We're sorry. An error has occurred
Please cancel or retry.
We Go On
Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
Couldn't load pickup availability
-
07 May 2024

This is a book about the irreducible core of what it is to be human in a world that changes constantly yet repeats and repeats.
Kerry Hardie’s poetry – as the poet Claire Askew has noted – is ‘a dark and gorgeous hymn to mortality’, using images that speak to a place in us that does not depend on fashion or technology but braves that over-used word ‘archetypal’. It is mostly specific to a particular Irish landscape the author knows very well yet sometimes ventures beyond, always with the awareness that fear is our constant companion, but also joy. Its title holds an echo of Beckett: ‘I must go on, I can’t go on, I’ll go on’, and holds something of this despair, while holding to the irrational conviction of ‘being enclosed by light’.
"A book of enormous heart, fragility and courage, very aware of the cycles of life and decay, the wax and wane of seasons, and shot through with a sense of the fragility of life. These finely crafted poems grabbed our attention this year and make a wonderful companion to Kerry Hardie’s previous seven collections, including her Selected Poems, published in 2011."—Peter Sirr and Enda Wyley, Books for Breakfast podcast (Top 10 Poetry Books of 2020), on Where Now Begins
'Kerry Hardie's Where Now Begins is full of a dark, exact lyricism... These, certainly, are poems which speak skilfully to (and from) our times.' – Seán Hewitt, The Irish Times
‘… the overall effect is of language summoned and galvanized in a sensitive and searching book.’ – Vona Groarke, The Irish Times
‘We Go On, Kerry Hardie’s ninth collection is an astonishingly well-crafted and striking consideration of the glory of our fractured and increasingly fragile world […] These are poems where the rhythms of hymns, ballads, elegies and laments, with more than a nod to the Bardic tradition, are honed and whittled to an arresting and haunting clarity. Nothing is superfluous here, every line and metaphor is carefully considered to stitch meaning and imagery together, securely and beautifully.’ – Linda McKenna, The High Window
‘Kerry Hardie’s deceptively simple We Go On explores…vulnerabilities: the fragility of being human in a fickle world. She writes beautifully about the spectre which haunts us all: our mortality.’ – Rachel Mann, The Tablet
10 Tangled
11 Elsewhere
12 We Go On
13 On Trauma, Sickness, Loss
15 The Task
16 Grief
17 At the Château Lavigny, Switzerland
18 Where Do We Live
19 Walls Are Meant to Fall Down
20 How Was It That You Stayed So Long?
21 Whose Is the Song?
22 We Disassemble That First Home
23 Anniversary
24 September Light
25 The Coracle Called Trust-Me
26 Anxiety
27 Against Darkness
28 Thirteen
29 The Muse Is a Red Dog
33 Breakdown
34 And I’m wondering how it has come to this,
35 Achill Lines
36 The Courage Coin
37 Those ‘Homes’
38 Just Another Bomb, Belfast 1974
39 Yesterday
40 The New Dead
41 Herself
42 Impasse
44 Trees in Late May
45 Small Poem
46 Cygnets
47 Pain
48 Shell People
49 Vikings
50 Black Radishes
53 The Departure
54 World, World
55 News from Ireland, 1348
56 Choosing Clothes for My Mother
58 Back Where We Began
59 Domestic War
60 John Anderson, My Jo
61 The Transparent Kaleidoscope
63 The Ground under My Feet
64 Witness
65 A Fable
66 ‘…but I’d rather you didn’t tell anyone…’
67 Borders
68 Empires
69 december’s leavings
70 In the End It Is a Very Private Struggle
71 Collecting the Colony
72 Post-war Story
73 That Box
74 Daughter of the House
75 Freshwater Swim
76 When Orange Were Spanish
77 Making Sense of Things
78 Inviolate
80 Notes