Literary Collections

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collection’s first appearance in 1855 through the posthumous “Old Age Echoes” annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole.
Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of “When Lilacs Last in the Door-Yard Bloom’d” and “O Captain! my Captain!” Volume III features the poems 1870–1891, plus the “Old Ages Annex” and an index to the three-volume set.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence.
This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.

The Los Angeles Review is a literary journal of divergent literature with a West Coast emphasis. Established in 2003, LAR publishes both the stories of Los Angeles, endlessly varied, and those that grow outside our world of smog and glitter. LAR seeks voices with something wild in them, voices that know what it means to be alive, to be fallible, to be human.

Issue 23 features work from Marcelo Hernandez Castillo, Oliver de la Paz, Pete Hsu, and more.

The Los Angeles Review Masthead
Publisher: Tobi Harper
Editor: Kate Gale
Managing Editor: Deirdre Collins
Assistant Managing Editor: Eric Howard
Fiction Editors: Meredith Alder and Amy Sather
Assistant Fiction Editor: Meredith Westgate Russo
Flash Fiction Editor: Brittany McLaughlin
Poetry Editors: Blas Falconer and Vandana Khanna
Nonfiction Editor: Florencia Ramirez
Translation Editor: Piotr Florczyk
Book Reviews Editor: Alyse Bensel
Assistant Book Reviews Editor: Daniel Pecchenino
Contributing Editor: Sophia Ihlefeld
Editor-at-Large: Riley Mang
Production Editor: Rebeccah Sanhueza
Copy Editor: Breana Gomez

The Los Angeles Review is a literary journal of divergent literature with a West Coast emphasis. Established in 2003, LAR publishes both the stories of Los Angeles, endlessly varied, and those that grow outside our world of smog and glitter. LAR seeks voices with something wild in them, voices that know what it means to be alive, to be fallible, to be human.

Issue 22 features work from Victoria Chang, Francisco Aragón, Susannah Nevison, and more.

The Los Angeles Review Masthead Editor: Kate Gale
Managing Editor: Keaton Maddox
Assistant Managing Editor: Deirdre Collins
Editor-at-Large: Riley Mang
Poetry Editors: Blas Falconer and Vandana Khanna
Fiction Editors: Meredith Alder and Amy Sather
Nonfiction Editor: Ann Beman
Assistant Nonfiction Editor: Florencia Ramirez
Translation Editor: Piotr Florczyk
Book Reviews Editor: Alyse Bensel
Assistant Book Reviews Editor: Daniel Pecchenino
Copy Editors: Ian McElfresh and Eric Howard
Publisher: Tobi Harper

A collection of personal essays examining relationships, whiteness, and masculinity, All Who Belong May Enter was selected by Jaquira Díaz as the winner of the 2020 Autumn House Nonfiction Prize. 

Nicholas Ward’s debut essay collection centers on self-exploration and cultural critique. These deeply personal essays examine masculinity, whiteness, and gentrification through tales of a Midwest upbringing, sporting events, parties, posh (and not-so-posh) restaurant jobs, and the many relationships built and lost along the way. 

With a storyteller’s spirit, Ward recounts and evaluates the privilege of his upbringing with acumen and vulnerability. Ward’s profound affection for his friends, family, lovers, pets, and particularly for his chosen home, Chicago, shines through. This collection offers readers hope for healing that comes through greater understanding and inquiry into one’s self, relationships, and culture. Through these essays, Ward acknowledges his position within whiteness and masculinity, and he continuously holds himself and the society around him accountable. 

Dealing with the most topical questions of the time, Sofia Tolstaya’s artistic works—from parables to short stories, novellas, and memoirs—show deep insights into the social context of nineteenth-century Russia.

In his lengthy review of My Life (along with other Tolstaya publications) in Canadian Slavonic Papers, the eminent Tolstoy scholar Hugh McLean (2011) laments the fact that it has taken so long (almost a century after her death) to focus academic attention on Sofia Tolstaya, and that there has been no unified publication of her works, scattered as they are among dated journals or not published at all.

This book aims to help fill this lacuna by offering a critical introduction to her literary output as a writer in her own right, and presenting, for the first time, an anthology of her main artistic works, some in fresh English translation, and others never translated before.

“An entertaining and eclectic anthology of nature writing by women about the ‘east Atlantic archipelago’ or British isles.… For readers in search of a new take on the genre, this is a great place to start.” — Publishers Weekly

Now in paperback—a landmark gathering of writing, by women, about the natural world.

Women, through the centuries and to present time, writing about the natural world, in this landmark anthology—with pieces gathered from works of fiction, poetry, but also household planners, gardening diaries, recipe books…

For the very first time, this anthology collects together the work of women, over the centuries and up to the present day, who have written about the natural world in Britain, Ireland and the outlying islands of that archipelago. Alongside the traditional forms of the travelog, the walking guide, books on birds, plants and wildlife, Women on Nature embraces alternative modes of seeing and recording that turn the genre on its head.

Katharine Norbury has sifted through the pages of women’s writing to show the multitude of ways in which they have observed the natural world about them, from the fourteenth-century writing of the anchorite nun Julian of Norwich to the seventeenth-century travel journal of Celia Fiennes; from the keen observations of Emily Brontë to a host of brilliant contemporary voices.

Women on Nature presents a groundbreaking vision of the natural world which, in addition to being a rich and scintillating anthology that shines a light on many unjustly overlooked writers, is of unique importance in terms of women’s history and the history of writing about nature.

“An entertaining and eclectic anthology of nature writing by women about the ‘east Atlantic archipelago’ or British isles.… For readers in search of a new take on the genre, this is a great place to start.” —Publishers Weekly

Now in paperback—a landmark gathering of writing, by women, about the natural world

Women, through the centuries and to present time, writing about the natural world, in this landmark anthology—with pieces gathered from works of fiction, poetry, but also household planners, gardening diaries, recipe books…

For the very first time, this anthology collects together the work of women, over the centuries and up to the present day, who have written about the natural world in Britain, Ireland and the outlying islands of that archipelago. Alongside the traditional forms of the travelog, the walking guide, books on birds, plants and wildlife, Women on Nature embraces alternative modes of seeing and recording that turn the genre on its head.

Katharine Norbury has sifted through the pages of women’s writing to show the multitude of ways in which they have observed the natural world about them, from the fourteenth-century writing of the anchorite nun Julian of Norwich to the seventeenth-century travel journal of Celia Fiennes; from the keen observations of Emily Brontë to a host of brilliant contemporary voices.

Women on Nature presents a groundbreaking vision of the natural world which, in addition to being a rich and scintillating anthology that shines a light on many unjustly overlooked writers, is of unique importance in terms of women’s history and the history of writing about nature. 

A walk with Per Högselius, skirting shipwrecks and bodies, relics of war and vanished lives, is a deep-dive into landscape and culture. It leaves us fragile and shows us wonders.

'"In 15 fascinating, expansive essays that encompass wars, religions, crime novels, murders, poets, and much more, he proves his point that "the seashore is a borderland," a place that once "evoked fear and repulsion." The collection is a treasure of assemblage. Högselius deftly unites travelogue, memoir, and contemporary culture with historical facts and stories to tremendous effect. Högselius's curious and nimble mind leads readers down a captivating path."' - SHELF AWARENESS, starred review

Holidaymakers go to the beach to play. The world's great writers, film makers and artists head there to tread the margins between life and death. In Death on the Beach, Per Högselius leads us in their footsteps.

What do we find? Life-busting ideas, powerful landscapes, scenes to make you shiver, and an entry-gate to some of the most exciting books and films you've never heard of.

Translated from Swedish by award-winner Agnes Broomé (The Gospel of the Eels), this gripping essay collection reveals that longing inside us that continues to draw us to the sea – even when so many have failed to return.

Once upon a time, there lived a girl whose story was not her own. . .

So the story goes: Neglected and abused by her family, eclipsed by her elder and more beautiful sister, a young girl longs for happily-ever-after, for something, someone to rescue her. She is soon swept away into the next chapter of her life: marriage—a promising world mirroring Old Testament stories and fairy tale traditions. But loving just anyone and living the age-old “ever-after” narrative, as it turns out, fails to bring true happiness after all. Dragged down by a destructive marriage, her sister’s continued manipulations, and the growing weight of roles and expectations created by others at her back, she must choose between continuing in her familiar, complacent life, or boldly breaking free—and finally making her own way.

Named for an Appalachian murder ballad in which a girl is drowned by her sister, this lyrical fairy tale unseats expectations for what it means to live a fairy tale life, revealing the powerful force that comes from stripping away the traditional roles and beginning to write a story all your own.

Elena Ferrante is the best-selling author of My Brilliant Friend, now an HBO original series. Collected here for the first time are the seeds of future novels, the timely reflections of this internationally beloved storyteller, the abiding preoccupations of a writer who has been called “one of the great novelists of our time” (New York Times).

“This is my last column, after a year that has scared and inspired me . . . I have written as an author of novels, taking on matters that are important to me and that—if I have the will and the time—I’d like to develop within real narrative mechanisms.”

With these words, Elena Ferrante bid farewell to her year-long collaboration with the Guardian newspaper. For a full year, she wrote weekly articles, the subjects of which had been suggested by Guardian editors, making the writing process a sort of prolonged interlocution. The subjects ranged from first love to climate change, from enmity among women to the experience of seeing her novels adapted for film and TV.

Translated by Ann Goldstein, the acclaimed translator of Ferrante’s novels, and accompanied by Andrea Ucini’s intelligent, witty, and beautiful illustrations, this volume is a must for all curious readers.

Dealing with the most topical questions of the time, Sofia Tolstaya’s artistic works—from parables to short stories, novellas, and memoirs—show deep insights into the social context of nineteenth-century Russia.

In his lengthy review of My Life (along with other Tolstaya publications) in Canadian Slavonic Papers, the eminent Tolstoy scholar Hugh McLean (2011) laments the fact that it has taken so long (almost a century after her death) to focus academic attention on Sofia Tolstaya, and that there has been no unified publication of her works, scattered as they are among dated journals or not published at all.

This book aims to help fill this lacuna by offering a critical introduction to her literary output as a writer in her own right, and presenting, for the first time, an anthology of her main artistic works, some in fresh English translation, and others never translated before.

Le mythe de l’infanticide Médée a toujours connu une fortune littéraire et la littérature féminine contemporaine ne fait pas exception. L’analyse comparée de huit textes de femmes de divers horizons tente de cerner les enjeux de cette figure irréductible pour une pensée féministe actuelle sur la maternité, le sujet et l’écriture mythique. En s’interrogeant sur la pertinence particulière de la tragédie d’Euripide aux reprises médéennes, explicites ou sous-entendues, des femmes, cette étude comparée se penche sur des textes du théâtre de Marie Cardinal, Deborah Porter, Franca Rame et Cherríe Moraga, et des romans de Monique Bosco, Christa Wolf, Bessora et Marie-Célie Agnant. À travers ses incarnations transculturelles, le mythe de Médée éclaire les affres de l’exil et de l’exclusion, ainsi que certaines visions du maternel qui préféreraient peut-être rester dans l’ombre de nos présuppositions et de nos règles sociales. Bien qu’il n’y ait pas plus monstrueux ou fou que l’acte infanticide, Médée, elle, n’est pas monstre, pas folle, mais lucide, humaine à part entière, comme la voulait Euripide, alors qu’elle s’en prend à ses enfants, à la culture défectueuse, à l’histoire des hommes.

La réécriture au féminin de Médée force aussi une conception du sujet qui ne revêt pas facilement sa cohérence. Mais la poétique même de cette Médée retranscrite au féminin fait preuve de sa flexibilité, son indétermination, son pouvoir de transcender la simple répétition de son mythe, vu ici autrement et différemment.

Publié en français

Discover a hidden masterpiece from one of history’s greatest writers—now available in its most complete and accessible form. Leo Tolstoy’s Writings for Young Children brings to light Leo Tolstoy’s revolutionary contributions to childhood literacy, a project he considered one of his most significant achievements.

Between War and Peace and Anna Karenina, Tolstoy dedicated himself to the cause of education, opening a school on his Yasnaya Polyana estate and developing an innovative approach to teaching literacy. His carefully crafted collection of stories, fables, and historical lessons—designed to engage young minds—became a cornerstone of Russian primary education for decades. For the first time, this volume presents a complete, annotated translation of all 300 stories from Tolstoy's New ABC Book and four Primers for Reading faithfully preserving his original vision. Alongside these timeless texts, readers will find Tolstoy’s own reflections on teaching, including his bold essay Are the Peasant Children to Learn to Write from Us, or Are We to Learn from the Peasant Children? and selections from On Popular Education.

A must-have for scholars of Russian literature, educators, parents, and history enthusiasts, Leo Tolstoy’s Writings for Young Children offers a rare glimpse into the mind of a literary giant as he sought to transform the way children learn to read. Whether you are a student of Tolstoy’s works or a champion of literacy, this essential volume belongs on your bookshelf.

Discover a hidden masterpiece from one of history’s greatest writers—now available in its most complete and accessible form. Leo Tolstoy’s Writings for Young Children brings to light Leo Tolstoy’s revolutionary contributions to childhood literacy, a project he considered one of his most significant achievements.

Between War and Peace and Anna Karenina, Tolstoy dedicated himself to the cause of education, opening a school on his Yasnaya Polyana estate and developing an innovative approach to teaching literacy. His carefully crafted collection of stories, fables, and historical lessons—designed to engage young minds—became a cornerstone of Russian primary education for decades. For the first time, this volume presents a complete, annotated translation of all 300 stories from Tolstoy's New ABC Book and four Primers for Reading faithfully preserving his original vision. Alongside these timeless texts, readers will find Tolstoy’s own reflections on teaching, including his bold essay Are the Peasant Children to Learn to Write from Us, or Are We to Learn from the Peasant Children? and selections from On Popular Education.

A must-have for scholars of Russian literature, educators, parents, and history enthusiasts, Leo Tolstoy’s Writings for Young Children offers a rare glimpse into the mind of a literary giant as he sought to transform the way children learn to read. Whether you are a student of Tolstoy’s works or a champion of literacy, this essential volume belongs on your bookshelf.

An essential look at the ways California’s Native nations are resisting colonialism today, from education reform to protests against environmental injustice and beyond.

Collecting over twenty-five essays written by more than twenty California Indian authors, Know We Are Here surveys many of the ways California’s Indigenous communities are resisting the legacies of genocide. Focusing on the particular histories, challenges, and dynamics of life in Native California—which are often very different from elsewhere in the United States—the book collects essays from writers across the state. It encompasses the perspectives of both elders and the rising generation, and the contributors include activists, academics, students, memoirists, and tribal leaders. The collection examines histories of resistance to colonialism in California, the reclaiming of cultures and languages, the connection of place and nature to wellness in tribal communities, efforts to overhaul the racist presentation of California Indians in classrooms and popular culture, and the meanings of solidarity in Native California. Unifying the book is an introduction by Terria Smith (Torres Martinez Desert Cahuilla Indians), editor of the renowned and long-running magazine News from Native California. This book is an indispensable resource for California Indian readers, educators of all levels in California, and students in Native studies courses nationally.

A witty satire of the medical profession

The Doctors’ Dinner Party is an eleventh-century satire in the form of a novella, set in a medical milieu. A young doctor from out of town is invited to dinner with a group of older medical men, whose conversation reveals their incompetence. Written by the accomplished physician Ibn Buṭlān, the work satirizes the hypocrisy of quack doctors while displaying Ibn Buṭlān’s own deep technical knowledge of medical practice, including surgery, blood-letting, and medicines. He also makes reference to the great thinkers and physicians of the ancient world, including Hippocrates, Galen, and Socrates.

Combining literary parody with social satire, the book is richly textured and carefully organized: in addition to the use of the question-and-answer format associated with technical literature, it is replete with verse and subtexts that hint at the infatuation of the elderly practitioners with their young guest. The Doctors’ Dinner Party is an entertaining read in which the author skewers the pretensions of the physicians around the table.

An English-only edition.

The Excellence of the Arabs is a spirited defense of Arab identity—its merits, values, and origins—at a time of political unrest and fragmentation, written by one of the most important scholars of the early Abbasid era.

In the cosmopolitan milieu of Baghdad, the social prestige attached to claims of being Arab had begun to decline. Although his own family originally hailed from Merv in the east, Ibn Qutaybah locks horns with those members of his society who belittled Arabness and vaunted the glories of Persian heritage and culture. Instead, he upholds the status of Arabs and their heritage in the face of criticism and uncertainty.

The Excellence of the Arabs is in two parts. In the first, Arab Preeminence, which takes the form of an extended argument for Arab privilege, Ibn Qutaybah accuses his opponents of blasphemous envy. In the second, The Excellence of Arab Learning, he describes the fields of knowledge in which he believed pre-Islamic Arabians excelled, including knowledge of the stars, divination, horse husbandry, and poetry. And by incorporating extensive excerpts from the poetic heritage—“the archive of the Arabs”—Ibn Qutaybah aims to demonstrate that poetry is itself sufficient corroboration of Arab superiority.

Eloquent and forceful, The Excellence of the Arabs addresses a central question at a time of great social flux at the dawn of classical Muslim civilization: what did it mean to be Arab?

A bilingual Arabic-English edition.

A spirited defense of Arab identity from a time of political unrest

In ninth-century Abbasid Baghdad, the social prestige attached to claims of Arab identity had begun to decline. In The Excellence of the Arabs, the celebrated litterateur Ibn Qutaybah locks horns with those members of his society who belittled Arabness and vaunted the glories of Persian heritage and culture. Instead, he upholds the status of Arabs and their heritage in the face of criticism and uncertainty.

The Excellence of the Arabs is in two parts. In the first, Arab Preeminence, which takes the form of an extended argument for Arab privilege, Ibn Qutaybah accuses his opponents of blasphemous envy. In the second, The Excellence of Arab Learning, he describes the fields of knowledge in which he believed pre-Islamic Arabians excelled, including knowledge of the stars, divination, horse husbandry, and poetry. By incorporating extensive excerpts from the poetic heritage—“the archive of the Arabs”—Ibn Qutaybah aims to demonstrate that poetry is itself sufficient evidence of Arab superiority.

Eloquent and forceful, The Excellence of the Arabs addresses a central question at a time of great social flux, at the dawn of classical Muslim civilization: What does it mean to be Arab?

An English-only edition.

Grieving his father’s sudden passing, a film scholar and father of two boys finds solace in the picturesque idyll of Ireland's East Clare region, where he discovers and adopts an enigmatic border collie from an abandoned farm.

What is the essence of a sheepdog? As much a part of Ireland’s traditional and rural life as the countryside itself, working animals are known to be incredibly smart, loyal, with distinct personalities. Dara Waldron’s memoir about the wandering border collie he adopted the year after his father died is an animal rescue story, a journey through waves of grief and understanding, and a reflection on place with a happy ending. To make a family pet of Oscar, Waldron enacts the daily ritual of walking the rugged hills and rivers of Ireland's woodlands in its intemperate weather—rain, sleet, and snow. Oscar’s instinct, as a sheepdog, is to run away and return to his handler. Testing the limits of Waldron’s tolerance and trying his fragile trust, days with Oscar are defined by the author's attempts to process his grief. Slowly it seeps into his consciousness: Oscar is asking him to understand a creature who lives for another, who will always return. In lyrical description of Ireland's mystical landscape, along with meditations on art, philosophy, and animal rights, this exquisitely wrought memoir about one man and his dog experiencing a symbiotic calling foregrounds the healing terrain of nature, and the true purpose and breadth of life.

Timeless fables of loyalty and betrayal

Like Aesop’s Fables, Kalīlah and Dimnah is a collection designed not only for moral instruction, but also for the entertainment of readers. The stories, which originated in the Sanskrit Panchatantra and Mahabharata, were adapted, augmented, and translated into Arabic by the scholar and state official Ibn al-Muqaffaʿ in the second/eighth century. The stories are engaging, entertaining, and often funny, from “The Man Who Found a Treasure But Could Not Keep It,” to “The Raven Who Tried To Learn To Walk Like a Partridge” and “How the Wolf, the Raven, and the Jackal Destroyed the Camel.”

Kalīlah and Dimnah is a “mirror for princes,” a book meant to inculcate virtues and discernment in rulers and warn against flattery and deception. Many of the animals who populate the book represent ministers counseling kings, friends advising friends, or wives admonishing husbands. Throughout, Kalīlah and Dimnah offers insight into the moral lessons Ibn al-Muqaffaʿ believed were important for rulers—and readers.

A bilingual Arabic-English edition.

With What ʿĪsā ibn Hishām Told Us, the Library of Arabic Literature brings readers an acknowledged masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muḥammad al-Muwayliḥī, this exceptional title was first introduced in serialized form in his family’s pioneering newspaper Miṣbāḥ al-Sharq (Light of the East), on which this edition is based, and later published in book form in 1907. Widely hailed for its erudition and its mordant wit, What ʿĪsā ibn Hishām Told Us was embraced by Egypt’s burgeoning reading public and soon became required reading for generations of Egyptian school students.

Bridging classical genres and the emerging tradition of modern Arabic fiction, What ʿĪsā ibn Hishām Told Us is divided into two parts, the second of which was only added to the text with the fourth edition of 1927. Sarcastic in tone and critical in outlook, the book relates the excursions of its narrator ʿĪsā ibn Hishām
and his companion, the Pasha, through a rapidly Westernized Cairo at the height of British occupation, providing vivid commentary of a society negotiating—however imperfectly—the clash of imported cultural values and traditional norms of conduct, law, and education. The “Second Journey” takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwayliḥī casts the same relentlessly critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe.

Paving the way for the modern Arabic novel, What ʿĪsā ibn Hishām Told Us is invaluable both for its sociological insight into colonial Egypt and its pioneering role in Arabic literary history.

A bilingual Arabic-English edition.

With twenty-eight speeches spanning the Reagan era, The Greatest Speeches of Ronald Reagan provides readers with a direct source into President Reagan’s profound belief in God, freedom, individualism, limited government, and his great love for his country. 

Ronald Wilson Reagan, the fortieth president of the United States, was also one of America's greatest orators. Known as “The Great Communicator,” he shared his vision of the greatness of America while guiding the nation to an unprecedented prosperity and renewed vigor.

When President Reagan assumed the presidency in 1981, America’s economy ebbed with 12 percent inflation and 8 million unemployed. Reagan’s predecessor spoke of a national “malaise”. Abroad, America’s adversary, the Soviet Union, was expanding its influence. The Soviet Union’s nuclear weapons capability surpassed that of the United States and previous nuclear arms treaties were failures.

President Reagan’s goals were simple:

• To reduce the size of the federal government
• Lower taxes
• Stabilize the economy
• Restore the belief of the American people in their government
• Win the Cold War

When President Reagan left office in 1989, these goals had been achieved:

• Americans were enjoying the longest uninterrupted span of prosperity in the nation’s history.
• After a massive military build-up, the largest in peacetime, President Reagan had negotiated a nuclear arms treaty that greatly reduced the threat of nuclear war. By expanding the military, he achieved peace through strength and set the stage for the demise of the Soviet Union.

From the time he arrived on the political scene in 1964-throughout his presidency and beyond, Ronald Reagan used his speeches to inspire and reinvigorate America. When he spoke, Reagan said he was preaching a sermon. The American people saw his vision of America and his dreams for the future, and they overwhelmingly responded; he was re-elected in 1984 by the largest number of electoral votes in the nation’s history.

In this collection of twenty-eight speeches spanning the Reagan era, with an Introduction from his son, Michael Reagan, you may read for yourself his inspirational sermons. From his first speech in the political arena in 1964 to his Last Letter to America, informing Americans of his Alzheimer’s disease, Ronald Reagan’s words show a profound belief in God, freedom, individualism, limited government, and his great love for his country.

In 2004, settler scholar Emanuelle Dufour became aware of a “silence” with regard to residential schools and ongoing colonialism, systemic racism, inadequate curricular material in schools, and sought to find answers by meeting with community members, Elders, spokespeople, students, professionals, families, and many others.

Dufour is an artist at heart, and the product of her findings became a “carnet de rencontres,” a notebook of coming-togethers, in which her fifty+ interlocutors are rendered “speaking,” quite literally, on and within the pages, while advocating for the importance of Indigenous cultural security within the education system. Their presence is undeniable, and their voices carry the narrative.

Originally published as C'est le Québec qui est né dans mon pays!, this translation creates a bridge, from one colonial language to another, that will enable conversations across and beyond spaces and languages. It aims to shed light on colonial mainstream narratives in Canada and, more precisely, in Québec, by considering the politics of linguistic hegemony and the double exiguity that Indigenous peoples often find themselves in, calling for a better understanding of how the province’s specific colonial history has had a profound and continued impact on its 11 Indigenous Nations. This book’s unusual (academically-speaking) form as a “carnet”, or diary, becomes an anthology of statements of witnessing, which, coupled with the illustrative narrative, bears its decolonizing mission. Quebec Was Born in My Country! ultimately is about foregrounding common and collective experiences, with the crucial goal of furthering education.

Oscar Wilde’s emotionally raw manuscript details the inner turmoil surrounding his relationship with Lord Alfred Douglas following his controversial arrest and conviction for gross indecency It’s an honest and intimate look at the author in his most vulnerable state.

Oscar Wilde spent two years in prison from 1895 to 1897. It was during this time that he wrote a 50,000-word letter to his former lover and friend, Lord Alfred Douglas. Published under the title, De Profundis it’s an exploration of Wilde and Douglas’ relationship which was fueled by passion and disfunction. The writer criticizes Douglas’ vanity and lack of integrity, while revealing his growth and spiritual development.

De Profundis is arguably one of Oscar Wilde’s most candid works. It was greatly affected by his physical and mental isolation during confinement. Despite his conditions, Wilde managed to produce a raw and unfiltered piece about love, loss and spiritual renewal.

With an eye-catching new cover, and professionally typeset manuscript, this edition of De Profundis is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

“The practical necessity of being preserved and handed on by word of mouth only, must be constantly borne in mind in considering the development of Indian verse forms. It operated to keep poetry tied to its twin-born melody, which assisted in memory, and was constantly at work modifying the native tendency to adjust the rhythm to every changing movement of the story.”

Bringing together the chants, songs and oral legends of Native American tribes from around the country, The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America functions as an authoritative guide to Indigenous verse as untouched and uninfluenced by European colonialism in the early nineteenth century.

Professionally typeset with a brand new cover, George W. Cronyn’s The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America (1918) is a classic of Native American that explores the relationship between, “Indian verse and the ultimate literary destiny of America.”

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Spirit of Japan (1916) is a speech by Rabindranath Tagore. Published after he received the 1913 Nobel Prize in Literature, The Spirit of Japan is a powerful lecture on Japanese culture in relation to the modernizing forces of the West. Delivered at the Keio Gijuku University in Tokyo, The Spirit of Japan is a testament to Tagore’s gifts as an artist and intellectual. “True modernism is freedom of mind, not slavery of taste. It is independence of thought and action, not tutelage under European schoolmasters. It is science, but not its wrong application in life,—a mere imitation of our science teachers who reduce it into a superstition absurdly invoking its aid for all impossible purposes.” Invigorated by a tour of Japan, Rabindranath Tagore reflects on a culture which, to his mind, has “realized nature’s secrets, not by methods of analytical knowledge, but by sympathy.” Before he returns to his native country, he makes sure to warn the gathering of Japanese students who have come to hear him speak of the dangers of modernization and the encroachment of European values. This edition of Rabindranath Tagore’s The Spirit of Japan is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Voice of a People: Speeches from Black America is a collection of speeches from some of the leading African American intellectuals, artists, activists, and organizers of the past three centuries.

While many of their names―such as Booker T. Washington, W. E. B. Du Bois, and Frederick Douglass―will be familiar to most readers, some―such as Jermain Wesley Loguen, Randall Albert Carter, and Samuel H. Davis―are less well known, but no less important to the history of Black America.

The individuals whose voices make up this collection come from a range of professional and personal backgrounds. Many of them were born into slavery. Some escaped. Some were poets, preachers, ministers, and bishops. Some were educators, activists, academics, abolitionists, and suffragists. All of them, despite their differences, contributed to the vibrant, invaluable history of a people who first built this nation before fighting to reclaim its soul for future generations.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In the middle of the continent, where waterways and rivers gather in immense lakes, many different peoples have met, lived, and thrived. Travel back through the millennia and forward to the present day to gain a dynamic picture of a territory interconnected through words, ideas, and experiences.

From one page to the next, readers will discover writings from historically significant figures, literary works by well-known writers, nonfiction and political pieces by Indigenous leaders, contributions by storytellers and Knowledge Keepers from far-reaching Manitoba communities, as well as new and vibrant voices that express contemporary Indigenous experiences.

Beginning with traditional writing systems, Manitowapow shares diverse Indigenous perspectives and histories, from the late 1700s through to the present day in what is now Manitoba.

Created in the spirit of the Anishinaabe concept debwe—to speak the truth—The Debwe Series is a collection of exceptional Indigenous writing from across Canada. Manitowapow, a one-of-a-kind anthology, is the first book in The Debwe Series.

‘Travellers to the Middle East from Burkhardt to Thesiger’ is a compendious anthology of travellers' writings produced during the high tide of Britain’s involvement in the Middle East. The anthology contains extracts from many of the canonical travel texts of the period, including passages by T. E. Lawrence, Gertrude Bell and Robert Byron, as well as many more extracts from both female and male writers. The anthology is also enlivened by the broad geographical span covered, including descriptions of territories in the Ottoman Empire, Egypt, Arabia and Persia.

Geoffrey Nash’s introduction, notes and background material provide specialist historical analysis and biographical information informed by critical and theoretical perspectives relevant to the genre of travel writing. This anthology will satisfy the growing interest in the study of travel writing, in addition to offering the general reader valuable insights into British perceptions of the Middle East.

‘Travellers to the Middle East from Burkhardt to Thesiger’ is a compendious anthology of travellers' writings produced during the high tide of Britain’s involvement in the Middle East. The anthology contains extracts from many of the canonical travel texts of the period, including passages by T. E. Lawrence, Gertrude Bell and Robert Byron, as well as many more extracts from both female and male writers. The anthology is also enlivened by the broad geographical span covered, including descriptions of territories in the Ottoman Empire, Egypt, Arabia and Persia.

Geoffrey Nash’s introduction, notes and background material provide specialist historical analysis and biographical information informed by critical and theoretical perspectives relevant to the genre of travel writing. This anthology will satisfy the growing interest in the study of travel writing, in addition to offering the general reader valuable insights into British perceptions of the Middle East.

“The practical necessity of being preserved and handed on by word of mouth only, must be constantly borne in mind in considering the development of Indian verse forms. It operated to keep poetry tied to its twin-born melody, which assisted in memory, and was constantly at work modifying the native tendency to adjust the rhythm to every changing movement of the story.”

Bringing together the chants, songs and oral legends of Native American tribes from around the country, The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America functions as an authoritative guide to Indigenous verse as untouched and uninfluenced by European colonialism in the early nineteenth century.

Professionally typeset with a brand new cover, George W. Cronyn’s The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America (1918) is a classic of Native American that explores the relationship between, “Indian verse and the ultimate literary destiny of America.”

Oscar Wilde’s emotionally raw manuscript details the inner turmoil surrounding his relationship with Lord Alfred Douglas following his controversial arrest and conviction for gross indecency It’s an honest and intimate look at the author in his most vulnerable state.

Oscar Wilde spent two years in prison from 1895 to 1897. It was during this time that he wrote a 50,000-word letter to his former lover and friend, Lord Alfred Douglas. Published under the title, De Profundis it’s an exploration of Wilde and Douglas’ relationship which was fueled by passion and disfunction. The writer criticizes Douglas’ vanity and lack of integrity, while revealing his growth and spiritual development.

De Profundis is arguably one of Oscar Wilde’s most candid works. It was greatly affected by his physical and mental isolation during confinement. Despite his conditions, Wilde managed to produce a raw and unfiltered piece about love, loss and spiritual renewal.

With an eye-catching new cover, and professionally typeset manuscript, this edition of De Profundis is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Spirit of Japan (1916) is a speech by Rabindranath Tagore. Published after he received the 1913 Nobel Prize in Literature, The Spirit of Japan is a powerful lecture on Japanese culture in relation to the modernizing forces of the West. Delivered at the Keio Gijuku University in Tokyo, The Spirit of Japan is a testament to Tagore’s gifts as an artist and intellectual. “True modernism is freedom of mind, not slavery of taste. It is independence of thought and action, not tutelage under European schoolmasters. It is science, but not its wrong application in life,—a mere imitation of our science teachers who reduce it into a superstition absurdly invoking its aid for all impossible purposes.” Invigorated by a tour of Japan, Rabindranath Tagore reflects on a culture which, to his mind, has “realized nature’s secrets, not by methods of analytical knowledge, but by sympathy.” Before he returns to his native country, he makes sure to warn the gathering of Japanese students who have come to hear him speak of the dangers of modernization and the encroachment of European values. This edition of Rabindranath Tagore’s The Spirit of Japan is a classic of Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Stories of indigenous lifeways from kisiskâciwan territory

This groundbreaking anthology from territory that is now Saskatchewan, kisiskâciwan, includes rich oral narratives from Cree, Saulteaux, Nakoda, Dakota, Dene, and Metis cultures; early writings from Cree missionaries; speeches and letters by Treaty Chiefs; stories from elders; archival discoveries; and contemporary literary works in all genres.

Historically and culturally comprehensive, voices include Big Bear, Thunderchild, Louis Riel, Gabriel Dumont, Edward Ahenakew, Maria Campbell, Buffy Sainte-Marie, Rita Bouvier, Harold Johnson, Gregory Scofield, Warren Cariou, Louise Halfe, and many more.

Like all First Nations languages, Lillooet (Lil'wat) is a repository for an abundantly rich oral literature. In These Are Our Legends, the fifth volume of the First Nations Language Readers series, the reader will discover seven traditional Lillooet sptakwlh (variously translated into English as "legends," "myths," or "bed-time stories." 



These texts are presented in a technical transcription that can be used by linguists, and also in a practical orthography that can be used by Lillooet speakers themselves. An English translation is also given. Basic information on the Lillooet language, its grammar, and a glossary are included in the volume.



With thanks to the Mount Currie Cultural Centre and the Tszil Publishing House.

“The practical necessity of being preserved and handed on by word of mouth only, must be constantly borne in mind in considering the development of Indian verse forms. It operated to keep poetry tied to its twin-born melody, which assisted in memory, and was constantly at work modifying the native tendency to adjust the rhythm to every changing movement of the story.”

Bringing together the chants, songs and oral legends of Native American tribes from around the country, The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America functions as an authoritative guide to Indigenous verse as untouched and uninfluenced by European colonialism in the early nineteenth century.

Professionally typeset with a brand new cover, George W. Cronyn’s The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America (1918) is a classic of Native American that explores the relationship between, “Indian verse and the ultimate literary destiny of America.”

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

LARGE PRINT EDITION. The Voice of a People: Speeches from Black America is a collection of speeches from some of the leading African American intellectuals, artists, activists, and organizers of the past three centuries.

While many of their names―such as Booker T. Washington, W. E. B. Du Bois, and Frederick Douglass―will be familiar to most readers, some―such as Jermain Wesley Loguen, Randall Albert Carter, and Samuel H. Davis―are less well known, but no less important to the history of Black America

The individuals whose voices make up this collection come from a range of professional and personal backgrounds. Many of them were born into slavery. Some escaped. Some were poets, preachers, ministers, and bishops. Some were educators, activists, academics, abolitionists, and suffragists. All of them, despite their differences, contributed to the vibrant, invaluable history of a people who first built this nation before fighting to reclaim its soul for future generations.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This collection of Russian short stories from the 21st century includes works by famous writers and young talents alike, representing a diversity of generational, gender, ethnic and national identities. Their authors live not only in Russia, but also in Europe and the US. 

Short stories in this volume display a vast spectrum of subgenres, from grotesque absurdist stories to lyrical essays, from realistic narratives to fantastic parables. Taken together, they display rich and complex cultural and intellectual reality of contemporary Russia, in which political, social, and ethnic conflicts of today coexist with themes and characters resonating with classical literature, albeit invariably twisted and transformed in an unpredictable way. Most of texts in this volume appear in English for the first time. 21 may be useful for college courses but will also provide exciting reading for anyone interested in contemporary Russia.

This collection of Russian short stories from the 21st century includes works by famous writers and young talents alike, representing a diversity of generational, gender, ethnic and national identities. Their authors live not only in Russia, but also in Europe and the US. 

Short stories in this volume display a vast spectrum of subgenres, from grotesque absurdist stories to lyrical essays, from realistic narratives to fantastic parables. Taken together, they display rich and complex cultural and intellectual reality of contemporary Russia, in which political, social, and ethnic conflicts of today coexist with themes and characters resonating with classical literature, albeit invariably twisted and transformed in an unpredictable way. Most of texts in this volume appear in English for the first time. 21 may be useful for college courses but will also provide exciting reading for anyone interested in contemporary Russia.

"If you like the short-story genre, don’t pick up this addictive collection unless you are prepared to be lost in its riches for a considerable time. These beautifully translated, haunting Russian tales written from 1901 to 2001, almost all previously unpublished, read so smoothly that they are seductive..." —The Washington Times

The largest, most comprehensive anthology of its kind, this volume brings together significant, representative stories from every decade of the twentieth century. It includes the prose of officially recognized writers and dissidents, both well-known and neglected or forgotten, plus new authors from the end of the century. The selections reflect the various literary trends and approaches to depicting reality in this era: traditional realism, modernism, socialist realism, and post-modernism. 

Taken as a whole, the stories capture every major aspect of Russian life, history and culture in the twentieth century. The rich array of themes and styles will be of tremendous interest to students and readers who want to learn about Russia through the engaging genre of the short story.

The Voice of a People: Speeches from Black America (2021) is a collection of speeches from some of the leading African American intellectuals, artists, activists, and organizers of the past three centuries. While many of their names—such as Booker T. Washington, W. E. B. Du Bois, and Frederick Douglass—will be familiar to most readers, some—such as Jermain Wesley Loguen, Randall Albert Carter, and Samuel H. Davis—are less well known, but no less important to the history of Black America. The individuals whose voices make up this collection come from a range of professional and personal backgrounds. Many of them were born into slavery. Some escaped. Some were poets, preachers, ministers, and bishops. Some were educators, activists, academics, abolitionists, and suffragists. All of them, despite their differences, contributed to the vibrant, invaluable history of a people who first built this nation before fighting to reclaim its soul for future generations. In “What, to the Slave, is the Fourth of July?” abolitionist Frederick Douglass reflects upon his experiences as an escaped slave to offer a critique of American independence from the perspective of those who had never been free within its borders. Sojourner Truth, in “Ain’t I a Woman?”, addresses a crowd of abolitionists in her capacity as a former slave and early feminist figure. In “I am an Anarchist,” pioneering leftist radical Lucy E. Parsons rejects the common depiction of the anarchist as a violent figure “with a bomb in one hand and a flaming torch in the other,” instead making a case for the morality of an ideology dedicated to peace and equality. W. E. B. Du Bois’ “To the Nations of the World” (1900), given as the closing address to the inaugural Pan African Convention, is a powerful call for justice that first named “the problem of the color line.” Alongside such figures as Ida B. Wells, Ferdinand Barnett, Frances Ellen Watkins Harper, and James Weldon Johnson, their voices unite to form not only an invaluable record of America’s past, but a vision of a just and equitable future for all. With a beautifully designed cover and professionally typeset manuscript, The Voice of a People: Speeches from Black America is a collection of classic speeches reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A boy who feels persecuted by the banality of everyday life yearns to ascend to the cold and majestic plane of the stars. A seamstress finds liberation of a sort in “becoming” a dog and howling at the moon. A club of young girls masquerade as the grieving fiancées of strange men. This book brings together these and other remarkable short stories by the Russian Symbolist Fyodor Sologub that explore the lengths to which people will go to transcend the mundane.

Renowned as one of late imperial Russia’s finest stylists, Sologub bridges the great nineteenth-century novel and the fin-de-siècle avant-garde. He stands out for his masterful command of both realist and fantastic storytelling; his play with language evinces a belief in its capacity to access other worlds and other levels of meaning. Many of Sologub’s stories are set among children whose alienation from the adult world has lent them imagination and curiosity, enabling them to create an alternative reality. At the same time, he bluntly examines the sordid realities of late imperial Russian society and frankly presents sometimes unconventional sexuality. The book also features a selection of Sologub’s “little fairy tales,” ambiguous parables couched in childlike language whose ingenuity anticipates the miniatures and “incidents” of Daniil Kharms. Susanne Fusso’s elegant translation offers these artful tales to an English-speaking audience.

A boy who feels persecuted by the banality of everyday life yearns to ascend to the cold and majestic plane of the stars. A seamstress finds liberation of a sort in “becoming” a dog and howling at the moon. A club of young girls masquerade as the grieving fiancées of strange men. This book brings together these and other remarkable short stories by the Russian Symbolist Fyodor Sologub that explore the lengths to which people will go to transcend the mundane.

Renowned as one of late imperial Russia’s finest stylists, Sologub bridges the great nineteenth-century novel and the fin-de-siècle avant-garde. He stands out for his masterful command of both realist and fantastic storytelling; his play with language evinces a belief in its capacity to access other worlds and other levels of meaning. Many of Sologub’s stories are set among children whose alienation from the adult world has lent them imagination and curiosity, enabling them to create an alternative reality. At the same time, he bluntly examines the sordid realities of late imperial Russian society and frankly presents sometimes unconventional sexuality. The book also features a selection of Sologub’s “little fairy tales,” ambiguous parables couched in childlike language whose ingenuity anticipates the miniatures and “incidents” of Daniil Kharms. Susanne Fusso’s elegant translation offers these artful tales to an English-speaking audience.

Almost unknown during his lifetime, Sigizmund Krzhizhanovsky is now hailed as a master of Russian prose. His short stories and novels, unpublishable under Stalinism but rediscovered long after his death, have drawn comparisons to the works of Jorge Luis Borges for their distinctive blend of metafictional play and philosophical thought experiment. Like Borges, Krzhizhanovsky also wrote dazzlingly unconventional essayistic pieces as a slippery extension of his fictional project.

Countries That Don’t Exist showcases a selection of Krzhizhanovsky’s exceptional nonfiction, which spans a dizzying range of genres and voices. Playful fantasies dwelling in the borderlands between essay and fable, metaphysical conversations and probing literary criticism, philosophical essays and wartime memoirs—in all these modes Krzhizhanovsky’s writing bristles with idiosyncratic erudition and a starkly original vision of literary creation. Krzhizhanovsky comes across as a strange voice from another past, at once utterly novel yet unmistakably belonging to the high modernist 1920s and 1930s. Taken together, these works present to the English-speaking world a fresh aspect of a newly canonized author.

Countries That Don’t Exist also features critical commentary that places these texts in the context of Krzhizhanovsky’s other writings and illuminates their relationship to the philosophical and aesthetic ferment of Russian and European modernism.

Andrei Bely is best known for the modernist masterwork Petersburg, a paradigmatic example of how modern writers strove to evoke the fragmentation of language, narrative, and consciousness. In the early twentieth century, Bely embarked on his life as an artist with texts he called “symphonies”—works experimenting with genre and sound, written in a style that shifts among prosaic, poetic, and musical. This book presents Bely’s four Symphonies—“Dramatic Symphony,” “Northern Symphony,” “The Return,” and “Goblet of Blizzards”—fantastically strange stories that capture the banality of life, the intimacy of love, and the enchantment of art.

The Symphonies are quintessential works of modernist innovation in which Bely developed an evocative mythology and distinctive aesthetics. Influenced by Russian Symbolism, Bely believed that the role of modern artists was to imbue seemingly small details with cosmic significance. The Symphonies depict the drabness of daily life with distinct irony and satire—and then soar out of turn-of-the-century Moscow into the realm of the infinite and eternal. They conjure worlds that resemble our own but reveal elements of artifice and magic, hinting at mystical truths and the complete transfiguration of life. Showcasing the protean quality of Bely’s language and storytelling, Jonathan Stone’s translation of the Symphonies features some of the most captivating and beguiling writing of Russia’s Silver Age.

Andrei Bely is best known for the modernist masterwork Petersburg, a paradigmatic example of how modern writers strove to evoke the fragmentation of language, narrative, and consciousness. In the early twentieth century, Bely embarked on his life as an artist with texts he called “symphonies”—works experimenting with genre and sound, written in a style that shifts among prosaic, poetic, and musical. This book presents Bely’s four Symphonies—“Dramatic Symphony,” “Northern Symphony,” “The Return,” and “Goblet of Blizzards”—fantastically strange stories that capture the banality of life, the intimacy of love, and the enchantment of art.

The Symphonies are quintessential works of modernist innovation in which Bely developed an evocative mythology and distinctive aesthetics. Influenced by Russian Symbolism, Bely believed that the role of modern artists was to imbue seemingly small details with cosmic significance. The Symphonies depict the drabness of daily life with distinct irony and satire—and then soar out of turn-of-the-century Moscow into the realm of the infinite and eternal. They conjure worlds that resemble our own but reveal elements of artifice and magic, hinting at mystical truths and the complete transfiguration of life. Showcasing the protean quality of Bely’s language and storytelling, Jonathan Stone’s translation of the Symphonies features some of the most captivating and beguiling writing of Russia’s Silver Age.

Almost unknown during his lifetime, Sigizmund Krzhizhanovsky is now hailed as a master of Russian prose. His short stories and novels, unpublishable under Stalinism but rediscovered long after his death, have drawn comparisons to the works of Jorge Luis Borges for their distinctive blend of metafictional play and philosophical thought experiment. Like Borges, Krzhizhanovsky also wrote dazzlingly unconventional essayistic pieces as a slippery extension of his fictional project.

Countries That Don’t Exist showcases a selection of Krzhizhanovsky’s exceptional nonfiction, which spans a dizzying range of genres and voices. Playful fantasies dwelling in the borderlands between essay and fable, metaphysical conversations and probing literary criticism, philosophical essays and wartime memoirs—in all these modes Krzhizhanovsky’s writing bristles with idiosyncratic erudition and a starkly original vision of literary creation. Krzhizhanovsky comes across as a strange voice from another past, at once utterly novel yet unmistakably belonging to the high modernist 1920s and 1930s. Taken together, these works present to the English-speaking world a fresh aspect of a newly canonized author.

Countries That Don’t Exist also features critical commentary that places these texts in the context of Krzhizhanovsky’s other writings and illuminates their relationship to the philosophical and aesthetic ferment of Russian and European modernism.

Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war.

The Voice Over brings together two decades of Stepanova’s work, showcasing her range, virtuosity, and creative evolution. Stepanova’s poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns of ballads, elegies, and war songs are transposed into a new key, infused with foreign strains, and juxtaposed with unlikely neighbors. As an essayist, Stepanova engages deeply with writers who bore witness to devastation and dramatic social change, as seen in searching pieces on W. G. Sebald, Marina Tsvetaeva, and Susan Sontag. Including contributions from ten translators, The Voice Over shows English-speaking readers why Stepanova is one of Russia’s most acclaimed contemporary writers.

Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war.

The Voice Over brings together two decades of Stepanova’s work, showcasing her range, virtuosity, and creative evolution. Stepanova’s poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns of ballads, elegies, and war songs are transposed into a new key, infused with foreign strains, and juxtaposed with unlikely neighbors. As an essayist, Stepanova engages deeply with writers who bore witness to devastation and dramatic social change, as seen in searching pieces on W. G. Sebald, Marina Tsvetaeva, and Susan Sontag. Including contributions from ten translators, The Voice Over shows English-speaking readers why Stepanova is one of Russia’s most acclaimed contemporary writers.

Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature.

These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.

Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature.

These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.

In a dilapidated and isolated old house, something peculiar seems to happen whenever the town’s bestial exterminator visits. On a seemingly bucolic country estate, the head of the household is a living corpse obsessed with other corpses. An adolescent boy who passes his days in private dream worlds experiences a sexual awakening spurred by his family’s scandalous tenant. In these and other stories, the modernist writer Alexei Remizov offers a panorama of Russian mythology, the supernatural, rural grotesques, and profound religious faith in fiery revolutionary settings.

Alexei Remizov was one of the greatest writers of the Russian symbolist movement of the early twentieth century. In the thirteen stories collected in this volume, his exceptional stylistic achievements are on full display. Equally drawing on rural colloquial speech, the language of Russian fairy tales, and the customs of the Old Believers and Russian Orthodoxy, they transport the reader into a mysterious world in between uncanny folktales and encroaching modernity. The Little Devil and Other Stories includes works from across Remizov’s career, encompassing his thematic preoccupations and stylistic experimentation. Antonina W. Bouis’s translation captures Remizov’s many registers to offer English-language readers a sampling of a remarkable Russian writer.

The Death of Vazir-Mukhtar, a novel by Yury Tynyanov, one of the leading figures of the Russian formalist school, describes the final year in the life of Alexander Griboedov, the author of the comedy Woe from Wit. As ambassador to Persia, Griboedov was murdered in 1829 by a Tehrani mob during the sacking of the Russian embassy.

One of the central texts of Russian formalist literary production, the novel is a brilliant meditation on the nature of historical and poetic consciousness and of artistic creation. It is a complex and fascinating work that explores the relationships among individual memory, historical fact, and the literary imagination. The result is a hybrid text, containing elements of various genres—historical, biographical, existential, and adventure novels—and a deeply personal, almost confessional testament to the writer’s relationship to his generation and the state. Completed in 1927, almost a century after the events it depicts, The Death of Vazir-Mukhtar marks the watershed between revolution and reaction. At a time when the Soviet regime was becoming increasingly restrictive of freedom of expression and conscience, Tynyanov grappled with the themes of disillusionment, betrayal, and unrealized potential. Unabashedly intellectual yet filled with intrigue and suspense, The Death of Vazir-Mukhtar is a great historical novel of Russian modernism.

In a dilapidated and isolated old house, something peculiar seems to happen whenever the town’s bestial exterminator visits. On a seemingly bucolic country estate, the head of the household is a living corpse obsessed with other corpses. An adolescent boy who passes his days in private dream worlds experiences a sexual awakening spurred by his family’s scandalous tenant. In these and other stories, the modernist writer Alexei Remizov offers a panorama of Russian mythology, the supernatural, rural grotesques, and profound religious faith in fiery revolutionary settings.

Alexei Remizov was one of the greatest writers of the Russian symbolist movement of the early twentieth century. In the thirteen stories collected in this volume, his exceptional stylistic achievements are on full display. Equally drawing on rural colloquial speech, the language of Russian fairy tales, and the customs of the Old Believers and Russian Orthodoxy, they transport the reader into a mysterious world in between uncanny folktales and encroaching modernity. The Little Devil and Other Stories includes works from across Remizov’s career, encompassing his thematic preoccupations and stylistic experimentation. Antonina W. Bouis’s translation captures Remizov’s many registers to offer English-language readers a sampling of a remarkable Russian writer.

The Death of Vazir-Mukhtar, a novel by Yury Tynyanov, one of the leading figures of the Russian formalist school, describes the final year in the life of Alexander Griboedov, the author of the comedy Woe from Wit. As ambassador to Persia, Griboedov was murdered in 1829 by a Tehrani mob during the sacking of the Russian embassy.

One of the central texts of Russian formalist literary production, the novel is a brilliant meditation on the nature of historical and poetic consciousness and of artistic creation. It is a complex and fascinating work that explores the relationships among individual memory, historical fact, and the literary imagination. The result is a hybrid text, containing elements of various genres—historical, biographical, existential, and adventure novels—and a deeply personal, almost confessional testament to the writer’s relationship to his generation and the state. Completed in 1927, almost a century after the events it depicts, The Death of Vazir-Mukhtar marks the watershed between revolution and reaction. At a time when the Soviet regime was becoming increasingly restrictive of freedom of expression and conscience, Tynyanov grappled with the themes of disillusionment, betrayal, and unrealized potential. Unabashedly intellectual yet filled with intrigue and suspense, The Death of Vazir-Mukhtar is a great historical novel of Russian modernism.

Alexander Griboedov’s Woe from Wit is one of the masterpieces of Russian drama. A verse comedy set in Moscow high society after the Napoleonic wars, it offers sharply drawn characters and clever repartee, mixing meticulously crafted banter and biting social critique. Its protagonist, Alexander Chatsky, is an idealistic ironist, a complex Romantic figure who would be echoed in Russian literature from Pushkin onward. Chatsky returns from three years abroad hoping to rekindle a romance with his childhood sweetheart, Sophie. In the meantime, she has fallen in love with Molchalin, her reactionary father Famusov’s scheming secretary. Chatsky speaks out against the hypocrisy of aristocratic society—and as scandal erupts, he is met with accusations of madness.

Woe from Wit was written in 1823 and was an immediate sensation, but under heavy-handed tsarist censorship, it was not published in full until forty years later. Its influence is felt not just in Russian literary language but in everyday speech. It is the source of a remarkable number of frequently quoted aphorisms and turns of phrase, comparable to Shakespeare’s influence on English. Yet owing to its complex rhyme scheme and verse structure, the play has frequently been considered almost untranslatable. Betsy Hulick’s translation brings Griboedov’s sparkling wit, spirited dialogue, and effortless crossing of registers from elevated to colloquial into a lively contemporary English.

In a bucolic idyll, a terrorist agonizes over the act of violence he is about to commit. On a remote island in the South Pacific, the investigation of a case of mass suicide reveals further mysteries. In a far-flung colony, a cynical trio sends an unwitting man into the wilderness in search of a chimera. Mixing romance and high adventure, intrigue and the fantastic, these magnificent tales by one of Russia’s most enduringly popular writers deftly probe the depths of human nature and desire.

Fandango and Other Stories presents a selection of essential short fiction by Alexander Grin, Russia’s counterpart to Robert Louis Stevenson, Edgar Allan Poe, and Alexandre Dumas. By turns a sailor, a dockworker, a vagrant, a gold prospector, a lumberjack, a soldier, a deserter, an agitator, an exile, a prisoner, and a runaway, Grin wrote seven novels and over three hundred short stories that transport the reader to a realm of pure art and imagination. His ingenious plots explore conflicts of the individual and society in a romantic world populated by a cast of eccentric, cosmopolitan characters. Fandango and Other Stories includes works drawn from across the entirety of Grin’s varied career to encompass the range and sophistication of his writing. Bryan Karetnyk’s elegant translations bring Grin’s distinctive voice to a new generation of readers.

Alexander Griboedov’s Woe from Wit is one of the masterpieces of Russian drama. A verse comedy set in Moscow high society after the Napoleonic wars, it offers sharply drawn characters and clever repartee, mixing meticulously crafted banter and biting social critique. Its protagonist, Alexander Chatsky, is an idealistic ironist, a complex Romantic figure who would be echoed in Russian literature from Pushkin onward. Chatsky returns from three years abroad hoping to rekindle a romance with his childhood sweetheart, Sophie. In the meantime, she has fallen in love with Molchalin, her reactionary father Famusov’s scheming secretary. Chatsky speaks out against the hypocrisy of aristocratic society—and as scandal erupts, he is met with accusations of madness.

Woe from Wit was written in 1823 and was an immediate sensation, but under heavy-handed tsarist censorship, it was not published in full until forty years later. Its influence is felt not just in Russian literary language but in everyday speech. It is the source of a remarkable number of frequently quoted aphorisms and turns of phrase, comparable to Shakespeare’s influence on English. Yet owing to its complex rhyme scheme and verse structure, the play has frequently been considered almost untranslatable. Betsy Hulick’s translation brings Griboedov’s sparkling wit, spirited dialogue, and effortless crossing of registers from elevated to colloquial into a lively contemporary English.

In a bucolic idyll, a terrorist agonizes over the act of violence he is about to commit. On a remote island in the South Pacific, the investigation of a case of mass suicide reveals further mysteries. In a far-flung colony, a cynical trio sends an unwitting man into the wilderness in search of a chimera. Mixing romance and high adventure, intrigue and the fantastic, these magnificent tales by one of Russia’s most enduringly popular writers deftly probe the depths of human nature and desire.

Fandango and Other Stories presents a selection of essential short fiction by Alexander Grin, Russia’s counterpart to Robert Louis Stevenson, Edgar Allan Poe, and Alexandre Dumas. By turns a sailor, a dockworker, a vagrant, a gold prospector, a lumberjack, a soldier, a deserter, an agitator, an exile, a prisoner, and a runaway, Grin wrote seven novels and over three hundred short stories that transport the reader to a realm of pure art and imagination. His ingenious plots explore conflicts of the individual and society in a romantic world populated by a cast of eccentric, cosmopolitan characters. Fandango and Other Stories includes works drawn from across the entirety of Grin’s varied career to encompass the range and sophistication of his writing. Bryan Karetnyk’s elegant translations bring Grin’s distinctive voice to a new generation of readers.