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This volume investigates the positions of women artists, their institutional frameworks, and the role of other female actors in the art world in Ibero-America and on the Iberian Peninsula from the 19th to the late 20th century, focusing especially on the interweaving of post-/decolonial and feminist approaches. Although women artists could not simply act outside existing power systems, they could mirror them in their works – and thereby challenge them. The overlapping of different regimes of subalternity led to specific strategies of self-empowerment, such as the formation of networks. What role does the fact play that both the Iberian Peninsula and the Ibero-American countries were perceived as a cultural "periphery", although they were simultaneously divided by the colonial wound?
Amrei Buchholz, leitet das Baukunstarchiv an der Akademie der Künste in Berlin; Alicia Fuentes Vega, Assistenzprofessorin der Kunstgeschichte an der Complutense Universität Madrid; Julia Kloss-Weber, Professur für Kunstgeschichte mit Schwerpunkt auf der Frühen Neuzeit an der Paris-Lodron-Universität Salzburg.
Amrei Buchholz, head of the Architectural Archives at the Academy of Arts, Berlin; Alicia Fuentes Vega, assistant professor in art history at Complutense University of Madrid; Julia Kloss-Weber, professor in art history focusing on the early modern period, Paris Lodron University of Salzburg.