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Whose Harlem Is This, Anyway?

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2015 Choice Outstanding Academic Title Winner of the Anna Julia Cooper/CLR James Award for Outstanding Book in Africana Studies presented by the National Council for Black Studies Demonstrates how ...
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  • 03 July 2015
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2015 Choice Outstanding Academic Title Winner of the Anna Julia Cooper/CLR James Award for Outstanding Book in Africana Studies presented by the National Council for Black Studies

Demonstrates how Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture

In Whose Harlem Is This, Anyway?, Shannon King vividly uncovers early twentieth century Harlem as an intersection between the black intellectuals and artists who created the New Negro Renaissance and the working class who found fought daily to combat institutionalized racism and gender discrimination in both Harlem and across the city.

New Negro activists, such as Hubert Harrison and Frank Crosswaith, challenged local forms of economic and racial inequality in attempts to breakdown the structural manifestations that upheld them. Insurgent stay-at-home black mothers took negligent landlords to court, complaining to magistrates about the absence of hot water and heat in their apartment buildings. Black men and women, propelling dishes, bricks, and other makeshift weapons from their apartment windows and their rooftops, retaliated against hostile policemen harassing blacks on the streets of Harlem. From the turn of the twentieth century to the Great Depression, black Harlemites mobilized around local issues—such as high rents, jobs, leisure, and police brutality—to make their neighborhood an autonomous black community.

In Whose Harlem Is This, Anyway?, Shannon King demonstrates how, against all odds, the Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture. By the end of the 1920s, Harlem had experience a labor strike, a tenant campaign for affordable rents, and its first race riot. These public forms of protest and discontent represented the dress rehearsal for black mass mobilization in the 1930s and 1940s. By studying blacks' immense investment in community politics, King makes visible the hidden stirrings of a social movement deeply invested in a Black Harlem. Whose Harlem Is This, Anyway? is a vibrant story of the shaping of a community during a pivotal time in American History.

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Price: $26.00
Publisher: NYU Press
Imprint: NYU Press
Series: Culture, Labor, History
Publication Date: 03 July 2015
ISBN: 9781479808960
Format: eBook
BISACs: SOCIAL SCIENCE / Ethnic Studies / American / African American Studies, HISTORY / United States / 20th Century
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Moving past grim depictions of Harlem as a ghetto or romantic views of Harlem as the Black Mecca, Shannon King captures the neighborhood's history from below. Harlem, he shows us, was a community born from struggles for justice. King has written a rich and telling account of how Harlem's activists fought for good jobs, challenged exploitative landlords, and resisted police and reformers who targeted 'vice.' Attentive to institutions and politics, to movement building and structural racism, to interracial conflict and intraracial divisions, this is a dynamic history of a community in formation.