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Winner, The Frantz Fanon Award for an Outstanding Book in Caribbean Thought
We are in the fray of another signature moment in the long history of the United States as a project of anti Black and racial–colonial violence. Long before November 2016, white nationalism, white terrorism, and white fascist statecraft proliferated. Thinking across a variety of archival, testimonial, visual, and activist texts—from Freedmen’s Bureau documents and the “Join LAPD” hiring campaign to Barry Goldwater’s hidden tattoo and the Pelican Bay prison strike—Dylan Rodríguez counter-narrates the long “post–civil rights” half-century as a period of White Reconstruction, in which the struggle to reassemble the ascendancy of White Being permeates the political and institutional logics of diversity, inclusion, formal equality, and “multiculturalist white supremacy.”
Throughout White Reconstruction, Rodríguez considers how the creative, imaginative, speculative collective labor of abolitionist praxis can displace and potentially destroy the ascendancy of White Being and Civilization in order to create possibilities for insurgent thriving.
Preface and Acknowledgments | vii
Introduction: “The Cause Is Effect”: Inhabiting White Reconstruction | 1
1 “I Used Her Ashes”:
Multiculturalist White Supremacy/Counterinsurgency/Domestic War | 35
2 “Let the Past Be Forgotten . . .”:
Remaking White Being, from Reconstruction to Pacification | 59
3 Goldwater’s Tribal Tattoo:
On Origins and Deletions of Post-Raciality | 107
4 “Civilization in Its Reddened Waters”:
Anti-Black, Racial-Colonial Genocide and the Logic of Evisceration | 135
5 “Mass Incarceration” as Misnomer:
Domestic War and the Narratives of Carceral Reform | 176
Epilogue: Abolitionist Imperatives | 215
Notes | 229
Index | 281