicing poets, the central issue has been that of variations in the iambic pentameter. Keppel-Jones approaches this subject in a way that somewhat resembles Derek Attridge's, but is in fact very different.

Keppel-Jones's study focuses on a period of 275 years, during which iambic pentameter variations were conducted with special precision. Representative blocks of verse are chosen from major poets in original authoritative editions, and each variation is analysed on the basis of all cases of that variation. To give precision to certain of the principles, Keppel-Jones follows the linguist Bruce Hayes' definitions of boundaries between word-groups, but handles this material in such a way as to be understood by the general reader.

Keppel-Jones found that the practical result of this study is a new metre that he allows him to apply the principles of iambic variation to the anapest. His fascinating and original approach to iambic pentameter will appeal to scholars in the field and also to people with a general interest in poetry.

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Price: $125.00
Pages: 296
Publisher: McGill-Queen's University Press
Imprint: McGill-Queen's University Press
Publication Date: 04 May 2001
ISBN: 9780773521612
Format: Hardcover
BISACs: LITERARY CRITICISM / Poetry
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"A unique and original contribution to the field. Keppel-Jones' analysis is often astounding." Ronald Marken, Department of English, University of Saskatchewan "Genuinely valuable and original work in the field of metrics. It represents a major contribution to research in a field that seems in general to be characterized by labourious re-inventions of the wheel. Keppel-Jones' double-footed approach to metrical practice is genuinely illuminating, and his systematic relation of such practices to particular rhythmic effects is novel and convincing." Peter Groves, Department of English, Monash University