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Bad Blood explores representations of race in early modern English and Spanish literature, especially drama. It addresses two different forms of racial ideology: one concerned with racialized religious difference—that is, the notion of having Jewish or Muslim “blood”—and one concerned with Blackness and whiteness. Shakespeare’s Othello tells us that he was “sold to slavery” in his youth, a phrase that evokes the Atlantic triangle trade for readers today. For many years, however, scholars have asserted that racialized slavery was not yet widely understood in early modern England, and that the kind of enslavement that Othello describes is related to Christian-Muslim conflict in the Mediterranean rather than the rise of the racialized enslavement of Afro-diasporic subjects.

Bad Blood offers a new account of early modern race by tracing the development of European racial vocabularies from Spain to England. Dispelling assumptions, stemming from Spain’s historical exclusion of Jews and Muslims, that premodern racial ideology focused on religious difference and purity of blood more than color, Emily Weissbourd argues that the context of the Atlantic slave trade is indispensable to understanding race in early modern Spanish and English literature alike. Through readings of plays by Shakespeare, Lope de Vega, and their contemporaries, as well as Spanish picaresque fiction and its English translations, Weissbourd reveals how ideologies of racialized slavery as well as religious difference come to England via Spain, and how both notions of race operate in conjunction to shore up fantasies of Blackness, whiteness, and “pure blood.” The enslavement of Black Africans, Weissbourd shows, is inextricable from the staging of race in early modern literature.

A deadly game begins…

Ex-assassin Acid Vanilla faces her darkest fears as she confronts the aftermath of her friend's brutal murder.

With the dangerous Darius Duke at large and the shocking revelation that he might be her brother, Acid must navigate a treacherous world of secrets and betrayals. As her relationship with Spook reaches a breaking point, Acid must decide whether to train her friend in the deadly arts or risk losing another loved one.

With Darius's obsession intensifying and a staggering revelation threatening to shatter their bond, Acid and Spook must trust each other to survive.

A heart-pounding thriller that will keep readers on the edge of their seats until the final page.
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Praise for the Acid Vanilla series:

★★★★★ Bold, Bolshy and Brilliant!
★★★★★ …plots and inner plots kept me glued to my Kindle.
★★★★★ Grabs you in the first chapter and doesn’t let go until the last page.
★★★★★ Superb characters and a great plot cleverly written.
★★★★★ …fast paced … keeps you rushing to turn pages.
★★★★★ …a non-stop rolling plot that defies rational thinking.
★★★★★ Great thriller with a fantastic action heroine.
★★★★★ Acid Vanilla is a serial adrenalin rush. Kept me turning the pages

Hockey is the only game worth playing in the rough-and-tumble prairie town of Moose Jaw, Saskatchewan. When sixteen-year-old A.J. Brandiosa makes the Triple A team of his dreams, he can hardly believe that his life is finally coming together.

And then it falls apart. A.J. makes an unexpected discovery about his best friend and teammate, Tulsa Brown, and he can't keep his rage and fear from spilling onto the ice. An aggressive defenseman is becoming a violent one…

An explosive novel by award-winning author Diana Wieler that looks honestly at teenage sexuality and the world of amateur hockey.

You'll rethink banishing Rex to the basement after you've spent a few minutes with Bad Dog! True Tales of Trouble Only a Best Friend Can Get Away With. This hilarious compendium of stories, shared by the offenders themselves, is guaranteed to make readers laugh out loud. Bad Dog features the best of the Bad Dog Chronicles, a Web site created in 1996 for canine Webmasters. Dogs on the net tell of their proudest momentsofrom trashing furniture, stealing steaks and ireadjustingi the plumbing. Every dog lover will relate to the writers' well-earned pride in their accomplishments, and the damages incurred. The book's tear-out card lets you vote for your favorite bad dog, with prizes for the voters who win the contest.
Doug Brown's Web site, Baddogs.com, grew out of his posting the story of his own bad dog. The site has become a smash with Web Interactive, Websight Magazine, Yahoo Internet Life Magazine, and many others. Mr. Brown has selected the very best of Baddogs.com for Howell.

You'll rethink banishing Rex to the basement after you've spent a few minutes with Bad Dog! True Tales of Trouble Only a Best Friend Can Get Away With. This hilarious compendium of stories, shared by the offenders themselves, is guaranteed to make readers laugh out loud. Bad Dog features the best of the Bad Dog Chronicles, a Web site created in 1996 for canine Webmasters. Dogs on the net tell of their proudest momentsofrom trashing furniture, stealing steaks and ireadjustingi the plumbing. Every dog lover will relate to the writers' well-earned pride in their accomplishments, and the damages incurred. The book's tear-out card lets you vote for your favorite bad dog, with prizes for the voters who win the contest.
Doug Brown's Web site, Baddogs.com, grew out of his posting the story of his own bad dog. The site has become a smash with Web Interactive, Websight Magazine, Yahoo Internet Life Magazine, and many others. Mr. Brown has selected the very best of Baddogs.com for Howell.

Bad English investigates the impact of increasing language diversity, precipitated by migration, globalisation, and new forms of communication, in transforming contemporary literature in Britain. Considering writers whose work engages experimentally, playfully, and ambivalently with English’s power, while exploring what it means to move between forms of language, it makes the case for literature as the pre-eminent medium to probe the terms of linguistic belonging, and for a diverse and growing field of writing in Britain defined by its inside/outside relationship to English in its institutionalised forms.

Bad English offers innovative readings of writers including James Kelman, Tom Leonard, Suhayl Saadi, Raman Mundair, Daljit Nagra, Xiaolu Guo, Leila Aboulela, Brian Chikwava, and Caroline Bergvall. Drawing on insights from applied linguistics and translation studies as well as literary scholarship, it will appeal to students and academics across these disciplines.

Bad English investigates the impact of increasing language diversity, precipitated by migration, globalisation, and new forms of communication, in transforming contemporary literature in Britain. Considering writers whose work engages experimentally, playfully, and ambivalently with English’s power, while exploring what it means to move between forms of language, it makes the case for literature as the pre-eminent medium to probe the terms of linguistic belonging, and for a diverse and growing field of writing in Britain defined by its inside/outside relationship to English in its institutionalised forms.

Bad English offers innovative readings of writers including James Kelman, Tom Leonard, Suhayl Saadi, Raman Mundair, Daljit Nagra, Xiaolu Guo, Leila Aboulela, Brian Chikwava, and Caroline Bergvall. Drawing on insights from applied linguistics and translation studies as well as literary scholarship, it will appeal to students and academics across these disciplines.

In late summer 1940, as war spread across Europe and as the nation pulled itself out of the Great Depression, an anticommunist hysteria convulsed New York City. Targeting the city’s municipal colleges and public schools, the New York state legislature’s Rapp-Coudert investigation dragged hundreds of suspects before public and private tribunals to root out a perceived communist conspiracy to hijack the city’s teachers unions, subvert public education, and indoctrinate the nation’s youth.

Drawing on the vast archive of Rapp-Coudert records, Bad Faith provides the first full history of this witch-hunt, which lasted from August 1940 to March 1942. Anticipating McCarthyism and making it possible, the episode would have repercussions for decades to come.

In recapturing this moment in the history of prewar anticommunism, Bad Faith challenges assumptions about the origins of McCarthyism, the liberal political tradition, and the role of anticommunism in modern American life. With roots in the city’s political culture, Rapp-Coudert enjoyed the support of not only conservatives but also key liberal reformers and intellectuals who, well before the Cold War raised threats to national security, joined in accusing communists of “bad faith” and branded them enemies of American democracy.

Exploring fundamental schisms between liberals and communists, Bad Faith uncovers a dark, “countersubversive” side of liberalism, which involved charges of misrepresentation, lying, and deception, and led many liberals to argue that the communist left should be excluded from American educational institutions and political life. This study of the Rapp-Coudert inquisition raises difficult questions about the good faith of the many liberals willing to aid and endorse the emerging Red scare, as they sacrificed principles of open debate and academic freedom in the interest of achieving what they believed would be effective modern government based on bipartisanship and a new and seemingly permanent economic prosperity.

In late summer 1940, as war spread across Europe and as the nation pulled itself out of the Great Depression, an anticommunist hysteria convulsed New York City. Targeting the city’s municipal colleges and public schools, the New York state legislature’s Rapp-Coudert investigation dragged hundreds of suspects before public and private tribunals to root out a perceived communist conspiracy to hijack the city’s teachers unions, subvert public education, and indoctrinate the nation’s youth.

Drawing on the vast archive of Rapp-Coudert records, Bad Faith provides the first full history of this witch-hunt, which lasted from August 1940 to March 1942. Anticipating McCarthyism and making it possible, the episode would have repercussions for decades to come.

In recapturing this moment in the history of prewar anticommunism, Bad Faith challenges assumptions about the origins of McCarthyism, the liberal political tradition, and the role of anticommunism in modern American life. With roots in the city’s political culture, Rapp-Coudert enjoyed the support of not only conservatives but also key liberal reformers and intellectuals who, well before the Cold War raised threats to national security, joined in accusing communists of “bad faith” and branded them enemies of American democracy.

Exploring fundamental schisms between liberals and communists, Bad Faith uncovers a dark, “countersubversive” side of liberalism, which involved charges of misrepresentation, lying, and deception, and led many liberals to argue that the communist left should be excluded from American educational institutions and political life. This study of the Rapp-Coudert inquisition raises difficult questions about the good faith of the many liberals willing to aid and endorse the emerging Red scare, as they sacrificed principles of open debate and academic freedom in the interest of achieving what they believed would be effective modern government based on bipartisanship and a new and seemingly permanent economic prosperity.

A teen accused of killing her own mother. An attorney on the brink of self-destruction.

Harper Ross’s last client walked free on a technicality, only to slaughter an innocent mother of two. Now she’s drowning her guilt in bottom-shelf bourbon and teetering on the edge of self-destruction.

When Heather Morrison, a teen accused of the brutal slaying of her mother, needs a defender, Harper reluctantly takes the case.

As she digs deeper, the Kansas City attorney uncovers a sinister web of hatred and manipulation.

All clues lead to the door of a charismatic Reverend whose sermons mask a dark secret.

Caught between her own demons and a case that seems impossible to win, Harper must navigate treacherous waters to uncover the truth.

Bad Faith kicks off the Kansas City Legal Thrillers series.
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Praise for the Kansas City Legal Thrillers

★ ★ ★ ★ ★ Great legal thriller that I just couldn't put it down.

★ ★ ★ ★ ★ As usual Rachael has written a good story and I am looking forward to her next one.

★ ★ ★ ★ ★ This was a fantastic book. Loved it. Had lots of suspense and thrills.

★ ★ ★ ★ ★ I must say that I am truly impressed and captivated by this new legal thriller

★ ★ ★ ★ ★ Once you read the first sentence you are hooked in the nicely written story

Bad for Business examines the evolution of workplace sexual harassment from a feminist civil rights issue to a corporately managed concern over four decades of U.S. history. It analyzes the feminist, social conservative, and management frames that shaped public discourse, corporate policies, and legal rulings. Highlighting the unintended consequences of deferring authority to employers, the book reveals how economic priorities overshadowed the fight against systemic, gendered inequities in the workplace. In many cases corporate internal anti-harassment measures intensified managerial control over employees and rather than alleviating it, often increased the likelihood of sex discrimination in the workplace. In its conclusion, the study considers how these developments solidified a culture of silence surrounding the issue of sexual harassment, which sparked the #MeToo movement. Four decades after feminists first coined the term sexual harassment, it took a new generation of “silence breakers” to demand change.

Come and walk the offbeat world of Mike Strobel’s popular column in the Toronto Sun. Meet the legendary panhandler Shaky Lady; the Weasel, who knows where Jimmy Hoffa is buried; the secretive swinger Sexy Boots; the notorious Bicycle Bandit, who quit robbing banks, got a loan, and opened a bar; and Dr. Hook, the top doc whose professional fate rested on the cut of his jib. You’ll also get a look at a fake orgasm champ, a practising witch turned beauty pageant queen, a boss cannonballer, and assorted other heroes, rogues, athletes, finks, politicos, celebrities, bureaucrats, sons, and lovers.

Each column in this collection is a mini-world, tight and bright.

You’ll smile at Strobel’s take on the fads, fashions, morals, and hot topics of the day. Even the most serious issues are dissected and dispatched with often biting wit and cheek.

(Warning: If you’re a Montreal Canadiens fan, do not read this book.)

Being bad never tasted so good.

Lane Callaghan almost died six months ago. Her heroic deed finally achieved the one thing she always wanted and finally realized she never needed—the sun fae’s respect. While the fae no longer wish her dead, she has new bigger, badder enemies at large. And after inadvertently binding herself to the beast inside her sugar muffin, Teddy, possibly within her bedroom.

Once again thrust into the unwanted role of heroine, Lane and her sisters are hired—some would say forced—into another job. This time, it isn’t just the sun stones that are missing, sun fae are vanishing without a trace. As Lane reluctantly begins to peel back the layers of the investigation, she discovers sun fae secrets and shames that hit a little too close to home and threaten to tear her family apart.

Lane must navigate a treacherous path through lies, secrets, and escaped homicidal druids, all with the jaws of Teddy’s black wolf hovering at her neck.

Some bridges are meant to be broken.

Lane Callaghan finally has something to celebrate. Not only did she land a mate who looks stellar in denim, she fulfilled her contract with the sun fae and locked a deadly, dark prince behind bars in the process. To toast her freedom from the realm of Eodrom, Lane, her sisters, and their best gal pals head out for a night on the town.

As expected, the music is loud, the drinks flow, and the snack bowls are bottomless. What they don’t expect is the moonbit werewolf stripper who turns the party into a bloodbath, but maybe they should have. While Lane and her sisters have been focused on fae drama, human paranormals, werewolves in particular, have been succumbing to a rare infection, and their good friend Zee fears she’s next.

At last, Lane has a case closer to home. Or so she thinks, until Fate arrives to dispense a dire warning that the subterfuge in the fae realm of Ta’Vale isn’t over, and it’s closer to Lane than she thinks. In fact, it might have everything to do with the reason she ran from home all those years ago.

“With tantalizing hints of a wolfy blood tryst, a heavy dose of sisterly love, and plot twists to make the ride a surprise, S.L. Choi’s, Bad Girls Drink Blood is too much fun. If you like the Hollows, you will love this.” — Kim Harrison, #1 New York Times bestselling author of the Hollows series

Part sun fae, part blood fae, all abomination. After years wasted dodging slurs, threats, and assassination attempts, Lane Callaghan gave her past the one-finger salute and ditched her former fae home for good.

The detective agency she and her sisters run on the edge of Las Vegas limps along, with Lane doing more debt collecting and intimidating than investigating, but a gal’s gotta pay the bills. Between working for lowlifes to bring down even lower-lifes, eating cheesy poofs by the bucket, and flirting with the criminally attractive bartender Teddy, who pours drinks and breaks hearts where she conducts business, Lane’s finally got a life worth living.

When a routine job goes sideways, Lane’s left holding the bag, quite literally: a sack full of stolen sun shards, the source of sun fae power. Without the shards, the sun fae will lose their magic completely, or risk death if they use their power.

As far as Lane's concerned, good riddance, considering they would rather see her dead. The problem is, her father and adopted sister happen to be sun fae. When Lane decides to return home, Teddy insists on riding shotgun. Together they must face dark secrets and deadly choices to save the fae bastards who almost killed Lane…or fail and watch them all burn.

A pioneering study tracing the growth of Americans' bad habits

The vast majority of Americans have, at one point or another gotten drunk, smoked, dabbled with drugs, gambled, sworn or engaged in adultery. During the 1800s, respectable people struggled to control these behaviors, labeling them bad and the people who indulged in them unrespectable. In the twentieth century, however, these minor vices were transformed into a societal complex of enormous and pervasive influence. Yet the general belief persists that these activities remain merely harmless bad habits, individual transgressions more than social problems. Not so, argues distinguished historian John C. Burnham, in this pioneering study.In Bad Habits, Burnham traces the growth of a veritable minor vice-industrial complex. As it grew, activities that might have been harmless, natural, and sociable fun resulted in fundamental social change. When Burnham set out to explore the influence of these bad habits on American society, he sought to discover why so many good people engaged in activities that many, including they themselves, considered bad. What he found, however, was a coalition of economic and social interests in which the single-minded quest for profit allied with the values of the Victorian saloon underworld and bohemian rebelliousness. This combination radically inverted common American standards of personal conduct.Bad Habits, then, describes, in words and pictures, how more and more Americans learned to value hedonism and self-gratification—to smoke and swear during World War I, to admire cabaret night life, and to reject schoolmarmish standards in the age of Prohibition. Tracing the evolution of each of the bad habits, Burnham tells how liquor control boards encouraged the consumption of alcohol; how alcoholic beverage producers got their workers deferred from the draft during World War II; how convenience stores and accounting firms pursued profits by pushing legalized gambling; how swinging Playboy bankrolled a drug advocacy group; how advertising and television made the Marlboro Man a national hero; how drug paraphernalia was promoted by national advertisers; how a practical joker/drug addict caused a shortage of kitty litter on Long Island; and how the evolution of an entire sex therapy industry helped turn sexual experience into a new kind of commodity. Altogether, a lot of people made a lot of money. But what, the author asks, did these changes cost American society?This illustrated tour de force by one of the most distinctive and important voices in social history reveals John C. Burnham at his provocative and controversial best.

A pioneering study tracing the growth of Americans' bad habits

The vast majority of Americans have, at one point or another gotten drunk, smoked, dabbled with drugs, gambled, sworn or engaged in adultery. During the 1800s, respectable people struggled to control these behaviors, labeling them bad and the people who indulged in them unrespectable. In the twentieth century, however, these minor vices were transformed into a societal complex of enormous and pervasive influence. Yet the general belief persists that these activities remain merely harmless bad habits, individual transgressions more than social problems. Not so, argues distinguished historian John C. Burnham, in this pioneering study.In Bad Habits, Burnham traces the growth of a veritable minor vice-industrial complex. As it grew, activities that might have been harmless, natural, and sociable fun resulted in fundamental social change. When Burnham set out to explore the influence of these bad habits on American society, he sought to discover why so many good people engaged in activities that many, including they themselves, considered bad. What he found, however, was a coalition of economic and social interests in which the single-minded quest for profit allied with the values of the Victorian saloon underworld and bohemian rebelliousness. This combination radically inverted common American standards of personal conduct.Bad Habits, then, describes, in words and pictures, how more and more Americans learned to value hedonism and self-gratification—to smoke and swear during World War I, to admire cabaret night life, and to reject schoolmarmish standards in the age of Prohibition. Tracing the evolution of each of the bad habits, Burnham tells how liquor control boards encouraged the consumption of alcohol; how alcoholic beverage producers got their workers deferred from the draft during World War II; how convenience stores and accounting firms pursued profits by pushing legalized gambling; how swinging Playboy bankrolled a drug advocacy group; how advertising and television made the Marlboro Man a national hero; how drug paraphernalia was promoted by national advertisers; how a practical joker/drug addict caused a shortage of kitty litter on Long Island; and how the evolution of an entire sex therapy industry helped turn sexual experience into a new kind of commodity. Altogether, a lot of people made a lot of money. But what, the author asks, did these changes cost American society?This illustrated tour de force by one of the most distinctive and important voices in social history reveals John C. Burnham at his provocative and controversial best.

From Kingsley Tufts Award finalist Kathy Fagan comes Bad Hobby, a perceptive collection focused on memory, class, and might-have-beens.

In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.

Fagan writes with a kind of practical empathy, lamenting pain and brutality while knowing, also, their inevitability. A dementing father, a squirrel limp in the talons of a hawk, a “child who won’t ever get born”: with age, Fagan posits, the impact of ordeals like these changes. Loss becomes instructive. Solitude becomes a shared experience. “You think your one life precious—”

And Bad Hobby thinks—hard. About lineage, about caregiving. About time. It paces “inside its head, gazing skyward for a noun or phrase to / shatter the glass of our locked cars & save us.” And it does want to save us, or at least lift us, even in the face of immense bleakness, or loneliness, or the body changing, failing. “Don’t worry, baby,” Fagan tells us, the sparrow at her window. “We’re okay.”

A boisterous collection of surreal, darkly humorous short stories that will delight fans of George Saunders and Alice Munro

From John Elizabeth Stintzi, the mind that created the daringly bizarre novel My Volcano, comes an electrifying collection of strange and dark tales.

In the surreal, often precarious realities of Bad Houses, a doctor discovers a double-edged cure for the Ebola virus, a college student loses a different body part each time they return home for the summer, Midas's hairdresser strives to keep his secrets, and a young girl develops a fascination with the trolls who harvest her father's pumpkin patch. At once humorous and horrifying, these stories will inevitably take residence in your mind.

Present throughout Bad Houses is a deep and abiding sense of humanity sprinkled with a dash of alienation, guilt, and instability. Filtered through a fabulist lens, these stories contemplate the struggles of modern existence. Each character lives their own haunted life, trying to navigate the path from bad houses to good homes.

Featuring Stintzi's own expressive ink illustrations, Bad Houses is a book that feels like it was penned by a trans Alice Munro mixed with a bubblier Franz Kafka. Enter if you dare.

This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. This book is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

A boisterous collection of surreal, darkly humorous short stories that will delight fans of George Saunders and Alice Munro

From John Elizabeth Stintzi, the mind that created the daringly bizarre novel My Volcano, comes an electrifying collection of strange and dark tales.

In the surreal, often precarious realities of Bad Houses, a doctor discovers a double-edged cure for the Ebola virus, a college student loses a different body part each time they return home for the summer, Midas's hairdresser strives to keep his secrets, and a young girl develops a fascination with the trolls who harvest her father's pumpkin patch. At once humorous and horrifying, these stories will inevitably take residence in your mind.

Present throughout Bad Houses is a deep and abiding sense of humanity sprinkled with a dash of alienation, guilt, and instability. Filtered through a fabulist lens, these stories contemplate the struggles of modern existence. Each character lives their own haunted life, trying to navigate the path from bad houses to good homes.

Featuring Stintzi's own expressive ink illustrations, Bad Houses is a book that feels like it was penned by a trans Alice Munro mixed with a bubblier Franz Kafka. Enter if you dare.

Race, in the early modern period, is a concept at the crossroads of a set of overlapping concerns of lineage, religion, and nation. In Bad Humor, Kimberly Anne Coles charts how these concerns converged around a pseudoscientific system that confirmed the absolute difference between Protestants and Catholics, guaranteed the noble quality of English blood, and justified English colonial domination.

Coles delineates the process whereby religious error, first resident in the body, becomes marked on the skin. Early modern medical theory bound together psyche and soma in mutual influence. By the end of the sixteenth century, there is a general acceptance that the soul's condition, as a consequence of religious belief or its absence, could be manifest in the humoral disposition of the physical body. The history that this book unfolds describes developments in natural philosophy in the early part of the sixteenth century that force a subsequent reconsideration of the interactions of body and soul and that bring medical theory and theological discourse into close, even inextricable, contact. With particular consideration to how these ideas are reflected in texts by Elizabeth Cary, John Donne, Ben Jonson, William Shakespeare, Edmund Spenser, Mary Wroth, and others, Coles reveals how science and religion meet nascent capitalism and colonial endeavor to create a taxonomy of Christians in Black and White.

Race, in the early modern period, is a concept at the crossroads of a set of overlapping concerns of lineage, religion, and nation. In Bad Humor, Kimberly Anne Coles charts how these concerns converged around a pseudoscientific system that confirmed the absolute difference between Protestants and Catholics, guaranteed the noble quality of English blood, and justified English colonial domination.

Coles delineates the process whereby religious error, first resident in the body, becomes marked on the skin. Early modern medical theory bound together psyche and soma in mutual influence. By the end of the sixteenth century, there is a general acceptance that the soul's condition, as a consequence of religious belief or its absence, could be manifest in the humoral disposition of the physical body. The history that this book unfolds describes developments in natural philosophy in the early part of the sixteenth century that force a subsequent reconsideration of the interactions of body and soul and that bring medical theory and theological discourse into close, even inextricable, contact. With particular consideration to how these ideas are reflected in texts by Elizabeth Cary, John Donne, Ben Jonson, William Shakespeare, Edmund Spenser, Mary Wroth, and others, Coles reveals how science and religion meet nascent capitalism and colonial endeavor to create a taxonomy of Christians in Black and White.

Newly expanded, this gripping memoir is hailed as essential by the likes of Joy Harjo, Leslie Marmon Silko, and ELLE magazine.

Bad Indians—part tribal history, part lyric and intimate memoir—is essential reading for anyone seeking to learn about California Indian history, past and present. Widely adopted in classrooms and book clubs throughout the United States, Bad Indians—now reissued in significantly expanded form for its 10th anniversary—plumbs ancestry, survivance, and the cultural memory of Native California.

In this best-selling, now-classic memoir, Deborah A. Miranda tells stories of her Ohlone/Costanoan-Esselen family and the experiences of California Indians more widely through oral histories, newspaper clippings, anthropological recordings, personal reflections, and poems. This anniversary edition includes several new poems and essays, as well as an extensive afterword, totaling more than fifty pages of new material. Wise, indignant, and playful all at once, Bad Indians is a beautiful and devastating read, and an indispensable book for anyone seeking a more just telling of American history.

Now in paperback and newly expanded, this gripping memoir is hailed as essential by Joy Harjo, Leslie Marmon Silko, and ELLE magazine—among others.

Bad Indians—part tribal history, part lyric and intimate memoir—is essential reading for anyone seeking to learn about California Indian history, past and present. Widely adopted in classrooms and book clubs throughout the United States, Bad Indians—now reissued in significantly expanded form—plumbs ancestry, survivance, and the cultural memory of Native California.

In this best-selling, now-classic memoir, Deborah A. Miranda tells stories of her Ohlone/Costanoan-Esselen family and the experiences of California Indians more widely through oral histories, newspaper clippings, anthropological recordings, personal reflections, and poems. This expanded edition includes several new poems and essays, as well as an extensive afterword, totaling more than fifty pages of new material. Wise, indignant, and playful all at once, Bad Indians is a beautiful and devastating read, and an indispensable book for anyone seeking a more just and accurate telling of American history.

Newly expanded, a memoir hailed as essential by the likes of Leslie Marmon Silko and ELLE magazine.

"Bad Indians stands out as a classic quintessentially Indigenous memoir. " —Joy Harjo

Bad Indians—part tribal history, part lyric and intimate memoir—is essential reading for anyone seeking to learn about California Indian history, past and present. Widely adopted in classrooms and book clubs throughout the United States, Bad Indians—now reissued in significantly expanded form—plumbs ancestry, survivance, and the cultural memory of Native California.

In this best-selling, now-classic memoir, Deborah A. Miranda tells stories of her Ohlone/Costanoan-Esselen family and the experiences of California Indians more widely through oral histories, newspaper clippings, anthropological recordings, personal reflections, and poems. This expanded edition—the first time the book has seen release in hardcover format—includes new poems and essays, as well as an extensive afterword. Wise, indignant, and playful all at once, Bad Indians is a beautiful and devastating read, and an indispensable book for anyone seeking a more just telling of American history.

LONGLISTED FOR THE GILLER PRIZE

The slow-burning, deeply felt story of a social outcast reckoning with the wounds of her past

Regina is a socially awkward loner who is content to live a life withdrawn from everyone except her cherished pet bunny. But after seven years of silence, Regina's brother, Ricky, shows up unannounced on her doorstep, along with his daughter, Jez—a peculiar six-year-old with an unnerving vicious streak—upending Regina's quiet life.

It's clear to Regina that something terrible has happened, though the truth won't come to the surface easily. After all, Regina and Ricky lived a childhood fraught with secrets buried as deep as the fossils in the desolate landscape around them. But this secret is one that cannot stay buried for long, and its exposure sets off a calamitous journey through plains and mountains that forces Regina to confront the brutality of family love and to question how far she is willing to go to preserve it.

Rife with gothic tension and carried by fervent compassion, Bad Land is a story about the toxic nature of guilt, the fragility of memory, and the ways we shape our own versions of the truth in order to survive.

This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. This book is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

LONGLISTED FOR THE GILLER PRIZE

The slow-burning, deeply felt story of a social outcast reckoning with the wounds of her past

Regina is a socially awkward loner who is content to live a life withdrawn from everyone except her cherished pet bunny. But after seven years of silence, Regina's brother, Ricky, shows up unannounced on her doorstep, along with his daughter, Jez—a peculiar six-year-old with an unnerving vicious streak—upending Regina's quiet life.

It's clear to Regina that something terrible has happened, though the truth won't come to the surface easily. After all, Regina and Ricky lived a childhood fraught with secrets buried as deep as the fossils in the desolate landscape around them. But this secret is one that cannot stay buried for long, and its exposure sets off a calamitous journey through plains and mountains that forces Regina to confront the brutality of family love and to question how far she is willing to go to preserve it.

Rife with gothic tension and carried by fervent compassion, Bad Land is a story about the toxic nature of guilt, the fragility of memory, and the ways we shape our own versions of the truth in order to survive.

By exposing the flawed foundations of the rules we live by, and through biting humor and insight, Bad Law offers a crisp, pertinent take on:

• abortion and the Hyde Amendment, and the role federal funding, or lack thereof, has played in depriving women of necessary health and reproductive care
• immigration and illegal reentry, and the illusions that have been sold to us regarding immigration policy, reform, and whiteness at large
• voter registration laws, and how the right to vote has become a moral issue, and ironically, antidemocratic
• gun control and the Protection of Lawful Commerce in Arms Act, and the extreme yet obvious dangers of granting immunity to gun manufacturers

But, as the man Samantha Bee calls “irrepressible and righteously indignant” and Matt Levine of Bloomberg Opinion calls “the funniest lawyer in America,” points out, these laws do not come to us from on high; we write them, and we can and should unwrite them. In a fierce, funny, and wholly original takedown spanning all the hot-button topics in the country today, one of our most brilliant legal thinkers points the way to a saner tomorrow.

In Bad Law, the New York Times bestselling author of Allow Me To Retort: A Black Guy’s Guide to the Constitution reimagines what our legal system, and society at large, could look like if we could move past legislation plagued by racism, misogyny, and corruption. Through accessible yet detailed prose and trenchant wit, Mystal argues that these egregiously awful laws—his “Bill of Wrongs”—continue to cause systematic and individual harm and should be repealed completely.

By exposing the flawed foundations of the rules we live by, and through biting humor and insight, Bad Law offers a crisp, pertinent take on:

• abortion and the Hyde Amendment, and the role federal funding, or lack thereof, has played in depriving women of necessary health and reproductive care
• immigration and illegal reentry, and the illusions that have been sold to us regarding immigration policy, reform, and whiteness at large
• voter registration laws, and how the right to vote has become a moral issue, and ironically, antidemocratic
• gun control and the Protection of Lawful Commerce in Arms Act, and the extreme yet obvious dangers of granting immunity to gun manufacturers

But, as the man Samantha Bee calls “irrepressible and righteously indignant” and Matt Levine of Bloomberg Opinion calls “the funniest lawyer in America,” points out, these laws do not come to us from on high; we write them, and we can and should unwrite them. In a fierce, funny, and wholly original takedown spanning all the hot-button topics in the country today, one of our most brilliant legal thinkers points the way to a saner tomorrow.

The pharmaceutical industry has long and vehemently insisted that it has the willingness, the dedication, and the ability to police itself to insure that the public will not be unnecessarily harmed or defrauded. As the record shows with painful clarity, however, virtually no industry or professional group has ever adequately policed itself, and the pharmaceutical industry is no exception. Where the most flagrant abuses have been exposed and corrected, major credit must probably be divided among the media that publicized the situation, consumer groups that applied pressure, government officials who took actions that were often unpopular, and individual members of the pharmaceutical industry who had the courage to face up to their social responsibilities.

In this book, the authors turn their attention to what happened in Third World countries when, because of worldwide pressures, the multinational drug companies largely corrected their notorious abuses. On the basis of painstaking research, much of it conducted in a great many Third World countries, the authors conclude that a plethora of small local firms have filled the dishonest sales channels vacated by the multinationals. The authors show in great detail how local drug firms in the Third World have taken advantage of loose regulatory practices and unscrupulous behavior on the part of regional and national health care professionals to promote the sale of dangerous or worthless drugs as remedies for diseases for which they were never intended. Warnings of bad side effects are omitted from promotional literature, drugs are sold that have not had proper trials, and drug firms have often bribed government officials, doctors, and hospital administrators in order to gain favorable treatment in the importation and sale of their products. Among the many topics treated in this book are the controversy over inexpensive generic drugs (including disclosures of fraud and bribery in the U.S. Food and Drug Administration), the actions of consumer groups, and the key role of government in preventing abuses by drug firms. The authors describe a remarkable attempt in Bangladesh, one of the poorest of all the developing countries, to develop a high-quality local drug industry. They also present as case histories reports on three extremely important drug products or groups—the dipyrones (for control of pain and fever), high-dosage estrogen-progesterone hormone products (for use in pregnancy tests), and clioquinol or Enterovioform (for treatment of diarrhea)—all of which were or still are centers of worldwide, heated controversy.

Challenges the assumptions made over the medieval/modern divide by examining the medieval roots of modern racism

Humanists have long insisted on a chasm separating modernity and the Middle Ages. In Bad Medi­evalism and the Modernity Problem, Kathy Lavezzo demonstrates how the temporal divide scholars typically accept is a fiction that has shaped racial discourse over a longue durée. The hard line drawn between “then” and “now” is of a piece with the line separating whiteness from humans deemed irrevocably other. Thus, Lavezzo advocates a “bad”—that is, depressing and disturbing, even nau­seating—historicism attuned to the interpenetration of race, whiteness, and periodicity in the “west.”

Teasing out the dialectical invocation of both periods by figures as diverse as W. E. B. Du Bois, Carolyn Bynum, Stuart Hall, Johan Huizinga, Paule Marshall, Karl Marx, Gloria Naylor, J. R. R. Tolkien, and Sylvia Wynter, Lavezzo demonstrates how the tension between and across categories of the “medieval” and the “modern” has mobilized intense emotional and political responses.

Inspired by Lavezzo’s discovery that Hall, the beloved founder of cultural studies, planned as a student at Oxford to become a medievalist but was dissuaded from that path by his teacher Tolkien, Bad Medievalism and the Modernity Problem unpacks the implications of that charged encounter. Central chapters contrast Tolkien’s white heritage medievalism with a speculative inquiry into the Piers Plowman dissertation that Hall never wrote.

Other chapters assess the white “feel” of periodization by scholars, including Jacob Burckhardt, Huizinga, Fredric Jameson, and Bynum, and draw on theorists, including Du Bois and Wynter, to chart the medieval roots of a racialized discourse of progress and primitivism. Bad Medievalism and the Modernity Problem culminates in new readings of Gloria Naylor’s Bailey’s Cafe and Paule Marshall’s The Fisher King, demonstrating their importance as productively pessimistic engagements with the racial legacies of both the medieval and the modern.

Challenges the assumptions made over the medieval/modern divide by examining the medieval roots of modern racism

Humanists have long insisted on a chasm separating modernity and the Middle Ages. In Bad Medi­evalism and the Modernity Problem, Kathy Lavezzo demonstrates how the temporal divide scholars typically accept is a fiction that has shaped racial discourse over a longue durée. The hard line drawn between “then” and “now” is of a piece with the line separating whiteness from humans deemed irrevocably other. Thus, Lavezzo advocates a “bad”—that is, depressing and disturbing, even nau­seating—historicism attuned to the interpenetration of race, whiteness, and periodicity in the “west.”

Teasing out the dialectical invocation of both periods by figures as diverse as W. E. B. Du Bois, Carolyn Bynum, Stuart Hall, Johan Huizinga, Paule Marshall, Karl Marx, Gloria Naylor, J. R. R. Tolkien, and Sylvia Wynter, Lavezzo demonstrates how the tension between and across categories of the “medieval” and the “modern” has mobilized intense emotional and political responses.

Inspired by Lavezzo’s discovery that Hall, the beloved founder of cultural studies, planned as a student at Oxford to become a medievalist but was dissuaded from that path by his teacher Tolkien, Bad Medievalism and the Modernity Problem unpacks the implications of that charged encounter. Central chapters contrast Tolkien’s white heritage medievalism with a speculative inquiry into the Piers Plowman dissertation that Hall never wrote.

Other chapters assess the white “feel” of periodization by scholars, including Jacob Burckhardt, Huizinga, Fredric Jameson, and Bynum, and draw on theorists, including Du Bois and Wynter, to chart the medieval roots of a racialized discourse of progress and primitivism. Bad Medievalism and the Modernity Problem culminates in new readings of Gloria Naylor’s Bailey’s Cafe and Paule Marshall’s The Fisher King, demonstrating their importance as productively pessimistic engagements with the racial legacies of both the medieval and the modern.

In the past quarter century, "bad" mothers have moved noticeably toward center stage in American culture. While Susan Smith will eventually fade from the tabloids, the monster mother that she represents has a storied and long history. Mothers have been blamed for a host of problems, from autism in children (due to chilly "refrigerator" mothers), to homosexuality (attributed to "smothering" moms), to welfare dependency and crime (caused by black "matriarchs" and single mothers).
Some mothers are not good mothers. No one can deny that. There are women who neglect their children, abuse them, and fail to provide them with proper psychological nurturance. While such mothers have always stimulated the American imagination, the definition of what constitutes a bad mother has expanded significantly in recent years. Indeed, with a distinct minority of American families living the two-parent, one-worker lifestyle once considered the norm, we all face the discomfiting question, Do most mothers now qualify as "bad" mothers in one way or another?
Drawing together the work of prominent scholars and journalists, "Bad" Mothers considers such diverse topics as the mother-blaming theories of psychological and medical "experts," bad mothers in the popular media, the scapegoating of mothers in politics, and the punitive approach to "bad" mothers by social service and legal authorities. The volume also includes the stories of individual "bad" mothers, from sterilization survivor Willie Mallory to rock star Courtney Love. Ably edited by two leading scholars, "Bad" Mothers marks an important contribution to the literature on motherhood.

In the past quarter century, "bad" mothers have moved noticeably toward center stage in American culture. While Susan Smith will eventually fade from the tabloids, the monster mother that she represents has a storied and long history. Mothers have been blamed for a host of problems, from autism in children (due to chilly "refrigerator" mothers), to homosexuality (attributed to "smothering" moms), to welfare dependency and crime (caused by black "matriarchs" and single mothers).
Some mothers are not good mothers. No one can deny that. There are women who neglect their children, abuse them, and fail to provide them with proper psychological nurturance. While such mothers have always stimulated the American imagination, the definition of what constitutes a bad mother has expanded significantly in recent years. Indeed, with a distinct minority of American families living the two-parent, one-worker lifestyle once considered the norm, we all face the discomfiting question, Do most mothers now qualify as "bad" mothers in one way or another?
Drawing together the work of prominent scholars and journalists, "Bad" Mothers considers such diverse topics as the mother-blaming theories of psychological and medical "experts," bad mothers in the popular media, the scapegoating of mothers in politics, and the punitive approach to "bad" mothers by social service and legal authorities. The volume also includes the stories of individual "bad" mothers, from sterilization survivor Willie Mallory to rock star Courtney Love. Ably edited by two leading scholars, "Bad" Mothers marks an important contribution to the literature on motherhood.

Something is wrong with American journalism. Long before “fake news” became the calling card of the Right, Americans had lost faith in their news media. But lately, the feeling that something is off has become impossible to ignore. That’s because the majority of our mainstream news is no longer just liberal; it’s woke. Today’s newsrooms are propagating radical ideas that were fringe as recently as a decade ago, including “antiracism,” intersectionality, open borders, and critical race theory. How did this come to be?

It all has to do with who our news media is written by—and who it is written for. In Bad News: How Woke Media Is Undermining Democracy, Batya Ungar-Sargon reveals how American journalism underwent a status revolution over the twentieth century—from a blue-collar trade to an elite profession. As a result, journalists shifted their focus away from the working class and toward the concerns of their affluent, highly educated peers. With the rise of the Internet and the implosion of local news, America’s elite news media became nationalized and its journalists affluent and ideological. And where once business concerns provided a countervailing force to push back against journalists’ worst tendencies, the pressures of the digital media landscape now align corporate incentives with newsroom crusades.

The truth is, the moral panic around race, encouraged by today’s elite newsrooms, does little more than consolidate the power of liberal elites and protect their economic interests. And in abandoning the working class by creating a culture war around identity, our national media is undermining American democracy. Bad News explains how this happened, why it happened, and the dangers posed by this development if it continues unchecked.

"...a timely and entertaining account of how class rivalries as well as political conflicts have shaped and sometimes warped the news industry."—Michael Lind, author of The New Class War: Saving Democracy from the Managerial Elite

Something is wrong with American journalism. Long before “fake news” became the calling card of the Right, Americans had lost faith in their news media. But lately, the feeling that something is off has become impossible to ignore. That’s because the majority of our mainstream news is no longer just liberal; it’s woke. Today’s newsrooms are propagating radical ideas that were fringe as recently as a decade ago, including “antiracism,” intersectionality, open borders, and critical race theory. How did this come to be?

It all has to do with who our news media is written by—and who it is written for. In Bad News: How Woke Media Is Undermining Democracy, Batya Ungar-Sargon reveals how American journalism underwent a status revolution over the twentieth century—from a blue-collar trade to an elite profession. As a result, journalists shifted their focus away from the working class and toward the concerns of their affluent, highly educated peers. With the rise of the Internet and the implosion of local news, America’s elite news media became nationalized and its journalists affluent and ideological. And where once business concerns provided a countervailing force to push back against journalists’ worst tendencies, the pressures of the digital media landscape now align corporate incentives with newsroom crusades.

The truth is, the moral panic around race, encouraged by today’s elite newsrooms, does little more than consolidate the power of liberal elites and protect their economic interests. And in abandoning the working class by creating a culture war around identity, our national media is undermining American democracy. Bad News explains how this happened, why it happened, and the dangers posed by this development if it continues unchecked.

Child-molesting priests, embezzled church treasures, philandering ministers and rabbis, even church-endorsed pyramid schemes that defraud gullible parishioners of millions of dollars: for the past decade, clergy misconduct has seemed continually to be in the news.
Is there something about religious organizations that fosters such misbehavior? Bad Pastors presents a range of new perspectives and solidly grounded data on pastoral abuse, investigating sexual misconduct, financial improprieties, and political and personal abuse of authority. Rather than focusing on individuals who misbehave, the volume investigates whether the foundation for clergy malfeasance is inherent in religious organizations themselves, stemming from hierarchies of power in which trusted leaders have the ability to define reality, control behavior, and even offer or withhold the promise of immortality. Arguing that such phenomena arise out of organizational structures, the contributors do not focus on one particular religion, but rather treat these incidents from an interfaith perspective.
Bad Pastors moves beyond individual case studies to consider a broad range of issues surrounding clergy misconduct, from violence against women to the role of charisma and abuse of power in new religious movements. Highlighting similarities between other forms of abuse, such as domestic violence, the volume helps us to conceptualize and understand clergy misconduct in new ways.

Child-molesting priests, embezzled church treasures, philandering ministers and rabbis, even church-endorsed pyramid schemes that defraud gullible parishioners of millions of dollars: for the past decade, clergy misconduct has seemed continually to be in the news.
Is there something about religious organizations that fosters such misbehavior? Bad Pastors presents a range of new perspectives and solidly grounded data on pastoral abuse, investigating sexual misconduct, financial improprieties, and political and personal abuse of authority. Rather than focusing on individuals who misbehave, the volume investigates whether the foundation for clergy malfeasance is inherent in religious organizations themselves, stemming from hierarchies of power in which trusted leaders have the ability to define reality, control behavior, and even offer or withhold the promise of immortality. Arguing that such phenomena arise out of organizational structures, the contributors do not focus on one particular religion, but rather treat these incidents from an interfaith perspective.
Bad Pastors moves beyond individual case studies to consider a broad range of issues surrounding clergy misconduct, from violence against women to the role of charisma and abuse of power in new religious movements. Highlighting similarities between other forms of abuse, such as domestic violence, the volume helps us to conceptualize and understand clergy misconduct in new ways.

Child-molesting priests, embezzled church treasures, philandering ministers and rabbis, even church-endorsed pyramid schemes that defraud gullible parishioners of millions of dollars: for the past decade, clergy misconduct has seemed continually to be in the news.
Is there something about religious organizations that fosters such misbehavior? Bad Pastors presents a range of new perspectives and solidly grounded data on pastoral abuse, investigating sexual misconduct, financial improprieties, and political and personal abuse of authority. Rather than focusing on individuals who misbehave, the volume investigates whether the foundation for clergy malfeasance is inherent in religious organizations themselves, stemming from hierarchies of power in which trusted leaders have the ability to define reality, control behavior, and even offer or withhold the promise of immortality. Arguing that such phenomena arise out of organizational structures, the contributors do not focus on one particular religion, but rather treat these incidents from an interfaith perspective.
Bad Pastors moves beyond individual case studies to consider a broad range of issues surrounding clergy misconduct, from violence against women to the role of charisma and abuse of power in new religious movements. Highlighting similarities between other forms of abuse, such as domestic violence, the volume helps us to conceptualize and understand clergy misconduct in new ways.

Child-molesting priests, embezzled church treasures, philandering ministers and rabbis, even church-endorsed pyramid schemes that defraud gullible parishioners of millions of dollars: for the past decade, clergy misconduct has seemed continually to be in the news.
Is there something about religious organizations that fosters such misbehavior? Bad Pastors presents a range of new perspectives and solidly grounded data on pastoral abuse, investigating sexual misconduct, financial improprieties, and political and personal abuse of authority. Rather than focusing on individuals who misbehave, the volume investigates whether the foundation for clergy malfeasance is inherent in religious organizations themselves, stemming from hierarchies of power in which trusted leaders have the ability to define reality, control behavior, and even offer or withhold the promise of immortality. Arguing that such phenomena arise out of organizational structures, the contributors do not focus on one particular religion, but rather treat these incidents from an interfaith perspective.
Bad Pastors moves beyond individual case studies to consider a broad range of issues surrounding clergy misconduct, from violence against women to the role of charisma and abuse of power in new religious movements. Highlighting similarities between other forms of abuse, such as domestic violence, the volume helps us to conceptualize and understand clergy misconduct in new ways.

Evie Hartley was once a rising star in the world of crime reporting, but a series of scandalous ethical missteps cost her career and her reputation. Now, working at a small-town newspaper, she's desperate to prove herself again—this time by playing it straight in the culture section.

When the crime beat opens up, Evie seizes the opportunity to reclaim her former glory. Her investigative skills impress her boss, but her bold methods make a powerful enemy out of Detective Marcus "Penn" Pennington. A former ally turned foe, Penn distrusts Evie’s underhanded tactics—even as she cracks a case the police couldn't solve. Reluctantly, Penn becomes her go-to source, and together they uncover chilling secrets that go far beyond the public eye.

But Evie’s insatiable hunger for truth drags her into a dangerous game. When she stumbles onto a cold case and receives ominous threats from an anonymous figure, the stakes become deadly. As Evie forms a questionable alliance with someone who knows far too much about the missing person's disappearance, Penn's protective instincts intensify—leading him to blur the lines between concern and obsession.

With her career—and her life—on the line, Evie must decide how far she's willing to go to get the truth. But as the tension escalates, one thing is clear: uncovering the truth could be the last story she ever tells.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press.

An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press.

An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

In the tradition of Daniel Levitin’s This Is Your Brain on Music and Oliver Sacks’ Musicophilia, Bad Singer follows the delightful journey of Tim Falconer as he tries to overcome tone deafness — and along the way discovers what we’re really hearing when we listen to music.

Tim Falconer, a self-confessed “bad singer,” always wanted to make music, but soon after he starts singing lessons, he discovers that he’s part of only 2.5 percent of the population afflicted with amusia — in other words, he is scientifically tone-deaf.

Bad Singer chronicles his quest to understand human evolution and music, the brain science behind tone-deafness, his search for ways to retrain the adult brain, and his investigation into what we really hear when we listen to music. In an effort to learn more about his brain disorder, he goes to a series of labs where the scientists who test him are as fascinated with him as he is with them. He also sets out to understand why we love music and deconstructs what we really hear when we listen to it. And he unlocks the secret that helps explain why music has such emotional power over us.

In the tradition of Daniel Levitin’s This Is Your Brain on Music and Oliver Sacks’ Musicophilia, Bad Singer follows the delightful journey of Tim Falconer as he tries to overcome tone deafness — and along the way discovers what we’re really hearing when we listen to music.

Tim Falconer, a self-confessed “bad singer,” always wanted to make music, but soon after he starts singing lessons, he discovers that he’s part of only 2.5 percent of the population afflicted with amusia — in other words, he is scientifically tone-deaf.

Bad Singer chronicles his quest to understand human evolution and music, the brain science behind tone-deafness, his search for ways to retrain the adult brain, and his investigation into what we really hear when we listen to music. In an effort to learn more about his brain disorder, he goes to a series of labs where the scientists who test him are as fascinated with him as he is with them. He also sets out to understand why we love music and deconstructs what we really hear when we listen to it. And he unlocks the secret that helps explain why music has such emotional power over us.

AUTHOR OF THE NEW YORK TIMES BESTSELLERS, CANDYFREAK AND AGAINST FOOTBALL • In the BESTSELLING, BAD STORIES, Steve Almond will help you understand, What the hell just happened to our country? 

"I was enlightened and spellbound by Bad Stories, outraged and consoled."—Cheryl Strayed • "A welcome change of pace from its mostly wonky competitors."—Washington Post • "Unfold some timely insights and avenues into the despair stalking American public life."—Publishers Weekly • "Almond holds up literature as a guide through America’s age-old moral dilemmas and finds hope for his country in family, forgiveness, and political resistance."—Booklist Online

Like a lot of Americans, Steve Almond spent the weeks after the 2016 election lying awake, in a state of dread and bewilderment. The problem wasn’t just the election, but the fact that nobody could explain, in any sort of coherent way, why America had elected a cruel, corrupt, and incompetent man to the Presidency. Bad Stories: What the Hell Just Happened to Our Country is Almond’s effort to make sense of our historical moment, to connect certain dots that go unconnected amid the deluge of hot takes and think pieces. Almond looks to literary voices—from Melville to Orwell, from Bradbury to Baldwin—to help explain the roots of our moral erosion as a people.

The book argues that Trumpism is a bad outcome arising directly from the bad stories we tell ourselves. To understand how we got here, we have to confront our cultural delusions: our obsession with entertainment, sports, and political parody, the degeneration of our free press into a for-profit industry, our enduring pathologies of race, class, immigration, and tribalism. Bad Stories is a lamentation aimed at providing clarity. It’s the book you can pass along to an anguished fellow traveler with the promise, This will help you understand what the just hell happened to our country.

Using the cheap desktop publishing techniques of 'zine culture, and supplementing them with an extensive presence on the World Wide Web, the Bad Subjects Production Team has produced one of the only successful political 'zines in the US, as well as one of the first--and longest-running--on-line publications in the world.
Bad Subjects offers a critique of the post-1960s left in the United States, and attempts to reclaim a utopian vision for a political movement which has become fragmented and cynical about the possibility of social transformation. Indeed, Bad Subjects itself is simultaneously a valuable resource and an inspiration, a record of what politically-engaged cultural criticism can achieve, and an example of a progressive political community making use of new technologies.
Offering a way out of vulgar multiculturalism--based on separatism and the idea of "authenticity"--into a critical identity politics founded on coalitions, hybridity, and class consciousness, Bad Subjectsspeaks to readers both in and outside of the academy. Taking their cue from the feminist slogan, "the personal is political," and from Marxist injunctions to study "everyday life," Bad Subjects covers everything from popular culture and high technology to economic restructuring and political organizing, from Raymond Williams to The Dead Kennedys.
In the terrain of cultural criticism, Bad Subjects is an off-road vehicle roaring away from the beaten path.

Using the cheap desktop publishing techniques of 'zine culture, and supplementing them with an extensive presence on the World Wide Web, the Bad Subjects Production Team has produced one of the only successful political 'zines in the US, as well as one of the first--and longest-running--on-line publications in the world.
Bad Subjects offers a critique of the post-1960s left in the United States, and attempts to reclaim a utopian vision for a political movement which has become fragmented and cynical about the possibility of social transformation. Indeed, Bad Subjects itself is simultaneously a valuable resource and an inspiration, a record of what politically-engaged cultural criticism can achieve, and an example of a progressive political community making use of new technologies.
Offering a way out of vulgar multiculturalism--based on separatism and the idea of "authenticity"--into a critical identity politics founded on coalitions, hybridity, and class consciousness, Bad Subjectsspeaks to readers both in and outside of the academy. Taking their cue from the feminist slogan, "the personal is political," and from Marxist injunctions to study "everyday life," Bad Subjects covers everything from popular culture and high technology to economic restructuring and political organizing, from Raymond Williams to The Dead Kennedys.
In the terrain of cultural criticism, Bad Subjects is an off-road vehicle roaring away from the beaten path.