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Beginning in New York in 1944, James Campbell finds the leading members of what was to become the Beat Generation in the shadows of madness and criminality. Jack Kerouac, Allen Ginsberg, and William Burroughs had each seen the insides of a mental hospital and a prison by the age of thirty. A few months after they met, another member of their circle committed a murder that involved Kerouac and Burroughs as material witnesses.
This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. From "The First Cut-Up"--the murder in New York in 1944--we end up in Paris in 1960 with William Burroughs at the Beat Hotel, experimenting with the technique that made him notorious, what Campbell calls "The Final Cut-Up."
In between, we move to San Francisco, where Ginsberg gave the first public reading of Howl. We discover Burroughs in Mexico City and Tangiers; the French background to the Beats; the Buddhist influence on Kerouac, Gary Snyder, and others; the "Muses" Herbert Huncke and Neal Cassady; the tortuous history of On the Road; and the black ancestry of the white hipster.
This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. From "The First Cut-Up"--the murder in New York in 1944--we end up in Paris in 1960 with William Burroughs at the Beat Hotel, experimenting with the technique that made him notorious, what Campbell calls "The Final Cut-Up."
In between, we move to San Francisco, where Ginsberg gave the first public reading of Howl. We discover Burroughs in Mexico City and Tangiers; the French background to the Beats; the Buddhist influence on Kerouac, Gary Snyder, and others; the "Muses" Herbert Huncke and Neal Cassady; the tortuous history of On the Road; and the black ancestry of the white hipster.
Price: $30.95
Pages: 333
Publisher: University of California Press
Imprint: University of California Press
Publication Date:
November 19, 2001
Trim Size: 9.00 X 6.00 in
ISBN: 9780520230330
Format: Paperback
"What is it that imbues the Beats with such a mystical aura of glamour, and causes their lives, as much as their books, to be regarded as sacred texts of a particular school of non-conformism? These are the questions that James Campbell has addressed in this brilliantly sympathetic and compelling analysis of the Beat phenomenon."
"The effect of reading this admirable account of the Beats is like looking down the wrong end of a kaleidoscope: the colourful flutter of fun seems a long way off but, if you narrow your eyes, still vivid and vital."
"A hugely entertaining history . . . a simply terrific book. Racy, perceptive, and beautifully written. It is an indispensable addition to the library of books already written about the Beat Generation, and the perfect starting point for anyone who has ever wondered what the fuss was all about."
"Literary biography serves the delightful function of providing its reader with a little lurid gossip, if not a critical history. Thankfully, James Campbell dishes out plenty of both in This Is the Beat Generation, wherein he chronicles one of the most (in)famous literary movements of the twentieth century. This book nicely illustrates, in a tone neither worshipful nor deploring, how resolutely the Beat movement was borne out of friendship, and is often less tiresome than reading actual beat writing."
"The tale is anchored in a set of ideas, rather than merely a suite of personalities. Campbell’s breadth of reference is more deeply historical than is common in this field. He has an agreeable style, as well. . . . Campbell sorts out the story much more coherently, thoughtfully and skillfully than others with the same mission. He writes with genuine sympathy, though he’s not a Beat mythologizer. Nor a Beat debunker, either. He’s a Beat contextualizer."
"William S. Burroughs once wrote that the word 'hip' defies definition, 'because, if you don't dig what it means, no one can ever tell you.' He is probably right, but you would certainly have a better idea after reading James Campbell's sharp, dark, and often funny book. . . . Probably the best single book on the subject so far, this really is the Beat Generation."
James Campbell is the author of Exiled in Paris and Talking at the Gates: A Life of James Baldwin. He was born in Glasgow, Scotland, and was for many years an editor and columnist at the Times Literary Supplement in London.
Foreword
PART I: I CAN FEEL MYSELF DRIFTING....
1. Crazy wisdom
2. The first cut-ups
Behind the beat: Hipikats
3. The muses: Huncke-junkies and Neo-Cassady
Behind the beat: Naked Neal
4. The little auto
Behind the beat: Neurotica
5. The place of dead roads
Behind the beat: The scroll
6. Beat, in black and white
Behind the beat: Broyard
PART II: ....FURTHER AND FURTHER OUT
7. Sutra on the subway
Behind the beat: City Lights
8. You're a Genius all the time
Behind the beat: As food as Proust
9. Death to Van Gogh's Ear
10. The birth of the beatnik
Behind the beat: as he leaps Updike swing
11. Terminal cut-up
Notes
index
Illustrations
PART I: I CAN FEEL MYSELF DRIFTING....
1. Crazy wisdom
2. The first cut-ups
Behind the beat: Hipikats
3. The muses: Huncke-junkies and Neo-Cassady
Behind the beat: Naked Neal
4. The little auto
Behind the beat: Neurotica
5. The place of dead roads
Behind the beat: The scroll
6. Beat, in black and white
Behind the beat: Broyard
PART II: ....FURTHER AND FURTHER OUT
7. Sutra on the subway
Behind the beat: City Lights
8. You're a Genius all the time
Behind the beat: As food as Proust
9. Death to Van Gogh's Ear
10. The birth of the beatnik
Behind the beat: as he leaps Updike swing
11. Terminal cut-up
Notes
index
Illustrations