We're sorry. An error has occurred
Please cancel or retry.
The Wrong Person to Ask
Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
Couldn't load pickup availability
-
05 December 2023

Marjorie Lotfi’s award-winning debut collection is a book of two halves, each a meditation on the idea of home, both the places we start and end up in our lives.
Spanning a childhood in Iran dislocated by revolution, through years as a young woman in America, to her current home in Scotland, these poems ask what it means to come from somewhere else, what we carry with us when we leave, and how we land in a new place and finally come to rest.
Winner of the James Berry Poetry Prize 2021
Winner of the Felix Dennis Prize for Best First Collection 2024 (Forward Prizes)
Winner of the Forward Prize for Best First Collection 2024
Poetry Book Society Special Commendation
"The Wrong Person to Ask by Marjorie Lotfi is a wondrous treasure – elegant poems of great tenderness and detail, vivid in heart and imagery, mesmerizing in power. Whole worlds and people shimmer alive through scenes and stories of exile, departure, arrival, but most importantly, clear witness and remembrance. A deeply honoring book fully built of love."—Naomi Shihab Nye
‘In this unforgettable and assured debut collection, Lotfi explores issues of belonging and identity – firstly the lost world of an Iranian childhood through the eyes of a young refugee and ultimately the found worlds of America and Scotland. She brilliantly illustrates the little tragedies of global politics by focussing on the luminous, ordinary rituals of daily life. These are poems built both to haunt and reaffirm us; poems of the living, breathing world and our overarching right to find a home in it.’ – John Glenday
‘The Wrong Person to Ask by Marjorie Lotfi moves effortlessly across time and space to revisit experiences of displacement and exile during the Iranian revolution. It also examines the contours of her current home in Scotland through meditations and memories of family and migration. Knowingly, tenderly, and not without pain, these poems are reflections on place and the complicated feelings that accompany leaving a place and arriving elsewhere. The Wrong Person to Ask is as precise as it is dynamic; every line is exact, and each image carefully sculpted.’ – Alycia Pirmohamed, on behalf of the Forward Prize Judges
'...my stand-out book of the year is Marjorie Lotfi’s award-winning debut collection of poems, The Wrong Person to Ask. [...] Shaped by her migrations from Iran to America to Scotland, her poems are meditations on the themes of exile, refuge, memory, place, and the pressing grip of what has gone. They are beautiful.' – Stephen Cottrell, Archbishop of York, Church Times (Books of the Year 2024)
‘Against this backdrop of rigid political boundaries, Lotfi’s collection is also in intimate conversation with the natural world, a relationship which offers new ways of understanding emplacement beyond ideas of nationhood.’ - Andrés Ordorica, The Skinny
‘The poems span her childhood in pre-revolutionary Iran, years spent in the United States and her current life in Scotland. With such a globe-spanning personal history there is, inevitably, much questioning of what constitutes home and identity.’ – The Scotsman
‘Lotfi’s imagistically rich debut collection moves from her childhood in Iran, where her family were uprooted by the revolution, to her youth in America and her current home in Scotland. Lotfi is sensitively attuned to the painful dislocation of self that can come from moving between different nations … Again and again her radiant language turns over the loss of family intimacy and identity caused by political upheaval and violence … Lotfi’s book mourns these losses and separations, while at the same time rendering the possibilities of a capacious, multifaceted sense of belonging: “And what is home if not the choice – / over and over again – to stay?”’ - Rebecca Tamás, The Guardian (Books of the Month, The best recent poetry)
‘Marjorie Lotfi’s first full-length collection, The Wrong Person to Ask is a clear-eyed, sometimes productively reticent debut, and was one of three winners of the James Berry Poetry prize… Lotfi is a quiet and faithful witness. There is no self-indulgent introspection. She insists on seeing what she sees.’ – Carol Rumens, The Guardian (Poem of the Week)
'Loss echoes through this collection; loved ones, the voices of the many lost at sea trying to find a safe haven, or national (collective) moments of grief. Home is a sense of absence a well as being present but Lotfi leaves a light ablaze, "like a candle in a cathedral, for the keeping of vigil".' – Roy McFarlane, Selector, Poetry Book Society, PBS Winter Bulletin 2023, on The Wrong Person to Ask
‘Lotfi’s poetry embraces uncertainty, spanning continents and histories, often grounding itself in the wider connections between people and places ... The Wrong Person to Ask challenges us on what we expect from poetry, and poets, in an elegant and unforgettable way.’ — Sean Wai Keung, Gutter
‘This debut title comes to terms with displacement and settlement […] using the contours of Lotfi and her family’s journeys to put together a collection that is full of heart even as it tackles tough political themes.’ – Gail Low, DURA (Dundee University Review of the Arts)
‘The Wrong Person to Ask is a narrative arc of exile and homecoming […] Lotfi’s poetics of compassion challenges us to reconsider the nature of home for the migratory subject, asserting a new concept of belonging that dances between rooting and rootlessness.’ – Orla Polten, New Internationalist
'Marjorie Lofti’s debut collection portrays lives that find themselves, again and again, on the wrong side of history, compelled to preserve their own stories [...] Awarded the James Berry Poetry Prize and a Poetry Book Society Special Commendation, the collection of emigration shimmers with ‘what remains’.' - Lesley Sharpe, The Alchemy Spoon
‘The question of any exile — where is home? — is a theme running through the whole collection.’ – Ruth Aylett, Morning Star
‘It's this depth that I’ve found most satisfying in Lotfi’s work, the way her past is inescapable and shapes her thinking about the present. […] Lotfi’s work is too nuanced, too reflective, to insist on a single answer. She isn’t the right person to ask because she knows how complicated the whole question is which may, paradoxically, make her exactly the right person to ask. These poems are her answer. They speak directly to the reader, which is what makes them so memorable. And they are relevant: just look at the news.’ – DA Prince, The Friday Poem
13 Refuge
14 On seeing Iran in the news, I want to say
15 The Wrong Person to Ask
16 Two Grandmothers
17 Maman Bozorg
18 The gun in its holster
19 Riding the Line
20 The Game
21 Crossing the street for mother’s cigarettes
22 Shut Out the Noise
23 Packing for America
24 Hope
25 To the Airport
26 Origin
27 The Last Thing
28 Alarm I
29 Alarm II
30 I Picture of Girl and Small Boy (Burij, Gaza, 2014)
31 II Picture of Boy, Looking Away (Gaza, 2015)
32 Gabriella’s Dream
33 What You See in the Dark
34 Wishbone
35 Correction
36 Destruction of the Forty Martyrs Cathedral, Aleppo, Syria
37 Granddaughter, I entered your mother’s house
38 Checkpoint, Matveyev Kurgan
39 Khanoom
40 The End of the Road
40 i [There’s a moment every morning]
41 ii [Each breath in this place]
42 iii [Every blade against the cutting-board]
43 iv [She takes her boys back every summer]
44 v [Even in this lack of light, she sees]
45 vi [The boys carry her good looks]
46 vii [In her eightieth year, she sees her sisters]
II
49 Sea Gooseberry (Pleurobrachia)
50 Sunday on the Luing Sound
51 Number 9 Cullipool
52 Sunflower
53 Star of the Sea
54 Williamina Fleming
55 What Work Is
56 Omega Centauri
57 Drift
58 Say It’s Nothing, Say It’s Rust
59 Horizon
60 Out to Sea
61 When They Ask
62 The Trunk
63 After the Match
64 The first thing he doesn’t forget
65 The Unfinished House
66 Storm Light
67 The Last Keeper
68 Citizen
69 Moving
70 And this is how it begins
71 O Love!
72 Edward Thomas on His Last Night with Helen
73 Keep
74 The Hebridean Crab Apple
76 Acknowledgements