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Trauma, Memory, and Narrative in the Contemporary South African Novel

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The contributions to this volume probe the complex relationship of trauma, memory, and narrative. By looking at the South African situation through the lens of trauma, they make clear how the psych...
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  • 01 January 2012
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The contributions to this volume probe the complex relationship of trauma, memory, and narrative. By looking at the South African situation through the lens of trauma, they make clear how the psychic deformations and injuries left behind by racism and colonialism cannot be mended by material reparation or by simply reversing economic and political power-structures. Western trauma theories – as developed by scholars such as Caruth, van der Kolk, Herman and others – are insufficient for analysing the more complex situation in a postcolony such as South Africa. This is because Western trauma concepts focus on the individual traumatized by a single identifiable event that causes PTSD (Post Traumatic Stress Disorder). What we need is an understanding of trauma that sees it not only as a result of an identifiable event but also as the consequence of an historical condition – in the case of South Africa, that of colonialism, and, more specifically, of apartheid. For most black and coloured South Africans, the structural violence of apartheid’s laws were the existential condition under which they had to exist. The living conditions in the townships, pass laws, relocation, and racial segregation affected great parts of the South African population and were responsible for the collective traumatization of several generations. This trauma, however, is not an unclaimed (and unclaimable) experience. Postcolonial thinkers who have been reflecting on the experience of violence and trauma in a colonial context, writing from within a Fanonian tradition, have, on the contrary, believed in the importance of reclaiming the past and of transcending mechanisms of victimization and resentment, so typical of traumatized consciousnesses. Narration and the novel have a decisive role to play here.
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Price: $195.00
Pages: 403
Publisher: Brill
Imprint: Brill
Series: Cross/Cultures
Publication Date: 01 January 2012
ISBN: 9789042035706
Format: Hardcover
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"Art has a powerful ability to reveal depth, complexity and the affective and embodied dimensions, helping us know these things as historical fact and lived experience. The arts can signal presence, highlight absence and tolerate silence without necessarily trying to fill it." - Catherine M. Cole, in: The International Journal of Transitional Justice, Vol. 8 (2014), 314-322
Ewald Mengel is Professor of English and American Literature at the University of Vienna. He has published books on Dickens, Pinter, the novel, translation, and twentieth-century drama. His current research includes the contemporary South African novel and IT in English studies. He is co-editor, with Michela Borzaga, of Trauma, Memory, & Narrative in South Africa: Interviews (2009).
Michela Borzaga, University of Vienna, is currently researching trauma and the contemporary South African novel. She is the co-editor also of Imagination in a Troubled Space: A Poetry Reader (2004).

Contributors: Derek Attridge, David Attwell, Elleke Boehmer, Michela Borzaga, Carmen Concilio, Vilashini Cooppan, Geoffrey V. Davis, Annie Gagiano, Yazir Henry, Sue Kossew, Ruth Leys, Sindiwe Magona, Susan Mann, Ewald Mengel, Michael Meyer, Jochen Petzold, Tlhalo Sam Raditlhalo, Chris N. van der Merwe