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Thomas Nashe and literary performance
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23 July 2024

Chloe Kathleen Preedy is Associate Professor in Early Modern Drama at the University of Exeter
Rachel Willie is Reader in Early Modern Literary Studies at Liverpool John Moores University
A note on dating and spelling
Introduction: Why Nashe? Why now? - Chloe Kathleen Preedy and Rachel Willie
1 ‘Frisking… aloft’: The pneumatic spirits of Thomas Nashe’s ‘paper stage’ - Chloe Kathleen Preedy
2 A flood in a furrow: Nashe, news, and monstrous topicality - Kirsty Rolfe
3 Textual superficiality and surface reading in Nashe’s prose - Douglas Clark
4 ‘When prints are set on work, with Greens & Nashes’: Nashe’s ‘popularity’ revisited – Lena Liapi
5 Thomas Nashe and his terrors of the afterlife - Chris Salamone
6 Thomas Nashe and the virtual community of English writers - Kate De Rycker
7 Thomas Nashe beyond the grave - Rachel Willie
Afterword – Jennifer Richards
Bibliography
Index