“A fitting conclusion to a well-researched and meticulously edited memoir translation.” — Kirkus Reviews

“You have to read this book… It’s not like anything you read before.” — Tablet Magazine

Set in Ukraine, Crimea, and Israel, this unique two-volume autobiography offers a fascinating, detailed picture of life in Tsarist Russia and Israel during the late 19th and early 20th centuries. Goldenshteyn (1848-1930), a traditional Jew who was orphaned as a young boy and became a shochet (kosher slaughterer) as a young man, is a master storyteller. Folksy, funny, streetwise, and self-confident, he is a keen observer of his surroundings. His accounts are vivid and readable, sometimes stunning in their intensity. 

The memoir is brimming with information. Goldenshteyn’s adventures shed light on communal life, persecution, family relationships, religious practices and beliefs, social classes, local politics, interactions between Jews and other religious communities, epidemics, poverty, competition for resources, migration, war, technology, modernity and secularization. In chronicling his own life, Goldenshteyn inadvertently tells a bigger story—the story of how a small, oppressed people, among other minority groups, struggled for survival in the massive Russian Empire and in the Land of Israel.

Volume two begins in 1873, when Goldenshteyn obtains his first position as a shochet in Slobodze, and it follows him to the Crimea, where he endures 34 years  of vicissitudes. In 1913, he fulfills a dream of immigrating to the Land of Israel, hoping to find tranquility in his old age. Instead, he is met with the turbulence of the First World War, as battles rage between the retreating Ottoman Turks and the advancing British forces.

 

Informed by research in Ukrainian, Israeli and American archives and personal interviews with the few surviving individuals who knew Goldenshteyn personally, The Shochet is a magnificent new contribution to Jewish and Eastern European history.

Piety and Rebellion examines the span of the Hasidic textual tradition from its earliest phases to the 20th century. The essays collected in this volume focus on the tension between Hasidic fidelity to tradition and its rebellious attempt to push the devotional life beyond the borders of conventional religious practice. Many of the essays exhibit a comparative perspective deployed to better articulate the innovative spirit, and traditional challenges, Hasidism presents to the traditional Jewish world. Piety and Rebellion is an attempt to present Hasidism as one case whereby maximalist religion can yield a rebellious challenge to conventional conceptions of religious thought and practice.

Building Bridges Among Abraham’s Children honors the extraordinary career of Professor Michael Berenbaum, a luminary in Holocaust studies, museum design, filmmaking, and interfaith dialogue. With contributions from renowned scholars and close friends, the short and highly readable essays in this collection delve into the core themes that have defined Professor Berenbaum’s work: biblical and postbiblical narratives, rabbinic thought and action, Jewish commitment to education, interreligious relations, and Holocaust remembrance. From his role in building the US Holocaust Memorial Museum to his pioneering work in preserving survivor testimonies through film, Professor Berenbaum’s influence is profound and multifaceted, and the compelling essays in this volume serve as a tribute to a scholar whose enduring legacy continues to make a global impact.

Building Bridges Among Abraham’s Children honors the extraordinary career of Professor Michael Berenbaum, a luminary in Holocaust studies, museum design, filmmaking, and interfaith dialogue. With contributions from renowned scholars and close friends, the short and highly readable essays in this collection delve into the core themes that have defined Professor Berenbaum’s work: biblical and postbiblical narratives, rabbinic thought and action, Jewish commitment to education, interreligious relations, and Holocaust remembrance. From his role in building the US Holocaust Memorial Museum to his pioneering work in preserving survivor testimonies through film, Professor Berenbaum’s influence is profound and multifaceted, and the compelling essays in this volume serve as a tribute to a scholar whose enduring legacy continues to make a global impact.

This book examines the New Cold War between Anglophone Western and Russian media, focusing on its coverage of LGBTIQ+ topics and representations of Russian femininity, masculinity, racial and gender diversity, and disability. It interrogates how the Anglophone media constructs images of vulnerable bodies and groups in Russia, juxtaposing them with the vengeful state and the powerful figure of Putin. These media discourses delineate and unify liberal values as American and Western and contrast them with "backward" Russian values. Paradoxically, in its endeavor to accentuate American dominance and its role in global affairs, various news outlets and entertainment media amplify homophobic, heteronormative, and racist narratives stemming from Russian sources and lend support to Putin's self-portrayal as a formidable opponent to the West. While the West expresses outrage at Putin’s criminalization of LGBTIQ+ activity, it draws on homophobic language to mock his shirtless horse-riding and “bromance” with Trump; the West condemns Russia's oppression of women, yet peddles the Orientalist idea of the "Slavic Femme"―that is, the hypersexualized trickster.