“Stephanie Barber's visionary latest, Trial in the Woods, is a philosophical and frequently hilarious dive into violence, blame, truth, communal responsibility, and the absurdity of our institutions. On the surface, this play concerns a crime and a trial, and moves with the deliciously swift pace of a courtroom procedural, but as the interrogations progress the animals at the center of the trial have much to reveal about the essence of human nature. I love the way Barber's work never does quite what I expect, always resists the familiar path, so I emerge from her worlds exhilarated and even changed.”— Laura van den Berg, author of I Hold a Wolf by the Ears

“If Eugène Ionesco were commissioned to write a posthumanist spoof of The Stranger and wellness culture while on acid, the result might look something like Stephanie Barber's rollicking and thoroughly enjoyable Trial in the Woods, a play that casts forest animals to act out our (human) legal rituals. With humor and lyricism, Barber uses absurdist allegory to poke holes in the foundational assumptions of social contract theory. Trial in the Woods raises probing questions about the performativity of law and the relationship between abolition and animality, all the while gracefully balancing philosophical insight and madcap wit.”— Jackie Wang, author of The Sunflower Cast A Spell To Save Us From The Void

“When a brutal murder takes place in broad daylight, how hard can it be to pursue justice? With that question, Stephanie Barber's Trial in the Woods takes me to a strange dream, where civic engagement becomes a carnival of death and the excitement of the crowd turns into a collective paralysis. At first it seems so odd how peacefully these wild animals live with each other—I can't help but wonder how much blood was shed to reach that social agreement. And now it's broken. How far and how deep will these talking animals go to examine the contract that they hold together?”— Zhu Yi, author of Alien of Extraordinary Ability