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The Wreckers

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From Zimbabwean author George Makana Clarke, an audacious, darkly comic, and wildly entertaining epic of pirates, con men, and the enduring scars of the slave trade. Lisbon, 1954. In the Military H...
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  • 04 August 2026
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From Zimbabwean author George Makana Clarke, an audacious, darkly comic, and wildly entertaining epic of pirates, con men, and the enduring scars of the slave trade.

Lisbon, 1954. In the Military History Archives, a mysterious figure steals the Last Will and Testament of Garoto Bárbaro de Castro—a list of thirteen bequests, and a record of Garoto’s remarkable life story. It is also a window onto many other lives connected to his, including that of the archival thief—his descendent, Nuno Bárbaro de Castro. 

After stealing Garoto’s Last Will and Testament, Nuno—artifact hunter, grave-robber, conman, fake veterinarian, and agent of Angolan Independence—sets off to hunt the listed artefacts, and unintentionally begins to collect the distant relatives of those mentioned in the Will, even when they don’t want to be collected... 

A Hundred Years of Solitude meets The Count of Monte Cristo, The Wreckers is a centuries-spanning tour de force thatmoves between Angola, Cuba, and Louisiana’s “Angola” prison to examine the scars of the transatlantic slave trade, and the consequences of prolonged civil war. 

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Price: $28.00
Pages: 350
Publisher: Europa Editions
Imprint: Europa Editions
Publication Date: 04 August 2026
Trim Size: 9.00 X 6.00 in
ISBN: 9798889662006
Format: Hardcover
BISACs: FICTION / Historical / 19th Century / General, Historical fiction, FICTION / Places / Caribbean & Latin America, FICTION / Literary, FICTION / Sagas
REVIEWS Icon

“An extraordinary novel, and a work of rare conception, bringing together, within one individual, the painfully conflicted history of southern Africa.”—Brian Chikwava 

“This dark, graceful novel challenges all the conventions. The result is mythic, dark and oracular.”—Adam Johnson 

“The wonderful, poetic voice, at once fantastic and realistic, stands out from contemporary African literature.”—Alain Mabanckou 

“Potent and strange.”—Jonathan Barnes, Literary Review