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Imperial Germany’s governing elite frequently sought to censor literature that threatened established political, social, religious, and moral norms in the name of public peace, order, and security. It claimed and exercised a prerogative to intervene in literary life that was broader than that of its Western neighbors, but still not broad enough to prevent the literary community from challenging and subverting many of the social norms the state was most determined to defend. This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871–1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.

Imperial Germany’s governing elite frequently sought to censor literature that threatened established political, social, religious, and moral norms in the name of public peace, order, and security. It claimed and exercised a prerogative to intervene in literary life that was broader than that of its Western neighbors, but still not broad enough to prevent the literary community from challenging and subverting many of the social norms the state was most determined to defend. This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871–1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.

An extraordinary mind in a time where most people of African descent in the United States were denied the right to a formal education and—having no such access to the opportunity—Banneker was for the most part self-taught. He was the author of several commercially successful almanacs, aided in the survey of Washington D.C., and frequently corresponded with Thomas Jefferson, to plead for the justice and freedom of enslaved Africans within the U.S.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The brainchild of Daniel Alexander Payne Murray, Banneker: The Afro-American Astronomer was first conceived after Murray discovered what he found to be a beautifully written letter to Thomas Jefferson by a then unknown writer of color. Aided in his research by Will A. Allen, the pair discovered the man to be one Benjamin Banneker, a mathematician and astronomer.

An extraordinary mind in a time where most people of African descent in the United States were denied the right to a formal education and—having no such access to the opportunity—Banneker was for the most part self-taught. He was the author of several commercially successful almanacs, aided in the survey of Washington D.C., and frequently corresponded with Thomas Jefferson, to plead for the justice and freedom of enslaved Africans within the U.S.

Professionally typeset with a beautifully designed cover, this edition of Banneker: The Afro-American Astronomer is an essential piece of Black history reimagined for a modern audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

An extraordinary mind in a time where most people of African descent in the United States were denied the right to a formal education and—having no such access to the opportunity—Banneker was for the most part self-taught. He was the author of several commercially successful almanacs, aided in the survey of Washington D.C., and frequently corresponded with Thomas Jefferson, to plead for the justice and freedom of enslaved Africans within the U.S.

Professionally typeset with a beautifully designed cover, this edition of Banneker: The Afro-American Astronomer is an essential piece of Black history reimagined for a modern audience.

The brainchild of Daniel Alexander Payne Murray, Banneker: The Afro-American Astronomer was first conceived after Murray discovered what he found to be a beautifully written letter to Thomas Jefferson by a then unknown writer of color. Aided in his research by Will A. Allen, the pair discovered the man to be one Benjamin Banneker, a mathematician and astronomer.

An extraordinary mind in a time where most people of African descent in the United States were denied the right to a formal education and—having no such access to the opportunity—Banneker was for the most part self-taught. He was the author of several commercially successful almanacs, aided in the survey of Washington D.C., and frequently corresponded with Thomas Jefferson, to plead for the justice and freedom of enslaved Africans within the U.S.

Professionally typeset with a beautifully designed cover, this edition of Banneker: The Afro-American Astronomer is an essential piece of Black history reimagined for a modern audience.

The brainchild of Daniel Alexander Payne Murray, Banneker: The Afro-American Astronomer was first conceived after Murray discovered what he found to be a beautifully written letter to Thomas Jefferson by a then unknown writer of color. Aided in his research by Will A. Allen, the pair discovered the man to be one Benjamin Banneker, a mathematician and astronomer.

An extraordinary mind in a time where most people of African descent in the United States were denied the right to a formal education and—having no such access to the opportunity—Banneker was for the most part self-taught. He was the author of several commercially successful almanacs, aided in the survey of Washington D.C., and frequently corresponded with Thomas Jefferson, to plead for the justice and freedom of enslaved Africans within the U.S.

Professionally typeset with a beautifully designed cover, this edition of Banneker: The Afro-American Astronomer is an essential piece of Black history reimagined for a modern audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Banning them, securing us? explores the proscribing – or banning – of terrorist organisations within the United Kingdom across a period of twenty years. The process of banning specific organisations, Jarvis and Legrand argue, is as much a ritualistic performance of liberal democracy as it is a technique for increasing national security from the threat posed by terrorism. Characterised by a repetitive script, an established cast of characters and a predictable outcome, this ritual provides an important contribution to the construction of Britain as a liberal, democratic, moderate space. It does so, paradoxically, through extending the reach of a power that has limited political or judicial oversight and considerable implications for rights, freedoms and political participation.

Offering a discursive analysis of all British Parliamentary debates on the banning of terrorist organisations since the introduction of Britain’s current proscription regime in 2000, this book provides the first sustained treatment of this counter-terrorism power in the United Kingdom and beyond.

Big or small, sweet or savoury, with stew or with sprinkles, there are tons of ways to enjoy bannock!

This sweet and simple rhyming book explores a food that is a popular tradition with Inuit and other Indigenous people, and has some fun along the way. What’s your favourite way to eat bannock?
Try it at home with the included bannock recipe!

Written by Inuk/Dene writer Masiana Kelly, this sweet and simple narrative celebrates this delicious food!

1314. On a marsh-fringed plain south of Stirling Castle, King Robert the Bruce led the Scottish army in a singularly devastating victory over the English.

Bannockburn was Scotland's greatest battlefield triumph, achieved against the odds by a combination of brilliant tactical leadership and the fatal overconfidence of the English King, Edward II.

On the 700th anniversary of the battle, Peter Reese's definitive history shines a spotlight on this pivotal moment in Scottish History and considers the wider implications of this momentous victory.

Days after taking the White House, Donald Trump signed three executive orders—these authorized the Muslim Ban, the border wall, and ICE raids. These orders would define his administration’s approach toward noncitizens. An essential primer on how we got here, Bans, Walls, Raids, Sanctuary shows that such barriers to immigration are embedded in the very foundation of the United States. A. Naomi Paik reveals that the forty-fifth president’s xenophobic, racist, ableist, patriarchal ascendancy is no aberration, but the consequence of two centuries of U.S. political, economic, and social culture. She deftly demonstrates that attacks against migrants are tightly bound to assaults against women, people of color, workers, ill and disabled people, and queer and gender nonconforming people. Against this history of barriers and assaults, Bans, Walls, Raids, Sanctuary mounts a rallying cry for a broad-based, abolitionist sanctuary movement for all.

Days after taking the White House, Donald Trump signed three executive orders—these authorized the Muslim Ban, the border wall, and ICE raids. These orders would define his administration’s approach toward noncitizens. An essential primer on how we got here, Bans, Walls, Raids, Sanctuary shows that such barriers to immigration are embedded in the very foundation of the United States. A. Naomi Paik reveals that the forty-fifth president’s xenophobic, racist, ableist, patriarchal ascendancy is no aberration, but the consequence of two centuries of U.S. political, economic, and social culture. She deftly demonstrates that attacks against migrants are tightly bound to assaults against women, people of color, workers, ill and disabled people, and queer and gender nonconforming people. Against this history of barriers and assaults, Bans, Walls, Raids, Sanctuary mounts a rallying cry for a broad-based, abolitionist sanctuary movement for all.

Days after taking the White House, Donald Trump signed three executive orders—these authorized the Muslim Ban, the border wall, and ICE raids. These orders would define his administration’s approach toward noncitizens. An essential primer on how we got here, Bans, Walls, Raids, Sanctuary shows that such barriers to immigration are embedded in the very foundation of the United States. A. Naomi Paik reveals that the forty-fifth president’s xenophobic, racist, ableist, patriarchal ascendancy is no aberration, but the consequence of two centuries of U.S. political, economic, and social culture. She deftly demonstrates that attacks against migrants are tightly bound to assaults against women, people of color, workers, ill and disabled people, and queer and gender nonconforming people. Against this history of barriers and assaults, Bans, Walls, Raids, Sanctuary mounts a rallying cry for a broad-based, abolitionist sanctuary movement for all.

A collection of essays issued under the direction of the Standing Liturgical Commission (SLC) on baptism and ministry. Topics addressed are welcoming new ministers, reaffirmation of ordination vows, confirmation/reception, and baptismal ministry.

A6 in size, with a fresh, contemporary look, these cards are designed to be awarded to a baptism candidate, offering a beautiful thought to accompany their welcome into the Church.

Text:

Jesus said, 'Let the children come to me, and do not hinder them, for the kingdom of heaven belongs to such as these' Matthew 19:14, NIV

You will receive a baptism card as a memento of the day.

Pack of 20. 

Printed in red and black on white paper stock decorated with a dove. Includes envelope.

Some Christians emphasize doctrine, others experience. Martyn Lloyd-Jones emphasized both.

Marrying a Reformed understanding of biblical theology to a passionate desire for a deeper experience of God, he urged all Christians to seek baptism with the Holy Spirit. This he viewed as a direct sealing of the assurance of God's love to a believer's consciousness which results in a heightened awareness of God, brings joy to worship, and adds a new dimension to the church's witness.

This book examines the sources of Dr Lloyd-Jones's teaching in the writings of the Puritans and later theologians such as Jonathan Edwards, and compares it with others views of the work of the Holy Spirit which are currently held. It is an important contribution to the ongoing debate.

Explore the teachings of Martyn Lloyd-Jones, who harmonized doctrine and experience, urging Christians to seek a deeper relationship with God through the Holy Spirit.

Baptists are a study in contrasts. From Little Dove Old Regular Baptist Church, up a hollow in the Appalachian Mountains, with its 25-member congregation, to the 18,000-strong Saddleback Valley Church in Orange County, California, where hymns appear on wide-screen projectors; from Jerry Falwell, Jesse Helms, and Tim LaHaye to Martin Luther King Jr., Jesse Jackson, Bill Clinton, and Maya Angelou, Baptist churches and their members have encompassed a range of theological interpretations and held a variety of social and political viewpoints. At first glance, Baptist theology seems classically Protestant in its emphasis on the Trinity, the incarnation of Jesus Christ, the authority of Scripture, salvation by faith alone, and baptism by immersion. Yet the interpretation and implementation of these beliefs have made Baptists one of the most fragmented denominations in the United States. Not surprisingly, they are often characterized as a people who "multiply by dividing."

Baptists in America introduces readers to this fascinating and diverse denomination, offering a historical and sociological portrait of a group numbering some thirty million members. Bill J. Leonard traces the history of Baptists, beginning with their origins in seventeenth-century Holland and England. He examines the development of Baptist beliefs and practices, offering an overview of the various denominations and fellowships within Baptism. Leonard also considers the disputes surrounding the question of biblical authority, the ordinances (baptism and the Lord's Supper), congregational forms of church governance, and religious liberty.

The social and political divisions among Baptists are often as dramatic, if not more so, than the theological divides. Leonard examines the role of Baptists in the Fundamentalist and Social Gospel movements of the early twentieth century. The Civil Rights movement began in African American Baptist churches. More recently, Baptists have been key figures in the growth of the Religious Right, criticizing the depravity of American popular culture, supporting school prayer, and championing other conservative social causes. Leonard also explores the social and religious issues currently dividing Baptists, including race, the ordination of women, the separation of church and state, and sexuality. In the final chapter Leonard discusses the future of Baptist identity in America.

Baptists are a study in contrasts. From Little Dove Old Regular Baptist Church, up a hollow in the Appalachian Mountains, with its 25-member congregation, to the 18,000-strong Saddleback Valley Church in Orange County, California, where hymns appear on wide-screen projectors; from Jerry Falwell, Jesse Helms, and Tim LaHaye to Martin Luther King Jr., Jesse Jackson, Bill Clinton, and Maya Angelou, Baptist churches and their members have encompassed a range of theological interpretations and held a variety of social and political viewpoints. At first glance, Baptist theology seems classically Protestant in its emphasis on the Trinity, the incarnation of Jesus Christ, the authority of Scripture, salvation by faith alone, and baptism by immersion. Yet the interpretation and implementation of these beliefs have made Baptists one of the most fragmented denominations in the United States. Not surprisingly, they are often characterized as a people who "multiply by dividing."

Baptists in America introduces readers to this fascinating and diverse denomination, offering a historical and sociological portrait of a group numbering some thirty million members. Bill J. Leonard traces the history of Baptists, beginning with their origins in seventeenth-century Holland and England. He examines the development of Baptist beliefs and practices, offering an overview of the various denominations and fellowships within Baptism. Leonard also considers the disputes surrounding the question of biblical authority, the ordinances (baptism and the Lord's Supper), congregational forms of church governance, and religious liberty.

The social and political divisions among Baptists are often as dramatic, if not more so, than the theological divides. Leonard examines the role of Baptists in the Fundamentalist and Social Gospel movements of the early twentieth century. The Civil Rights movement began in African American Baptist churches. More recently, Baptists have been key figures in the growth of the Religious Right, criticizing the depravity of American popular culture, supporting school prayer, and championing other conservative social causes. Leonard also explores the social and religious issues currently dividing Baptists, including race, the ordination of women, the separation of church and state, and sexuality. In the final chapter Leonard discusses the future of Baptist identity in America.

Shortlisted, 2024 EuroSEAS Book Prize in the Humanities, European Association for Southeast Asian Studies

In July 1813, a young American couple from Boston arrived in Rangoon to preach the gospel. Celebrated in the Protestant press, which ran dramatic accounts of exotic adventures, the attempt to convert the Burmese met with mixed results. Although Burmese Buddhists resisted Christian evangelism, people from minority communities were baptized in large numbers throughout the nineteenth century. American Baptist Christianity was itself transformed in the Buddhist kingdom. Missionaries who were initially horrified by what they saw as the idolatry of Buddha statues found themselves creating tree shrines and their converts hanging colorful Jesus paintings in their churches.

Baptizing Burma explores the history of how the American Baptist mission to Burma failed to convert the country yet succeeded in transforming its religious landscape. Alexandra Kaloyanides examines how the Burmese majority positioned Buddhism to counter Christianity, how marginalized groups took on Baptist identities, and how Protestantism was reimagined as a Southeast Asian religion. She considers a series of holy objects to reveal the mechanics of religious practice in a period of entangled empires—British, Burmese, and American. By telling stories of four key things—the sacred book, the school house, the pagoda, and the portrait—this book illuminates the histories of Burma’s last kingdom and the unexpected consequences of America’s first overseas mission.

Shortlisted, 2024 EuroSEAS Book Prize in the Humanities, European Association for Southeast Asian Studies

In July 1813, a young American couple from Boston arrived in Rangoon to preach the gospel. Celebrated in the Protestant press, which ran dramatic accounts of exotic adventures, the attempt to convert the Burmese met with mixed results. Although Burmese Buddhists resisted Christian evangelism, people from minority communities were baptized in large numbers throughout the nineteenth century. American Baptist Christianity was itself transformed in the Buddhist kingdom. Missionaries who were initially horrified by what they saw as the idolatry of Buddha statues found themselves creating tree shrines and their converts hanging colorful Jesus paintings in their churches.

Baptizing Burma explores the history of how the American Baptist mission to Burma failed to convert the country yet succeeded in transforming its religious landscape. Alexandra Kaloyanides examines how the Burmese majority positioned Buddhism to counter Christianity, how marginalized groups took on Baptist identities, and how Protestantism was reimagined as a Southeast Asian religion. She considers a series of holy objects to reveal the mechanics of religious practice in a period of entangled empires—British, Burmese, and American. By telling stories of four key things—the sacred book, the school house, the pagoda, and the portrait—this book illuminates the histories of Burma’s last kingdom and the unexpected consequences of America’s first overseas mission.

Joey Brant needs to have a bar mitzvah immediately. Like, next Tuesday. Except he’s not thirteen, the usual age for the Jewish milestone. He’s in his sixties. Joey has a grandson who is about to step up to the Torah, and a little white lie he once told his family is about to become painfully obvious. A task he thinks he could quickly cross off his to-do list becomes a deep immersion into the faith he no longer follows when he meets Rabbi Michael Levitz-Sharon.  

Michael’s personal life is hanging together by a thread. Her preteen daughter is being treated for cancer, which has put a strain on her marriage and her beliefs. Between her duties as rabbi, mother, and wife, she doesn’t have much time or energy to spare. So, when she finds Joey in her office on Shabbat asking for immediate help, she refuses.  

Eventually Joey wins Michael over; his challenge is something she can actually fix, plus he’s generous with donations. They embark on a crash bar mitzvah course, leading the two into a series of reflections on their own faith and family.

How to manage the process with grace, joy and good sense.

A practical guide that gives parents and teens the "how-to" information they need to navigate the bar/bat mitzvah process and grow as a family through this experience. For the first time in one book, everyone directly involved offers practical insights into how the process can be made easier and more enjoyable for all. Rabbis, cantors and Jewish educators from the Reform, Conservative and Reconstructionist movements, parents, and even teens speak from their own experience.
• What's it all about?
• Preparation for Parent and Child
• Tutoring, stress, expectations, enjoyment, planning for children with special needs
• Negotiating the ceremony and celebration
• Designing a creative service, heightening the spiritual exercise, special issues related to divorced and interfaith families, planning a party that neither breaks the bank nor detracts from the inherent spirituality of the event.

How to manage the process with grace, joy and good sense.

A practical guide that gives parents and teens the "how-to" information they need to navigate the bar/bat mitzvah process and grow as a family through this experience. For the first time in one book, everyone directly involved offers practical insights into how the process can be made easier and more enjoyable for all. Rabbis, cantors and Jewish educators from the Reform, Conservative and Reconstructionist movements, parents, and even teens speak from their own experience.
• What's it all about?
• Preparation for Parent and Child
• Tutoring, stress, expectations, enjoyment, planning for children with special needs
• Negotiating the ceremony and celebration
• Designing a creative service, heightening the spiritual exercise, special issues related to divorced and interfaith families, planning a party that neither breaks the bank nor detracts from the inherent spirituality of the event.

A spiritual keepsake that will become a family heirloom.

The companion book to the author's Putting God on the Guest List: How to Reclaim the Spiritual Meaning of Your Child's Bar or Bat Mitzvah—100,000 copies in print!
The perfect gift to help a bar or bat mitzvah preserve the spiritual memories of this sacred event. This hands-on album—updated and expanded for this second edition—is designed to help everyone involved better participate in creating the spiritual meaning of this joyful rite of passage.

Created by Rabbi Jeffrey K. Salkin, author of the award-winning classic Putting God on the Guest List: How to Reclaim the Spiritual Meaning of Your Child’s Bar or Bat Mitzvah, and his wife, author Nina Salkin, this guided album is a wonderfully interactive way to remember important moments and details. Included are special sections to record your family’s history; the hopes, wishes, and memories of influential people in the bar/bat mitzvah’s life; mitzvot performed; contributions to tzedakot and more.

With ample space for writing, reflecting and pasting mementos, this spiritual keepsake gives young people a place to treasure their special experiences and encourages them to prepare for spiritual life as Jewish adults.

A spiritual keepsake that will become a family heirloom.

The companion book to the author's Putting God on the Guest List: How to Reclaim the Spiritual Meaning of Your Child's Bar or Bat Mitzvah—100,000 copies in print!
The perfect gift to help a bar or bat mitzvah preserve the spiritual memories of this sacred event. This hands-on album—updated and expanded for this second edition—is designed to help everyone involved better participate in creating the spiritual meaning of this joyful rite of passage.

Created by Rabbi Jeffrey K. Salkin, author of the award-winning classic Putting God on the Guest List: How to Reclaim the Spiritual Meaning of Your Child’s Bar or Bat Mitzvah, and his wife, author Nina Salkin, this guided album is a wonderfully interactive way to remember important moments and details. Included are special sections to record your family’s history; the hopes, wishes, and memories of influential people in the bar/bat mitzvah’s life; mitzvot performed; contributions to tzedakot and more.

With ample space for writing, reflecting and pasting mementos, this spiritual keepsake gives young people a place to treasure their special experiences and encourages them to prepare for spiritual life as Jewish adults.

Barrabas (1896) is a novel by Marie Corelli. Published at the height of Corelli’s career as one of the most successful writers of her generation, Barrabas combines Biblical fiction, spirituality, and tragedy to tell the story of the crucifixion from the perspective of the man who was spared. Due for reassessment by a modern audience, Marie Corelli’s work—which has inspired several adaptations for film and theater—is a must read for fans of nineteenth century fiction. “The heavy heat was almost insupportable, and a poisonous stench oozed up from the damp earth-floors of the Jewish prison, charging what little air was there with a deadly sense of suffocation. Down in the lowest dungeons complete darkness reigned, save in one of the cells allotted to the worst of criminals…” In one of these cells, the thief Barrabas awaits punishment for his crimes. Expecting death, he goes through phases of despair and rage, trying with all his might—and failing—to break his heavy chains. In another cell, Jesus himself awaits his trial. While their stories are well known, and despite the infamy associated with such names as Judas and Pontius Pilate, Corelli does her best to provide a unique angle on Jesus’ crucifixion, focusing on Barrabas, the man who was spared. Addressing philosophical, historical, and religious themes, Barrabas is a moving work of fiction which asks important questions about faith, guilt, and the meaning of Christian sacrifice. This edition of Marie Corelli’s Barrabas is a classic work of English historical fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Barrabas (1896) is a novel by Marie Corelli. Published at the height of Corelli’s career as one of the most successful writers of her generation, Barrabas combines Biblical fiction, spirituality, and tragedy to tell the story of the crucifixion from the perspective of the man who was spared. Due for reassessment by a modern audience, Marie Corelli’s work—which has inspired several adaptations for film and theater—is a must read for fans of nineteenth century fiction. “The heavy heat was almost insupportable, and a poisonous stench oozed up from the damp earth-floors of the Jewish prison, charging what little air was there with a deadly sense of suffocation. Down in the lowest dungeons complete darkness reigned, save in one of the cells allotted to the worst of criminals…” In one of these cells, the thief Barrabas awaits punishment for his crimes. Expecting death, he goes through phases of despair and rage, trying with all his might—and failing—to break his heavy chains. In another cell, Jesus himself awaits his trial. While their stories are well known, and despite the infamy associated with such names as Judas and Pontius Pilate, Corelli does her best to provide a unique angle on Jesus’ crucifixion, focusing on Barrabas, the man who was spared. Addressing philosophical, historical, and religious themes, Barrabas is a moving work of fiction which asks important questions about faith, guilt, and the meaning of Christian sacrifice. This edition of Marie Corelli’s Barrabas is a classic work of English historical fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Barrabas (1896) is a novel by Marie Corelli. Published at the height of Corelli’s career as one of the most successful writers of her generation, Barrabas combines Biblical fiction, spirituality, and tragedy to tell the story of the crucifixion from the perspective of the man who was spared. Due for reassessment by a modern audience, Marie Corelli’s work—which has inspired several adaptations for film and theater—is a must read for fans of nineteenth century fiction. “The heavy heat was almost insupportable, and a poisonous stench oozed up from the damp earth-floors of the Jewish prison, charging what little air was there with a deadly sense of suffocation. Down in the lowest dungeons complete darkness reigned, save in one of the cells allotted to the worst of criminals…” In one of these cells, the thief Barrabas awaits punishment for his crimes. Expecting death, he goes through phases of despair and rage, trying with all his might—and failing—to break his heavy chains. In another cell, Jesus himself awaits his trial. While their stories are well known, and despite the infamy associated with such names as Judas and Pontius Pilate, Corelli does her best to provide a unique angle on Jesus’ crucifixion, focusing on Barrabas, the man who was spared. Addressing philosophical, historical, and religious themes, Barrabas is a moving work of fiction which asks important questions about faith, guilt, and the meaning of Christian sacrifice. This edition of Marie Corelli’s Barrabas is a classic work of English historical fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A life-affirming collection of more than 170 quotes from one of the world’s most admired and respected public figures: Barack Obama.

“Where we are met with cynicism and doubts and those who tell us that we can’t, we will respond with that timeless creed that sums up the spirit of a people: Yes We Can.” —Barack Obama, victory speech, Chicago, 2008

From a law professorship, to a seat in the Illinois State Senate, to becoming the first African-American president of the United States, Barack Obama’s trajectory to the most powerful political position in the world is legendary. Quotes to Live By offers a beautifully presented collection of inspirational and moving statements by one of the most important figures of our time, a man as renowned for his eloquence as for his groundbreaking achievements.

The quotes include:

“Change will not come if we wait for some other person or some other time. We are the ones we’ve been waiting for. We are the change that we seek.” —Presidential nomination speech, February 2008 

“We did not come to fear the future. We came here to shape it.” —Joint session of Congress on health care, September 2009 

“Politicians have always lied, but it used to be if you caught them lying they’d be like, ‘Oh man.’ Now they just keep on lying.” —Nelson Mandela annual lecture, South Africa, July 2018

“When we measure our greatness as a nation by how far the stock market rises or falls, instead of how many opportunities we’ve opened up for America’s children, we’re displaying a preference for the childish.” —Northwestern University commencement, June 2006

“I am reminded every day of my life, if not by events, then by my wife, that I am not a perfect man.” —Campaign rally, June 2008

Barantined is the ultimate guide to creating your own bar experience at home!

Shake, stir, and sip your way through quarantine with more than 80 easy-to-make cocktail recipes, techniques for making cordials, and the best drinking tips from mavericks of the mixology scene. With insights gathered from more than 50 expert bartenders and sommeliers, Barantined provides engaging advice for staying entertained at home—from music playlists, to reading recommendations, to suggestions for drinks to pair with takeout.

Compiled by Nashville writer and mixologist extraordinaire Mike Wolf, Barantined aims to catch a unique moment in time when the world spun out of control and came to a halt all at once. In March 2020, the restaurant and bar business shut down for months when a devastating tornado tore through Nashville and a pandemic rocked the world. Join bartenders from Nashville and beyond in Barantined as they share what they miss about being behind the bar and how their approach to their profession has changed, alongside their favorite DIY drinks and activities designed to bring the bar to you.

Barantined is the ultimate guide to creating your own bar experience at home!

Shake, stir, and sip your way through quarantine with more than 80 easy-to-make cocktail recipes, techniques for making cordials, and the best drinking tips from mavericks of the mixology scene. With insights gathered from more than 50 expert bartenders and sommeliers, Barantined provides engaging advice for staying entertained at home—from music playlists, to reading recommendations, to suggestions for drinks to pair with takeout.

Compiled by Nashville writer and mixologist extraordinaire Mike Wolf, Barantined aims to catch a unique moment in time when the world spun out of control and came to a halt all at once. In March 2020, the restaurant and bar business shut down for months when a devastating tornado tore through Nashville and a pandemic rocked the world. Join bartenders from Nashville and beyond in Barantined as they share what they miss about being behind the bar and how their approach to their profession has changed, alongside their favorite DIY drinks and activities designed to bring the bar to you.

Theoderich der Große (um 453–526) gehört zu den faszinierendsten Herrschergestalten der Völkerwanderungszeit. Wie kein anderer Germanenkönig beeindruckte und polarisierte der Ostgote seine Mit- und Nachwelt. Die Urteile schwanken zwischen Verklärung als idealer Herrscher und Verdammung als Tyrann und häretischer Verfolger. Die vorliegende Arbeit untersucht erstmals systematisch und übergreifend das vielgestaltige Bild Theoderichs in der byzantinischen und westlichen Überlieferung von den zeitgenössischen Anfängen bis ins 9. Jahrhundert. Behandelt werden nicht nur literarische Zeugnisse, sondern aussagekräftige Quellen wie Inschriften, Münzen oder der Umgang mit Bildwerken und Bauten des Ostgotenkönigs finden ebenfalls Berücksichtigung. Andreas Goltz ordnet die zeitlich und regional höchst unterschiedlichen Darstellungen und Bewertungen Theoderichs in ihren gattungsspezifischen, überlieferungsgeschichtlichen und zeithistorischen Kontext ein, analysiert die Motive und Hintergründe für die verschiedenartigen Sichtweisen auf den Ostgotenkönig und trägt auf diese Weise maßgeblich zum Verständnis Theoderichs, seiner Zeit und seiner Wirkungsgeschichte bei.

Cole, who is often referred to as an inventor, uses a raw, hands-on photographic process that is consistent with her belief that the possibilities of photography are virtually limitless. Since the early 1980s, she has channeled her appreciation for the camera itself. She is dedicated to the history of photography by deviating from automatic cameras and techniques. Barbara Cole uses photography to play with notions of time, place, and identity.

In her numerous series, Cole often asks the questions: how do you paint an image of timelessness? How do you capture the feeling of weightlessness in an image? Her ethereal photography takes on a quintessential painterly quality, with the transformation of figures a predominant theme in her work. Over the past 30 years, although she works with traditional photographic means, Cole's approach and aesthetic has become closer to that of a painter. The artist's work focuses on a powerful narrative, some with external motifs and others with intense figure transformations that alone tell the story. Cole's background in fashion and fashion editorial naturally leads to a process that channels her experience into creating a particular atmosphere with costumes and backdrops. Text in English and German.

The extraordinary twentieth-century writer Barbara Comyns led a life as captivating as the narratives she spun. This pioneering biography reveals the journey of a woman who experienced hardship and single-motherhood before the age of thirty but went on to publish a sequence of novels that are unique in the English language.

Comyns turned her hand to many jobs in order to survive, from artist’s model to restoring pianos. Hundreds of unpublished letters reveal an occasionally desperate but resourceful and witty woman whose complicated life ranged from enduring poverty when young to mixing with spivs, spies and high society. While working as a housekeeper in her mid-thirties, Comyns began transforming the bleak episodes of her life into compelling fictions streaked with surrealism and deadpan humour. The Vet’s Daughter (1959), championed by Graham Greene, brought her fame, although her use of the gothic and macabre divided readers and reviewers.

This biography not only excavates Comyns’s life but also reclaims her fiction, providing a timely reassessment of her literary contribution. It sheds new light on a remarkable author who deftly captured the complexities of human life.

A ground-breaking biography of a cult British novelist.

The extraordinary twentieth-century writer Barbara Comyns led a life as captivating as the narratives she spun. This pioneering biography reveals the journey of a woman who experienced hardship and single-motherhood before the age of thirty but went on to publish a sequence of novels unique in the English language.

Comyns turned her hand to many jobs in order to survive, from artist’s model to piano restorer. Unpublished letters reveal an occasionally desperate but resourceful and witty woman whose life ranged from enduring poverty when young to mixing with spivs, spies and high society. While working as a housekeeper in her mid-thirties, Comyns began transforming the bleak episodes of her life into compelling fictions streaked with surrealism and deadpan humour. The Vet’s Daughter (1959), championed by Graham Greene, brought her fame, although her use of the gothic and macabre divided readers and reviewers.

This biography excavates Comyns’s life and reclaims her fiction, providing a timely reassessment of her literary contribution. It sheds new light on a remarkable author who deftly captured the complexities of human life.

(Bilingual edition: English / German)

Dialogical action in art

• “Silent activism” as a relevant artistic practice – a portrait of Barbara Holub’s transdisciplinary work
• A remarkable archive of critically engaged artistic interventions
• New perspectives for the practice of participatory art

• Dialogisches Handeln in der Kunst

Dialogisches Handeln in der Kunst

• „Stiller Aktivismus“ als relevante künstlerische Praxis – Barbara Holubs transdisziplinäre Arbeit im Porträt
• Ein bemerkenswertes Archiv kritisch engagierter Kunstinterventionen
• Neue Perspektiven für eine partizipatorische Kunstpraxis

A WASHINGTON POST BEST BOOK OF THE YEAR

A bittersweet and hilarious novel about a marriage whose decades-old routine is suddenly upended.

Walter Schmidt has lived his whole life within the narrow, “comfortable” confines of traditional gender roles: he has made it to retirement without learning how to fry an egg or use a vacuum cleaner. After all, he could always count on his wife, Barbara. But when one morning she can’t get up from bed anymore, everything changes.

With biting humor and great warmth, Alina Bronsky writes about how Walter, nearing the end of his life, is suddenly forced to reinvent himself as a caregiver and house-husband, and become the caring partner he never was in all his years with Barbara.

Little by little, Walter’s rough facade begins to crumble—and with it his old certainties about his life and family.

Über vier Jahrzehnte prägte Barbara Klemm als Fotografin der Frankfurter Allgemeinen Zeitung mit ihren eindrucksvollen Schwarz-Weiß-Aufnahmen das kollektive Bild des politischen und kulturellen Deutschlands der Nachkriegszeit. Ihre Aufnahmen – von den ikonischen Momenten des Mauerfalls 1989 bis hin zu eindringlichen Porträts politischer Größen wie Willy Brandt – sind weit mehr als bloße Dokumente der Zeitgeschichte. Mit ihrem einzigartigen Blick verlieh sie historischen Ereignissen und Personen eine Aura, die bis heute nachwirkt. Das Buch versammelt ihre bedeutendsten Fotografien und zeigt, warum Barbara Klemm als eine der wichtigsten zeitgenössischen Fotografinnen Deutschlands gilt. Ein herausragendes visuelles Zeugnis unserer Geschichte, festgehalten in Bildern, die bleiben.

• Künstlerbuch der renommierten FAZ-Fotografin
• Bildikonen der deutschen Zeitgeschichte

Liz Cramer jura que encontrará una manera de escapar del planeta alienígena en el que está atrapada… pero cuando conoce a Raahosh, un alien con pésimo carácter y que, además, nunca la deja sola, ya no está tan segura de querer irse.

Doce humanas quedaron varadas en un planeta de hielo y yo soy una de ellas. Bien por mí. Para sobrevivir tuvimos que adoptar un khui al que me gusta llamar «bicho», un simbionte que está cambiando nuestros cuerpos para que se adapten a esta atmósfera hostil. Mi bicho es un idiota porque cree que soy la pareja del alien más gruñón y enorme de todos, Raahosh. Y claro, él está de acuerdo con mi bicho, así que intentará acercarse a toda costa.

No tiene ni idea de con quién se está metiendo.

Si no fuera por lo mucho que me atrae, ya le habría dicho a ese tipo lo insufrible y aterrador que es. No importa lo que mi bicho piense, Raahosh y yo no estamos destinados a estar juntos. Y sí, de vez en cuando nos besamos, pero es solo por una cuestión biológica, no porque me esté enamorando de él.

In a small village on a prehistoric Earth, a young mage must harness her powers as barbarians from the north approach.

Once every two generations, the young adults of Whitecliff must face the trial of Mother’s Wrath, during which they will either receive magical powers or be swept away in the tempest. Dorea hopes the storm will bring her one of its elemental powers: lightning, water, or wind. To her shock, when the trial ends and the earth stops trembling, she finds herself gifted with all three.

The village’s shaman, Voggo, warns Dorea that this bounty is both a blessing and a curse. She will need to learn how to use the raw power coursing through her for her own protection and that of her loved ones—as well as deal with the side effects. Because the northern tribes are amassing, and magically enhanced animals are creeping closer to the village every day.

Dorea soon realizes that her skills grow more quickly in bloody combat than through traditional training. And she is going to need every ounce of power she can get. With barbarians advancing on the only home she has ever known, she and her friends will soon have to fight to save themselves and their tribe.

The first volume of the hit progression-fantasy series—with more than 300,000 views on Royal Road—now available in paperback, ebook, and audiobook!

Kira planea mantenerse soltera en su nuevo hogar. No necesita pareja o, al menos, eso es lo que se dice a sí misma. Pero cuando Aehako llega a su vida, todo cambia…

Como humana en el planeta de hielo debería estar feliz porque encontré un nuevo hogar. Aquí, las mujeres son atesoradas, tanto que no pasó mucho tiempo antes de que un alien dejara muy claro que está interesado en mí. Pero guardo un secreto terrible. Bueno, de hecho, son varios y podrían arruinar todo para siempre.

Lo único que quiero es agarrar a Aehako de los cuernos y que me lleve a algún lugar privado, pero estoy segura de que jamás podrá amarme si se entera de la verdad. Sin embargo, lo que más me preocupa es que los extraterrestres que nos secuestraron están de regreso y, gracias al chip que me implantaron en el oído, pueden localizarme.

Por salvar a todos, ¿seré capaz de renunciar a mi nueva vida y a quien deseo más que a cualquier otra cosa? ¿Será posible que Aehako me quiera cuando se entere de todo lo que oculto?

The Migration Age is still envisioned as an onrush of expansionary "Germans" pouring unwanted into the Roman Empire and subjecting it to pressures so great that its western parts collapsed under the weight. Further developing the themes set forth in his classic Barbarians and Romans, Walter Goffart dismantles this grand narrative, shaking the barbarians of late antiquity out of this "Germanic" setting and reimagining the role of foreigners in the Later Roman Empire.

The Empire was not swamped by a migratory Germanic flood for the simple reason that there was no single ancient Germanic civilization to be transplanted onto ex-Roman soil. Since the sixteenth century, the belief that purposeful Germans existed in parallel with the Romans has been a fixed point in European history. Goffart uncovers the origins of this historical untruth and argues that any projection of a modern Germany out of an ancient one is illusory. Rather, the multiplicity of northern peoples once living on the edges of the Empire participated with the Romans in the larger stirrings of late antiquity. Most relevant among these was the long militarization that gripped late Roman society concurrently with its Christianization.

If the fragmented foreign peoples with which the Empire dealt gave Rome an advantage in maintaining its ascendancy, the readiness to admit military talents of any social origin to positions of leadership opened the door of imperial service to immigrants from beyond its frontiers. Many barbarians were settled in the provinces without dislodging the Roman residents or destabilizing landownership; some were even incorporated into the ruling families of the Empire. The outcome of this process, Goffart argues, was a society headed by elites of soldiers and Christian clergy—one we have come to call medieval.

The Migration Age is still envisioned as an onrush of expansionary "Germans" pouring unwanted into the Roman Empire and subjecting it to pressures so great that its western parts collapsed under the weight. Further developing the themes set forth in his classic Barbarians and Romans, Walter Goffart dismantles this grand narrative, shaking the barbarians of late antiquity out of this "Germanic" setting and reimagining the role of foreigners in the Later Roman Empire.

The Empire was not swamped by a migratory Germanic flood for the simple reason that there was no single ancient Germanic civilization to be transplanted onto ex-Roman soil. Since the sixteenth century, the belief that purposeful Germans existed in parallel with the Romans has been a fixed point in European history. Goffart uncovers the origins of this historical untruth and argues that any projection of a modern Germany out of an ancient one is illusory. Rather, the multiplicity of northern peoples once living on the edges of the Empire participated with the Romans in the larger stirrings of late antiquity. Most relevant among these was the long militarization that gripped late Roman society concurrently with its Christianization.

If the fragmented foreign peoples with which the Empire dealt gave Rome an advantage in maintaining its ascendancy, the readiness to admit military talents of any social origin to positions of leadership opened the door of imperial service to immigrants from beyond its frontiers. Many barbarians were settled in the provinces without dislodging the Roman residents or destabilizing landownership; some were even incorporated into the ruling families of the Empire. The outcome of this process, Goffart argues, was a society headed by elites of soldiers and Christian clergy—one we have come to call medieval.

This fun, comic-style series that explores China's relationship with its barbarian neighbors. The Mongols!

Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The Understanding China Through Comics series answers these questions and more.

The third volume of the Understanding China Through Comics series, Barbarians and the Birth of Chinese Identity, tells of the founding of the Song Dynasty and its attempts to reinvigorate a flagging economy and government while defending against barbarians and the eventual invasion of China by Genghis Khan and the Mongols.

This fun, comic-style series that explores China's relationship with its barbarian neighbors. The Mongols!

Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The Understanding China Through Comics series answers these questions and more.

The third volume of the Understanding China Through Comics series, Barbarians and the Birth of Chinese Identity, tells of the founding of the Song Dynasty and its attempts to reinvigorate a flagging economy and government while defending against barbarians and the eventual invasion of China by Genghis Khan and the Mongols.

"Gaylord Brewer’s Barbaric Mercies is a book of extraordinary and delightful individuality. Alternately aggressive, outrageous, whimsical, and heartfelt, the poems are never predictable but always authentic. The author has such a genius for phrasing that there are many lines that make the reader stop and sigh or smile. A dark and delicious volume."

—Dana Gioia

"Barbaric Mercies, Mr. Brewer’s finest book of poems yet, seamlessly weaves a rich tapestry between landscape and longing, the poet’s big heart for language and his voracious appetite for making an impact on this life. This is a visionary collection, a lasting celebration to travel, leaving familiar turf for the unfamiliar, reveling in the simple beauty of words, gestures, images. If there is anything 'barbaric' about this book and these poems, it is their striving to make an indelible impact on our consciousness as readers. Their taking hold of our imaginations and our moods hearkens back to Whitman’s 'barbaric yawp,' that shouting/singing only the best poets seem to do rather effortlessly and with resounding ability."

—Virgil Suárez

Die Isaurier, ein kleinasiatisches Bergvolk, forderten über 600 Jahre lang die römische Herrschaft heraus. Sie waren neben den Juden das einzige reichsangehörige Volk, mit dem es zu längeren Auseinandersetzungen kam. Anfang des 5. Jahrhunderts unternahmen sie Raubzüge bis nach Palästina. Zwar schaffte es ein Isaurier auf den östlichen Kaiserthron, dennoch misslang die Integration. Als Barbaren wurden sie nicht zuletzt deshalb betrachtet, weil sie mit den von außen ins Reich eindringenden Goten vergleichbar wurden. Dieser Prozess, so die These von Karl Feld, beschleunigte sich mit den gotischen und isaurischen Truppenverbänden. Die vorliegende Arbeit stellt alle verfügbaren Zeugnisse zu den Isauriern chronologisch und systematisch zusammen, in ausführlicher Auseinandersetzung mit der bisherigen Forschung.

Barbarism and civilization form one of the oldest and most rigid oppositions in Western history. According to this dichotomy, barbarism functions as the negative standard through which "civilization" fosters its self-definition and superiority by labeling others "barbarians." Since the 1990s, and especially since 9/11, these terms have become increasingly popular in Western political and cultural rhetoric—a rhetoric that divides the world into forces of good and evil. This study intervenes in this recent trend and interrogates contemporary and historical uses of barbarism, arguing that barbarism also has a disruptive, insurgent potential. Boletsi recasts barbarism as a productive concept, finding that it is a common thread in works of literature, art, and theory. By dislodging barbarism from its conventional contexts, this book reclaims barbarism's edge and proposes it as a useful theoretical tool.

In the late sixteenth century, English merchants and diplomats ventured into the eastern Mediterranean to trade directly with the Turks, the keepers of an important emerging empire in the Western Hemisphere, and these initial exchanges had a profound effect on English literature. While the theater investigated representations of religious and ethnic identity in its portrayals of Turks and Muslims, poetry, Miriam Jacobson argues, explored East-West exchanges primarily through language and the material text. Just as English markets were flooded with exotic goods, so was the English language awash in freshly imported words describing items such as sugar, jewels, plants, spices, paints, and dyes, as well as technological advancements such as the use of Arabic numerals in arithmetic and the concept of zero.

Even as these Eastern words and imports found their way into English poetry, poets wrestled with paying homage to classical authors and styles. In Barbarous Antiquity, Jacobson reveals how poems adapted from Latin or Greek sources and set in the ancient classical world were now reoriented to reflect a contemporary, mercantile Ottoman landscape. As Renaissance English writers including Shakespeare, Jonson, Marlowe, and Chapman weighed their reliance on classical poetic models against contemporary cultural exchanges, a new form of poetry developed, positioned at the crossroads of East and West, ancient and modern. Building each chapter around the intersection of an Eastern import and a classical model, Jacobson shows how Renaissance English poetry not only reconstructed the classical past but offered a critique of that very enterprise with a new set of words and metaphors imported from the East.

In the late sixteenth century, English merchants and diplomats ventured into the eastern Mediterranean to trade directly with the Turks, the keepers of an important emerging empire in the Western Hemisphere, and these initial exchanges had a profound effect on English literature. While the theater investigated representations of religious and ethnic identity in its portrayals of Turks and Muslims, poetry, Miriam Jacobson argues, explored East-West exchanges primarily through language and the material text. Just as English markets were flooded with exotic goods, so was the English language awash in freshly imported words describing items such as sugar, jewels, plants, spices, paints, and dyes, as well as technological advancements such as the use of Arabic numerals in arithmetic and the concept of zero.

Even as these Eastern words and imports found their way into English poetry, poets wrestled with paying homage to classical authors and styles. In Barbarous Antiquity, Jacobson reveals how poems adapted from Latin or Greek sources and set in the ancient classical world were now reoriented to reflect a contemporary, mercantile Ottoman landscape. As Renaissance English writers including Shakespeare, Jonson, Marlowe, and Chapman weighed their reliance on classical poetic models against contemporary cultural exchanges, a new form of poetry developed, positioned at the crossroads of East and West, ancient and modern. Building each chapter around the intersection of an Eastern import and a classical model, Jacobson shows how Renaissance English poetry not only reconstructed the classical past but offered a critique of that very enterprise with a new set of words and metaphors imported from the East.

In the early modern period, hundreds of thousands of Europeans, both male and female, were abducted by pirates, sold on the slave market, and enslaved in North Africa. Between the sixteenth and the early nineteenth centuries, pirates from Algiers, Tunis, Tripoli, and Morocco not only attacked sailors and merchants in the Mediterranean but also roved as far as Iceland. A substantial number of the European captives who later returned home from the Barbary Coast, as maritime North Africa was then called, wrote and published accounts of their experiences. These popular narratives greatly influenced the development of the modern novel and autobiography, and they also shaped European perceptions of slavery as well as of the Muslim world.

Barbary Captives brings together a selection of early modern slave narratives in English translation for the first time. It features accounts written by men and women across three centuries and in nine different languages that recount the experience of capture and servitude in North Africa. These texts tell the stories of Christian pirates, Christian rowers on Muslim galleys, house slaves in the palaces of rulers, domestic servants, agricultural slaves, renegades, and social climbers in captivity. They also depict liberation through ransom, escape, or religious conversion. This book sheds new light on the social history of Mediterranean slavery and piracy, early modern concepts of unfree labor, and the evolution of the Barbary captivity narrative as a literary and historical genre.

In the early modern period, hundreds of thousands of Europeans, both male and female, were abducted by pirates, sold on the slave market, and enslaved in North Africa. Between the sixteenth and the early nineteenth centuries, pirates from Algiers, Tunis, Tripoli, and Morocco not only attacked sailors and merchants in the Mediterranean but also roved as far as Iceland. A substantial number of the European captives who later returned home from the Barbary Coast, as maritime North Africa was then called, wrote and published accounts of their experiences. These popular narratives greatly influenced the development of the modern novel and autobiography, and they also shaped European perceptions of slavery as well as of the Muslim world.

Barbary Captives brings together a selection of early modern slave narratives in English translation for the first time. It features accounts written by men and women across three centuries and in nine different languages that recount the experience of capture and servitude in North Africa. These texts tell the stories of Christian pirates, Christian rowers on Muslim galleys, house slaves in the palaces of rulers, domestic servants, agricultural slaves, renegades, and social climbers in captivity. They also depict liberation through ransom, escape, or religious conversion. This book sheds new light on the social history of Mediterranean slavery and piracy, early modern concepts of unfree labor, and the evolution of the Barbary captivity narrative as a literary and historical genre.

Das Allgemeine Künstlerlexikon (AKL) ist Nachfolger der traditionsreichen kunsthistorischen Standardwerke Thieme-Becker und Vollmer und erscheint seit 1991. Selbst längst ein Standardwerk, beschränkt es sich bewusst nicht auf die großen Meister: bildende Künstler aus aller Welt und aus allen Zeiten, von der Antike bis zur Gegenwart, werden aufgenommen. Enthalten sind nicht nur Maler, Bildhauer oder Graphiker, sondern auch Architekten, Designer, Fotografen, Schriftkünstler, Kunsthandwerker u.v.m. Rund 1.500 Künstlerbiographien werden für jeden Band zusammengestellt. Nach jeweils zehn Bänden erscheint ein Register nach Ländern und künstlerischen Berufen.

Mit dem aktualisierten Editionsplan wird die Printausgabe im Jahr 2022 abgeschlossen. Dafür wird der Anteil von Artikeln verstärkt, die nur online erscheinen.

Die ersten Bände des AKL wurden bereits ab 1969 bearbeitet, dieser Zeitraum von fast vier Jahrzehnten wird nun in Nachträgen aufgearbeitet. Nachtragsband I, der die Nachtragsartikel zum Buchstaben A enthält, ist 2005 erschienen. 2012 erschien der fünfte Nachtragsband (Cassini – Czwartos).

Jeder Artikel bietet in übersichtlicher Gliederung:

• den Namen und alle bekannten Namennebenformen. Pseudonyme, Mädchennamen oder bisher irrtümlich zugeordnete Namen werden entschlüsselt, Verweisungen auf den Haupteintrag jeweils eingefügt.
• die Lebensdaten mit einer Werk- und Schaffenscharakteristik.
• Informationen zum Einfluss der Künstlerin/des Künstlers auf das jeweilige kulturelle Umfeld
• eine Auswahl der Werke mit ihren Standorten
• eine Auswahl der Ausstellungen
• ausführliche Hinweise auf Selbstzeugnisse und Schriften der Künstlerin/des Künstlers
• eine umfassende Bibliographie. Auch auf Einträge in anderen Nachschlagewerken, ungedrucktes Quellenmaterial und Kataloge wird hingewiesen.
• Die Signatur am Ende eines jeden Artikels verweist auf den jeweiligen Verfasser oder Redakteur.

Seit Januar 2010 bieten wir eine Kombi Print + Online im Jahresabonnement an. Mehr Informationen erhalten Sie auf der Produktseite www.degruyter.de/akl.

(English / German Edition)

Barbis Ruder: 10 years of performance art

The works of the performance and media artist Barbis Ruder focus on the body – it is both the starting point and the main object of investigation in her work. In her performances and multimedia work, Ruder explores themes such as economy, work, intimacy, and convention. The body appears as a moving image, in sculptures, installations, and on stage.

This book presents Barbis Ruder’s entire oeuvre for the first time and reveals the complexity of her work. In different cycles of work, the body is repeatedly reinterpreted and recreated, exploring the tension between emancipation and capitalism.

This extensive presentation brings together trashy stage performances and sculptural works as well as video work and provides insights into the artist’s development process through drawings and studies.

Barbis Ruder: 10 Jahre Performancekunst

Im Fokus der Arbeiten der Performance- und Medienkünstlerin Barbis Ruder steht der Körper – als Ausgangs- und Untersuchungsobjekt zugleich. In ihren Performances und multimedialen Arbeiten lotet Ruder Themen wie Wirtschaft, Arbeit, Intimität und Konventionen aus. Der Körper kommt im bewegten Bild, in Skulpturen, Installationen und auf der Bühne zum Einsatz.

Das Buch präsentiert erstmals das gesamte Werk von Barbis Ruder und zeigt die Vielschichtigkeit ihres Schaffens. In unterschiedlichen Werkzyklen wird der Körper immer wieder neu ver- und behandelt, im Spannungsfeld zwischen Emanzipation und Kapitalismus.

Die umfangreiche Werkschau versammelt trashige Bühnenperformances und bildhauerische Werke ebenso wie Videoarbeiten und gibt Einblicke in Werkentwicklungen, die durch Zeichnungen und Studien dokumentiert sind.

In 1970 Barbra Streisand published a story in Life magazine titled “Who Am I Anyway?” It was the very question two leading photojournalists of the day—Steve Schapiro and Lawrence Schiller—were also asking as they photographed her during her first five years in Hollywood, working to get beneath the veneer and capture “the real Barbra.”

Brimming with photographs, stories, and behind-the-scenes shots from Schapiro and Schiller, and previously available only as a limited edition, this is a must-have collection for any Streisand fan. All the best movies of Streisand’s first Hollywood decade are here: Funny Girl, On a Clear Day You Can See Forever, The Way We Were, The Owl and the Pussycat, Up the Sandbox, Funny Lady, and A Star Is Born. So too are her loves, directors, confidants, and costars: Elliott Gould, William Wyler, Sydney Pollack, Vincente Minnelli, Cis Corman, Omar Sharif, Kris Kristofferson, and, of course, Robert Redford.

Through it all a picture emerges not of a singer who could act, but of an actress who could sing, write, direct, dance, and do just about anything she put her mind to.

In 1970 Barbra Streisand published a story in Life magazine titled “Who Am I Anyway?” It was the very question two leading photojournalists of the day—Steve Schapiro and Lawrence Schiller—were also asking as they photographed her during her first five years in Hollywood, working to get beneath the veneer and capture “the real Barbra.”

Brimming with photographs, stories, and behind-the-scenes shots from Schapiro and Schiller, and previously available as a limited edition, this is a must-have collection for any Streisand fan. All the best movies of Streisand’s first Hollywood decade are here: Funny Girl, On a Clear Day You Can See Forever, The Way We Were, The Owl and the Pussycat, Up the Sandbox, Funny Lady, and A Star Is Born. So too are her loves, directors, confidants, and costars: Elliott Gould, William Wyler, Sydney Pollack, Vincente Minnelli, Cis Corman, Omar Sharif, Kris Kristofferson, and, of course, Robert Redford.

Through it all a picture emerges not of a singer who could act, but of an actress who could sing, write, direct, dance, and do just about anything she put her mind to.

Barcelona ist eine pulsierende Werkstatt für zukunftsweisende Architektur und
Stadtplanung. Wie kaum anderswo in Europa werden in der katalonischen Metropole mutige Konzepte zu Fragen der Klimaanpassung und des urbanen Zusammenlebens entwickelt. Dazu zählt unter anderem das Mobilitätsprojekt der Superblocks, mit denen die Stadtverwaltung den Autolärm und die Abgase in Wohnquartieren
reduziert und neue Freiräume auf der Straße schafft.

Junge Architekturbüros wie die
Mies van der Rohe-Preisträger Lacol setzen sich mit international gefeierten
Entwürfen für einen sozialverträglichen Wohnungsbau ein. Ihre Genossenschaftsbauten sind Musterbeispiele für das kostengünstige Wohnen und nachhaltige Bauen in der Stadt.

Neben bedachter Ergänzungen und Verdichtungen des urbanen Raums führt auch die kontinuierliche Stadtreparatur in Barcelona zu neuen Alltags- und Gemeinschaftsqualitäten. So setzt die Sanierungen und Umnutzung der früheren Glasfabrik Cristalleries Planell zum Bürgerzentrum auf ein
ausgeklügeltes Lowtech-Konzept, das Harchitectes zur Klimatisierung der Räume
einsetzen.

Dieses Buch stellt die spannendsten Gebäude vor, die seit 2010 in Barcelona
entstanden sind. Es nimmt seine Leserinnen und Leser mit auf einen Stadtrundgang zu überraschenden Wohnungsbauten, spannenden Museen und außergewöhnlichen
Gemeinschaftsorten. Die Projekte, darunter auch viele Bestandserweiterungen, werden mit Fotos, Übersichtsplänen und Texten dokumentiert. Ergänzende Interviews stellen die Potagonistinnen und Protagonisten der Architekturszene
Barcelonas vor. Essays decken die Hintergründe der Stadtentwicklung und der Verkehrsplanung auf und erlauben tiefere Enblicke.