PM Press

Magic is an essential tool for healing and social change within our communities.

Liberation Tarot is a collection of 79 tarot cards and accompanying guidebook, created over the course of four years by more than thirty artists and writers living in the US, Canada, France, Brazil, Palestine, and Mexico. The booklet includes an introduction from deck organizer Elicia Epstein, insightful essays by adrienne maree brown and lawrence barriner II, and beautifully crafted card descriptions from poet emet ezell.

Following in the lineage of projects like Slow Holler, The Collective Tarot, and Next World Tarot, Liberation Tarot seeks to serve as a tool for those inspired towards revolution in the face of the able-centered, capitalist, heterocis-normative, white-supremacist patriarchy.

Tarot helps us re-write the vocabulary of power, and with it, to strengthen our muscles of radical, revolutionary, and abolitionist dreaming. The deck eschews conventional tarot cards like the Emperor or Knight in favor of non-hierarchical cards honoring revolutionary concepts and figures such as the Crone, the Healer, and the Rebel, among others. Figures in the deck have bodies of all shapes and sizes, colors, genders, ages, and abilities—together, elaborating a vision of collective liberation and co-resistance.

Featuring artwork by INVASORIX, Eva Wǒ, Elicia Epstein, Cole James, Danielle Wright, As They Lay (Karryl Eugene and Abdu Ali), Charmaine Bee, Petra Floyd and Cyree Jarelle Johnson, Katie Kaplan, Cassie Thornton, J. Wu, Anne Horel, Kinoko, Malaya Tuyay, Scarlet Tunkl, Amina Ross, Nissa Gustafson, Malak Mattar, Edgar Fabián Frías, Amir Khadar, Mark Allen, Syan Rose, Aparna Sarkar, Shoog McDaniel, nkiruka oparah, Nathaniel Russell, Jennifer Moon, and Jarret Hood.

When the socialist politician Salvador Allende dramatically won Chile’s presidential election in 1970, a powerful cultural movement accompanied him to power. Folk singers emerged at the forefront, proving that music could help forge the birth of a new society. As the CIA actively funded opposition media against Allende during his campaign, the New Chilean Song Movement rose to prominence, viscerally persuading voters with its music. Víctor Jara, a central protagonist at the time, became an icon in Chile, Latin America, and beyond for his revolutionary lyrics and life. Inti-Illimani, Quilapayún, and other musicians contributed by singing before audiences of workers outside factories or campesinos in Chile’s rural countryside.

A short cultural history, “Venceremos“ charts the development of the movement from the years before Allende’s victorious campaign to the brutal U.S.-backed military coup on September 11, 1973, that overthrew his presidency and imposed the dictatorship of General Augusto Pinochet. Featuring interviews from key figures and lyrical analysis, “Venceremos“ gives insight into how the New Chilean Song Movement’s revolutionary anthems came to be.

From the early folkloric documentation of Violeta Parra in Chile’s countryside to “Venceremos,“ the triumphant anthem of Allende’s Popular Unity Coalition, the music of Chile’s Nueva Canción was shaped by the larger history occurring all around it. Within the songs, all the hopes, dreams and apprehensions of the nation were reflected. At the same time, as its influence grew, the cultural movement claimed its own principal space as catalyst of not only Chile’s musical but its political future as well. So dangerous were its creations that the Pinochet dictatorship censored and attempted to destroy them. Most tragically, Víctor Jara’s life was taken in the bloody repression that immediately followed the coup.

The innovative novels and stories of Michael Blumlein, MD, have introduced new levels of both terror and wonder into the fiction of scientific speculation. His work as a medical researcher and internist at San Francisco’s UCSF Medical Center informs his tales of biotech, epigenetics, brain science, and what it means to be truly if only temporarily human.

Sometimes it pays to be gay and do crime.

As communities are boldly rising to challenge capitalism, white supremacy, and authoritarianism, Be Gay, Do Crime: Everyday Acts of Queer Resistance and Rebellion is your ultimate guide to LGBTQ+ resilience and rebellion. Packed with daily snapshots of radical queer history, this book celebrates the bold, the brave, and the beautifully defiant moments that have shaped the fight for justice.

Ever wonder why the Stonewall protests became an uprising or what the earliest acts of queer resistance looked like? How about the ways queer communities have organized against oppression across the globe? Be Gay, Do Crime dives into these stories and so many more—from fierce acts of resistance to joyful victories—bringing to life the rich, diverse history of LGBTQ+ liberation.

By situating readers within a larger pattern of struggle, these everyday acts counter the erasure of queer people from history and serve as a reminder that our struggles are part of a broader fight against systemic violence and dehumanization.

But, this isn’t just a history book; it’s a rallying cry. Flip to any page, soak up some inspiration, and join the legacy of resistance.

In-depth, intense, insightful.

For more than a decade, radical science fiction author and activist journalist Terry Bisson interviewed some of the most provocative and outspoken authors of the twentieth and twenty-first centuries. Anarchism, sexuality, creativity, and the future of humanity itself—no topic was taboo. Bisson's prankster spirit also shone through as he quizzed his subjects about what cars they drove, played free association games, and created an atmosphere of two old friends having intimate late-night chats. Collected from PM Press's award-winning Outspoken Authors series for the first time, The Outspoken and the Incendiary showcases insightful and long-form explorations into the lives and minds of some of today’s most politically charged fiction writers.

“PM's Outspoken Authors series looks almost like a science fiction Who’s Who or Hall of Fame, except that I included myself. Because I could.” —Terry Bisson

Words and Thoughts By: Eleanor Arnason, Terry Bisson, Michael Blumlein, John Crowley, Samuel R. Delany, Cory Doctorow, Meg Elison, Karen Joy Fowler, Eileen Gunn, Elizabeth Hand, Cara Hoffman, Nalo Hopkinson, James Patrick Kelly, John Kessel, Paul Krassner, Joe R. Lansdale, Jonathan Lethem, Ursula K. Le Guin, Ken MacLeod, Nick Mamatas, Michael Moorcock, Paul Park, Gary Phillips, Marge Piercy, Rachel Pollack, Rudy Rucker, Kim Stanley Robinson, Carter Scholz, Nisi Shawl, John Shirley, Vandana Singh, and Norman Spinrad, with additional new contributions by Nalo Hopkinson, Jonathan Lethem, Nisi Shawl, Peter Coyote, and Rudy Rucker.

A rattling good yarn and a suspenseful whodunit, against the backdrop of real historical events, that brings sixteen-year-old Sherlock Holmes together with Karl Marx and his brilliant daughter Eleanor to solve a cascading series of murders at a Bohemian spa. Karl Marx Private Eye is a page-turner filled with tricky clues, colorful detectives, and an "exotic" setting. Written in a brilliant parody of Arthur Conan Doyle, this cozy historical mystery will keep readers guessing until its shocking final pages.

Surviving the Future is a collection of the most current ideas in radical queer movement work and revolutionary queer theory. Beset by a new pandemic, fanning the flames of global uprising, these queers cast off progressive narratives of liberal hope while building mutual networks of rebellion and care. These essays propose a militant strategy of queer survival in an ever precarious future. Starting from a position of abolition—of prisons, police, the State, identity, and racist cisheteronormative society—this collection refuses the bribes of inclusion in a system built on our expendability. Though the mainstream media saturates us with the boring norms of queer representation (with a recent focus on trans visibility), the writers in this book ditch false hope to imagine collective visions of liberation that tell different stories, build alternate worlds, and refuse the legacies of racial capitalism, anti-Blackness, and settler colonialism. The work curated in this book spans Black queer life in the time of COVID-19 and uprising, assimilation and pinkwashing settler colonial projects, subversive and deviant forms of representation, building anarchist trans/queer infrastructures, and more. Contributors include Che Gossett, Yasmin Nair, Mattilda Bernstein Sycamore, Adrian Shanker, Kitty Stryker, Toshio Meronek, and more.

This unique comic by Milton Knight illuminates the early years of C.L.R. James (1901–1989), known in much later years as the “last great Pan-Africanist.” The son of a provincial school administrator in British-governed Trinidad, James disappointed his family by embracing the culture and passions of the colonial underclass, Carnival and cricket. He joined the literary avant-garde of the island before leaving for Britain. In the UK, James swiftly became a beloved cricket journalist, playwright for his close friend Paul Robeson, and a pathbreaking scholar of black history with The Black Jacobins (1938), the first history of the Haitian revolt.

The artistic skills of Milton Knight, at once acute and provocative, bring out James’s unique personality, how it arose, and how he became a world figure.

From the rollicking welcome of “A Festive Song” to the defiant battle cry of “Watchword of Labor,” Songs of Freedom accomplishes the difficult task of making contemporary music out of old revolutionary songs. Far from the archival preservation of embalmed corpses, the inspired performance of a rocking band turns the timeless lyrics of James Connolly into timely manifestos for today’s young rebels. As Connolly himself repeatedly urged, nothing can replace the power of music to raise the fighting spirit of the oppressed.

Giving expression to Connolly’s internationalism, musical influences ranging from traditional Irish airs to American rhythm and blues are combined here in refreshing creativity. As for the songs themselves, nine have lyrics by Connolly, three were written about Connolly, and one, “The Red Flag,” was chosen by Connolly to be in the original Songs of Freedom songbook of 1907, subsequently becoming a classic song of Labor. The instrumentation is acoustic: guitars, uilleann pipes, whistles, fiddle, accordion, and Irish harp, as well as drums and bass.

1. A Festive Song
2. Be Moderate
3. Human Freedom
4. Connolly Was There
5. A Rebel Song
6. Saoirse a Rúin
7. When Labor Calls
8. O Slaves of Toil
9. Shake Out Your Banners
10. The Irish Rebel
11. The Red Flag
12. Watchword of Labor
13. Where Is James Connolly?

Silvia Federici is one of the most important contemporary theorists of capitalism and feminist movements. In this collection of her work spanning over twenty years, she provides a detailed history and critique of the politics of the commons from a feminist perspective. In her clear and combative voice, Federici provides readers with an analysis of some of the key issues and debates in contemporary thinking on this subject.

Drawing on rich historical research, she maps the connections between the previous forms of enclosure that occurred with the birth of capitalism and the destruction of the commons and the “new enclosures” at the heart of the present phase of global capitalist accumulation. Considering the commons from a feminist perspective, this collection centers on women and reproductive work as crucial to both our economic survival and the construction of a world free from the hierarchies and divisions capital has planted in the body of the world proletariat. Federici is clear that the commons should not be understood as happy islands in a sea of exploitative relations but rather autonomous spaces from which to challenge the existing capitalist organization of life and labor.

A Gothic Horror novel about severe mental distress and punk rock. The novel is written in the form of a diary kept by a psychiatrist, Dr. Rodney H. Dweller, concerning his patient, Nathaniel Snoxell, brought to him in 1979 because of several attempted suicides. Snoxell gets involved in the nascent UK anarcho-punk scene, recording EPs and playing gigs in squatted Anarchy Centers. In 1985, the good doctor himself “goes insane” and disappears.

This semi-autobiographical novel from Rudimentary Peni singer, guitarist, lyricist, and illustrator Nick Blinko, plunges into the worlds of madness, suicide, and anarchist punk. Lovecraft meets Crass in the squats and psychiatric institutions of early ‘80s England. This new edition collects Blinko”s long sought after artwork from the three previous incarnations.

The pamphlets reprinted here were first published in the 1910s amid great controversy. Even then, the tactics of direct action and sabotage were often associated with the cartoonists’ image of the disheveled, wild-eyed anarchist armed with stiletto, handgun, or bomb—the clandestine activity of a militant minority or the desperate acts of the unorganized.

The activist authors of the texts in this collection challenged the prevailing stereotypes. As they point out, the practices of direct action and sabotage are as old as class society itself and have been an integral part of the everyday work life of wage-earners in all times and places. To the Industrial Workers of the World (IWW) belongs the distinction of being the first workers’ organization in the U.S. to discuss these common practices openly, and to recognize their place in working-class struggle. Viewing direct action and sabotage in the spirit of creative nonviolence, Wobblies readily integrated these tactics into their struggle to build industrial unions.

Direct action is recognized as a valuable and effective tactic by many movements around the globe and remains a cutting-edge tool for social change. Whenever communities in struggle find more conventional methods of resistance closed to them, direct action and sabotage will be employed.

This new edition from the Charles H. Kerr Library contains “Direct Action and Sabotage” (1912) by William E. Trautmann, “Sabotage: Its History, Philosophy & Function” (1913) by Walker C. Smith, and Elizabeth Gurley Flynn’s “Sabotage: The Conscious Withdrawal of the Workers’ Industrial Efficiency” (1916), edited and with an introduction by Salvatore Salerno.

While there have been historical accounts of the anarchist school movement, there has been no systematic work on the philosophical underpinnings of anarchist educational ideas—until now.

Anarchism and Education offers a philosophical account of the neglected tradition of anarchist thought on education. Although few anarchist thinkers wrote systematically on education, this analysis is based largely on a reconstruction of the educational thought of anarchist thinkers gleaned from their various ethical, philosophical and popular writings. Primarily drawing on the work of the nineteenth century anarchist theorists such as Bakunin, Kropotkin, and Proudhon, the book also covers twentieth century anarchist thinkers such as Noam Chomsky, Paul Goodman, Daniel Guerin, and Colin Ward.

This original work will interest philosophers of education and educationalist thinkers as well as those with a general interest in anarchism.

In 2014, distinguished jurist Richard Falk completed his six-year term as UN Special Rapporteur on occupied Palestine. With Palestine: The Legitimacy of Hope, he powerfully illuminates the transformation of the Palestinians’ struggle over recent years into one for legitimacy, similar to that pursued by the great anti-colonial movements of the twentieth century. Throughout the information-packed essays collected in this book, Falk discerns many signs of hope that the Palestinian people can harness the growing international attention and solidarity their struggle has achieved and break free of the apartheid and occupation that they have long endured.

This is a companion volume to Falk's Chaos and Counterrevolution: After the Arab Spring (Just World Books, 2015.)

No Country for Jewish Liberals is Larry Derfner’s personal and political story of life in contemporary Israel, describing how an American Jewish emigrant and his adopted country grew apart. Derfner describes his boyhood in Los Angeles as the son of Holocaust escapees, his coming of age amidst the upheavals of 1960s America, his move to Israel, and his controversial career in journalism. This provocative book explores Israel’s moral decline through the lens of Derfner’s experiences, blending memoir, reportage, and commentary. It is a riveting narrative of how Israeli society has come to alienate its Jewish liberals.

In Manufactured Crisis, investigative reporter Gareth Porter shows how Israel and the George W. Bush administration successfully waged their campaign claiming that Iran was trying covertly to acquire a nuclear weapon. Porter shows in detail that most of the so-called evidence for such a weapons program was of dubious origin, including the documents that allegedly originated from the laptop of an Iranian nuclear scientist. As Iran and the United States have engaged in serious negotiations over Iran’s nuclear program, this book has provided crucial background material for those who want to make an independent assessment of the record, rather than relying on highly politicized allegations.

When President Richard Nixon held his meetings with Chairman Mao in Beijing in February 1972, at his side was a young US diplomat serving as his principal interpreter: Chas W. Freeman, Jr. Interesting Times: China, America, and the Shifting Balance of Prestige presents Ambassador Freeman's most brilliant (and often bitingly witty) on developments in China and the US-Chinese relationship, 1969–2012. Subjects include issues like Taiwan, other strategic issues, and differences over human rights, economic, and trade policies that confronted the world’s two most powerful countries throughout those years.

This gripping insider’s account chronicles how and why a young woman in 1950s Algiers joined the armed wing of Algeria’s national liberation movement to combat her country’s French occupiers. When the movement’s leaders turned to Drif and her female colleagues to conduct attacks in retaliation for French aggression against the local population, they leapt at the chance. Their actions were later portrayed in Gillo Pontecorvo’s famed film The Battle of Algiers. When first published in French in 2013, this intimate memoir was met with great acclaim and no small amount of controversy. It is essential reading for anyone seeking to understand not only the anticolonial struggles of the 20th century and their relevance today, but also the specific challenges that women often confronted (and overcame) in those movements.

In July 2004, federal agents raided the homes of five Palestinian American families, arresting the five dads. The first trial of the “Holy Land Foundation Five” ended in a hung jury. The second, marked by highly questionable procedures, resulted in lengthy sentences—for “supporting terrorism” by donating to charities that the US government itself and other respected international agencies had long worked with.

In 2013, human rights activist and author Miko Peled started investigating this case. He discussed the miscarriages of justice with the men’s lawyers and heard from the men’s families about the devastating effects the case had on their lives. He also traveled to the remote federal prison complexes where the men were held to conduct deep interviews. Injustice traces the labyrinthine course of this case, presenting a terrifying picture of governmental over-reach in post-9/11 America.

In the years following Israel’s 2008–9 “Operation Cast Lead” attack on the Palestinians of Gaza, a new kind of student movement emerged on US campuses, in support of the idea that Palestinians should gain the full exercise of their human and political rights within their historic homeland. In 2013 and early 2014, journalist Nora Barrows-Friedman crisscrossed the United States interviewing the young activists who form the core of this new student movement, and their voices ring out strongly from every page of this book. In Our Power reveals the rich political legacy these students are building on campuses all around the country.

A powerful account, by Israeli peace activist Miko Peled, of his transformation from a young man who’d grown up in the heart of Israel’s elite and served proudly in its military into a fearless advocate of nonviolent struggle and equal rights for all Palestinians and Israelis. His journey is mirrored in many ways the transformation his father, a much-decorated Israeli general, had undergone three decades earlier. Alice Walker contributed a foreword to the first edition in which she wrote, “There are few books on the Israel/Palestine issue that seem as hopeful to me as this one.” In the new Epilogue he takes readers to South Africa, East Asia, many European countries, and the West Bank, Gaza, and Israel itself.

The 10th Anniversary Edition includes a new preface in which he reflects on the growth of the Palestinian-rights movement since the original publication of this work in 2012.

A powerful account, by Israeli peace activist Miko Peled, of his transformation from a young man who’d grown up in the heart of Israel’s elite and served proudly in its military into a fearless advocate of nonviolent struggle and equal rights for all Palestinians and Israelis. His journey is mirrored in many ways the transformation his father, a much-decorated Israeli general, had undergone three decades earlier. Alice Walker contributed a foreword to the first edition in which she wrote, “There are few books on the Israel/Palestine issue that seem as hopeful to me as this one.” In the new Epilogue he takes readers to South Africa, East Asia, many European countries, and the West Bank, Gaza, and Israel itself.

The 10th Anniversary Edition includes a new preface in which he reflects on the growth of the Palestinian-rights movement since the original publication of this work in 2012.

Gaza Writes Back is a compelling anthology of short stories from fifteen young writers in Gaza, members of a generation that has suffered immensely under Israel’s siege and blockade. Their experiences, especially during and following Israel’s 2008–2009 offensive known as “Operation Cast Lead,” have fundamentally impacted their lives and their writing. Their words take us into the homes and hearts of moms, dads, students, children, and elders striving to live lives of dignity, compassion, and meaning in one of the world’s most embattled communities. Readers will be moved by the struggles big and small that emerge from the well-crafted writing by these young people, and by the hope and courage that radiate from the authors’ biographies.

These stories are acts of resistance and defiance, proclaiming the endurance of Palestinians and the continuing resilience and creativity of their culture in the face of ongoing obstacles and attempts to silence them.

Whether tackling the tragedy that surrounds missile strikes and home raids, or the everyday indignities encountered by Palestinian refugees, Gaza Writes Back brings to life the real issues that the people of Gaza face. One prominent theme in many of the stories is the value placed on the wisdom of parents and grandparents. A sense of longing pervades the book, as the characters in the stories reveal desires ranging from the mundane to the complex—including, in several of the stories, a strong yearning to return to the characters’ long-cherished family homes and properties after many decades in exile from them. Social differences within Gaza are also sensitively explored. A few stories are especially difficult—but critical—to digest, for the vividness with which they depict the experiences of victims of Israeli military strikes and confront the legacy of violence and occupation, particularly on young people.

In early December 2023, the Israeli military assassinated professor Alareer sending shockwaves of horror among all who loved and respected him around the world. The Memorial Edition of the collection is produced in loving memory of his life and work. It contains a new foreword by Ali Abunimah of the Electronic Intifada. And in the backmatter, where the story contributors had a chance to introduce themselves in their own words in the first edition, now we include updated self-descriptions from all those whom we could contact, whereas the fate of many of those other talented young people remains unknown.

Gaza Writes Back is a compelling anthology of short stories from fifteen young writers in Gaza, members of a generation that has suffered immensely under Israel’s siege and blockade. Their experiences, especially during and following Israel’s 2008–2009 offensive known as “Operation Cast Lead,” have fundamentally impacted their lives and their writing. Their words take us into the homes and hearts of moms, dads, students, children, and elders striving to live lives of dignity, compassion, and meaning in one of the world’s most embattled communities. Readers will be moved by the struggles big and small that emerge from the well-crafted writing by these young people, and by the hope and courage that radiate from the authors’ biographies.

These stories are acts of resistance and defiance, proclaiming the endurance of Palestinians and the continuing resilience and creativity of their culture in the face of ongoing obstacles and attempts to silence them.

Whether tackling the tragedy that surrounds missile strikes and home raids, or the everyday indignities encountered by Palestinian refugees, Gaza Writes Back brings to life the real issues that the people of Gaza face. One prominent theme in many of the stories is the value placed on the wisdom of parents and grandparents. A sense of longing pervades the book, as the characters in the stories reveal desires ranging from the mundane to the complex—including, in several of the stories, a strong yearning to return to the characters’ long-cherished family homes and properties after many decades in exile from them. Social differences within Gaza are also sensitively explored. A few stories are especially difficult—but critical—to digest, for the vividness with which they depict the experiences of victims of Israeli military strikes and confront the legacy of violence and occupation, particularly on young people.

In early December 2023, the Israeli military assassinated professor Alareer sending shockwaves of horror among all who loved and respected him around the world. The Memorial Edition of the collection is produced in loving memory of his life and work. It contains a new foreword by Ali Abunimah of the Electronic Intifada. And in the backmatter, where the story contributors had a chance to introduce themselves in their own words in the first edition, now we include updated self-descriptions from all those whom we could contact, whereas the fate of many of those other talented young people remains unknown.

During Israel’s lengthy 2014 assault on Gaza, voices worldwide rose in stunned protest. Using numerous creative means, Palestinians and their allies bore witness to the Israeli attacks—and to the siege that has strangled Gaza ever since. Gaza Unsilenced foregrounds the words and images with which Gaza Palestinians recorded the pain, losses, and dislocations of the attacks, the continuing punishment of the siege, and their community’s resilience and dignity.

The book includes original contributions from the editors themselves along with essays, reportage, images, and poetry from Gaza and elsewhere. Contributors include Ali Abunimah, Ramzi Baroud, Diana Buttu, Belal Dabour, Chris Hedges, Rashid Khalidi, and Eman Mohammed.

Laila El-Haddad takes us into the intense life and world of a busy Palestinian journalist who is both covering the story of Gaza and living it, with her young son. She was in Gaza City in 2005, watching hopefully as the Israelis prepared their withdrawal from the Gaza Strip. She covered the January 2006 Palestinian elections—judged "free and fair" by international monitors. But then, she watched aghast as the Israeli government, backed by the Bush administration, moved in to punish Gaza’s 1.5 million people for the way they had voted by throwing a tough siege around the Strip.

The Abridged Edition of this earlier work focuses on El-Haddad's writings from within Gaza and on the angst she felt in late 2008, when she worried deeply about the fate of her parents and other relatives trapped inside Gaza during a fierce Israeli attack.

This new edition of an award-winning cookbook shares with readers the little-known but distinctive cuisine of the Gaza region of Palestine, presenting 130 recipes collected by the authors from Gaza. Cooks will find great, kitchen-tested recipes for spicy stews, piquant dips, fragrantly flavored fish dishes, and honey-drenched desserts. They will also be entranced by the hundreds of beautiful photos of Gazan cooks, farmers, and fresh-produce merchants at work, and by the numerous in-kitchen interviews in which these women and men tell the stories of their food, their heritage, and their families. Anthony Bourdain, Claudia Roden, and Yotam Ottolenghi are among the many culinary figures who have embraced The Gaza Kitchen. This third edition features tantalizing new stories and recipes, a fresh new design in a beautiful paperback volume, new photos, and an updated index.

Palestinian political cartoonist Mohammad Sabaaneh has gained renown worldwide for his stark black-and-white drawings that express the numerous abuses and losses that his countrymen suffer under Israel’s occupation and celebrate their popular resistance. This collection includes 180 of Sabaaneh’s best cartoons, including some depicting the privations he and other Palestinian political prisoners have suffered in Israel’s many prisons. This book offers profound insights into the political and social struggles facing the Palestinian people and a pointed critique of the inaction or complicity of the “international community.” Veteran graphic artist Seth Tobocman contributes a foreword.

Palestinian political cartoonist Mohammad Sabaaneh has gained renown worldwide for his stark black-and-white drawings that express the numerous abuses and losses that his countrymen suffer under Israel’s occupation and celebrate their popular resistance. This collection includes 180 of Sabaaneh’s best cartoons, including some depicting the privations he and other Palestinian political prisoners have suffered in Israel’s many prisons. This book offers profound insights into the political and social struggles facing the Palestinian people and a pointed critique of the inaction or complicity of the “international community.” Veteran graphic artist Seth Tobocman contributes a foreword.

The wave of anti-government protests that swept through the Arab world from December 2010 on started to transform politics and society in the Middle East. The protests came as a surprise to many observers—but not to Rami Zurayk, an veteran Lebanese agronomist and social activist who had been analyzing the collapse of traditional agricultural livelihoods in the Middle East since the late 1980s. In 2007, Zurayk started writing the "Land and People" blog, which charts food-policy and agricultural policy issues throughout the Middle East. Food, Farming, and Freedom presents his choice of the best of the posts in the blog from 2007 through April 2011. It concludes with a chapter tracking the early months of the Arab Spring.

Since 2003, obstetrician Alice Rothchild has traveled annually to Israel/Palestine with other concerned Americans, to learn about health and human rights situation of politically marginalized communities, especially Palestinians. Condition Critical presents key blog posts and analytical essays that explore everyday life in Israel, East Jerusalem, the West Bank, and Gaza up close and with searing honesty. These eyewitness reports and intimate stories depict the critical condition of a region suffering from decades-old wounds of colonization and occupation. Condition Critical dares (and inspires) its readers to examine the painful consequences of Zionism and Israeli expansion and to bend the arc of the moral universe towards justice.

In 2005, teacher Theresa Kubasak and retired publisher Gabe Huck moved to Syria to aid some of the many Iraqis who found refuge there from the violence of US-occupied Iraq. They set up and ran a project to prepare young Iraqi refugees for admission to US colleges. (Sixty of their “graduates” won admission to colleges all around the United States.) Never Can I Write of Damascus is Theresa and Gabe’s memoir of the lives they led in four Damascus neighborhoods, 2005–2012, describing the many rich relationships they built with Syrian, Iraqi, and Palestinian-refugee neighbors. The book’s title is from a line by Syria’s leading poet, Nizar Qabbani.

Never Can I Write of Damascus paints a uniquely intimate picture of daily life in the heritage-rich country of Syria in the period before and just after the 2011 eruption of unrest there. It gives readers sobering information about the heavy human toll, for Iraqis, of the US invasion of Iraq. The book contains stunning photos, charming hand-drawn maps, and other rich supplemental content.

“I wrote poetry before I wrote anything else,” says Susan Abulhawa, esteemed Palestinian American author and social activist, in the introduction to her first book of poems, My Voice Sought the Wind. This new work followed her highly acclaimed novel, Mornings in Jenin, which has been translated into 32 languages since it was published in 2010.

My Voice Sought the Wind represents five years of Abulhawa’s best poems on the timeless themes of love, loss, identity, and family, brought to life through her vivid observations and intimate personal reflections. She writes from her own experience, with a style that is romantic, but tinged with disillusionment, often a bit sad and always introspective.

With these short stories, Hatim Kanaaneh explores the changing, precarious, and ever-shrinking world of Palestinians living in Israel. As his village’s first Western-trained physician, Kanaaneh had intimate access to his neighbor’s lives, and he chronicles them here in a fictionalized collection of vignettes. His cunningly crafted stories reveal the struggles, triumphs, memories, and hopes of the indigenous Palestinian community living in a state that neither acknowledges their past nor supports their future.

Following a diagnostic scheme used by physicians worldwide, each story is titled with the “chief complaint” of its protagonist. Taken together, the stories poignantly convey the indigenous Palestinian community’s foundational chief complaint: its conflicted relationship with the state of Israel.

Yemen is an intriguing, strategically located country that is the perennial “poor relation” of the wealthy oil monarchies of the Arabian Peninsula and has been plagued by deadly conflict since early 2015. In 2011, it saw a broad eruption of the mass protests associated with the “Arab Spring.” But four years later, that popular movement was largely over-run by a series of deadly conflicts, stoked from outside by a lengthy, lethal military intervention led by neighboring Saudi Arabia. The Saudis and their allies pounded Yemen’s major cities with billions of dollars’ worth of advanced bombs and missiles—most of them US-supplied. Catastrophe ensued for Yemen’s already impoverished population of 27 million. In large areas of the country, meanwhile, a resilient branch of Al-Qaeda had also sunk deep roots.

Arabia Incognita helps readers understand Yemen’s unfolding crisis by tracing the country’s modern history from the strong anti-imperial movement of the 1960s through the present complex of conflicts. Reporting at-the-time and mostly from on-the-spot, the book’s contributors focus on Yemen’s own social/political dynamics. They also explore parallel disharmonies in the neighboring Gulf petro-kingdoms and the roles played by wider pan-Arab movements and various US military and paramilitary bodies. The "dispatches" in this anthology were originally published in Middle East Report. They were chosen by renowned Yemen expert Dr. Sheila Carapico, who also contributes an Introduction and other guides for readers.

Arabia Incognita is published in collaboration with the Middle East Research and Information Project (MERIP), which has published Middle East Report since 1971.

Thousands of remarkable monuments and relics fill the land of Syria from the coast of the Mediterranean to its desert borders, dating back to the dawn of human history. The sites include Bronze Age ruins, Roman temples and necropolises, churches and monasteries from the early Christian and Byzantine eras, Muslim forts and mosques, Crusader castles, and many more. When conflict broke out in 2011, these treasures were put at great risk and in subsequent years, many were destroyed in battles—some were even the intentional targets of extremists. From 2006–2009, American photographer Daniel Demeter traveled broadly throughout Syria, documenting the country’s warm and kindhearted people, vibrant markets, exciting landscapes, archaeological sites, historic monuments, and religious architecture. In seven chapters organized by region, Lens on Syria offers a unique visual experience of pre-war Syria and serves as an invaluable record of the country’s long history, rich heritage, and diverse culture.

Laila El-Haddad takes us into the intense life and world of a busy Palestinian journalist who is both covering the story of Gaza and living it, with her young son. El-Haddad was in Gaza City in 2005, watching hopefully as the Israelis prepared a troop withdrawal from the Gaza Strip. She covered the January 2006 Palestinian elections—judged "free and fair" by international monitors. But then, she watched aghast as the Israeli government, backed by the Bush administration, moved in to punish Gaza’s 1.5 million people for the way they voted by throwing a tough siege around the Strip.

Gaza Mom provides a wealth of detail (and some charming photographs) that inform readers about the daily lives of Gaza's Palestinians, along with El-Haddad's reporting and political analysis.

Ambassador Chas W. Freeman Jr. is one of America's most brilliant and experienced diplomats and an outspoken advocate of diplomacy and other measures short of war to address international problems. In the first installment of this work, he trenchantly described the challenges he faced when, as US Ambassador to Saudi Arabia in 1990, he worked with coalition partners to push Saddam Hussein out of Kuwait. He also reflected on the origins of Washington's numerous intelligence failures in the Middle East, "the American way of war," and Washington's consistent failure in recent decades to plan for termination and a stable political end-state for the wars it has so cavalierly launched.

American's Continuing Misadventures in the Middle East is a revised and updated version of that earlier work. In it, Freeman deploys his customary insight and wit to look at the significance of the Israel-Palestine conflict, the complex consequences of the Arab Spring, the special role the Middle East plays in global affairs (and in US strategy and politics), and the roles played in the region by China and other world powers.

In Chaos and Counterrevolution, international law scholar Richard Falk explores the wave of popular protests that swept North Africa and the Middle East in 2011—and the rapid demise (or reversal) the protest movement suffered in most countries, soon thereafter. The protests of 2011 inspired a new generation to imagine a future without authoritarianism. Yet, this sense of hope soon gave way to pessimism, counterrevolution, and sectarian strife.

In this unique collection of blog posts and essays, Falk explores these developments in key countries like Egypt, Libya, Syria, Turkey, Iran, and Iraq, pairing his reflections on developments as they unfolded with his later analysis of the events.

This is a companion volume to Falk's Palestine: The Legitimacy of Hope.

The coldest I have ever been in my life was in the mountains of Afghanistan. I was in a helicopter with the windows and doors open. It was dark, the middle of winter, and I wasn’t wearing a jacket. But up there, something became clear to me: America is fighting its wars all wrong.…

Thus starts Joshua Foust's riveting and thoughtful account of the US military's engagement in Afghanistan in 2009 and 2010. In early 2009, Foust, a long-time analyst of Central Asian affairs and a respected blogger, got his first chance to go to the country he had been fascinated with for so long. He brought to the trip—and to this book—not just a wealth of knowledge about the country, but also an intelligence and sensitivity that informed all his writings during and after the trip.

Baddawi explores the childhood of the author’s father from a determinedly boy’s-eye view as he witnesses the world crumbling around him and attempts to carry on, forging his own path in the midst of terrible uncertainty. Ahmed was raised in the refugee camp of Baddawi in northern Lebanon, one of many thousands of children born to Palestinians who fled (or were expelled from) their homeland during the 1948 war that established the state of Israel. Ahmad’s dogged pursuit of education and opportunity echoes the journey of the Palestinian people, as they make the best of their existing circumstances while remaining determined to one day return to their homeland.

Israeli historian Yigal Kipnis delves deep into the Israeli and American archives and reveals in this book that the big October 1973 war between Israel and its Arab neighbors could almost certainly have been avoided. Avoided, that is, if in the months preceding October 1973, Israeli Prime Minister Golda Meir, who was facing elections, had not been so determined to block the ongoing peace negotiations with Egypt, and if US Secretary of State Henry Kissinger (despite his misgivings) had not backed up her diplomatic hard line. Kipnis contradicts the conventional wisdom, arguing convincingly that it was Israeli political intransigence, not a failure of Israel’s military intelligence, that set the stage for the 1973 war.

The Hebrew-language original of 1973: The Road to War made great waves when it was published in Israel.

In A Responsible End? the highly regarded expert on Iraq Reidar Visser tells the story of both the internal politics of Iraq and the United States' role and involvement in it. Many Americans had hoped that the 2005 elections would usher in an era of democracy in Iraq. But the aftermath of the elections was devastating for many Iraqis, as sectarian violence engulfed Baghdad and other key areas of the country in 2006–2007.

Visser provides a clear analysis of the complex path Iraq's internal politics took during those seminal years and charts how, very often, Washington's policies ended up seriously weakening the very country that President Geroge W. Bush claimed he had come to "save."

On the Brink is a compelling collection of short essays that chronicle a fact-finding and solidarity visit the author made to the West Bank and Israel during the last three weeks of June 2014. Physician, author, filmmaker, and longtime activist Alice Rothchild uses her powers of careful observation and her deep understanding of the consequences of racism and occupation to craft a lively, honest, heart breaking collection of reports from the field.

On the Brink documents stories and lives that seldom make the evening news, but that are essential to understanding the context in which that news occurs.

Wrestling in the Daylight is an insightful conversation on Zionism initiated by Rabbi Brant Rosen, a prominent Jewish activist from Chicago, on his social-justice blog Shalom Rav. After Israel’s brutal military attack on Gaza in 2008–2009, Rosen began to question his lifelong Zionist beliefs. Unlike the biblical Jacob, who wrestled with his conscience in the dark of night, Rosen chose to "wrestle in the daylight" with this issue through many thoughtful essays on his blog. In this selection of content from Shalom Rav, Rosen includes both his own posts and those of his online commenters, granting readers unique insight into the largest controversy facing the American Jewish community today. In the new introduction he has written for this second Edition, Rosen updates the story of the “wrestling” that both he and the American Jewish community have undertaken in recent years.

In 1969, South Africa’s apartheid government arrested anti-apartheid leaders and activists nationwide for a key planned show trial. Among them were seven women, three of whom (including Winnie Madikizela-Mandela) have since died. This book by South African journalist Shanthini Naidoo uses rich interview material to share the previously unknown stories of the four imprisoned women who are still living: Joyce Sikhakhane-Rankin, Rita Ndzanga, Shanthie Naidoo, and Nondwe Mankahla.

These four freedom fighters were held in solitary confinement for more than a year and subjected to brutal torture in a bid to force them to testify against their comrades. But they refused to do so, which forced the whole trial effort to collapse.

Women Surviving Apartheid’s Prisons explores how women from different oppressed communities in South Africa defied traditional gender expectations and played a key role in the overthrow of Apartheid.

Since 2004 Manan Ahmed, a deeply informed Pakistani American historian, has been casting his keen and always wary eye on the US-Pakistani interaction on his blog, Chapati Mystery. Where the Wild Frontiers Are is a collection of his blogged essays—a work that will forever change the way, its American readers think about Pakistan. The book captures the failure of most members of the US elite to successfully "imagine" the reality of people's lives and society in Pakistan. In it, Ahmed unsparingly criticizes most of the so-called "experts" who prognosticate about Pakistan and its region in the US mainstream media.

For eight months in 2008, US Army Captain Matt Zeller served as an embedded combat adviser with Afghan security forces in Ghazni, Afghanistan. Watches Without Time is a compilation of the emails he sent home to family and friends during that period—so that, as he writes in the Preface, "should anything have ever happened to me, they would know what I went through."

Watches Without Time gives a granular account of the challenges Zeller and his men encountered in Ghazni, and of the complex missions they undertook there. Written in clear and searingly intimate prose, it highlights the many emotion-laden experiences he underwent both during his tour and after his return to the United States.

War Is a Lie is a thorough refutation of every major argument used to justify wars, drawing on evidence from numerous past wars, with a focus on those that have been most widely defended as just and good. This is a handbook of sorts, an engaging, always informative manual that can be used to debunk future lies before the wars they’re deployed to justify have any chance to begin.

For this edition of the book, the original 2010 version has been updated and expanded with material on lessons from America’s most recent wars, more pointers on what can be done to end warmaking, and an epilogue that analyzes new trends in war lying and in resistance to it. No one to whom you give this book can claim they haven’t been warned!

What was it like to live in Beirut during the Israel-Lebanon war of 2006? Lebanese agronomy professor and social activist Rami Zurayk spent the whole war in Beirut with his family. War Diary: Lebanon 2006 is his intimate and vivid record of the 33-day onslaught. Throughout those 33 days, Israel's high-tech, lethal (and US-supported) military was trying to inflict such suffering on Lebanon's people that they would turn against Hizbullah, which was both a resistance movement and a political party with members in the national parliament. Zurayk was one of many Lebanese leftists who saw Israel's attack as yet another episode in the West's decades-long project to subjugate the Arab world. This book explains why.

An engaging and thought-provoking work by a writer deeply rooted in the continuing travails of the society he grew up in.

Omar, a young Palestinian in Gaza’s largest refugee camp, spends his life searching for his long-vanished father, aided by his loyal friend, Ahmed. Omar soon finds himself precariously tangled in the many arms of Israel’s violent occupation of Gaza in the 1980s and 1990s, as swirling tides of resistance arise, clash, and threaten to engulf it.

Vanished, first published by Rimal Books in Cyprus in 2015, is a powerful first novel from the British Palestinian writer, playwright, and theater director Ahmed Masoud. It was shortlisted for the MEMO Palestine Book Awards in London in 2015, where the awards jury described it as “fast-paced and compelling.” It went on to win numerous plaudits from international media.

UNtold is a provocative, engaging exploration of the United Nations, including its history and how it functions. This is a “warts and all” look at a controversial institution that over 70 years has variously evoked respect, indifference, and outrage from the US media. The author and illustrator have plenty of personal experience with the UN at all levels and through their concise, informative text and whimsical cartoons, they describe how the organization is supposed to work, how it actually behaves, and why there is a difference! UNtold lets readers in on the quirks and mysteries of international diplomacy and global decision-making. Delightfully funny and irreverent, the message is that this vital body really can represent “We the peoples of the world.” The book has something to offer everyone, from high school and college students involved in model UNs to secretaries of state and senior diplomats.

In the years after 2009, the once-warm relations between Turkey and Israel have deteriorated sharply. To complicate matters further, both countries are close partners of the United States. In April 2011, veteran Middle East analyst and policymaker William B. Quandt brought leading scholar-practitioners from Israel, Turkey, and the United States to a one-day gathering at the University of Virginia. Their task was to unpack and try to understand the tangle of accusations, sensitivities, fears, and misunderstandings that had arisen among policymakers in these three capitals. Troubled Triangle is a record of their deliberations.

The Tragedy of Lebanon is a reissue of Jonathan Randal's acclaimed 1983 study of the rightwing Christian militias in Lebanon that in 1975 plunged the country into a decades-long cycle of war and civil conflict. For this 2012 reissue of the book, Randal added a piercing new Preface reflecting on the meaning of those events, both then and today. As the Senior Foreign Correspondent of the Washington Post, Randal covered Lebanon intensively from 1974 through 1983, having already reported from Vietnam and several other war zones. The Tragedy of Lebanon shows his powers of observation, astute analysis, and storytelling at their very best.

In 1935, when Lillian Rosengarten was a toddler, her family fled Nazi Germany, for New York. But even there, the legacy of the Nazis' brutality continued to cast a shadow over her family for many decades. In Survival and Conscience, Rosengarten describes how she faced those challenges and came to understand that all forms of extreme nationalism and race hatred must be combated, together. Along with many other refugees from Nazism and survivors of the Holocaust, she became a strong advocate of Palestinian rights. In 2010, she joined the “Jewish Boat to Gaza”, designed to break Israel’s punishing blockade of Gaza.

In 2010, the Israeli Navy blocked the Jewish Boat to Gaza. But nothing can block Lillian Rosengarten’s inspiring story of love, self-discovery, and activism from touching the hearts of readers everywhere.

As young adults in the 1960s and 1970s, the nine people featured in this book—including co-editor Frank Joyce, Rennie Davis, Judy Gumbo, Alex Hing, and others—worked to end the US war in Vietnam. Independently of each other, while the United States was still at war, nearly all of them travelled to North Vietnam, risking physical harm and charges of treason back home.

In 2013, they all revisited Vietnam in a trip organized by the editors of this book. The People Make the Peace presents their reflections on those experiences, providing thoughtful and well informed reflections on a war and an era that deeply affected the United States and the world.

Housing Justice: A Lexicon for Building Solidarity provides accessible, future-facing language for housing scholars, practitioners, and activists.

At a time when the housing question is being reshaped by financialization, dispossession, displacement, and resistance across global contexts, this volume offers a critical vocabulary grounded in contemporary scholarship and struggle. Emerging from the eighth Antipode Institute for the Geographies of Justice, and shaped by a translocal editorial collective, the book draws together contributions from scholars and organizers working across multiple geographies and traditions of housing activism. Rather than offering closed definitions, each entry synthesizes current debates while tracing the political genealogies, conceptual tensions, and geographic specificities that shape how terms are used—and contested—across contexts, movements, and disciplines. Contributors draw from case studies and organizing experiences around the world, foregrounding the complex entanglements of housing with racial capitalism, settler colonialism, migration control, and state violence.

The result is not a static reference work, but a living archive of concepts that circulate within and between academic inquiry and political practice. From foundational terms like “eviction,” “property,” and “social housing” to emergent ones such as “carceral shelter,” “digital/material,” and “déracinement,” Housing Justice: A Lexicon for Building Solidarity illuminates how language mediates the spatial, institutional, and affective dimensions of housing injustice.

This book is both a resource and a provocation: it supports critical reflection, interdisciplinary dialogue, and coalition-building, while inviting readers to think with and beyond existing frameworks. For anyone engaged in the theorization or practice of housing justice, it offers a shared starting point for imagining—and organizing—alternative housing futures.

It may seem absurd to talk about revolution. But all the alternatives assume the continuation of the present system, which is even more absurd.

Best known for his translations of works by Guy Debord and the Situationist International, Ken Knabb is himself the author of many incisive radical texts. The Joy of Revolution is widely considered his masterpiece. While there have been countless histories of past revolutions and countless examinations of the many flaws of the present society and the many methods proposed for reforming them, it would be difficult to name a single book that more clearly and concisely explores the problems and possibilities of a modern, situationist-type revolution.

Following a brief overview of the absurdities of the present social system and the failures of past efforts to change it, The Joy of Revolution examines the pros and cons of a wide range of radical tactics, first in the context of “normal” or “ordinary” conditions, then in the very different context of radical situations—those rare breakthroughs where masses of people start to call everything into question and real change becomes possible. The book then concludes with some speculations on how a postrevolutionary global network of culturally diverse liberated communities might work, and where we might go from there.

For this new edition, Ken has added some notes and updates to his original book and appended a number of his more recent texts—situationist-style “detourned” comics; a detailed refutation of anarcho-primitivism; reports on two remarkable radical movements in France (1998 and 2006); extensive observations on the coronavirus pandemic and the Trumpian mass psychosis; and a series of texts and talks on the Occupy movement, in which he was an enthusiastic participant.

After decades of agitating from the inside, Joe Uehlein concluded that there had to be a movement that could act beyond the constraints of conventional labor rights and environmentalism.

Joe held two top positions at the AFL-CIO: secretary-treasurer of the AFL-CIO’s Industrial Division, and director of the AFL-CIO’s Center for Strategic Campaigns. He left the AFL-CIO in 2005 to pursue work on climate change and founded the Labor Network for Sustainability, a force in building cooperation among labor, environmental, and climate movements. Standing on the frontlines of climate justice and the class war requires transforming organized labor to include a durable vision of ecological integrity and transforming environmentalism to embrace working-class solidarity. For Joe, art has also been vital in the struggle for labor and climate. With a guitar in hand, his powerful words have inspired audiences across the globe. While sometimes sharing the stage with musicians such as Tom Morello and Pete Seeger, Joe’s songs have become anthems for elevating the plight of the worker and demanding a healthy environment for future generations.

Three Roads is the distillation of Joe’s dynamic strategy of “building bridges and pushing the envelope” to simultaneously unify and challenge the divergent forces that must come together to protect both workers and our shared planet. Joe’s captivating storytelling, passionate voice, and unique life story provides lessons, guidance and ammunition for a new generation of activists attempting to navigate the dual crisis of rising sea levels and the increasing disparity between the rich and the poor. Three Roads is for everyone who desires coming together and creating a just and sustainable future for all.

Cultural Capital Doesn’t Pay the Rent is a story about loss, economic survival, and three decades of organizing against the interlocking hellscapes of neoliberalism. Jessica Lawless’s memoir is a queer, anarcho-punk history of community care and healing justice.

An original member of Home Alive, the Seattle-based, feminist self-defense collective founded as a response to the unsolved rape and murder of a beloved friend, Lawless takes the reader into subcultural spaces of the 1980s and '90s where anticapitalist concepts of race, gender, and sexuality were developing against the backdrop of the Christian right’s early culture wars.

Digging into their personal archive of pre-internet flyers, meeting notes, zines, photos, newsletters, exhibition announcements, journals, and funeral programs, Lawless explores the somatic impacts of remembering and forgetting. Her attempts to leave violence in the past lead her to the institutional violence of academia, the absurdity of the Los Angeles art world, the crushing poverty of cyclical subemployment as an adjunct professor, and the heartbreak of working in the labor movement.

Reflecting on the past while entering menopause, Lawless crafts a narrative that twists and turns along a winding path, continually rejecting normative conclusions. Cultural Capital Doesn’t Pay the Rent is a moving account of abolitionist feminist resistance that will inspire anyone who’s experienced the hopes and hypocrisies of leftist activism.

How much does an unrealized past—once a possible future—continue to agitate us?

Today the Balkans are too often defined by nationalism, violence, and xenophobia—ills cultivated after the dissolution of the Ottoman Empire and the intervention of the Great Powers in the region. The peoples of the Balkans have since been squeezed into numerous small state entities, each promoting its own insular national idea.

But this was not the only path history could have taken.

At the dawn of the twentieth century, revolutionary movements envisioned a radically different future: a united, federated Balkans, where diverse peoples would manage public affairs through communal and participatory means. Ideas like the Balkan Federation and the Balkan Commune captivated the hearts and minds of revolutionaries, anarchists, and socialists across the region—traditions deeply rooted in the lands of the area now known as Bulgaria.

In this book, political theorist Yavor Tarinski revives and examines these buried visions. With clarity and commitment, he brings to light the radical traditions and libertarian imaginaries that continue to resonate.

This is a history from below—a story not of borders and empires, but of solidarity and possibility. One that still asks to be taken seriously by future generations.

“…but in the end, we will win.”

In 1992, following the collapse of the Eastern Bloc, the ruling class declared the end of history and the triumph of capitalism. Less than two years later, the Zapatista uprising in Chiapas galvanized a worldwide movement against capitalist globalization. All around the world, history began to crack and move again, like a frozen river thawing in the spring.

This momentum culminated in July 2001 with the protests against the G8 summit, in what became known as the battle of Genoa. For days, tens of thousands of aspiring revolutionaries clashed with an army of police in a city on fire.

From Riot to Insurrection offers a vivid account of this pivotal moment. In electrifying prose, Tomas Rothaus escorts the reader through those explosive days, recounting the chaotic street battles, the exhilarating sense of possibility, the heart-wrenching moments of triumph and loss. This is an ode to audacity, to what we become capable of when we believe in our collective power.

The real lesson of the end of the Cold War is not that capitalism is inevitable; it is that empires always fall. While “socialism without freedom” had crumbled by 1992, “freedom without socialism” has yet to expire. That revolution remains possible—even today—provided that we fight for it the way people did in Genoa.

Days of Dissent brims with defiance in recounting the rebellious history that has reshaped the United States and the world.

With poetic fervor, journalist Gabriel San Román delves into the strikes and forgotten martyrs of the labor movement to expose the fetid underbelly of exploitation. In a subverted “this day in history” format and rising from San Román’s Subversive Historian commentaries on Pacifica Radio, a story is told for every day of the year with poignant vignettes about protests—no matter how big or small.

Uprisings of enslaved Africans and abolitionists confronting the scourge of slavery, brave Black youth challenging Jim Crow segregation, Indigenous peoples resisting colonial America’s encroachments, Mexican women organizing labor strikes in the Southwest, antiwar protesters marching for peace, and much more.

Arriving at a time when history from below faces relentless attacks from above, these stories span centuries and recount the everyday bravery of people organizing for a world free of hate and exploitation. In these pages, history stands firmly where no markers remember massacres disguised as race riots, where the voiceless speak for themselves, and those at the margins of movements demand dignity within them.

For every reader who is a worker, student, activist, or is just frustrated by the status quo, Days of Dissent offers one simple suggestion: Read, remember, rebel!

Power lies with the activists at the grassroots, no matter how much those in higher positions try to rewrite history.

Niillas Somby is an icon of the Sámi resistance movement. In 1979, he was one of the hunger strikers outside of the Norwegian Parliament building, drawing attention to protests against a hydropower dam near the town of Áltá in the far north of the country. Together with the Kola Peninsula in Russia, the northernmost regions of Norway, Sweden, and Finland constitute Sápmi, the traditional homeland of the Sámi, Europe’s only officially recognized indigenous people.

In 1982, after the Supreme Court of Norway upheld the government’s decision to build the Áltá dam, Somby was one of three people trying to sabotage a bridge leading to the construction site. The action failed, with the bomb they were carrying going off too early. Somby lost an arm and an eye and was facing more than twenty years in prison. With the help of an international network of indigenous activists, he managed to escape to Canada where he was adopted and sheltered by First Nations until the main charges against him were dropped and it was safe for him and his family to return to Norway.

In the Hour of the Wolf is a tale of struggle and survival, of solidarity and kinship, of steadfast principles and spiritual awakening. It is written with care, rumination, and wit. The reader learns about both Sápmi, the First Nations of Canada, and transnational indigenous politics. It is a unique account of an extraordinary life. In the end, Somby reflects on the path of the Sámi struggle for sovereignty from the protest camps of the 1970s to the halls of the Sámi Parliament.

The Reticular Society theorizes the online colonization of everyday life, diagramming capitalist society’s network form while searching for the means of abolishing it.

As capitalism’s circuits of exploitation and domination invade each dimension of lived reality—integrating, isolating, and impoverishing all of what has been captured—The Reticular Society draws upon the thought of Guy Debord and the Situationist International in order to arm readers with the conceptual and creative artillery needed to tear open holes in our networked world. Each of the book’s chapters sharpens the critical understanding of the waves of calculation and computation which sweep over the present in hopes of contributing to the insurgent project of dismantling and destituting their totalizing grip on life.

Humans have always loved to fuck!

Don’t Breed on Me: A Short History of Abortion is a defiant, funny, and unflinching dive into the millennia-long story of abortion—a practice as old as humanity and as contested as ever. From medieval Europe to Ming Dynasty China, from women enslaved in the American South to German nuns smuggling herbs, abortion has always been here. And so have the people who provided it.

Rooted in global history, folklore, and fierce scholarship, Quasebarth’s book is as joyful as it is furious. She opens with a bang and doesn’t let up, threading together ancient remedies (like crocodile dung pessaries), feminist saints, lost abortifacients, and the enduring power of reproductive autonomy. Want to meet a medieval Italian surgeon who secretly performed abortions in a city that banned women from medicine? Or a Qing Dynasty widow who casually asks her lover for “red flower medicine” after a scandalous affair? Or a granny midwife dedicated to ensuring reproductive control for herself and her community? They’re here, and so are dozens of stories like them—buried, distorted, or erased by colonialism and patriarchy.

Don’t Breed on Me is not just a book about abortion—it’s a call to remember, reclaim, and reframe. For students, activists, and anyone with a uterus (or who knows someone with one), this book is both an accessible introduction and a vital tool in the fight for reproductive justice. Abortion is care. Abortion is power. Abortion is joy.

In 1910, the L&N pushed its railroad into remote Harlan County, Kentucky, opening access to billions of tons of coal, the fuel that ran everything during the Industrial Revolution. Coal did it all. Streetlights from coal gas, coke for the steel mills, power for the new national electrical grid.

The country's richest men and largest corporation rushed in—Ford Motor Company, US Steel, Chicago Edison, International Harvester, Peabody Energy, the Mellons, the Carnegies, bringing with them a system they had perfected: Scrip.

What if you didn't have to pay your workers? Not really, not in cash? What if you could make your own currency and make it worth whatever you wanted?

Scrip was a system designed to pay miners in pinto beans and corn meal from the company store and make billions in profits for the coal companies.

The fragments of history and the sheer volume of scrip documented in these pages from just one small Kentucky county shows how pervasive this system became and how it impoverished the workers left behind.

In this oversized 300-page, full-color, library-quality hardback, readers will find:

• The history of Harlan County, Kentucky during the coal wars, including the Battle of Evarts.
• A map of each coal camp, as well as several county maps.
• Color photographs of over 800 different pieces of Harlan County coal scrip.

A Clean Hell: Anarchy and Abolition in America’s Most Notorious Dungeon by Eric King is a searing firsthand account from inside the most repressive prison in the United States, a place built not for rehabilitation but for disappearance.

The federal supermax ADX Florence is the most secure facility in the United States, a dungeon of isolation, sensory deprivation, and psychological disintegration. Here, cruelty isn’t accidental; it’s the design. Built in 1995, the “Alcatraz of the Rockies” was made to cage the so-called worst of the worst: bombers, gang leaders, political enemies, and anyone the government deems too rebellious, too inconvenient, or too visible.

Among them was antifascist prisoner Eric King, targeted for his politics, brutally tortured by the Bureau of Prisons, and ultimately entombed at ADX after beating a politically motivated federal prosecution. A Clean Hell tells the story of Eric’s decade behind bars: the years of surveillance and retaliation, the years locked in solitary confinement, the reality of being known as a “race traitor,” and the daily acts of resistance that kept him—and others—alive.

More than just a firsthand survival story and exposé, this is a blistering indictment of the carceral state and the sanitized violence it tries to hide. A Clean Hell is a crucial document of solidarity and struggle inside the belly of the beast and required reading for anyone concerned with mass incarceration, political repression, or the inhumane architecture of the US prison system.

Out of the Lab, Into the Streets tells the story of how academic workers built the largest strike in the history of American higher education and set a new standard of militancy in one of the fastest growing sectors of the labor movement. 

On November 14, 2022, academic workers of the University of California began a strike that brought workers out of the lab and into the streets for six weeks to fight for more equitable working conditions. The strike was a point of arrival and a process at the same time. It was the hard-fought achievement of a short- and long-term history of union organizing and a learning practice for workers across campuses, disciplines, job classifications, political affiliations, and identities. This book documents the everyday and on-the-ground making of union organizing and power building and demonstrates for organizers everywhere the lessons about the effectiveness of collective power cemented through worker-to-worker organizing, militant escalation strategies, and cross-union solidarity.

The nine workers who gave lengthy testimonies for this project challenge preconceptions about the advantages and difficulties of organizing in higher education. They make insightful analyses of how being active union members transformed them personally and reshaped their approach to science and education.

Union organizers and other activists will find lessons and reflections on core topics for the labor movement: how to build a worker-led union, the practical meaning of democracy during mass action, dissent and unity amongst workers, and how to measure a fight's success. Within these nuanced accounts of militant organizing, everyone will find inspiration to keep collective power alive and keep fighting for a better future.

Argentina, a Tale of Two Utopias takes us through the outsized and unexpected remnants of the influence of anarchist ideas and practice on modern-day Argentina—from the names of popular pastries to the foundation of numerous soccer clubs—until we arrive at the explosive intersection of the two utopias of anarchism, football, against the crisis of neoliberalism.

This is a thrilling first-person account of the December 2001 uprising in Argentina that marked the end of the neoliberal experiment of the 1990s, narrated by an anarchist participant in the clashes that laid siege to the presidential palace and forced the president to resign and flee on a rooftop helicopter. A Tale of Two Utopias weaves together two simultaneous yet seemingly unrelated events of those “days which contain decades” of Buenos Aires in December 2001: the uprising and the first championship in 35 years of the popular football club Racing Club de Avellaneda.

Alternating between urgent narration and historical account, and accompanied by over 150 photos and illustrations, A Tale of Two Utopias leads the reader through the streets of a burning Buenos Aires while also finding the time to take us on a lovingly traced tour of the rich history of Argentina’s anarchist movement of the early twentieth century, then among the largest in the world. It is also a compelling account of the trauma inflicted by Argentina’s numerous dictatorships.

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.

Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.

With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

Widely acclaimed as a novelist, here Nicola Griffith displays her power, precision, and clarity of thought in multiple modes and forms.

Known for her gorgeously supple prose that soars effortlessly over genre boundaries, Griffith is also an incisive essayist whose ground-breaking, data-driven work on gender bias in the literary ecosystem sparked self-searching conversations worldwide. In this heady mélange of essays, poems, art, and stories—some seen here for the first time—the author makes foundational assertions about love versus ownership (“Wife”), advocates for the writer as explorer (“Branding: It Burns”), and points out the gaping hole in our literary landscape where we’d expect to find disability fiction (“Overwriting the Old Story”). These and other public-facing essays are followed by four powerfully intimate poems. Returning to prose, Griffith immerses us so seamlessly in her viscerally imagined fiction that we feel how it is to be hurled like light through the stars in “Glimmer,” hunted through the urban alleys of “Cold Wind” during a holiday blizzard, swept along irresistible currents of “Down the Path of the Sun,” and, in “Many Things in Dumnet,” a novella published here for the first time, brought ashore as a stranger to land where something is very wrong.

Finally, “Otherwise Unremarkable,” series editor Nisi Shawl's interview with the author, teases out sometimes startling and always satisfying answers to questions on power, activism, immigration, cognitive poetics, and art.

Mutiny in the Mountains uses labor history to show the way forward for millions of workers struggling in an age of uncertainty.

In 1969, thousands of West Virginia state highway workers went on strike in fear that they faced impending loss of their jobs as they were excluded from civil service protection. Although the walkout coincided with one of the most severe winters to affect road conditions, the newly elected governor fired the strikers. The 1969 State Road Strike inaugurated a half decade of public sector organizing and protest that culminated in the historic public-school strikes of 2018–19 that shut down all schools across the Mountain State and inspired a wave of public education strikes in Arizona, Oklahoma, Kentucky, and beyond.

Beginning with the nation’s first general strike in 1877, that started with railroad workers in Martinsburg, West Virginia, and including the early coal strikes in 1912–13 and an armed insurrection in 1921, most treatments of the state’s labor history have focused on the private sector. This is the first comprehensive history of the struggles waged by state and local government workers in West Virginia. The involvement of numerous unions and interventions of the state legislative and executive branches is traced in order to provide context for those struggles. Relying on journalistic sources, legislative enactments, court decisions, and participant interviews, Mutiny in the Mountains accounts the fifty-year struggle of West Virginia’s public sector workers to assert power without the benefit of significant collective bargaining rights or political leverage.

Guy Debord, founder of the Situationist International, fomenter of the May 1968 revolt in France, and author of The Society of the Spectacle, was also the creator of six tantalizingly inaccessible films. Technically and aesthetically, these films are among the most brilliantly innovative works in the history of the cinema. But they are not so much “works of art” as carefully calculated subversive provocations.

Following the still-unsolved Mafia-style assassination of the films’ financer and producer in 1984, all the films were withdrawn from circulation for nearly twenty years. One of the films is an adaptation of Debord’s book The Society of the Spectacle. Others evoke his adventures in the bohemian underworld of 1950s Paris, which he contrasts with the increasingly ignorant, ugly, and alienated world that has since been produced by modern capitalism. In each case Debord simultaneously attacks the film medium itself, challenging spectators to create their own adventures instead of passively consuming the pseudo-adventures that are presented to them.

Ken Knabb’s meticulous translation of all the filmscripts (which Debord’s widow Alice asked him to make to accompany the long-awaited rerelease of the films, beginning with a complete retrospective at the Venice Film Festival) is supplemented with numerous illustrations and documents and elucidated by extensive annotations. For this new edition Knabb has revised the translations, updated the filmography, and added the scathing video that Debord made shortly before his death: Guy Debord, His Art and His Time.

Benjamin Lay’s remarkable life story can be a lesson in courage and hope for us all.

Fearless Benjamin tells the story of a courageous little person, only four feet tall, who fought slavery at a time when almost everyone else accepted it. A shepherd, a sailor, and a Quaker, Benjamin Lay insisted that all people, of all nations and races around the world, were equal. Every human being—rich and poor, men and women, Black and white—deserved respect, love, and freedom. After he protested against his fellow Quakers for enslaving others in violation of the golden rule, “do to others as you would have them do to you,” they banished him from the Quaker meeting. When they ridiculed his small body, he stood up to their prejudice and proclaimed the truth of human decency. He boycotted all products made by the labor of enslaved people. He spoke out bravely against cruelty and oppression. He lived a life of peace, tolerance, and brotherly love. A man far ahead of his time, he proved to be right in the long run, as Quakers and others eventually joined him in opposing human bondage.

Palestinian women are an essential—often silenced—part of global struggles for freedom. They are at the forefront of the anti-colonial struggle against Israel’s occupation of their lands, as well as being comrades in intersecting movements worldwide.

This series of interviews with Palestinian women living across Palestine and in the diaspora include a journalist on the front line of resistance against settlers and the Israeli army in the West Bank, women taking part in the Boycott, Divestment and Sanctions movement, a doctor exposing Israel’s deliberate targeting of medical infrastructure as part of its genocidal assault on Gaza, an organiser who critiques the Palestinian Authority’s repression of Palestinian movements, those making their voices heard in the diaspora, and many others.

Everything We Thought Was Beautiful: Interviews with Radical Palestinian Women broadcasts these women’s struggles in their own words and on all fronts—against colonialism, white supremacy, conservatism, patriarchy, state control—and Israel’s occupation. They discuss their politics, the fight for freedom, and their hope for the future.

Complied by Shoal Collective, a co-operative of independent writers and researchers writing for social justice and a world beyond capitalism, the voices include Ayah Al-Ghazzawi, Lina Nabulsy, Samah Fadil, Diana Khwaelid, Shahd Abusalama, Sireen Khudairy, Lama Suleiman, Shrouq Aila, Rana Abu Rahmah, Shatha Abu Srour, Ghada Hamdan, Mona Al-Farra, and Faiza Abu Shamsiyah with a Foreword by Huwaida Arraf.

Flesh and blood are what we are, flesh and blood are who we are, our cover is blown …

This Is a Message to Persons Unknown is the first full history of the legendary band Poison Girls. From their first gigs in Brighton in 1977 to years of DIY tours across Britain and Europe, the band forged a radical path through music, politics, and art.

Fronted by the uncompromising Vi Subversa—a singular lyricist, songwriter, and voice—Poison Girls challenged punk’s Year Zero myth, weaving ferocity with wit, emotional depth, and inventive sound. Just as formative to anarcho-punk as Crass, yet defiantly their own, Poison Girls confronted misogyny, ageism, and authoritarianism with a passion and clarity that still resonates today.

Drawing on exclusive interviews, zines, contemporary accounts, and the personal archives of band members, this richly illustrated history documents Poison Girls’ unforgettable songs, striking graphics, and fierce campaigns of resistance.

More than just a band biography, This Is a Message to Persons Unknown tells the story of a group of dissident artists who turned punk into both a protest and a possibility—an experiment in living, creating, and fighting for something new.

Fearless honesty. Deep despair. Resilient discovery. Profound forgiveness. Revolutionary hope and liberation.

Submerged is the story of one woman's journey from a nightmare of childhood sexual abuse through a world of drug gangs and murder to prison and, ultimately, personal redemption through faith and a dedication to helping others.

Sheena King’s raw, harrowing memoir anchored in revolutionary and transformative love is, at the same time, a story shared by tens of thousands of women, especially women of color who are incarcerated as the result of events that began with abuse by someone who should have been there to protect and nurture them.

During her years in prison, Sheena found the strength to free herself through the process of helping countless other survivors of childhood abuse. Now she offers her memoir with the express hope that it will help many more.

As Rikeyah Lindsay of the Abolitionist Law Center writes in her foreword, “We must take our collective healing seriously, interrogating the root causes and demanding accountability not only for ourselves but also for the systems that create the conditions in which so much harm can occur.” With Lindsay's foreword and an introduction by Victoria Law, Submerged offers essential insights for all who want to understand and participate in the growing movement for alternatives to incarceration.

In her own introduction Sheena King writes: “I’ve told my story. Now tell yours. It will free you.”

“We are disarmed, but what they will never be able to take away from us, if we defend it tooth and nail, is our consciousness and the collective.”

Ulrike Meinhof was one of the founding members of the Red Army Faction. This followed her lengthy involvement in the protest movements of the 1960s, during which she had become the left’s most respected journalist in the Federal Republic of Germany. Incarcerated and held in isolation after her arrest in June 1972, she died in 1976 in her prison cell, having been subjected to years of torture as well as police and media smear campaigns. For this collection, in order to show who she really was, her surviving comrades in arms have released the letters she wrote for the group’s internal discussion in prison, as well as a number of texts delivered during the main Stammheim trial against members of the RAF.

With an introduction and comments by her former comrades, as well as chronological and bibliographical references, this volume includes the last texts that Meinhof had prepared for the prisoners’ collective, in which she played an active part, alongside a statement that she presented at another trial, regarding the group’s founding act: the prison breakout of Andreas Baader, in addition to other texts, some published here for the first time in English.

Palestinian women are an essential—often silenced—part of global struggles for freedom. They are at the forefront of the anti-colonial struggle against Israel’s occupation of their lands, as well as being comrades in intersecting movements worldwide.

This series of interviews with Palestinian women living across Palestine and in the diaspora include a journalist on the front line of resistance against settlers and the Israeli army in the West Bank, women taking part in the Boycott, Divestment and Sanctions movement, a doctor exposing Israel’s deliberate targeting of medical infrastructure as part of its genocidal assault on Gaza, an organiser who critiques the Palestinian Authority’s repression of Palestinian movements, those making their voices heard in the diaspora, and many others.

Everything We Thought Was Beautiful: Interviews with Radical Palestinian Women broadcasts these women’s struggles in their own words and on all fronts—against colonialism, white supremacy, conservatism, patriarchy, state control—and Israel’s occupation. They discuss their politics, the fight for freedom, and their hope for the future.

Complied by Shoal Collective, a co-operative of independent writers and researchers writing for social justice and a world beyond capitalism, the voices include Ayah Al-Ghazzawi, Lina Nabulsy, Samah Fadil, Diana Khwaelid, Shahd Abusalama, Sireen Khudairy, Lama Suleiman, Shrouq Aila, Rana Abu Rahmah, Shatha Abu Srour, Ghada Hamdan, Mona Al-Farra, and Faiza Abu Shamsiyah with a Foreword by Huwaida Arraf.

Flesh and blood are what we are, flesh and blood are who we are, our cover is blown …

This Is a Message to Persons Unknown is the first full history of the legendary band Poison Girls. From their first gigs in Brighton in 1977 to years of DIY tours across Britain and Europe, the band forged a radical path through music, politics, and art.

Fronted by the uncompromising Vi Subversa—a singular lyricist, songwriter, and voice—Poison Girls challenged punk’s Year Zero myth, weaving ferocity with wit, emotional depth, and inventive sound. Just as formative to anarcho-punk as Crass, yet defiantly their own, Poison Girls confronted misogyny, ageism, and authoritarianism with a passion and clarity that still resonates today.

Drawing on exclusive interviews, zines, contemporary accounts, and the personal archives of band members, this richly illustrated history documents Poison Girls’ unforgettable songs, striking graphics, and fierce campaigns of resistance.

More than just a band biography, This Is a Message to Persons Unknown tells the story of a group of dissident artists who turned punk into both a protest and a possibility—an experiment in living, creating, and fighting for something new.

Anyone who thinks that, at an early age, they can plan their entire life is mistaken.

Nancy Kress has been exploring the possibilities of genetic engineering, human evolution, alien contact, artificial intelligence, and the future of the species for over forty years, with one eye on the bleeding edge of science and the other on the human soul and what makes it bleed. These stories, and the essays that explain her own history and worldview, compose a brief tourist’s guide for the world to come.

In the title memoir, “Not What I Intended,” Kress discusses a childhood and community life where no young girl ever dreams of becoming a writer, and how she made those nondreams come true.

“Patent Infringement” is a short piece inspired by Kress’s own time writing corporate copy that managed to predict COVID, COVID vaccines, and the patenting of genes for profit.

“Laws of Survival” is a tale of first contact in which humanity is hardly the species the aliens are interested in—can an amateur dog trainer save the world the aliens have trashed, or at least herself?

“Amy Lowell, Cixin Liu, Jane Austen, and the Art of Fiction” is a compelling essay about the human drive to create patterns, and what the cognitive limitations of patternmaking means for fiction … and for politics.

“Machine Learning” is science fiction but might also be a work of psychological realism about the creation of AI and the healing of a scientist’s grief over the loss of his daughter.

And featuring an in-depth Q&A with new Outspoken Authors series coeditor Nick Mamatas, who traveled up to Seattle to talk to Nancy about the future of plagues, sleepless nights, teaching science fiction writing, and dogs dogs dogs!

Seahorses is a groundbreaking anthology that shares the experiences of trans, nonbinary, and gender-expansive people who have navigated pregnancy.

What can trans, nonbinary, and gender-expansive people expect from pregnancy? What roles do supportive friends, family members, and care providers play? What are some of the fabulous family structures folks are creating?

This collection brings together a wide spectrum of voices to share unique stories about navigating family building, pregnancy, fertility treatments, conception, loss, healthcare, abortion, childbirth, the early days of parenting, and the intersections of legal, political, and cultural contexts. Alongside individual stories, this book features collaborative round-table discussions where contributors address shared questions about personal journeys, community, advice and information, and pregnancy care.

Seahorses is both a vital resource for trans, nonbinary, and gender-expansive communities and an invitation for readers of all genders to get a glimpse of trans joy and resilience that will stick with you and inspire you to love a little deeper. This book is an essential addition to conversations about gender, pregnancy, and family.

Contributors include Amari Ayomide, Amber Hickey, Felix Aster, g k somers, Halo Dawn, Jacoby Ballard, J. Workman, Jamie Cayley, Jess F Gutfreund, Kara Johnson Martone, Kathy Slaughter, LÍfthrasir Green, Aakash Kishore, Simon Knaphus, Simone Kolysh, Tom, and Zillah Rose.

From the Spanish Civil War to postpunk London—this is the untold story of a legendary community space where anarchy meant action.

For the first time, the tangled twelve-year history of the Centro Iberico is unraveled and laid bare—a story that begins in the trenches of antifascist resistance and ends in a squatted school echoing with experimental noise and uncompromising politics.

At its heart is a Spanish anarchist who fought the Nazis, survived a death sentence under Franco, and spent his final years keeping the flame of resistance alive from exile in London. His survival and the inauguration of the Centro Iberico were thanks to London's anarchist underground, which maintained a foothold and kept the torches burning before finding new life amid punk’s co-optation of “anarchy” as a youth culture phenomenon. Around him gathered an intergenerational network of political anarchists, punks, squatters, and artists—keeping the Centro Iberia alive through state harassment, shifting countercultural tides, and one of the most absurd antiterror trials in British history.

A sanctuary for radical organizing and a crucible for underground sounds, the Centro Iberico was the UK’s only enduring anarchist center of the 1980s. It served as a vital hub that connected international political prisoner support efforts led by the Anarchist Black Cross to anarchist  movements abroad, while sustaining its own activities in support of the cause.

This is its definitive story—a vivid, deeply researched account of a space where ideology, art, and defiance collided.

Sometimes it pays to be gay and do crime.

As communities are boldly rising to challenge capitalism, white supremacy, and authoritarianism, Be Gay, Do Crime: Everyday Acts of Queer Resistance and Rebellion is your ultimate guide to LGBTQ+ resilience and rebellion. Packed with daily snapshots of radical queer history, this book celebrates the bold, the brave, and the beautifully defiant moments that have shaped the fight for justice.

Ever wonder why the Stonewall protests became an uprising or what the earliest acts of queer resistance looked like? How about the ways queer communities have organized against oppression across the globe? Be Gay, Do Crime dives into these stories and so many more—from fierce acts of resistance to joyful victories—bringing to life the rich, diverse history of LGBTQ+ liberation.

By situating readers within a larger pattern of struggle, these everyday acts counter the erasure of queer people from history and serve as a reminder that our struggles are part of a broader fight against systemic violence and dehumanization.

But, this isn’t just a history book; it’s a rallying cry. Flip to any page, soak up some inspiration, and join the legacy of resistance.

When a former Green Day roadie reunites with the group, the result is a moral reckoning that eviscerates the music business, both underground and mainstream. It’s also a tender travelogue about finding common ground while exploring new roads with old friends. One need not be a fan of the band to enjoy this rollercoaster journey through Asia and its exploration of very different ideas of success.

A decade of American society coming apart.

Every Fire Needs a Little Bit of Help collects a decade of reflections on recent US struggles—Occupy Wall Street, Black Lives Matter, and the George Floyd Rebellion—alongside accounts of the rise of Trumpism, the alt-right, an apocalyptic shift in popular culture, to paint a dense and complex portrait of a decade of protracted social crisis. Jarrod Shanahan reports from the ground. On the streets in 2014, from the depths of the Rikers Island penal complex, inside the alt-right underground and the carnival of Trump rallies, and in the line of fire in Kenosha, Wisconsin in 2020, among other scenes that Shanahan accessed not as a credentialed observer but an active participant: prisoner, infiltrator, activist. The resulting essays outline the pitfalls and opportunities facing those seeking to reverse the suicidal course of capitalist society and build a liberated world.

Ingrid’s letters reveal the daily struggle of a political prisoner resisting repression.

Ingrid was one of the first members of the RAF, and among the first to be imprisoned. This volume contains original letters from prison to her sister, showing her efforts to maintain her integrity, political identity, and at the same time a meaningful exchange with her family.

A collection of photos and mementos complement the letters.

Tired of handwringing reports about “lost” and “disappearing” New York? These dispatches show a different side of the city—resilient and flourishing despite the naysayers and high rent.

Like a modern-day Joseph Mitchell, Cometbus visits projectionists studying Chinese in their booths, prophets whose pulpits are illegal sublets, and personal assistants who rule the roost once their bosses are out of sight. Readers get a tour of the downtown photographers and the uptown UN missions, complete with a survey of their trash. Punk scientists make their living counting cards at casinos while Albanian waiters keep hidden horseshoe diners open all night. Cover art by Eisner Award winner Nate Powell.

James Kelman has made use of the short form all of his writing life, calling on the different traditions where such stories are central within the culture, beginning and ending in freedom, the freedom to create.

This collection of nearly a hundred pieces of very short fiction spans five decades and reveals James Kelman’s mastery of the form. As ever, Kelman insists on his characters telling their stories in their own voices, whether in working-class Glaswegian dialect or the dull menace of bureaucratic babble. Everyday tragedy and bleak humor color these marvels of narrative efficiency, yet at their core they are tender and full of human truth.

This is history come to life.

At the turn of the century, the movement against capitalist globalization exploded onto the world stage with mass mobilizations in Quebec City, Washington, Genoa, and other cities. Anarchists faced off against heads of state, captains of industry, and riot police by the thousands. While the authorities sought to bend all living things to the profit imperative, anarchists set out to demonstrate a way of fighting that could open the road to a future beyond capitalism. The twenty-first century was up for grabs. And every time, Tomas Rothaus was there, fighting on the front line.

In Another War Is Possible, we follow Tomas from his days as a young militant to his tenure editing the publication Barricada. In vivid prose, he recounts the lessons he learned from veterans of the Spanish CNT—his first experience trading blows with police in the streets of Paris—his adventures slipping across borders to participate in epoch-making riots. With Tomas, we breathe tear gas, we tear down fences, we tour the squats and battlefields of three continents.

Along the way, Tomas shows that the tragedies of the twenty-first century were not inevitable—that another war was possible. His testimony is proof that another world remains possible today.

James Kelman has made use of the short form all of his writing life, calling on the different traditions where such stories are central within the culture, beginning and ending in freedom, the freedom to create.

This collection of nearly a hundred pieces of very short fiction spans five decades and reveals James Kelman’s mastery of the form. As ever, Kelman insists on his characters telling their stories in their own voices, whether in working-class Glaswegian dialect or the dull menace of bureaucratic babble. Everyday tragedy and bleak humor color these marvels of narrative efficiency, yet at their core they are tender and full of human truth.

Clay Blackburn—poet, book scout, and sometimes detective—cruises the mean, and sometimes not so mean, streets of Berkeley. With his accomplices, a soldier of fortune, a “defrocked” FBI agent, and a smooth and sexy con man, he lives a life of bisexual sensation with a little crime solving on the side. As such, Blackburn is a sly, witty, and more or less reliable raconteur of the last thirty something years of the Bay Area’s radical bohemia and bookselling. And in the tradition of Ian Rankin’s Edinburgh, and Jean-Claude Izzo’s Marseilles, bears uncomfortable witness to Berkeley’s descent from countercultural paradise to neoliberal inferno.

This omnibus collection collects the novels The Chandler Apartments (2002), The Incredible Double (2010), and the previously unpublished Mayakovsky's Bugatti (2025), and includes the Blackburn short story “Righteous Kill” (2021).

“Yet the more we get to know him, the more we’re persuaded Blackburn is a Pure Product of Berkeley. He’s not only queer, but a queer sort of all else he declares himself to be: a queer sort of detective, a queer sort of Communist or Anarchist, and beyond—a queer sort of gourmet, ethical thinker, cat owner, and—for certain—a queer sort of narrator.”—Jonathan Lethem, from the Foreword

What does democracy sound like when it's shouted through a distortion pedal?

In 1975, Spain emerged from the long shadow of Franco’s dictatorship, stumbling toward democracy amid uncertainty, unrest, and unhealed wounds. In the same moment, a raw, raucous, and radically irreverent cultural force exploded onto the scene: punk.

Spanish Punk: Screaming for Democracy in a Postdictatorial State is the first in-depth study to trace the uniquely political trajectory of punk in post-Franco Spain. Far from just a musical genre, Spanish punk became a rebellious cultural matrix—a defiant, DIY response to the contradictions of a state trying to reinvent itself. Through fanzines, lyrics, testimonies, and subcultural style, punks posed urgent questions: What kind of democracy was being built? Who was being left out? And how do you scream dissent in a newly “free” society?

Blending historical, philosophical, musicological, and textual analysis, this book shows how punk served as both a glue for oppositional movements and a generator of alternative political identities. It’s a long-overdue exploration of how cultural resistance helped shape a generation’s answer to dictatorship—and its uneasy aftermath.

After the labor movement faded away in the lives of most Americans, organizing is back!

Workers are organizing at Starbucks, Amazon, Apple, and Google, to name just a few. But it’s going to take more than picket signs and marches in front of stores and corporate headquarters to win real union contracts with real protections for these workers. To beat these firms and others like them, workers and their unions will need to learn much more about their adversaries to identify key vulnerabilities and build effective campaigns to win. What the Boss Doesn’t Want Us to Know is the first volume to teach the basics of conducting this research and how to use it to build winning campaigns. It explores how to identify corporate decision-makers, profit centers, growth plans, and secondary targets and the kinds of power that activists can use to beat even global giants.

What the Boss Doesn’t Want Us to Know is for more than just professional researchers and campaigners. This book offers up a radical new practice for investigating employers. The authors propose a member-based, democratic approach to corporate research that will train an army of rank-and-file researchers to investigate and beat the firms that control so much of our lives. This approach has already been successfully utilized with NewsGuild of New York at the New York Times, Reuters, Gannett, the United Food and Commercial Workers at Tyson Foods, workers at Google (the Alphabet Workers Union), Apple retail workers, the Association of Flight Attendants at Delta Air Lines, and Trader Joe’s United. The lessons contained in this book hold great promise to supercharge the new organizing wave currently sweeping across America.

Anarchy in the Big Easy is an anarchist graphic history of the quest for freedom in radical and revolutionary New Orleans.

The story begins with the anarchic forces of nature creating the land and the cooperative indigenous communities that thrived before the European conquest. Next we see the revolt against domination through the Enslaved Peoples’ Uprising of 1811, the rise of maroon communities, the work of figures such as anarchist geographer Elisée Reclus and utopian revolutionary Joseph Déjacque, and the moving history of labor militancy—exemplified by the First International, the General Strike of 1892, and the rise of the Industrial Workers of the World. The anarchic aspects of jazz are explored, including its birthplace, the famous red-light district of Storyville. Other episodes recount the history of the Black Panthers, including the legendary shootout in the Desire Project, and the important role anarchists played in the grassroots recovery after Hurricane Katrina. The often-subversive People’s Carnival is depicted, from the history of the Mardi Gras Indians through today’s anarchist marching Krewes. The book concludes with the recent struggle to take down the confederate monuments, and the growth of a decentralized, autonomous mutual aid movement.

These stories are recounted by surregionalist writer Max Cafard and brought vividly to life through the striking images of comix artist Vulpes.

Down by Law: Criminalization, Solidarity, and Survival in Europe is a collaborative graphic novel by ethnographers, artists, and activists that starkly and honestly illuminates people’s stories of those whose lives have been shaped by the social and political implications of criminalization across Europe.

The near-total ban on abortion in Poland, new hate speech laws across Europe, a de facto ban of sea rescue in the Mediterranean, and the criminalization of sex work—these trends toward a harsher politics of criminalization, securitization, and threat are spreading throughout the continent. In eight moving, illustrated vignettes, readers encounter everyday people involved in search-and-rescue activism, sex work, internet content moderation, abortion activism, drug use. We set sail with civilians who take action to save the lives of migrants at sea who face increasingly militarized borders, follow the journey of a woman jailed for a bus fare she couldn’t pay, see the impact of state neglect and violence on people who use drugs in Poland, and follow a migrant woman navigating the challenges of sex work policing who finds resilience in her community, and more.

These ethnographic stories not only bring to life alarming insights into criminalization across Europe but the hope and solidarity of everyday people in the face of increasing repression. The criminalized don’t stay put. They adapt, resist, and survive. Their personal stories are rarely seen or heard, until now.

With contributions from Agata Chełstowska, Agata Dziuban, Aleksandra “Sasza” Stachowska, Asia Bordowa, Beate Binder, Friederike Faust, Florian Krynicki, Carmen Grimm, H-P Lehkonen, Janita-Marja Juvonen, Jan Peukert, Jérémy Geeraert, Joris Bas Backer, Justyna Struzik, Juulia Kela, Katarzyna Urbaniak, Monique Horstmann, Salla Sariola, Sylvain Adam, Todd Sekuler, Valerie Assmann.

In this empathetic tale of hope, understanding, and the importance of family, young readers confront the difficult issues of poverty and the hardships of homelessness. Its inspiring young heroine is Ivy, who finds herself homeless on the streets of San Francisco when she and her father, Poppy, are evicted from their artist loft.

Struggling to survive day to day, Ivy and Poppy befriend a dog who leads them to the ramshackle home of octogenarian siblings, Eugenia and Oscar Orr. This marks the start of a series of desperate and joyful adventures that blend a spoonful of Charles Dickens’s Oliver Twist with a dash of Armistead Maupin’s Tales of the City and a few pinches of the Adventures of Lassie. Ivy’s tale will appeal to young readers and adults, providing much material for discussion between generations.

Grandma Johnson lives alone in the forest and loves to knit sweaters and mittens for her grandchildren in the city. One day, when returning from a visit to the city, her solitude comes to an end when her mischievous forest neighbors reveal themselves in a delightfully colorful fashion. Who took her yarn, and what have they done with it?

The colorful mystery is solved when the birds, rabbits, snakes, trees, and other dwellers of Grandma Johnson’s neighborhood are seen playing with the yarn. Suddenly the forest doesn’t seem so lonely, and the visiting grandkids take great delight getting to know the inhabitants of Grandma’s forest. This picture book is a lesson for both young and old to connect with one’s surroundings and embrace the role of good neighbors with the rest of the natural world, whether in the city or in the forest.