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Grocery-store clerk Beth has had a hell of a week. A hell of a life, actually, full of people squashing her soul. And after pushing back at life—stabbing a steak to her boss’s desk and lighting a magazine rack on fire, for instance—freshly unemployed Beth regroups at her mom’s suburban home. Just when Beth starts to think she’s to blame for systemic limits, the gift of a bird feeder sparks a relationship with a talking Crow who reconnects her with her true power.
This sly chamber piece from new voice Caleigh Crow turns post-capitalism ennui on its head with a righteous fury. It unearths the subtle (and not so subtle) ways we gaslight the marginalized, especially Indigenous women, people living with mental-health afflictions, and anyone struggling to make ends meet in low-income service jobs. There Is Violence captures the vivacity and humour of one truly remarkable woman not meant for this earth, and brings her to her own glorious transcendence.
Caleigh Crow is a queer Metis theatre artist from northeast Calgary. Previous playwriting topics include a talking crow and a grocery clerk, the mass coronal ejection of 1859, the Antifa supersoldier, the intersection between twelfth century Franciscan nuns and Britney Spears, remote viewing, witch revenge, and a landlord musical. She is the co-founder and artistic lead of Thumbs Up Good Work Theatre. Her work tends towards themes of metaphysics, class struggle, magic, and serious whimsy.