Wilfrid Laurier University Press

This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Screen updates the subject with discussions of important filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, Léa Pool, and Patricia Rozema, whose careers have produced major bodies of work. It also introduces critical studies of newer filmmakers such as Andrea Dorfman and Sylvia Hamilton and new media video artists.
Feminist scholars are re-examining the ways in which authorship, nationality, and gender interconnect. Contributors to this volume emphasize a diverse feminist study of film that is open, inclusive, and self-critical. Issues of hybridity and transnationality as well as race and sexual orientation challenge older forms of discourse on national cinema. Essays address the transnational filmmaker, the queer filmmaker, the feminist filmmaker, the documentarist, and the video artist—just some of the diverse identities of Canadian women filmmakers working in both commercial and art cinema today.

With The Cape Breton Book of the Dead, Don Domanski emerged as a remarkable new voice in Canadian poetry, combining formal conciseness with broad cosmic allusions, constant surprise with brooding atmospherics, and innovative syntax with delicate phrasings. In subsequent collections, Domanski’s poetry has deepened and expanded, with longer lines and more complex structures that journey into the far reaches of metaphor. Now, with Earthly Pages: The Poetry of Don Domanski, the long-awaited first selection from his books, readers have a chance to experience the full range of his work in one volume.
Editor Brian Bartlett, in his introduction, “The Trees are Full of Rings,”, discusses Domanski’s engagement with nature and the transformative power of his metaphors; his poetic bestiary amd mythical underpinnings; and his kinship to poets like Stevens, Whitman, and Rumi. Like these poets, Domanski is drawn to borderlands between the physical and the spiritual, the unconscious and the conscious. His poetry finds a home for demons and angels, spiders and wolves—and for kitchens and back alleys, forests and stars.
In language both fluent and hypnotic, Domanski maintains an awareness of both the magnitudes and the minutiae that live beyond language. In “Flying Over Language,” an essay written specifically for this volume, the poet explains that for him metaphor is one way to suggest the wealth of being that poetry can only point toward.

Weaving Relationships tells the remarkable, little-known story of a movement that transcends barriers of geography, language, culture, and economic disparity.
The story begins in the early 1980s, when 200,000 Maya men, women, and children crossed the Guatemalan border into Mexico, fleeing genocide by the Guatemalan army and seeking refuge. A decade later, many of the refugees returned to their homeland along with 140 Canadians, members of “Project Accompaniment”. The Canadians were there, by their side, to provide companionship and, more significantly, as an act of solidarity.
Weaving Relationships describes the historical roots of this solidarity focusing on the Maya in Guatemala. It relates the story of “Project Accompaniment” and two of its founders in Canada, the Christian Task Force on Central America and the Maritimes-Guatemala “Breaking the Silence” Network. It reveals solidarity’s impact on the Canadians and Guatemalans whose lives have been changed by the experience of relationships across borders. It presents solidarity not as a work of charity apart from or “for” them but as a bond of mutuality, of friendship and common struggle with those who are marginalized, excluded, and impoverished in this world.
This book speaks of a spirituality based on community and justice, and challenges the church to move beyond its preoccupation with its own survival to solidarity with those who are suffering. It is a book about hope in the face of death and despair.

The Arms of the Infinite takes the reader inside the minds of author Christopher Barker’s parents, writer Elizabeth Smart (By Grand Central Station I Sat Down and Wept) and poet George Barker. From their first fateful meeting and subsequent elopement, Barker candidly reveals their obsessive, passionate, and volatile love affair.
He writes evocatively of his unconventional upbringing with his siblings in a shack in Ireland and, later, a rambling, falling-down house in Essex. Interesting and charismatic figures from the literary and art worlds are regular visitors, and the book is full of fascinating cameos and anecdotes.
North American rights only.

This fourth volume in a series of state-of-the-art reviews of religious studies programs in Canadian provinces traces the formative role of religion in the establishment of the universities in Manitoba and Saskatchewan. Despite strong roots in denominational colleges, with their confessionally oriented study of religion, by the 1960s, “there was a diffused sense in the culture of the need for a religious perspective, and even a quest for religious experience, but at the same time there was a growing dissatisfaction with the conventional ways of being religious.” This new perspective, coupled with rising enrollments and increased funding, both a result of the explosion of post-secondary education in Canada, was reflected in a shift away from the theological study of religion to an academic one.
New Religious Studies departments that reflected a “science of religion” philosophy were founded, and faculty hired and curricula developed to meet these broader concerns. Current issues, such as graduate studies, research and publication, and faculty hiring are also treated, as are the Bible colleges and theological seminaries which play such an important role in both provinces. Assessments of religious studies research programs and their relation to the general community situate the programs in a wider context and indicate future directions. This solid, sensitively written volume adds considerably to our knowledge of religious studies in Canada and illustrates how yet another region is meeting the needs of a pluralistic society by providing new contexts for the study of religion.

January 21, 1995: Dorothy Joudrie is arrested for attempting to murder her estranged husband. Soon after, Audrey Andrews begins to write her book. Audrey and Dorothy had known each other as children, but the identification of Andrews with Joudrie goes beyond merely the accident of a childhood acquaintance. It has to do with being subjected to the same societal constraints placed on girls and women during the years immediately following World War II, the years in which they had prepared for their adult lives. Expectations, placidly accepted then, are now seen as unrealistic and unreasonable. Did these expectations have some part in causing the tragedy in Dorothy Joudrie’s life?
When Andrews attempted to understand why Dorothy Joudrie had tried to kill her husband, and to write Joudrie’s story, she began to examine her own life, her own expectations — those she had of herself and those others had of her. She also realized that telling the story of anyone is an intricate and often ephemeral pursuit. Any story she wrote could only be her version of Joudrie’s experience. Nevertheless, it was important to be as honest as she could about her interpretation of that life. She determined to show carefully and accurately the damage that had been done to one woman — damage that is still being done to many others — through prejudice, attitudes, traditions and the institutions that are still the foundation of our society, and of our lives, everyday.
The result is a fascinating account of events leading up to the trial, the trial itself and the effect of Joudrie’s trial on the life of Audrey Andrews.

This volume, one in a series of books examining religious rivalries, focuses in detail on the religious dimension of life in two particular Roman cities: Sardis and Smyrna. The essays explore the relationships and rivalries among Jews, Christians, and various Greco-Roman religious groups from the second century bce to the fourth century ce.
The thirteen contributors, including seasoned scholars and promising newcomers, bring fresh perspectives on religious life in antiquity. They draw upon a wide range of archaeological, epigraphic, and literary data to investigate the complex web of relationships that existed among the religious groups of these two cities—from coexistence and cooperation to competition and conflict. To the extent that the essays investigate how religious groups are shaped by their urban settings, the book also offers insights into the material urban realities of the Roman Empire.
Investigating two cities together in one volume highlights similarities and differences in the interaction of religious groups in each location. The specific focus on Sardis and Smyrna is broadened through an investigation of methodological issues involved in the study of the interaction of urban-based religious groups in antiquity. The volume will be of particular interest to scholars and advanced students in Biblical Studies, Classical Studies, and Archaeology.

George Lindbeck once characterized postliberalism, which received its initial structure from his book The Nature of Doctrine, as an attempt to recover pre-modern scriptural interpretation in contemporary form. In Lord, Giver of Life: Toward a Pneumatological Complement to George Lindbeck’s Theory of Doctrine, Jane Barter Moulaison explores the success of that effort through a close examination of Lindbeck’s own theological contributions. Taking seriously the ecumenical promises of Lindbeck’s writing (he was instrumental in advancing Lutheran and Roman Catholic dialogue throughout the 1960s, ’70s, and ’80s), this book brings Lindbeck’s famous cultural-linguistic model of religion into dialogue with Christianity’s theological forbearers: specifically, the Eastern progenitors of orthodox confession.
This constellation of theological voices—Lindbeck, his supporters and detractors, along with patristic theologians—is meant not only to test the viability of a religious model but, more importantly, to advance Lindbeck’s project in ways that have not yet been pursued. Among the critical questions engaged are: to what degree can the excesses of modern theology be overcome by a return to premodern sources? What are the implications of a constructive pneumatology to the cultural-linguistic model? Does this complement address the critiques of postliberalism, particularly those that consider the role of human agency, rationality, and autonomy?
While Lindbeck recovers significant and forgotten elements of pre-modern biblical interpretation, the very formalism of his project sometimes obscures the theological underpinnings of premodern insights and practices. Through specific attention to Eastern Trinitarian theologies of the fourth century, this book exposes a rather persistent oversight within Lindbeck’s recovery: namely, that alongside the regulative function of canon and doctrine, early biblical interpretation recognizes the role of the Holy Spirit in the appropriation of scripture, in the mission of the church, and in the defence of the gospel within the context of an unbelieving world. This book attends to these insights from the early churchs doctrine of the Holy Spirit in appreciative service to the cultural-linguistic model of religion.

Backpacks Full of Hope: The UN Mission in Haiti describes the experience of a Chilean general as Deputy Force Commander of the United Nations Stabilization Mission in Haiti (MINUSTAH) during the particularly turbulent year September 2005 to September 2006. It details the realities of commanding more than 7,000 men from eleven countries while working to fulfill the mandate of the United Nations in Haiti—to ensure a secure and stable environment, to support the transitional government in a democratic political process, and to promote and protect the human rights of the Haitian people.
Despite the enormous challenges of a complex scenario that included local violence and extreme poverty, the UN command succeeded in its mission, stabilizing the local situation and paving the way for Haiti to hold a presidential election.
Originally published as Mision en Haiti, con la mochila cargada de esperanzas, this work provides a new audience with insight on the peace operation and sheds light on the long-term endeavour of civilians, military, and local and international agencies to support Haiti’s path to prosperity.
Co-published with the Centre for International Governance Innovation

The decision of Louis XIV to revoke the Edict of Nantes and thus liquidate French Calvinism was well received in the intellectual community which was deeply prejudiced against the Huguenots. This antipathy would gradually disappear. After the death of the Sun King, a more sympathetic view of the Protestant minority was presented to French readers by leading thinkers such as Montesquieu, the abbé Prévost, and Voltaire. By the middle years of the eighteenth century, liberal clerics, lawyers, and government ministers joined Encyclopedists in urging the emancipation of the Reformed who were seen to be loyal, peaceable and productive. Then, in 1787, thanks to intensive lobbying by a group which included Malesherbes, Lafayette, and the future revolutionary Rabaut Saint-Étienne, the government of Louis XVI issued an edict of toleration which granted the Huguenots a modest bill of civil and religious rights.

Adams’ illuminating work treats a major chapter in the history of toleration; it explores in depth a fascinating shift in mentalités, and it offers a new focus on the process of “reform from above” in pre-Revolutionary France.

How did a privileged Victorian matron, newly widowed and newly impoverished, manage to raise and educate her six young children and restore her family to social prominence?
Mary Baker McQuesten’s personal letters, 155 of which were carefully selected by Mary J. Anderson, tell the story. In her uninhibited style, in letters mostly to her children, Mary Baker McQuesten chronicles her financial struggles and her expectations. The letters reveal her forthright opinions on a broad range of topics — politics, religion, literature, social sciences, and even local gossip. We learn how Mary assessed each of her children’s strengths and weaknesses, and directed each of their lives for the good of the family. For example, she sent her daughter Ruby out to teach, so she could send her earnings home to educate Thomas, the son Mary felt was most likely to succeed. And succeed he did, as a lawyer and mpp, helping to build many of Hamilton’s and Ontario’s highways, bridges, parks, and heritage sites, and in doing so, bringing the family back to social prominence.
Mary Baker McQuesten was also president of the Women’s Missionary Society. The appearance, manner, and eloquence of various ministers and politicians all come under her uninhibited scrutiny, providing lively insights into the Victorian moral and social motivations of both men and women and about the gender conflicts that occurred both at home and abroad.
This book will satisfy many readers. Those interested in the drama of Victorian society will enjoy the images of the stern Presbyterian matriarch, the sacrificed female, family mental illness, the unresolved death of a husband, and the dangers of social stigma. Scholars looking for research material will find an abundance in the letters, well annotated with details of the surrounding political, social, and current events of the times.

How critical is education in the development struggle of a third world country? Responding to popular demands for more accessible education, the Guyanese government instituted numerous educational reforms, hoping to promote economic growth in both the modern and the traditional sectors of the economy. Many in the traditional sector, however, saw education as a means of economic advancement, and sought increasingly to move into higher social strata through employment in the modern sector. Consequently, the civil service and private firms gained an oversupply of personnel, while agriculture and small business suffered, and unemployment increased. The author examines Guyana’s educational system from historical, political, social, and economic perspectives, and draws implications for other developing countries.

Material Cultures in Canada presents the vibrant and diverse field of material culture studies in Canadian literary, artistic, and political contexts today. The first of its kind, this collection features sixteen essays by leading scholars in Canada, each of whom examines a different object of study, including the beaver, geraniums, comics, water, a musical playlist, and the human body.
The book’s three sections focus, in turn, on objects that are persistently material, on things whose materiality blends into the immaterial, and on the materials of spaces. Contributors highlight some of the most exciting new developments in the field, such as the emergence of “new materialism,” affect theory, globalization studies, and environmental criticism. Although the book has a Canadian centre, the majority of its contributors consider objects that cross borders or otherwise resist national affiliation.
This collection will be valuable to readers within and outside of Canada who are interested in material culture studies and, in addition, will appeal to anyone interested in the central debates taking place in Canadian political and cultural life today, such as climate change, citizenship, shifts in urban and small-town life, and the persistence of imperialism.

Anne of Tim Hortons: Globalization and the Reshaping of Atlantic-Canadian Literature is a study of the work of over twenty contemporary Atlantic-Canadian writers that counters the widespread impression of Atlantic Canada as a quaint and backward place. By examining their treatment of work, culture, and history, author Herb Wyile highlights how these writers resist the image of Atlantic Canadians as improvident and regressive, if charming, folk.
After an introduction that examines the current place of the region within the Canadian federation and the broader context of economic globalization, Anne of Tim Hortons explores how Atlantic-Canadian writers present a picture of the region that is much more complex and less quaint than the stereotypes through which it is typically viewed. Through the works of authors such as Michael Winter, Lisa Moore, George Elliott Clarke, Rita Joe, Frank Barry, Alistair MacLeod, and Bernice Morgan, among others, the book looks at the changing (and increasingly corporate) nature of work, the cultural diversification and subversive self-consciousness of Atlantic-Canadian literature, and Atlantic-Canadian writers’ often revisionist approach to the region’s history.
What these writers are engaged in, the book contends, is a kind of collective readjustment of the image of the region. Rather than a marginal place stranded outside of time, Atlantic Canada in these works is very much caught up in contemporary economic, political, and cultural developments, particularly the broad sweep of economic globalization.

The figure of Jesus has fascinated Western civilization for centuries. As the year 2000 approaches, eliciting connections with Jesus’ birth and return, excitement grows — as does the number of studies about Jesus. Cutting through this mass of material, Whose Historical Jesus? provides a collection of penetrating, jargon-free, intelligently organized essays that convey well both the centrality and the complexity of deciphering the historical Jesus.
Contributors include such eminent scholars as John Dominic Crossan, Burton L. Mack, Seán Freyne and Peter Richardson. Essays range from traditional to modern and postmodern and address both recent and enduring concerns. Introductions and reflections augment these lucid essays, provide context and help the reader focus on the issues at stake. Whose Historical Jesus? will be of interest to all who wish to understand the current controversies and historical debates, who want insightful critiques of those views or who would like guidance on the direction of future studies.

Doing Ethics in a Pluralistic World is an apt title for this collection of essays in honour of Roger C. Hutchinson who, over many decades, has encouraged and participated in shaping a Canadian contextual social ethics. His abiding interest in social ethics and in religious engagement with public issues is reflected in his life’s work — seeking the consensus and self-knowledge required to achieve cooperation in the search for a just, participatory, and sustainable society.
One of Roger Hutchinson’s many notable accomplishments is his development of a method of dialogue for ethical clarification in situations of diversity. Some of the essays collected here apply this method to specific issues, while others discuss how religious persons and organizations can and do co-operate in a pluralistic world to achieve social and ecological well-being. All essays are of keen interest to those concerned with the role and function of ethics at the matrix of religious conviction and social transformation.
For nearly three decades Roger Hutchinson has been based at Victoria University in Toronto, first in religious studies, then at Emmanuel College, where he completed his teaching career as professor of church and society while serving as principal from 1996 to 2001.

Latin American Identities After 1980 takes an interdisciplinary approach to Latin American social and cultural identities. With broad regional coverage, and an emphasis on Canadian perspectives, it focuses on Latin American contact with other cultures and nations. Its sound scholarship combines evidence-based case studies with the Latin American tradition of the essay, particularly in areas where the discourse of the establishment does not match political, social, and cultural realities and where it is difficult to uncover the purposely covert.
This study of the cultural and social Latin America begins with an interpretation of the new Pax Americana, designed in the 1980s by the North in agreement with the Southern elites. As the agreement ties the hands of national governments and establishes new regional and global strategies, a pan–Latin American identity is emphasized over individual national identities. The multi-faceted impacts and effects of globalization in Bolivia, Ecuador, Mexico, Cuba, Brazil, Chile, Argentina, and the Caribbean are examined, with an emphasis on social change, the transnationalization and commodification of Latin American and Caribbean arts and the adaptation of cultural identities in a globalized context as understood by Latin American authors writing from transnational perspectives.

Initially, when the government in Paris responded with force to the November 1, 1954 insurrection of Algerian nationalists, French public opinion offered all but unanimous support. Then it was revealed that hundreds of thousands of Muslims were herded into resettlement camps in Algeria; that Algerians suspected of nationalist sympathies were imprisoned in France; that conscientious objectors were denied their rights; and that a resolution to the conflict, either by force or by peaceful methods, was not forthcoming. When it was proven that the army was guilty of abuses, members of the Protestant minority protested and then laboured to educate their own communities as well as the public at large to the moral and spiritual perils of these actions.

Based on painstaking research and solid scholarship, The Call of Conscience: French Protestant Responses to the Algeria War, 1954-1962 reveals a rich portrait of the protest.

Can archaeological remains be made to “speak” when brought into conjunction with texts? Can written remains, on stone or papyrus, shed light on the parables of Jesus, or on the Jewish view of afterlife? What are the limits to the use of artifactual data, and when is the value overstated? Text and Artifact addresses the complex and intriguing issue of how primary religious texts from the ancient Mediterranean world are illuminated by, and in turn illuminate, the ever-increasing amount of artifactual evidence available from the surrounding world.
The book honours Peter Richardson, and the first two chapters offer appreciations of this scholarship and teaching. The remaining chapters focus on early Christianity, late-antique Judaism and topics germane to the Roman world at large. Many of the essays relate to features of Jewish life — the epigraphic evidence for gentile converts to Judaism or for Jewish defectors, ancient accounts of the Essenes or of the siege of Masada, and the material context of the first great rabbinic work, the Mishnah. Other essays connect early Christian texts with the social and cultural realia of their day — modes of travel, notions of gender, patronage and benefaction, the relation of tenants and owners — or reflect on the aesthetics of Christian architecture and the relation between building and ritual in Constantinian churches. One study relates the writing of the famous novelist Apuleius to a household mithraeum in Ostia, while another explores the changing appropriation of religious realia as the Roman world became Christian.
These wide-ranging and original studies demonstrate clearly that texts and artifacts can be mutually supportive. Equally, they point to ways in which artifacts, no less than texts, are inherently ambiguous and teach us to be cautious in our conclusions.

The seeds of irreverent humour that inspired the likes of Wayne and Shuster and Monty Python were sown in the trenches of the First World War, and The Dumbells—concert parties made up of fighting soldiers—were central to this process. Soldiers of Song tells their story.

Lucky soldiers who could sing a song, perform a skit, or pass as a “lady,” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war.

The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada.

What is “theological method”? Can there be more than one method? If so, how do you choose between them? How does method relate to experience?
Would experience affect your choice of method and method affect experience?
Abdul-Masih offers a three-part proposition. The first is that theological method is influenced by theological reasoning. That is, beliefs about the doctrines of revelation and God’s activity will shape one’s attitude toward experience. Your convictions provide a broad definition of “experience,” and determine how it is to be used.
Her second proposition is that one’s attitude toward experience and its use will, in turn, shape subsequent theology. In other words, the relationship between theological method and subsequent theological discourse is circular—or, more accurately, a spiral.
Her third proposition is that “experience” is itself contextual, and therefore there is no right or wrong choice but rather a plurality of methods.
To expand upon and illustrate her claim, Abdul-Masih analyzes, throughout her book, the methods of Edward Schillebeeckx and Hans Frei, who represent the tension in contemporary theology surrounding the issue of experience.
Edward Schillebeeckx and Hans Frei: A Conversation on Method and Christology is a book that will challenge and enlighten those who wish to expand their understanding of theological methodology.

Subversive Action presents cases that explore the use of extralegal action undertaken in pursuit of human rights and social justice, and locate that action with reference to the boundaries of social work. Definitions of social work often include goals of social change, social justice, empowerment, and the liberation of people, but social work texts make little mention of extralegal actions. Mainstream conceptions of social work usually consider it to fall within the framework of particular legal and societal contexts. As such, it is presented with boundaries for legitimate action even as it espouses principles that may require it to challenge these boundaries. How does one do social work in legal and societal contexts that challenge these principles with institutional and state-mandated exclusion and discrimination? Should social workers simply act within the bounds of the law in line with their professional sanction and mandate? Do their actions qualify as social work if they are beyond the limits of the law? The essays in this volume, by authors from around the world, raise these questions by providing a basis for reflection about the claims we make in social work embodied in discourses on social justice and human rights.

“Where do you come from?”
When Vijay Agnew first immigrated to Canada people would often ask her “Where do you come from?” She thought it a simple, straightforward question, and would answer in the same simple, straightforward manner, by telling them where she had been born and where she grew up.
But over the years she learned that many so-called third-world people resent being asked this question, because it implies that having a different skin colour (which is what usually prompts the question) makes a person an outsider and not really Canadian. This realization inspired her to look more closely at the question — and the answer. The result is this book.
Where I Come From is a reflective memoir of an immigrant professor’s life in a Canadian university. It covers the period from 1967, when Canada was opened up to third-world immigrants, to the present. The book illustrates the ways in which identity is socially constructed by tracing some of the labels that were applied to the author at various stages during her thirty years in Canada — “foreign student,” “Indian woman,” “immigrant,” “Indian feminist,” and “third-world woman.” She shows how each of these names has affected her relationships with other people and contributed to making her the woman she is now perceived to be: a feminist, anti-racist, activist professor. This multilayered story reveals the complex ways in which race, class, and gender intersect in an immigrant woman’s life, and engages readers in a conversation that narrows the distance between them, showing not only what is different, but what is shared.

Letters from Canada to the mother of child war guests from Britain are "an extraordinary slice of wartime Canadian life." — J.L. Granatstein

The Second World War had been under way for a year when Marie and John Williamson welcomed two English brothers to join them and their two children in their small house in north Toronto for the duration of the conflict. Marie wrote over 150 letters to the boys’ mother, Margaret Sharp, imagining that she could make Margaret feel she was still with her children. She shepherded the boys through education decisions and illnesses, eased them into a strange new life, and rejoiced when they embraced unfamiliar winter sports. The letters brim with detail about family holidays, the financial implications of an extended family, their involvement in their church, and the games and activities that kept them occupied. Marie’s letters reflect the lives and concerns of a particular family in Toronto, but they also reveal a portrait of what was then Canada’s second-largest city during wartime.

The introduction is by Mary F. Williamson, Marie’s daughter, and Tom Sharp, Margaret’s youngest son. The book features a foreword by Jonathan Vance that puts the letters in historical context.

“Speaking in the Past Tense participates in an expanding critical dialogue on the writing of historical fiction, providing a series of reflections on the process from the perspective of those souls intrepid enough to step onto what is, practically by definition, contested territory.”
— Herb Wyile, from the Introduction
The extermination of the Beothuk ... the exploration of the Arctic ... the experiences of soldiers in the trenches during World War I ... the foibles of Canada’s longest-serving prime minister ... the Ojibway sniper who is credited with 378 wartime kills—these are just some of the people and events discussed in these candid and wide-ranging interviews with eleven authors whose novels are based on events in Canadian history.
These sometimes startling conversations take the reader behind the scenes of the novels and into the minds of their authors. Through them we explore the writers’ motives for writing, the challenges they faced in gathering information and presenting it in fictional form, the sometimes hostile reaction they faced after publication, and, perhaps most interestingly, the stories that didn’t make it into their novels.
Speaking in the Past Tense provides fascinating insights into the construction of national historical narratives and myths, both those familiar to us and those that are still being written.

The essays in Writing between the Lines explore the lives of twelve of Canada’s most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada.
Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what linguistic and cultural challenges they have faced in the practice of their art. Following their relationships with authors and publishers, the translators also reveal how they have defined the goals and the process of literary translation.
Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process, and the diverse roles of the translator as social agent. The first text on Canadian translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.

The Radio Eye: Cinema in the North Atlantic, 1958–1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for “smaller languages.”
The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958–1988 were very aware of each other’s cultures and aspirations, and, by structuring the book in two interlocking parts, White illustrates the degree to which a common project emerged during those three decades.
The book is bound together by White’s belief that these experiments are following in the idealism of Soviet silent filmmaker Dziga Vertov, who wrote about his notion of “the Radio Eye.” White also puts these experiments in the context of work by the Cuban filmmaker and theorist Julio García Espinosa and his notion of “imperfect cinema,” Jürgen Habermas and his notions of the “public sphere,” and Édourard Glissant’s ideas about “créolité” as the defining aspect of modern culture. This is a genuinely internationalist moment, and these experiments are in conversation with a wide array of thought across a number of languages.

Using the journals of W. Norman Rudolf (1835-1886), a Victorian merchant, Evangelical Balance Sheet: Character, Family, and Business in Mid-Victorian Nova Scotia explores the important role of character ideals and evangelicalism in mid-Victorian culture. 

Rudolf’s diary, with its daily weather observations, its account of family matters, of social and business happenings, and of his own experiences, as well as occasional literary or naturalistic forays, attempts to follow a disciplined regime of writing, but also has elements of a Bildungsroman. The diary reveals an obvious and significant tension between his inner, spiritual search for meaning in his life (evangelical inwardness) and his outward stewardship duties. Rudolf’s concept of character, then, involved a type of balance sheet of his evangelical service record, to his God, his family, his business, and his community. Needing God’s help to transform his will and to interpret the world in a constructive, rational manner, the underlying intent of his daily journal writing was to keep his commitment to an ethic of benevolence and of the affirmation of the goodness of human beings.

Wood elucidates the cultivation of civic-minded masculinity in the context of Victorian Maritime Canada, analyzing the multiple facets of the character ideal and emphasizing its important role in Victorians’ understanding of their life experiences. In the process Wood reveals many underlying assumptions about social change and about civic discourse. The book also describes how the tremendous economic upheavals experienced by many entrepreneurs in the late 1860s to 1880s tempered their evangelical zeal and made it increasingly difficult for them to achieve a balanced and humane perspective on their own lives.

Evangelical Balance Sheet will appeal to a broad audience interested in social history, imperial studies, gender studies (especially changing ideas of masculinity and manhood), Atlantic Canada studies, and local history of the Pictou region.

The second volume in this two-volume work studying the initial developments of anti-Judaism within the church examines the evolution of the Christian faith in its social context as revealed by evidence such as early patristic and rabbinic writings and archaeological findings.

Canadian Methodist women, like women of all religious traditions, have expressed their faith in accordance with their denominational heritage. Canadian Methodist Women, 1766-1925: Marys, Marthas, Mothers in Israel analyzes the spiritual life and the varied activities of women whose faith helped shape the life of the Methodist Church and of Canadian society from the latter half of the eighteenth century until church union in 1925.
Based on extensive readings of periodicals, biographies, autobiographies, and the records of many women’s groups across Canada, as well as early histories of Methodism, Marilyn Färdig Whiteley tells the story of ordinary women who provided hospitality for itinerant preachers, taught Sunday school, played the melodeon, selected and supported women missionaries, and taught sewing to immigrant girls, thus expressing their faith according to their opportunities. In performing these tasks they sometimes expanded women’s roles well beyond their initial boundaries.
Focusing on religious practices, Canadian Methodist Women, 1766-1925 provides a broad perspective on the Methodist movement that helped shape nineteenth- and early-twentieth-century Canadian society. The use and interpretation of many new or little-used sources will interest those wishing to learn more about the history of women in religion and in Canadian society.

Verse and Worse: Selected and New Poems of Steve McCaffery 1989–2009 presents texts from the last two decades of work by Steve McCaffery, one of the most influential and innovative of contemporary poets. The volume focuses on selections from McCaffery’s major texts, including The Black Debt, Theory of Sediment, The Cheat of Words, and Slightly Left of Thinking, but also features a substantial number of previously ungathered poems. As playful as they are cerebral, McCaffery’s poems stage an incessant departure from conventional lyrical and narrative methods of making meaning. For those encountering McCaffery’s work for the first time as well as for those who have followed the twists and turns of his astonishingly heterogeneous poetic trajectory over the past four decades—this volume is essential reading.

The Radio Eye: Cinema in the North Atlantic, 1958–1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for “smaller languages.”
The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958–1988 were very aware of each other’s cultures and aspirations, and, by structuring the book in two interlocking parts, White illustrates the degree to which a common project emerged during those three decades.
The book is bound together by White’s belief that these experiments are following in the idealism of Soviet silent filmmaker Dziga Vertov, who wrote about his notion of “the Radio Eye.” White also puts these experiments in the context of work by the Cuban filmmaker and theorist Julio García Espinosa and his notion of “imperfect cinema,” Jürgen Habermas and his notions of the “public sphere,” and Édourard Glissant’s ideas about “créolité” as the defining aspect of modern culture. This is a genuinely internationalist moment, and these experiments are in conversation with a wide array of thought across a number of languages.

From sentimental stories about polio to the latest cherub in hospital commercials, sick children tug at the public’s heartstrings. However sick children have not always had adequate medical care or protection. The essays in Children’s Issues in Historical Perspective investigate the identification, prevention, and treatment of childhood diseases from the 1800s onwards, in areas ranging from French-colonial Vietnam to nineteenth-century northern British Columbia, from New Zealand fresh air camps to American health fairs.
Themes include: the role of government and/or the private sector in initiating and underwriting child public health programs; the growth of the profession of pediatrics and its views on “proper” mothering techniques; the role of nationalism, as well as ethnic and racial dimensions in child-saving movements; normative behaviour, social control, and the treatment of “deviant” children and adolescents; poverty, wealth, and child health measures; and the development of the modern children’s hospital.
This liberally illustrated collection reflects the growing academic interest in all aspects of childhood, especially child health, and originates from health care professionals and scholars across the disciplines. An introduction by the editors places the historical themes in context and offers an overview of the contemporary study of children’s health.

Can good governance be exported? International development assistance is more frequently being applied to strengthening governance in developing countries, and in Exporting Good Governance: Temptations and Challenges in Canada’s Aid Program, the editors bring together diverse perspectives to investigate whether aid for good governance works. The first section of the book outlines the changing face of international development assistance and ideas of good governance. The second section analyzes six nations: three are countries to which Canada has devoted a significant portion of its aid efforts over the past five to ten years: Ghana, Vietnam, and Bangladesh. Two are newer and more complex “fragile states,” where Canada has engaged: Haiti and Afghanistan. These five are then compared with Mauritius, which has enjoyed relatively good governance. The final section looks at challenges and new directions for Canadas development policy.
Co-published with the Centre for International Governance Innovation

Environmentalism and social sciences appear to be in a period of disorientation and perhaps transition. In this innovative collection, leading international thinkers explore the notion that one explanation for the current malaise of the “politics of ecology” is that we increasingly find ourselves negotiating “technonatural” space/times. International contributors map the political ecologies of our technonatural present and indicate possible paths for technonatural futures.
The term “technonatures” is in debt to a long line of environmental cultural theory from Raymond Williams onwards, problematizing the idea that a politics of the environment can be usefully grounded in terms of the rhetoric of defending the pure, the authentic, or an idealized past solely in terms of the ecological or the natural. In using the term “technonatures” as an organizing myth and metaphor for thinking about the politics of nature in contemporary times, this collection seeks to explore one increasingly pronounced dimension of the social natures discussion. Technonatures highlights a growing range of voices considering the claim that we are not only inhabiting diverse social natures but that within such natures our knowledge of our worlds is ever more technologically mediated, produced, enacted, and contested.

Universal in scope, yet focusing on recognizable Canadian places, this collection of essays connects individuals’ love of nature to larger social issues, to cultural activities, and to sustainable technology. Subjects include activism in Cape Breton, eco-feminism, Native perspectives on the history of humans’ relationship with the natural world, the inconsistency of humankind’s affinity with nature alongside its capacity to destroy, and scientific and traditional accounts of evolution and how they can come together for the welfare of Earth’s ecology. These essays encourage us to break down the power-based divisions of centre versus marginal politics, to talk with our perceived enemies in environmental wars, to consider activism as a personal commitment, and to resist the construction of a “post-natural” world.
Using a combination of personal memoirs and formal essays, Every Grain of Sand seeks to involve readers in the extraordinary places they inhabit—and usually take for granted—and will appeal to both the general reader and to students in humanities, social sciences, and environmental studies. It is unique for its presentation of entirely Canadian perspectives on ecology and environmental issues.

A history of Chinese immigrants encounter with Canadian Protestant missionaries, “His Dominion” and the “Yellow Peril”: Protestant Missions to Chinese Immigrants in Canada, 1859-1967, analyzes the evangelizing activities of missionaries and the role of religion in helping Chinese immigrants affirm their ethnic identity in a climate of cultural conflict.
Jiwu Wang argues that, by working toward a vision of Canada that espoused Anglo-Saxon Protestant values, missionaries inevitably reinforced popular cultural stereotypes about the Chinese and widened the gap between Chinese and Canadian communities. Those immigrants who did embrace the Christian faith felt isolated from their community and their old way of life, but they were still not accepted by mainstream society. Although the missionaries’ goal was to assimilate the Chinese into Anglo-Saxon Protestant culture, it was Chinese religion and cultural values that helped the immigrants maintain their identity and served to protect them from the intrusion of the Protestant missions.
Wang documents the methods used by the missionaries and the responses from the Chinese community, noting the shift in approach that took place in the 1920s, when the clergy began to preach respect for Chinese ways and sought to welcome them into Protestant-Canadian life. Although in the early days of the missions, Chinese Canadians rejected the evangelizing to take what education they could from the missionaries, as time went on and prejudice lessened, they embraced the Christian faith as a way to gain acceptance as Canadians.

Audio Files located on Soundcloud Essential Song: Three Decades of Northern Cree Music, a study of subarctic Cree hunting songs, is the first detailed ethnomusicology of the northern Cree of Quebec and Manitoba. The result of more than two decades spent in the North learning from the Cree, Lynn Whidden’s account discusses the tradition of the hunting songs, their meanings and origins, and their importance to the hunt. She also examines women’s songs, and traces the impact of social change—including the introduction of hymns, Gospel tunes, and country music—on the song traditions of these communities.

The book also explores the introduction of powwow song into the subarctic and the Crees struggle to maintain their Aboriginal heritage—to find a kind of song that, like the hunting songs, can serve as a spiritual guide and force.

Including profiles of the hunters and their songs and accompanied (online) by original audio tracks of more than fifty Cree hunting songs, Essential Song makes an important contribution to ethnomusicology, social history, and Aboriginal studies.

The current interest in spirituality has intensified the quest to incorporate spirituality in non-sectarian therapy. Spiritual Care and Therapy is a hands-on, up-to-date clinical guide that addresses this concern.
Peter VanKatwyk explores spiritual care, from pastoral traditions to essential psychotherapies, in individual, couple, and family therapy, offering integrative perspectives. Therapy vignettes from multiple perspectives are included, as well as a wealth of diagrams and maps. His unique perspective of different helping relationships is an approach that celebrates diversity and promotes the flexibility of multiple uses of self and their respective styles of care.
Part 1 describes common and pluralistic meanings of spirituality, locating spiritual care both in the ordinary experience of daily life and in professional practice.
Part 2 focuses on the essentials of caring, posed in the three questions of what to know (therapy models), what to say (communication roles) and what to be (uses of self). These three core areas converge in the book’s central framework of the helping style inventory (helping relationships).
Part 3 maps the contexts of care: the person situated in family and society, moving through time in rites of passage that congest when impacted by crisis and loss.
Finally, Part 4 presents the actual process of clinical education, first through a model of supervision and second, through a research methodology designed for the study of spirituality and health care.
Perfect as a text in either education or academic programs, this book will be of interest to all helping professionals who value an integrative and holistic approach to spiritual care and therapy.

Long before she became the renowned author of the best-selling Schmecks cookbooks, an award-winning journalist for magazines such as Macleans, and a creative non-fiction mentor, Edna Staebler was a writer of a different sort. Staebler began serious diary writing at the age of sixteen and continued to write for over eighty years. Must Write: Edna Staebler’s Diaries draws from these diaries selections that map Staebler’s construction of herself as a writer and documents her frustrations and struggles, along with her desire to express herself, in writing. She felt she must write—that not to write was a “denial of life”—while at the same time she doubted the value of her scribblings.
Spanning much of the twentieth century—each decade is introduced by an overview of key events in the author’s life during that period—the diaries vividly illuminate both her intensely personal experiences and her broader social world. The volume also presents four key examples of Staebler’s public writing: her first published magazine article; her first award-winning publication; the opening chapter of her book Cape Breton Harbour; and her lively account of the Great Cookie War. Must Write: Edna Staebler’s Diaries portrays an ordinary woman’s struggle to write in the context of her lived experience. “All my life I have talked about writing and kept scribbling in my notebook, as if that makes me a writer,” wrote Staebler in 1986. This volume argues that the very act of writing the diaries, with all their contradictory accounts of writerly ambition, success, and conflict, made Staebler the writer she yearned to be.

Robert Markle (1936–1990) was an infamous figure on the Canadian cultural scene for almost three decades. His paintings and drawings celebrating the female nude were deemed obscene by Ontario courts in 1965, and Markle defended them on national television, emphasizing what he considered a crucial distinction between eroticism and pornography. Although Markle was a Mohawk who employed Native symbolism in his later work, he refused to identify himself as a Native painter.

Blazing Figures chronicles Markle’s boyhood in Hamilton, Ontario, his early exposure to the worlds of burlesque and jazz, and, following his expulsion from the Ontario College of Art, his immersion in the Toronto world of painting and music. It recounts his emergence as a controversial expressionist painter of the figure and a beloved teacher of his craft. After his abandonment of urban life for small-town Ontario, Markle, in the last twenty years of his life, produced his greatest works and formed close friendships with his fellow painters and with public figures Patrick Watson and Gordon Lightfoot, both of whom were interviewed at length for this book. The book also takes a frank look at Markle’s complex relationship with his wife and muse that survived his affairs with other women.

The only full-length work written about Robert Markle’s life and career, Blazing Figures is based on Markle’s copious personal notes and numerous interviews with his family, friends, colleagues, and former students. This snapshot of Canadian cultural history will be of interest to scholars of art history, Aboriginal studies, and Canadian studies as well as the general reader.

Public concern about inequitable economic globalization has revealed the demand for citizen participation in global decision making. Civil society organizations have taken up the challenge, holding governments and corporations accountable for their decisions and actions, and developing collaborative solutions to the dominant problems of our time. Critical Mass: The Emergence of Global Civil Society offers a unique mixture of experience and analysis by the leaders of some of the most influential global civil society organizations and respected academics who specialize in this field of study.

Co-published with the Centre for International Governance Innovation

The career of Eli Mandel (1922–1992) was one of the most prolific and distinguished in all of Canadian literature, yet in recent years his work has gone unsung compared with that of such peers as Margaret Atwood, Leonard Cohen, Robert Kroetsch, Irving Layton, and P.K. Page. Though he was a critic, anthologist, and editor of national prominence, Mandel’s legacy resides most securely in his poetry, which earned many accolades.
From Room to Room: The Poetry of Eli Mandel presents thirty-five of Mandel’s best poems written over four decades, from the 1950s to the 1980s. The selection covers the most prominent themes in Mandel’s work, including his Russian-Jewish heritage, his Saskatchewan upbringing, his interest in classical and biblical archetypes, and his concern for the political and social issues of his time. The book also highlights the way in which Mandel’s work bridged the formal attributes of modernist poetry with contemporary, sometimes experimental, poetics.
Complete with a scholarly introduction by Peter Webb and a literary afterword by Andrew Stubbs, From Room to Room makes a worthy addition to the Laurier Poetry Series, which presents affordable editions of contemporary Canadian poetry for use in the classroom and the enjoyment of anyone wishing to read some of the finest poetry Canada has to offer.

Religious Rivalries in the Early Roman Empire and the Rise of Christianity discusses the diverse cultural destinies of early Christianity, early Judaism, and other ancient religious groups as a question of social rivalry.
The book is divided into three main sections. The first section debates the degree to which the category of rivalry adequately names the issue(s) that must be addressed when comparing and contrasting the social “success” of different religious groups in antiquity. The second is a critical assessment of the common modern category of “mission” to describe the inner dynamic of such a process; it discusses the early Christian apostle Paul, the early Jewish historian Josephus, and ancient Mithraism. The third section of the book is devoted to “the rise of Christianity,” primarily in response to the similarly titled work of the American sociologist of religion Rodney Stark.
While it is not clear that any of these groups imagined its own success necessarily entailing the elimination of others, it does seem that early Christianity had certain habits, both of speech and practice, which made it particularly apt to succeed (in) the Roman Empire.

In a culture that often understands formal experimentation or theoretical argument to be antithetical to pleasure, Atom Egoyan has nevertheless consistently appealed to wide audiences around the world. If films like The Adjuster, Calendar, Exotica, and The Sweet Hereafter have ensured him international cult status as one of the most revered of all contemporary directors, Egoyan’s forays into installation art and opera have provided evidence of his versatility and confirmed his talents.
Image and Territory: Essays on Atom Egoyan is both scholarly and accessible. Indispensable for the scholar, student, and fan, this collection of new essays and interviews from leading film and media scholars unpacks the central arguments, tensions, and paradoxes of his work and traces their evolution. It also locates his work within larger intellectual and artistic currents in order to consider how he takes up and answers critical debates in politics, philosophy, and aesthetics. Most importantly, it addresses how his work is both intellectually engaging and emotionally moving.

Public Poetics is a collection of essays and poems that address some of the most pressing issues of the discipline in the twenty-first century. The collection brings together fifteen original essays addressing “publics,” “poetry,” and “poetics” from the situated space of Canada while simultaneously troubling the notion of the nation as a stable term. It asks hard questions about who and what count as “publics” in Canada. Critical essays stand alongside poetry as visual and editorial reminders of the cross-pollination required in thinking through both poetry and poetics.
Public Poetics is divided into three thematic sections. The first contains essays surveying poetics in the present moment through the lens of the public/private divide, systematic racism in Canada, the counterpublic, feminist poetics, and Canadian innovations on postmodern poetics. The second section contains author-specific studies of public poets. The final section contains essays that use innovative renderings of “poetics” as a means of articulating alternative communities and practices. Each section is paired with a collection of original poetry by ten contemporary Canadian poets.
This collection attends to the changing landscape of critical discourse around poetry and poetics in Canada, and will be of use to teachers and students of poetry and poetics.

Despite the painstaking work of Pound scholars, the mythos of The Cantos has yet to be properly understood — primarily because until now its occult sources have not been examined sufficiently. Drawing upon archival as well as recently published material, this study traces Pound’s intimate engagement with specific occultists (W.B. Yeats, Allen Upward, Alfred Orage, and G.R.S. Mead) and their ideas. The author argues that speculative occultism was a major factor in the evolution of Pound’s extraordinary aesthetic and religious sensibility, much noticed in Pound criticism.
The discussion falls into two sections. The first section details Pound’s interest in particular occult movements. It describes the tradition of Hellenistic occultism from Eleusis to the present, and establishes that Pound’s contact with the occult began at least as early as his undergraduate years and that he came to London already primed on the occult. Many of his London acquaintances were unquestionably occultists.
The second section outlines a tripartite schema for The Cantos (katabasis/dromena/epopteia) which, in turn, is applied to the poem. It is argued here that The Cantos is structured on the model of a initiation rather than a journey, and that the poem does not so much describe an initiation rite as enact one for the reader.
In exploring and attempting to understand Pounds’ occultism and its implications to his [Pounds’] oeuvre, Tryphonopoulos sheds new light upon one of the great works of modern Western literature.

Georg Tintner is best known to music lovers for his stunning interpretations of Bruckner's symphonies recorded by Naxos in the 1990s. He was a man who lived and breathed music. Blessed with perfect pitch, at the age of nine he was the first Jew to join the Vienna Boys' Choir. Later, he became immersed in the concert life of the city, rubbing shoulders with Berg, Schoenberg, and Webern, and observing the great conductors of the age. But by the late 1930s Tintner had to flee and he eventually landed in Auckland, New Zealand. There could  have been no greater contrast for this gifted young musician, yet he started a new life there before moving on to Australia and, much later, to Canada.

Tintner's third wife and widow, Tanya, has documented the life of this uncompromising man and the result is a revealing window on to the artistic temperament from the person closest to him. Out of Time is a must-read for everyone who believes in the discipline that excellence in the arts demands – and the pure joy it can bring.

Asian Canadian Writing Beyond Autoethnography explores some of the latest developments in the literary and cultural practices of Canadians of Asian heritage. While earlier work by ethnic, multicultural, or minority writers in Canada was often concerned with immigration, the moment of arrival, issues of assimilation, and conflicts between generations, literary and cultural production in the new millennium no longer focuses solely on the conflict between the Old World and the New or the clashes between culture of origin and adopted culture. No longer are minority authors identifying simply with their ethnic or racial cultural background in opposition to dominant culture.

The essays in this collection explore ways in which Asian Canadian authors (such as Larissa Lai, Shani Mootoo, Fred Wah, Hiromi Goto, Suniti Namjoshi, and Ying Chen) and artists (such as Ken Lum, Paul Wong, and Laiwan) have gone beyond what Françoise Lionnet calls autoethnography, or ethnographic autobiography. They demonstrate the ways representations of race and ethnicity, particularly in works by Asian Canadians in the last decade, have changed have become more playful, untraditional, aesthetically and ideologically transgressive, and exciting.

All of us, as Canadians, are touched throughout our lives by some aspect of social welfare, either as recipients, donors, or taxpayers. But despite the importance of the social network in our country, there has been no single source of information about this critical component of our society. Even professionals in the field of social work or social services have not had a comprehensive volume addressing the myriad features of this critical societal structure. The Encyclopedia of Canadian Social Work fills this need.
Over five hundred topics important to Canadian social work are covered, written by a highly diverse group of social workers covering all aspects of the field and all areas of the country. Practitioners, policy makers, academics, social advocates, researchers, students, and administrators present a rich overview of the complexity and diversity of social work and social welfare as it exists in Canada.
The principal finding from this project underscores the long-held perception that there is a Canadian model of social work that is unique and stands as a useful model to other countries. The Encyclopedia of Canadian Social Work will be an important source of information, both to Canadians and to interested groups around the world.
The Encyclopedia of Canadian Social Work is available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

Leadership and Purpose: A History of Wilfrid Laurier University tells the story of the creation and growth of one of Canada’s leading universities.
On October 30, 1911, a jubilant crowd of nearly 1,500 people gathered in their Sunday finest on the lawn of a large home on the rural outskirts of Waterloo, Ontario. They were there to mark the opening of the Evangelical Lutheran Seminary of Canada. With just four students and one full-time professor, the seminary was modest in size but it had the enthusiastic support of an entire community. Even the most optimistic supporter, however, could not have foreseen how this small religious school would evolve over the next 100 years into a thriving public university with 17,000 students and a national reputation for teaching and research excellence. In Leadership and Purpose: A History of Wilfrid Laurier University, historian Andrew Thomson tells the remarkable story of an academic community whose vision, determination, and perseverance are a testament to the transformative power of education.

Unsettled Remains: Canadian Literature and the Postcolonial Gothic examines how Canadian writers have combined a postcolonial awareness with gothic metaphors of monstrosity and haunting in their response to Canadian history. The essays gathered here range from treatments of early postcolonial gothic expression in Canadian literature to attempts to define a Canadian postcolonial gothic mode. Many of these texts wrestle with Canada’s colonial past and with the voices and histories that were repressed in the push for national consolidation but emerge now as uncanny reminders of that contentious history. The haunting effect can be unsettling and enabling at the same time.
In recent years, many Canadian authors have turned to the gothic to challenge dominant literary, political, and social narratives. In Canadian literature, the “postcolonial gothic” has been put to multiple uses, above all to figure experiences of ambivalence that have emerged from a colonial context and persisted into the present. As these essays demonstrate, formulations of a Canadian postcolonial gothic differ radically from one another, depending on the social and cultural positioning of who is positing it. Given the preponderance, in colonial discourse, of accounts that demonize otherness, it is not surprising that many minority writers have avoided gothic metaphors. In recent years, however, minority authors have shown an interest in the gothic, signalling an emerging critical discourse. This “spectral turn” sees minority writers reversing long-standing characterizations of their identity as “monstrous” or invisible in order to show their connections to and disconnection from stories of the nation.

Why does our society think it is okay to hit children?
Almost everyone thinks it is wrong to abuse a child. But many parents and teachers believe it is okay to spank children, rap their knuckles, slap their faces, pull their hair and yank their arms, as long as the punishment does not result in serious injury or death, and is intended to improve a child’s behaviour. Susan M. Turner explores the historical, psychological, sociological and legal foundations of this belief from a philosophical perspective and argues why it should be abandoned.
Something to Cry About presents evidence from recent studies showing that all forms of corporal punishment pose significant risks for children and that none improves behaviour in the long term. Dr. Turner also examines Section 43 of the Canadian Criminal Code — a law that protects those who punish children in their care by allowing them to hit the children as long as such punishment is “reasonable,” even though Canadian case law shows that “reasonable” has included breaking a child’s fingers. Turner presents a comprehensive argument in favour of repeal.
In Something to Cry About, Turner takes a definite stand, but does so in a way that invites critical dialogue. Her work is the first to set out the debate over corporal punishment in multidisciplinary terms pertinent to Canadian society. She brings together in one place a wide variety of thought and data which can be consulted by all Canadians concerned with the welfare of children.

Why did it take so long for the United Church of Canada to respond to violence against women?
Tracy J. Trothen looks at the United Church as a uniquely Canadian institution, and explores how it has approached gender and sexuality issues. She argues that how the Church deals with these issues influences its ability to name violence against women.
In examining the Church’s early approaches to gender and sexuality, Tracy J. Trothen discovered that the United Church had tended to see certain structures or roles as sacred and others as demonic. For example, while sex outside marriage was bad or improper, sexual expression within marriage was largely deemed as proper or good, no matter what manifestation it took. This assumption allowed much violence within families and marriages to go unchallenged.
Trothen uncovers significant shifts in this approach through the examination of such issues as redemptive homes, marriage, pornography, abortion, the ordination of women, and family. Then, analyzing three recent case studies, she demonstrates the value of women’s voices in challenging dominant world views. Finally, she suggests how the Church’s approach to human sexuality and gender has facilitated or obstructed the move to address violence against women.
The findings in Linking Sexuality and Gender can be applied to faiths outside the United Church and will be important to anyone interested in church and society, sexuality, gender, or the causal dynamics behind one Canadian institution’s response to violence against women.
Tracy J. Trothen is an assistant professor of systematic theology and ethics, and director of field education at Queen’s Theological College, Queen’s University, Canada. She was ordained in the United Church of Canada. Why did it take so long for the United Church of Canada to respond to violence against women?

Fostering Nation? Canada Confronts Its History of Childhood Disadvantage explores the missteps and the promise of a century and more of child protection efforts by Canadians and their governments. It is the first volume to offer a comprehensive history of what life has meant for North America’s most disadvantaged Aboriginal and newcomer girls and boys.
Gender, class, race, and (dis)ability are always important factors that bear on youngsters’ access to resources. State fostering initiatives occur as part of a broad continuum of arrangements, from social assistance for original families to kin care and institutions. Birth and foster parents of disadvantaged youngsters are rarely in full control. Children most distant from the mainstream ideals of their day suffer, and that suffering is likely to continue into their own experience of parenthood. That trajectory is never inevitable, however. Both resilience and resistance have shaped Canadians’ engagement with foster children in a society dominated by capitalist, colonial, and patriarchal power.
Fostering Nation? breaks much new ground for those interested in social welfare, history, and the family. It offers the first comprehensive perspective on Canada’s provision for marginalized youngsters from the nineteenth to the twenty-first century. Its examination of kin care, institutions, state policies, birth parents, foster parents, and foster youngsters provides ample reminder that children’s welfare cannot be divorced from that of their parents and communities, and reinforces what it means when women bear disproportionate responsibility for caregiving.

One of the most widely read German authors in the world, Hermann Hesse (1877-1962) won the Nobel Prize for Literature in 1946. After his death, his novels enjoyed a revival of popularity, becoming a staple of popular religion and spirituality in Europe and North America.
Veneration and Revolt: Hermann Hesse and Swabian Pietism is the first comprehensive study of the impact of German Pietism (the religion of Hesse’s family and native Swabia) on Hesse’s life and literature. Hesse’s literature bears witness to a lifelong conversation with his religious heritage despite that in adolescence he rejected his family’s expectation that he become a theologian, cleric, and missionary.
Hesse’s Pietist upbringing and broader Swabian heritage contributed to his moral and political views, his pacifism and internationalism, the confessional and autobiographical style of his literature, his romantic mysticism, his suspicion of bourgeois culture, his ecumenical outlook, and, in an era scarred by two world wars, his hopes for the future. Veneration and Revolt offers a unique perspective on the life and works of one of the twentieth century’s most influential writers.

Shattering the Illusion is the first book to gather and comparatively analyze policies addressing child sexual abuse complaints in a selection of religious institutions in Canada. Although there is a substantial body of literature regarding Christianity and sexual abuse, very little of it focuses on religious institutions in Canada and their respective policies.
In the foreword, Tracey J. Trothen summarizes the Cornwall Inquiry, out of which this book arose. She then examines the Roman Catholic Church, The United Church of Canada, the Anglican Church, the Mennonite Church, Islam, and the Canadian Unitarian Council/Unitarian Universalist Association, describing in detail the evolution and particular content of policies and procedures that address child sexual abuse complaints directed at paid and volunteer faith community representatives and/ or leaders. She identifies differences and common themes among the approaches taken by the institutions and provides a summary table for an accessible comparative overview.
Child sexual abuse is not new, but the emergence of policies to address abuse complaints within religious institutions is. This book identifies significant and shared causal factors behind the emergence of policy and reviews their content carefully. This review will serve as a significant tool for furthering the development of such policies.

“So often a long-awaited book is disappointing. Happily such is not the case with Sutherland’s masterpiece.” Robert M. Stamp, University of Calgary, in The Canadian Historical Review
“Sutherland’s work is destined to be a landmark in Canadian history, both as a first in its particular field and as a standard reference text.” J. Stewart Hardy, University of Alberta, in Alberta Journal of Educational Research
Such were the reviewers’ comments when Neil Sutherland’s groundbreaking book was first published. Now reissued in Wilfrid Laurier University Press’s new series “Studies in Childhood and Family in Canada,” with a new introduction by series editor Cynthia Comacchio, this book remains relevant today. In the late nineteenth century a new generation of reformers committed itself to a program of social improvement based on the more effective upbringing of all children. In Children in English-Canadian Society, Neil Sutherland examines, with a keen eye, the growth of the public health movement and its various efforts at improving the health of children.

W. Donald Wilson and Paul G. Socken’s translation of Aaron, by Québécois author Yves Thériault, makes this fine novel available in English for the first time.
An exploration of “otherness,” the story centres on Moishe, an Orthodox Jew and refugee from Russia, who is raising his grandson, Aaron, alone in Montreal, following the deaths of Aaron’s parents. Poverty-stricken, Moshe works as a tailor, maintains his strict adherence to Orthodoxy, and educates Aaron to follow in his path. Aaron becomes increasingly estranged from his grandfather’s ways, however, and his meeting with the militantly secular Jewish girl Viedna confirms his decision to embrace modernity, secularism, and materialism and to reject his faith entirely. The story portrays a tragically polarized situation in which neither side is able to communicate or to build an alternative world view that incorporates both tradition and modernity. Possibly Thériault’s finest novel, Aaron is a parable of our modern world and a poignant cautionary tale.

Claiming Space: Racialization in Canadian Cities critically examines the various ways in which Canadian cities continue to be racialized despite objective evidence of racial diversity and the dominant ideology of multiculturalism. Contributors consider how spatial conditions in Canadian cities are simultaneously part of, and influenced by, racial domination and racial resistance.
Reflecting on the ways in which race is systematically hidden within the workings of Canadian cities, the book also explores the ways in which racialized people attempt to claim space. These essays cover a diverse range of Canadian urban spaces and various racial groups, as well as the intersection of ethnicity, class, gender, and sexuality. Linking themes include issues related to subjectivity and space; the importance of new space that arises by challenging the dominant ideology of multiculturalism; and the relationship between diasporic identities and claims to space.

After decades of extraordinary successes as a multicultural society, new debates are bubbling to the surface in Canada. The contributors to this volume examine the conflict between equality rights, as embedded in the Charter, and multiculturalism as policy and practice, and ask which charter value should trump which and under what circumstances? The opening essay deliberately sharpens the conflict among religion, culture, and equality rights and proposes to shift some of the existing boundaries. Other contributors disagree strongly, arguing that this position might seek to limit freedoms in the name of justice, that the problem is badly framed, or that silence is a virtue in rebalancing norms. The contributors not only debate the analytic arguments but infuse their discussion with their personal experiences, which have shaped their perspectives on multiculturalism in Canada. This volume is a highly personal as well as strongly analytic discussion of multiculturalism in Canada today.

No Insignificant Part: The Rhodesia Native Regiment and the East Africa Campaign of the First World War is the first history of the only primarily African military unit from Zimbabwe to fight in the First World War. Recruited from the migrant labour network, most African soldiers in the RNR were originally miners or farm workers from what are now Zimbabwe, Zambia, Mozambique, and Malawi. Like others across the world, they joined the army for a variety of reason, chief among them a desire to escape low pay and horrible working conditions.
The RNR participated in some of the key engagements of the German East Africa campaign’s later phase, subsisting on extremely meager rations and suffering from tropical diseases and exhaustion. Because they were commanded by a small group of European officers, most of whom were seconded from the Native Affairs Department and the British South Africa Police, the regiment was dominated by racism. It was not unusual for black soldiers, but never white ones, to be publicly flogged for alleged theft or insubordination. Although it remained in the field longer than all-white units and some of its members received some of Britain’s highest decorations, the Rhodesia Native Regiment was quickly disbanded after the war and conveniently forgotten by the colonial establishment. Southern Rhodesias white settler minority, partly on the strength of its wartime sacrifice, was given political control of the territory through a racially exclusive form of self-government, but black RNR veterans received little support or recognition.
No Insignificant Part takes a new look at an old campaign and will appeal to scholars of African or military history interested in the First World War.

Colin Starnes radical interpretation of the long-recognized affinity of Thomas More’s Utopia and Plato’s Republic confirms the intrinsic links between the two works. Through commentary on More’s own introduction to Book I, the author shows the Republic is everywhere present as the model of the “best commonwealth,” which More must first discredit as the root cause of the dreadful evils in the collapsing political situation of sixteenth-century Europe. Starnes demonstrates how More, once having shorn the Republic of what was applicable to a society that had for a thousand years accepted and been moved by the Christian revelation, then “Christianized” it to arrive at one of the earliest and most coherent accounts of the ideal modern state: the description of Utopia in Book II.
Knowing this radically new view of a long-recognized position may be questioned, the author has included a criticism and appreciation of the other major lines of interpretation concerning More’s Utopia.

Our ancestors saw the material world as alive, and they often personified nature. Today we claim to be realists. But in reality we are not paying attention to the symbols and myths hidden in technology. Beneath much of our talk about computers and the Internet, claims William A. Stahl, is an unacknowledged mysticism, an implicit religion. By not acknowledging this mysticism, we have become critically short of ethical and intellectual resources with which to understand and confront changes brought on by technology.

Two high-level commissions—the Sutherland report in 2004, and the Warwick Commission report in 2007—addressed the future of the World Trade Organization and made proposals for incremental reform. This book goes further; it explains why institutional reform of the WTO is needed at this critical juncture in world history and provides innovative, practical proposals for modernizing the WTO to enable it to respond to the challenges of the twenty-first century. Contributors focus on five critical areas: transparency, decision- and rule-making procedures, internal management structures, participation by non-governmental organizations and civil society, and relationships with regional trade agreements.

Co-published with the International Development Research Centre and the Centre for International Governance Innovation

Writing, for Michael Snow, is as much a form of “art-making” as the broad range of visual art activities for which he is renowned, including the “Walking Woman” series and the film Wavelength. Conversely, many of the texts included in this anthology are as significant visually as they are at the level of content — they are meant to be looked at as well as read. Situated somewhere between a repository of contemporary thought by one of our leading Canadian artists and a history book as it brings to light some important moments in the cultural life of Canada since the 1950s, these texts tell their own story, marking the passage of time, ideas and attitudes.
The works included here, ranging from essays and interviews and record album cover notes to filmscripts and speeches (which, in Snow’s hands, often fall into the category of performance art), are not only “built for browsing,” they offer insights into both the professional and the private Snow. Together, they expand the context of Snow’s work and show the evolution of a great Canadian artist, beginning with his early attempts at defining art, to his emergence and recognition on the international art scene.
This book is one of four books that are part of the Michael Snow Project. Initiated by the Art Gallery of Ontario and The Power Plant Gallery, the project also includes four exhibitions of his visual art and music.

Words of the Huron is an investigation into seventeenth-century Huron culture through a kind of linguistic archaeology of a language that died midway through the twentieth century.
John L. Steckley explores a range of topics, including: the construction of longhouses and wooden armour; the use of words for trees in village names; the social anthropological standards of kinship terms and clans; Huron conceptualizing of European-borne disease; the spirit realm of orenda; Huron nations and kinship groups; relationship to the environment; material culture; and the relationship between the French missionaries and settlers and the Huron people.
Steckley’s source material includes the first dictionary of any Aboriginal language, Recollect Brother Gabriel Sagard’s Huron phrasebook, published in 1632, and the sophisticated Jesuit missionary study of the language from the 1620s to the 1740s, beginning with the work of Father Jean de Brébeuf. The only book of its kind, Words of the Huron will spark discussion among scholars, students, and anyone interested in North American archaeology, Native studies, cultural anthropology, and seventeenth-century North American history.

Adventurer, writer, and artist Allen Smutylo has experienced some of the wildest and most captivating waters imaginable in all corners of the globe. The stories in The Memory of Water—all of them accompanied by the author’s own stunning artwork—describe his adventures in the Arctic, South Pacific, Great Lakes region, and India.
In the Arctic he is attacked by a polar bear, stalked by a rogue walrus, and nearly drowns in ferocious waters. But his Arctic stories also celebrate human creativity as they recount the life of the pre-Inuit people, who, hunting in a changing environment, endured many hardships and developed new technologies, such as the sea kayak, to cope.
Other stories include an account of a sojourn in a small Georgian Bay fishing village as a young artist, an adventure on an urban river in southwestern Ontario, and a portrayal of the complex underwater world of the South Pacific. Travelling the River Ganges in India, the author finds that a massive misuse of water is complicated by a billion people’s faith-based adoration of the same water.
The Memory of Water probes a crucial and contemporary issue—that of our relationship to water and the wildlife and human life that depends upon it. This book will appeal to anyone interested in the natural world, in artistic depictions of it, or in a good story well told.

“Ruby wrote letters home almost every week....She wrote anything that came into her head: about her children and Fred, her housekeeping, food, clothes, her friends, activities, schemes for making money, her dreams for the future....Her letters, nave, intimate and lively, were always optimistic or poignant. We’d read them to each other on the phone or pass them around. Often we saved them.”

So writes Edna Staebler in her introduction to this edited collection of her sister Ruby’s letters from the fifties. In 1957 when Edna first began to collect and edit these letters she did so simply because she was sure that others would enjoy reading them as much as her own family did. Over fifty years later, the letters remain a joy to read and reclaim the ordinary voice of a housewife. Remarkably, these letters echo themes academics want to isolate in order to analyze women’s roles in the modern world — drifting (“life just happened to me”) and contingency (“women’s lives depend on relationships”), for example, as well as the balance between family and work. As a fine example of women’s life writing they also illustrate the literary patterns of overt and covert stories and of textual and subtextual meaning.

Haven’t Any News: Ruby’s Letters from the Fifties includes an Afterword by Marlene Kadar, Associate Professor of Humanities at York University and a leading expert on women’s life writing. All those concerned with women’s studies and with the social history of twentieth-century Canada will find this book of enormous interest and it will delight Edna Staebler fans everywhere.

Africa’s Deadliest Conflict deals with the complex intersection of the legacy of post-colonial history—a humanitarian crisis of epic proportions—and changing norms of international intervention associated with the idea of human security and the responsibility to protect (R2P). It attempts to explain why, despite a softening of norms related to the sanctity of state sovereignty, the international community dealt so ineffectively with a brutal conflict in the Democratic Republic of the Congo, which between 1997 and 2011 claimed an estimated 5.5 million. In particular, the book focuses on the role of mass media in creating a will to intervene, a role considered by many to be the key to prodding a reluctant international community to action.

Included in the book are a primer on Congolese history, a review of United Nations peacekeeping missions in the Congo, and a detailed examination of both US television news and New York Times coverage of the Congo from 1997 through 2008. Separate conclusions are offered with respect to peacekeeping in the Age of R2P and on the role of mass media in both promoting and inhibiting robust international responses to large-scale humanitarian crises.

A master draughtsman, artist Evan Macdonald had extraordinary facility as a painter, printmaker, and book illustrator. Born in Guelph, Ontario, in 1905, to one of the city’s founding Scottish families, Macdonald was a young contemporary of the Group of Seven and pursued his practice in Canada during the Great Depression. He joined the Second World War as an artist-soldier. After the war, Macdonald became a professional portraitist, fulfilling commissions from heads of government, industry, and academia. His paintings chronicling the destruction of Guelph’s historical buildings in the 1950s and 60s both celebrate industrial progress and lament the loss of nineteenth-century craftsmanship.
Evan Macdonald: A Painter’s Life is a richly illustrated chronicle of Macdonald’s life and work from the perspective of the artist’s daughter, Flora Macdonald Spencer, whose insightful essay creates a lasting image of a great Canadian artist. The book offers a unique perspective on the history of Guelph as well as commentary on one of the city’s founding families, their Scottish ancestry, and the establishment and evolution of twentieth-century social and cultural ideals.
Co-published with the Macdonald Stewart Art Centre

How do we make culture and how does culture make us? Canadian Cultural Poesis takes a comprehensive approach toward Canadian culture from a variety of provocative perspectives. Centred on the notion of culture as social identity, it offers original essays on cultural issues of urgent concern to Canadians: gender, technology, cultural ethnicity, and regionalism. From a broad range of disciplines, contributors consider these issues in the contexts of media, individual and national identity, language, and cultural dissent.
Providing an excellent introduction to current debates in Canadian culture, Canadian Cultural Poesis will appeal not only to readers looking for an overview of Canadian culture but also to those interested in cultural studies and interdisciplinarity, as well as scholars in film, art, literature, sociology, communication, and womens studies. This book offers new insights into how we make and are made by Canadian culture, each essay contributing to this poetics, inventing new ways to welcome cultural differences of all kinds fo the Canadian cultural community.

Bridging Two Peoples tells the story of Dr. Peter E. Jones, who in 1866 became one of the first status Indians to obtain a medical doctor degree from a Canadian university. He returned to his southern Ontario reserve and was elected chief and band doctor. As secretary to the Grand Indian Council of Ontario he became a bridge between peoples, conveying the chiefs’ concerns to his political mentor Prime Minister Sir John A. Macdonald, most importantly during consultations on the Indian Act.
The third son of a Mississauga-Ojibwe missionary and his English wife, Peter E. Jones overcame paralytic polio to lead his people forward. He supported the granting of voting rights to Indians and edited Canada’s first Native newspaper to encourage them to vote. Appointed a Federal Indian Agent, a post usually reserved for non-Natives, Jones promoted education and introduced modern public health measures on his reserve. But there was little he could do to stem the ravages of tuberculosis that cemetery records show claimed upwards of 40 per cent of the band.
The Jones family included Native and non-Native members who treated each other equally. Jones’s Mississauga grandmother is now honoured for helping survey the province of Ontario. His mother published books and his wife was an early feminist. The appendix describes how Aboriginal grandmothers used herbal medicines and crafted surgical appliances from birchbark.

The Bible has always been vital to Jewish religious life, and it has been expounded in diverse ways. Perhaps the most influential body of Jewish biblical interpretation is the Midrash that was produced by expositors during the first five centuries CE. Many such teachings are collected in the Babylonian Talmud, the monumental compendium of Jewish law and lore that was accepted as the definitive statement of Jewish oral tradition for subsequent generations.
However, many of the Talmud’s interpretations of biblical passages appear bizarre or pointless. From Sermon to Commentary: Expounding the Bible in Talmudic Babylonia tries to explain this phenomenon by carefully examining representative passages from a variety of methodological approaches, paying particular attention to comparisons with Midrash composed in the Land of Israel.
Based on this investigation, Eliezer Segal argues that the Babylonian sages were utilizing discourses that had originated in Israel as rhetorical sermons in which biblical interpretation was being employed in an imaginative, literary manner, usually based on the interplay between two or more texts from different books of the Bible. Because they did not possess their own tradition of homiletic preaching, the Babylonian rabbis interpreted these comments without regard for their rhetorical conventions, as if they were exegetical commentaries, resulting in the distinctive, puzzling character of Babylonian Midrash.

Family conflict has traditionally been studied by researchers who are at a safe intellectual distance from the families under their study. In Skeletons in the Closet, and in line with feminist research methodologies, the hierarchical distance between researcher and subject is broken down. All of the contributors to this volume are academics, and all are closely related to the families they write about.
Skeletons in the Closet consists of ten essays about unresolved or unresolvable family conflicts. The contributors start from the assumption that families—whether legal-marriage families, common-law marriage families, single-parent families, multiple-generation families, same-sex partnerships, or adoptive families—are cradles of intense emotion. That intensity, they argue, may translate into conflict, competition, domination, abuse, exploitation, or even hate. This book explores those areas most likely to grip family members in unresolved interpersonal strife, as well as the strategies people use to solve the issues and the shame and isolation that conflict brings in societies that normatively expect family life to be one of joy, mutual sharing, and caring.
This first-hand narration of family conflict by social scholars has much to contribute to sociological studies of the family, both methodologically and theoretically. The introduction and conclusion place family conflict within sociological and social psychological theories and methods.

A passionate believer in the power of art—and especially poetry—to influence and critique contemporary culture, Louis Dudek devoted much of his life to shaping the Canadian literary scene through his meditative and experimental poems as well as his work in publishing and teaching. All These Roads: The Poetry of Louis Dudek brings together thirty-five of Dudek’s poems written over the course of his sixty-year career.
Much of Dudek’s poetry is about the practice of art, with comment on the way the craft of poetry is mediated by such factors as university classes, public readings, reviews, commercial presses, and academic conferences. The poems in this selection—witty satires, short lyrics, and long sequences—reflect self-consciously on the relationship between art and life and will draw readers into the dramatic mid-century literary and cultural debates in which Dudek was an important participant.
Karis Shearer’s introduction provides an overview of Dudek’s prolific career as poet, professor, editor, publisher, and critic, and considers the ways in which Dudek’s functional poems help, both formally and thematically, to carry out the tasks associated with those roles. Comparing Dudek’s reception to that of NourbeSe Philip, Marilyn Dumont, and Roy Miki, Frank Davey’s afterword locates Dudek in a pre-1980s version of multiculturalism that is more complex than many critics would have it. According to Davey, Dudek broadened the limits on the possible range and type of poetry for subsequent generations of Canadian writers.

In Committed to the Sane Asylum: Narratives on Mental Wellness and Healing, artist Susan Schellenberg, a former psychiatric patient, and psychologist Rosemary Barnes relate their own stories, conversations, and reflections concerning the contributions and limitations of conventional mental health care and their collaborative search for alternatives such as art therapy. Patient and doctor each describe personal decisions about the mental health system and the creative life possibilities that emerged when mind, body, and spirit were committed to well-being and healing.
Interwoven patient/doctor narratives explain conventional care, highlight critical steps in healing, and explore varied perspectives through conversations with experts in psychiatry, feminist approaches, art, storytelling, and business. The book also includes reproductions of Susan’s mental health records and dream paintings.
This book will be important for consumers of mental health care wishing to understand the conventional system and develop the best quality of life. Rich personal detail, critical perspective, clinical records, and art reproductions make the book engaging for a general audience and stimulating as a teaching resource in nursing, social work, psychology, psychiatry, and art therapy.

“This book...avoids the political debates about Jean-Bertrand Aristide that dominate so many current writings about Haiti. Its focus is the society itself, the sources of difference, the origins of violence, and the possibility of change....The superb work done by the editors has established a high standard for future efforts.” (Terry Copp and John English from the Preface)
Haiti is a country in the midst of a political, economic, ecological, and social crisis. Violence has sabotaged attempts to establish the rule of law, and state infrastructure is notably absent in much of the country, leading to an overall climate of insecurity. Haiti: Hope for a Fragile State sheds light on the varied and complex roots of the current crisis, dispels misperceptions, and suggests that the situation in Haiti, despite evidence to the contrary, is not completely desperate. It brings together diverse perspectives on development, the military, history, NGOs, and politics and discusses the peace-building efforts of the past, suggesting ways to move forward to make Haiti a strong state.
Co-published with the Centre for International Governance Innovation

Henry Schogt met his wife, Corrie, in 1954 in Amsterdam. Each knew the other had grown up in the Netherlands during World War II, but for years they barely spoke of their experiences. This was true for many people — the memories were just too painful. Years later, Henry and Corrie began to piece their memories together, to untangle reality from dreams. Their intent was to help others understand what had happened then, and how it influenced and affected not only their lives but those of all who survived.
The seven stories in The Curtain reveal how two families — one Jewish, one non-Jewish — fared in the Netherlands during the German occupation in World War II. Each vignette highlights a specific aspect of life; all show how life changed for everyone, and forever.
Four stories are based on the author’s memories of his own non-Jewish family: Henry’s friendship with a Jewish teenager; the conflict of personal antipathy with the realization that help must be provided; the Schogt parents’ determination to do the right thing; the difficulties of coping with an aunt with Nazi sympathies. These are stories about the randomness of survival and the elusive nature of memory.
For the Jewish family, three stories drawn from the memories of the author’s wife and family demonstrate the bewildering situation of trying to make impossible life-determining decisions when faced with confusing and deceitful decrees. The family must struggle with the luck — or absence thereof — of finding refuge when forced from their homes, and with the perplexing inconsistencies of the collaboration of Dutch authorities and police with the Nazis.
The Curtain emphasizes the difference between the options that were open to non-Jews and Jews in the Netherlands. Non-Jews could freely choose whether to actively resist the Germans, collaborate with the Nazis, or just to do nothing, and try to live a normal life in spite of wartime restrictions.
Dutch Jews, on the other hand, did not have a choice — whatever they did, whatever decisions they made, they were doomed, and it often seemed, when someone survived, just simple luck. A short introduction about the war years and an appendix with a chronology of decrees, events, and statistics, provide background information for this haunting memoir of those disturbing years during the German Occupation in the Netherlands.

Co-published with the Waterloo Centre for German Studies
For centuries, large numbers of German-speaking people have emigrated from settlements in Europe to other countries and continents. In German Diasporic Experiences: Identity, Migration, and Loss, more than forty international contributors describe and discuss aspects of the history, language, and culture of these migrant groups, individuals, and their descendants. Part I focuses on identity, with essays exploring the connections among language, politics, and the construction of histories—national, familial, and personal—in German-speaking diasporic communities around the world. Part II deals with migration, examining such issues as German migrants in postwar Britain, German refugees and forced migration, and the immigrant as a fictional character, among others. Part III examines the idea of loss in diasporic experience with essays on nationalization, language change or loss, and the reshaping of cultural identity.
Essays are revised versions of papers presented at an international conference held at the University of Waterloo in August 2006, organized by the Waterloo Centre for German Studies, and reflect the multidisciplinarity and the global perspective of this field of study.

Why, Salmond asks, would nineteenth-century Hindus who come from an iconic religious tradition voice a kind of invective one might expect from Hebrew prophets, Muslim iconoclasts, or Calvinists?
Rammohun was a wealthy Bengali, intimately associated with the British Raj and familiar with European languages, religion, and currents of thought. Dayananda was an itinerant Gujarati ascetic who did not speak English and was not integrated into the culture of the colonizers. Salmond’s examination of Dayananda after Rammohun complicates the easy assumption that nineteenth-century Hindu iconoclasm is simply a case of borrowing an attitude from Muslim or Protestant traditions.
Salmond examines the origins of these reformers’ ideas by considering the process of diffusion and independent invention—that is, whether ideas are borrowed from other cultures, or arise spontaneously and without influence from external sources. Examining their writings from multiple perspectives, Salmond suggests that Hindu iconoclasm was a complex movement whose attitudes may have arisen from independent invention and were then reinforced by diffusion.
Although idolatry became the symbolic marker of their reformist programs, Rammohun’s and Dayananda’s agendas were broader than the elimination of image-worship. These Hindu reformers perceived a link between image-rejection in religion and the unification and modernization of society, part of a process that Max Weber called the “disenchantment of the world.” Focusing on idolatry in nineteenth-century India, Hindu Iconoclasts investigates the encounter of civilizations, an encounter that continues to resonate today.

The Olympic Games have had two lives—the first lasted for a millennium with celebrations every four years at Olympia to honour the god Zeus. The second has blossomed over the past century, from a simple start in Athens in 1896 to a dazzling return to Greece in 2004. Onward to the Olympics provides both an overview and an array of insights into aspects of the Games’ history. Leading North American archaeologists and historians of sport explore the origins of the Games, compare the ancient and the modern, discuss the organization and financing of such massive athletic festivals, and examine the participation ,or the troubling lack of it, by women.

Onward to the Olympics bridges the historical divide between the ancient and the modern and concludes with a thought-provoking final essay that attempts to predict the future of the Olympics over the twenty-first century.

Although the infant has been a consistent figure in literature (and, for many people, a significant figure in personal life), there’s been little attention focused on infants, or on their place in Canadian fiction, until now.
In this book, Sandra Sabatini examines Canadian fiction to trace the ideological charge behind the represented infant. Examining writers from L.M. Montgomery and Frederick Philip Grove to Thomas King and Terry Griggs, Sabatini compares women’s writing about babies with the way infants appear in texts by men over the course of a century. She discovers a range of changing attitudes toward babies. After being seen as a source of financial burden, social shame, or sentimental fantasy, infants have increasingly become a source of value and meaning.
The book challenges the perception of babies as passive objects of care and argues for a reading of the infant as a subject in itself. It also reflects upon how the representations of infancy in Canadian literature offer an intriguing portrait of how we imagine ourselves.

The selections in Fierce Departures, drawn from Dionne Brand’s work since 1997, delineate with searing eloquence how history marks and dislocates peoples of the African diaspora, how nations, concretely and conceptually, fail to create safe haven, and how human desire persists nevertheless. Through a widening canvas, Brand unfolds the (im)possibilities of belonging for those whom history has dispossessed. Yet she also shows how Canada, and in particular Toronto, remade by those who alight on it, is a place of contingency. Known for her linguistic intensity and lyric brilliance, Brand consoles through the beauty of her work and disturbs with its uncompromising demand for ethical witness.
In her introduction, editor Leslie C. Sanders traces the evolution of Brand’s poetic concerns and changing vision. In particular, she observes Brand’s complex use of landscape and language to delineate the ethical and emotional issues around the desire for place. She argues that Brand reformulates Northrop Frye’s question “Where is here?,” disturbing and expanding the national imaginary.
As afterword, Brand has selected passages from her evocative collection of essays A Map to the Door of No Return. Read as an ars poetica, the passages summon the presences of those whose lives are circumscribed by the histories the poet narrates as her own.

To the very few women who were teaching in Ontario’s universities at the time of the great expansion in the 1960s, Flora Roy is a legendary figure. To many others, academic colleagues and former students, she has continued to be just that through all the years since....Flora Roy is unique among Canadian academics. She shepherded her department through perilous times without compromising her standards or adjusting them to meet the noisy demands of fad or faction. The successes and devotion of her students are her continuing testimony.” — Clara Thomas, Canadian Woman Studies
Building on the success of her first volume, Recollections of Waterloo College, Flora Roy’s Recollections of Waterloo Lutheran University 1960-1973 continues her personal and anecdotal history of Wilfrid Laurier University. This memoir picks up the story following the institutions transition from Waterloo College, a small college affiliated with the University of Western Ontario, to the independent Waterloo Lutheran University. Documenting student demonstrations and faculty unrest of the 1960s as well as the university’s evolution from a religious to a secular institution, this illustrated book will appeal not only to alumni but to those interested in the history of Kitchener-Waterloo and of postsecondary education in Ontario.
The royalties from the sale of this book will be directed towards funding scholarships.

Provides a new understanding of the relationship between Church and State in 20th-century Costa Rica.
Understanding the relationship between religion and social justice in Costa Rica involves piecing together the complex interrelationships between Church and State — between priests, popes, politics, and the people. This book does just that.
Dana Sawchuk chronicles the fortunes of the country’s two competing forms of labour organizations during the 1980s and demonstrates how different factions within the Church came to support either the union movement or Costa Rica’s home-grown Solidarity movement.
Challenging the conventional understanding of Costa Rica as a wholly peaceful and prosperous nation, and traditional interpretations of Catholic Social Teaching, this book introduces readers to a Church largely unknown outside Costa Rica. Sawchuk has carefully analyzed material from a multitude of sources — interviews, newspapers, books, and articles, as well as official Church documents, editorials, and statements by Church representativesto provide a firmly rooted socio-economic history of the experiences of workers, and the Catholic Church’s responses to workers in Costa Rica.

When Flora Roy accepted a teaching position at Waterloo College in 1948, she imagined it would be a temporary posting until she finished her dissertation and returned to Toronto or another large Canadian university. Little did she know that, as head of the English department, she would stay on and find herself involved in local controversies.
This memoir recalls Roy’s early days at Waterloo College (when its standards were still supervised by the University of Western Ontario) and traces the gradual pressures to merge with the new University of Waterloo. As history shows, Waterloo College resisted what was seen then as corporate pressure and became instead an independent and much-loved institution called Waterloo Lutheran University (which later became Wilfrid Laurier University). The story of the transformation of Waterloo College into Waterloo Lutheran University is told through anecdotes and shows that, despite its size, the small campus was very connected to the larger world.
The royalties from the sale of this book will be directed towards funding scholarships.
All photographs were used with the kind permission of Wilfrid Laurier University Archives and Special Collections.
Please note that in future printings, the third last paragraph of Recollections of Waterloo College will be corrected to read as follows:
I have been circuitous about this, but I should now admit that I feel that a concession to candidates for academic employment, that indicates that they have not the time, or the endurance or may we say the ability to go further, throws a shadow over those who take advantage of it. In addition, it suggests that they are not especially fitted for the rigours of life as university faculty members.

Volume Two of this retrospective bibliography is both a continuation and an expansion of Volume One (1984). It contains references to Canadian medical-historical literature published between 1984 and 1998, and also includes much additional material published prior to 1984. Finally, it substantially enlarges the content of French-language material. Every effort has been made to be as inclusive as possible of articles, theses, book chapters and books, both in English and in French, relating to the history of medicine. No single electronic source can replace this bibliography.

The contents are divided into three sections. The first is a listing of material expressly biographical. Section two lists material under a wide variety of subject headings related to medicine, and the third is a complete listing of the authors who have contributed these articles. Simply organized and easy to use, this bibliography will be of value to historians, archivists, librarians, and anyone interested in the history of medicine.

This book is about the experience of reading–what reading feels like, how it makes people feel, how people read and under what conditions, what drives people to read, and, conversely, what halts the individual in the pursuit of the pleasures of reading. The authors consider reading in all of its richness as they explore readers' relationships with diverse textual and digital forms.

This edited volume is divided into three sections: Theory, Practice, and Politics. The first provides insights into ways of seeing, thinking, and conceptualizing the experience of reading. The second features a variety of individual and social practices of reading. The third explores the political and ethical aspects of the reading experience, raising questions about the role that reading plays in democracy and civic participation.

With contributions from multidisciplinary scholars from around the world, this book provides provocative insights into what it means to be a reader reading in and across various social, cultural, and political contexts. Its unifying theme of the reader's experience of reading is put into dialogue with theories, practices, and politics, making this a rewarding read for graduate students, faculty, researchers, and librarians working across a range of academic fields.

Sickness, starvation, brutality, and forced labour plagued the existence of tens of thousands of Allied POWs in World War II. More than a quarter of these POWs died in captivity.
Long Night’s Journey into Day centres on the lives of Canadian, British, Indian, and Hong Kong POWs captured at Hong Kong in December 1941 and incarcerated in camps in Hong Kong and the Japanese Home Islands. Experiences of American POWs in the Philippines, and British and Australians POWs in Singapore, are interwoven throughout the book.
Starvation and diseases such as diphtheria, beriberi, dysentery, and tuberculosis afflicted all these unfortunate men, affecting their lives not only in the camps during the war but after they returned home. Yet despite the dispiriting circumstances of their captivity, these men found ways to improve their existence, keeping up their morale with such events as musical concerts and entertainments created entirely within the various camps.
Based largely on hundreds of interviews with former POWs, as well as material culled from archives around the world, Professor Roland details the extremes the prisoners endured — from having to eat fattened maggots in order to live to choosing starvation by trading away their skimpy rations for cigarettes.
No previous book has shown the essential relationship between almost universal ill health and POW life and death, or provides such a complete and unbiased account of POW life in the Far East in the 1940s.

This book of personal essays by over forty women and men who founded women’s studies in Canada and Québec explores feminist activism on campus in the pivotal decade of 1966-76. The essays document the emergence of women’s studies as a new way of understanding women, men, and society, and they challenge some current preconceptions about “second wave” feminist academics.
The contributors explain how the intellectual and political revolution begun by small groups of academics—often young, untenured women—at universities across Canada contributed to social progress and profoundly affected the way we think, speak, behave, understand equality, and conceptualize the academy and an academic career. A contextualizing essay documents the social, economic, political, and educational climate of the time, and a concluding chapter highlights the essays’ recurring themes and assesses the intellectual and social transformation that their authors helped set in motion.
The essays document the appalling sexism and racism some women encounter in seeking admission to doctoral studies, in hiring, in pay, and in establishing the legitimacy of feminist perspectives in the academy. They reveal sources of resistance, too, not only from colleagues and administrators but from family members and from within the self. In so doing they provide inspiring examples of sisterly support and lifelong friendship.

This state-of-the-art account gives readers the tools to understand why antisemitism is such a controversial subject. It acquaints readers with the ambiguities inherent in the historical relationship between Jews and Christians and shows these ambiguities in play in the unfolding relationship between Jews and Canadians of other religions and ethnicities. It examines present relationships in light of history and considers particularly the influence of antisemitism on the social, religious, and political history of the Canadian Jewish community. 
A History of Antisemitism in Canada builds on the foundation of numerous studies on antisemitism in general and on antisemitism in Canada in particular, as well as on the growing body of scholarship in Canadian Jewish studies. It attempts to understand the impact of antisemitism on Canada as a whole and is the first comprehensive account of antisemitism and its effect on the Jewish community of Canada. The book will be valuable to students and scholars not only of Canadian Jewish studies and Canadian ethnic studies but of Canadian history.

Canadian Graphic: Picturing Life Narratives presents critical essays on contemporary Canadian cartoonists working in graphic life narrative, from confession to memoir to biography. The contributors draw on literary theory, visual studies, and cultural history to show how Canadian cartoonists have become so prominent in the international market for comic books based on real-life experiences. The essays explore the visual styles and storytelling techniques of Canadian cartoonists, as well as their shared concern with the spectacular vulnerability of the self. Canadian Graphic also considers the role of graphic life narratives in reimagining the national past, including Indigenous–settler relations, both world wars, and Quebec’s Quiet Revolution.
Contributors use a range of approaches to analyze the political, aesthetic, and narrative tensions in these works between self and other, memory and history, individual and collective. An original contribution to the study of auto/biography, alternative comics, and Canadian print culture, Canadian Graphic proposes new ways of reading the intersection of comics and auto/ biography both within and across national boundaries.

In From the Iron House: Imprisonment in First Nations Writing, Deena Rymhs identifies continuities between the residential school and the prison, offering ways of reading “the carceral”—that is, the different ways that incarceration is constituted and articulated in contemporary Aboriginal literature. Addressing the work of writers like Tomson Highway and Basil Johnston along with that of lesser-known authors writing in prison serials and underground publications, this book emphasizes the literary and political strategies these authors use to resist the containment of their institutions.
The first part of the book considers a diverse sample of writing from prison serials, prisoners’ anthologies, and individual autobiographies, including Stolen Life by Rudy Wiebe and Yvonne Johnson, to show how these works serve as second hearings for their authors—an opportunity to respond to the law’s authority over their personal and public identities while making a plea to a wider audience. The second part looks at residential school narratives and shows how the authors construct identities for themselves in ways that defy the institution’s control. The interactions between these two bodies of writing—residential school accounts and prison narratives—invite recognition of the ways that guilt is colonially constructed and how these authors use their writing to distance themselves from that guilt.
Offering new ways of reading Native writing, From the Iron House is a pioneering study of prison literature in Canada and situates its readings within international criticism of prison writing. Contributing to genre studies and theoretical understandings of life writing, and covering a variety of social topics, this work will be relevant to readers interested in indigenous studies, Canadian cultural studies, postcolonial studies, auto/biography studies, law, and public policy.

Accident of Fate is a first-hand account of persecution, rescue, and resistance in the Axis-occupied former Yugoslavia.
At the age of thirteen, Imre Rochlitz fled to Yugoslavia from his childhood home in Vienna following the Nazi Anschluss, leaving his family behind. In January 1942 the Ustashe (Croatian Fascists) arrested and interned him in the Jasenovac death camp, where he dug mass graves. On the verge of death, Rochlitz was released due to the extraordinary intervention of a Nazi general. He escaped to the Adriatic coast, where he and several thousand other Jewish refugees were protected by the army of Fascist Italy. After Italy’s surrender, he joined Tito’s Partisans, becoming an officer and army veterinarian, and rescued dozens of downed Allied airmen. In 1945, he fled Yugoslavia’s Communist regime and reached liberated southern Italy. In 1947, at the age of twenty-two, he emigrated to the United States.
With unique personal photographs and documents supporting the text, this eyewitness narrative covers little-known topics and provides a revealing historical account of the period. The book helps clarify and render accessible the complexities and contradictions of conflict and genocide in wartime Yugoslavia.