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»Cornelia and Holger Lund provide a critical reading of the history of Turkish pop music’s reception in Germany, […] the authors point out how their subject is a blind spot in (ethno)musicological research.«
»[The authors] criticize numerous instances of racism that fueled social and cultural divisions […]. Against this backdrop, the authors not only trace the commercial success of Turkish pop music in and from Germany, which has been largely ignored by the ›German dominant society‹, but also place this music in the context of past and current political debates.«
Cornelia Lund is a research fellow at Hochschule für Künste Bremen. She is an art, film and media scholar and curator and has worked in research and teaching, mainly on audiovisual artistic practices, documentary film and practices, design theory, and de- and postcolonial theories. She has curated and collaborated on numerous screenings and exhibitions and is co-director of the independent platform fluctuating images (Berlin) as well as of Seismographic Records.
Holger Lund is a full professor of media design, applied art, and design studies at Duale Hochschule Baden-Württemberg Ravensburg. He works as a researcher on art, design, and music as well as a curator, author, producer and DJ (live and on radio). He runs the record label Global Pop First Wave and is co-director of the independent platform fluctuating images (Berlin) as well as of Seismographic Records.