Academic Studies Press

This groundbreaking biography of Mikhail Tomsky reveals his central role in all the key developments in early Soviet history, including the stormy debates over the role of trade unions in the self-proclaimed workers’ state. Charters Wynn’s compelling account illuminates how the charismatic Tomsky rose from an impoverished working-class to become both a Politburo member and the head of the trade unions, where he helped shape Soviet domestic and foreign policy along generally moderate lines throughout the 1920s. His failed attempt to block Stalin’s catastrophic adoption of forced collectivization of agriculture would tragically make Tomsky a prime target in the Great Purges.

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Опираясь на российские и британские архивы и мощную базу вторичных источников, Чартерс Уинн предлагает новые интерпретации истории советских профсоюзов и политики Коммунистической партии в 1920-х годах. В центре его монографии — фигура Михаила Томского, жизненный и политический путь которого автор прослеживает от начала политической активности в дореволюционной заводской среде и до последнего — ставшего фатальным — конфликта со Сталиным по поводу коллективизации.

This groundbreaking volume bridges ancient wisdom and contemporary Jewish spirituality, offering fresh insights into Hasidic homilies as dynamic sources of meaning and renewal. Featuring nineteen scholars and educators, the book delves into the mystical depth and poetic imagination of these texts, revealing their power to inspire ethical and spiritual growth. Through close readings and practical reflections, the contributors explore innovative pedagogies for hermeneutical and existential transformation. With a programmatic introduction by Elie Holzer, this collection offers a rare look at the lived experience of teaching Hasidic homilies, addressing classroom dilemmas and spiritual impact. Essential for seekers and educators, it opens new pathways to renewed Jewish spirituality and divine-centered living.

It is 1918 in Moscow. The communist revolution is in full swing. Food is scarce, living conditions harsh. Two women meet on the stage of an empty theater. One is the now famous twenty-six-year-old poet Maria Tsvetaeva, the other the twenty-four-year-old actress Sonia Holliday (Sonechka).The Story of Sonechka, written almost twenty years later, is a vivid account, at once comic and tragic, of their love for each other. A previously untranslated masterpiece (Dmitry Bikov calls it “one of the five best books in world literature”), it stands as a testament to the artistry with which Tsvetaeva wrote prose; the vicissitudes of her life, love, and work; and the intense dynamics of Moscow culture in the wake of the Revolution. It also constitutes an exceedingly rare and early example of queer prose literature originally written in Russian.

During World War II, thousands of Moldovan Jews were imprisoned in the Obodovka ghetto, located in the Romanian-occupied part of Ukraine. Unlike the areas under German control where Jews faced systematic extermination, survival rates were marginally higher under Romanian occupation, as soldiers there did not pursue mass executions with bullets. Despite this, most of the ghetto's inhabitants succumbed to starvation and disease during the harsh first winter. Journalist Julie Masis captures this lesser-known chapter of the Holocaust through the memories of her grandfather Shlomo Masis, a survivor who lived to the remarkable age of 102. His recollections reveal stories of resilience, including how some Ukrainians aided the Jews in the ghetto. Masis also delves into a poignant family legend about a German medic who reportedly fell in love with her Jewish grandmother. This narrative sheds light on both the horrors and the unexpected human connections that emerged during one of history's darkest periods.

It is 1918 in Moscow. The communist revolution is in full swing. Food is scarce, living conditions harsh. Two women meet on the stage of an empty theater. One is the now famous twenty-six-year-old poet Maria Tsvetaeva, the other the twenty-four-year-old actress Sonia Holliday (Sonechka). The Story of Sonechka, written almost twenty years later, is a vivid account, at once comic and tragic, of their love for each other. A previously untranslated masterpiece (Dmitry Bikov calls it “one of the five best books in world literature”), it stands as a testament to the artistry with which Tsvetaeva wrote prose; the vicissitudes of her life, love, and work; and the intense dynamics of Moscow culture in the wake of the Revolution. It also constitutes an exceedingly rare and early example of queer prose literature originally written in Russian.

During World War II, thousands of Moldovan Jews were imprisoned in the Obodovka ghetto, located in the Romanian-occupied part of Ukraine. Unlike the areas under German control where Jews faced systematic extermination, survival rates were marginally higher under Romanian occupation, as soldiers there did not pursue mass executions with bullets. Despite this, most of the ghetto's inhabitants succumbed to starvation and disease during the harsh first winter. Journalist Julie Masis captures this lesser-known chapter of the Holocaust through the memories of her grandfather Shlomo Masis, a survivor who lived to the remarkable age of 102. His recollections reveal stories of resilience, including how some Ukrainians aided the Jews in the ghetto. Masis also delves into a poignant family legend about a German medic who reportedly fell in love with her Jewish grandmother. This narrative sheds light on both the horrors and the unexpected human connections that emerged during one of history's darkest periods.

The political and social turmoil of the twentieth century took Magda Nachman from a privileged childhood in St. Petersburg at the close of the nineteenth century, artistic studies with Léon Bakst and Kuzma Petrov-Vodkin at the Zvantseva Art Academy, and participation in the dynamic symbolist/modernist artistic ferment in pre-Revolutionary Russia to a refugee existence in the Russian countryside during the Russian Civil War followed by marriage to a prominent Indian nationalist, then with her husband to the hardships of émigré Berlin in the 1920s and 1930s, and finally to Bombay, where she established herself as an important artist and a mentor to a new generation of modern Indian artists.

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Биография художницы необычной судьбы, которая написала портрет Марины Цветаевой в Коктебеле, Владимира Набокова в Берлине, а закончила жизнь признанной художницей и наставником бомбейских «художников-прогрессистов» в Индии. 

Политические и социальные потрясения, свойственные ХХ веку, вели Магду Максимилиановну Нахман (1889–1951) от благополучного детства в Санкт-Петербурге в конце ХIХ века, учебы со Львом Бакстом и Кузьмой Петровым-Водкиным в художественной школе Елизаветы Николаевны Званцевой, к участию в бурной символистской и модернистской художественной жизни предреволюционной России, а затем к бегству от гражданской войны в русскую глубинку. Вернувшись в Москву, она вышла замуж за известного борца за свободу Индии М. П. Т. Ачария, с которым пережила трудности эмиграции в Берлине 20–30-х, а затем уехала в Бомбей, где утвердилась как значимый художник, член «Бомбейского художественного общества» и наставник нового поколения индийских художников.Лина Бернштейн буквально по крупицам воссоздала ее жизнеописание из писем, дневниковых записей, архивных документов и бесед с теми, кто знал Магду в поздние годы.

This compelling family history spans from the 1890s to the 21st century, weaving personal stories into the broader fabric of German history to reveal a deeply moving account of survival, courage, and resilience. At the heart of this narrative is Paul Bernstein, a Jewish WWI veteran who was awarded for his bravery but ultimately perished in Auschwitz in 1944, and his wife, Johanna Moosdorf, a non-Jewish woman who fought tirelessly to protect their family. Their two half-Jewish children, Barbara and Thomas, born in the late 1930s, faced constant danger during WWII. Yet, thanks to Johanna’s courageous efforts and Nazi policies that treated half-Jews differently, the children survived the war.

With a powerful epilogue that reflects on Germany’s response to its Nazi past and its relevance to contemporary far-right movements, including those in the U.S., this book offers a timely perspective on history’s echoes in today’s world. This unforgettable story captures a family’s fight for survival amidst one of history’s darkest chapters, making it an essential read for anyone interested in personal stories of resistance and the enduring lessons of the past.

Siblings in Tolstoy and Dostoevsky is the first book about siblings in Russian literature. Combining close readings with diverse theoretical perspectives on kinship, attachment, and brotherhood, the book offers a new understanding of love, family, and the way these intimate topics constitute the core of Tolstoy and Dostoevsky’s philosophical and religious ideals in their major novels. Berman shows how these two great writers built upon their conceptions of the literal sibling bond—that is, intimacy without the dangers of Eros—to arrive at their ideals of universal brotherhood. In the nineteenth-century, between two major revolutions (French and Russian) where “brotherhood” was a central tenant and rallying cry, ideas about siblinghood and its expansive potential were not merely family concerns, but of social and political significance. Russia's more inclusive conception of family ties made possible an extension of intimate family ties to the spiritual unity of the human family. The book’s conclusion discusses other Russian and British family novelists, situating Tolstoy and Dostoevsky’s treatment of siblings in its literary context, and making Siblings in Tolstoy and Dostoevsky an important resource for scholars of the family novel.

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В книге Анны А. Берман раскрывается значение братства в произведениях Л. Н. Толстого и Ф. М. Достоевского. В исследовательской литературе, посвященной их романам, психология отношений между героями изучалась преимущественно сквозь призму эротической любви у Толстого и конфликта поколений у Достоевского. Внимательно читая главные романы писателей, Берман показывает изображение отношений братьев и сестер как стабилизирующую силу, противостоящую и непредсказуемым, часто разрушительным проявлениям романтического влечения, и строгой патриархальной структуре поколений. Прослеживая творческую эволюцию каждого из писателей, в которой темы отношений внутри семьи постепенно замещаются размышлениями о всеобщем братстве, Берман доказывает, что оба автора приходят к схожему заключению: Толстой и Достоевский принимают братскую любовь как идеальную модель всех человеческих отношений.

This book, focusing on the history of religious and political thinking in early modern Russia, demonstrates that Russia’s path toward enlightenment began long before Peter the Great’s opening to the West. Examining a broad range of writings, G. M. Hamburg shows why Russia’s enlightenment constituted a precondition for the explosive emergence of nineteenth-century writers such as Fedor Dostoevsky and Vladimir Soloviev

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В книге, посвященной истории российской религиозной и политической мысли Раннего Нового времени, автор показывает, что путь России к просвещению начался задолго до того, как Петр Великий распахнул окно в Европу. Исследуя широкий круг произведений, Г. М. Хэмбург помогает увидеть, каким образом российское просвещение послужило предпосылкой для расцвета таких писателей XIX века, как Федор Достоевский и Владимир Соловьев.

This volume presents a chronological biography of Alexander Pushkin, often held to be Russia’s national poet and writer. Lotman pays special attention to the development of Pushkin’s social and political thought throughout the poet’s life, painting a picture of the poet as having been deeply in tune with and even involved in the most pressing socio-political challenges of his age, such as the issue of constitutional monarchy and revolution through his association with various members of the Decembrist movement, the issue of serfdom, and his struggle for personal, creative, and financial freedom as a writer who was under constant public scrutiny and state surveillance. Lotman also fascinatingly describes the deliberate measures Pushkin undertook in his own life to shape the public’s perception of him, essentially treating his life and personal mythology as a work of art in itself. 

The project of repairing and healing a damaged earth has a long and fascinating past. Natural resource managers today call this pursuit restoration, renaturing or perhaps rewilding, but its main activities have taken many forms over the last century. The reader joins the great environmental thinker, George Perkins Marsh, to travel between North America and Europe for discovering many ways of undoing environmental wrongs. Russian readers will appreciate that Marsh’s greatest insight— that “man is everywhere a disturbing agent” — appeared in his Человек и природа (1866), shortly after the original English edition to begin motivating new environmental practices in their own vast landscapes.

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Проект по оздоровлению поврежденной земли имеет давнее и увлекательное прошлое. Этот процесс обычно называют рекультивацией или восстановлением, и он имеет множество разных форм. На страницах этой книги читатель месте с великим экологическим мыслителем Джорджем Перкинсом Маршем отправится в путешествие между Северной Америкой и Европой, чтобы открыть для себя множество способов исправления экологических ошибок. Российские читатели оценят, что величайшая мысль Марша — «человек является повсюду как разрушающий деятель» — была озвучена на русском языке в книге «Человек и природа» еще в 1866 году и послужила стимулом для выработки новых экологических практик в том числе и в России.

“A fitting conclusion to a well-researched and meticulously edited memoir translation.” — Kirkus Reviews

“You have to read this book… It’s not like anything you read before.” — Tablet Magazine

Set in Ukraine, Crimea, and Israel, this unique two-volume autobiography offers a fascinating, detailed picture of life in Tsarist Russia and Israel during the late 19th and early 20th centuries. Goldenshteyn (1848-1930), a traditional Jew who was orphaned as a young boy and became a shochet (kosher slaughterer) as a young man, is a master storyteller. Folksy, funny, streetwise, and self-confident, he is a keen observer of his surroundings. His accounts are vivid and readable, sometimes stunning in their intensity. 

The memoir is brimming with information. Goldenshteyn’s adventures shed light on communal life, persecution, family relationships, religious practices and beliefs, social classes, local politics, interactions between Jews and other religious communities, epidemics, poverty, competition for resources, migration, war, technology, modernity and secularization. In chronicling his own life, Goldenshteyn inadvertently tells a bigger story—the story of how a small, oppressed people, among other minority groups, struggled for survival in the massive Russian Empire and in the Land of Israel.

Volume two begins in 1873, when Goldenshteyn obtains his first position as a shochet in Slobodze, and it follows him to the Crimea, where he endures 34 years  of vicissitudes. In 1913, he fulfills a dream of immigrating to the Land of Israel, hoping to find tranquility in his old age. Instead, he is met with the turbulence of the First World War, as battles rage between the retreating Ottoman Turks and the advancing British forces.

Informed by research in Ukrainian, Israeli and American archives and personal interviews with the few surviving individuals who knew Goldenshteyn personally, The Shochet is a magnificent new contribution to Jewish and Eastern European history.

This book, focusing on the history of religious and political thinking in early modern Russia, demonstrates that Russia’s path toward enlightenment began long before Peter the Great’s opening to the West. Examining a broad range of writings, G. M. Hamburg shows why Russia’s enlightenment constituted a precondition for the explosive emergence of nineteenth-century writers such as Fedor Dostoevsky and Vladimir Soloviev

RUS

В книге, посвященной истории российской религиозной и политической мысли Раннего Нового времени, автор показывает, что путь России к просвещению начался задолго до того, как Петр Великий распахнул окно в Европу. Исследуя широкий круг произведений, Г. М. Хэмбург помогает увидеть, каким образом российское просвещение послужило предпосылкой для расцвета таких писателей XIX века, как Федор Достоевский и Владимир Соловьев.

ENG

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В этой книге сравнивается культурная динамика японо-китайской и греко-римской литератур и исследуются способы, с помощью которых «молодые» культуры соотносятся со своими почтенными предшественниками. Как на писателей Рима и Японии влияло присутствие более древней, «эталонной» культуры, утонченностью которой они восхищались, стремясь при этом утвердить и свою собственную самобытность. Исследуя труды писателей от Сугавара-но Митидзанэ до Сэй Сёнагон, от Цицерона до Овидия и Марциана, Вибке Денеке демонстрирует поразительное сходство между тем, как ранние японские писатели писали свою собственную литературу с опорой на художественные достижения Китая, и тем, как латинские писатели использовали и оспаривали греческий опыт.

Translation’s Forgotten History investigates the meanings and functions that translation generated for modern national literatures during their formative period and reconsiders literature as part of a dynamic translational process of negotiating foreign values. By examining the triadic literary and cultural relations among Russia, Japan, and colonial Korea and revealing a shared sensibility and literary experience in East Asia (which referred to Russia as a significant other in the formation of its own modern literatures), this book highlights translation as a radical and ineradicable part—not merely a catalyst or complement—of the formation of modern national literature. Translation’s Forgotten History thus rethinks the way modern literature developed in Korea and East Asia. While national canons are founded on amnesia regarding their process of formation, framing literature from the beginning as a process rather than an entity allows a more complex and accurate understanding of national literature formation in East Asia and may also provide a model for world literature today.

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Хекюн Чо исследует значения и функции, которые перевод придавал современным национальным литературам в период их становления, и переосмысливает литературу как часть динамичного переводческого процесса, направленного на усвоение иностранных ценностей. Исследуя триединство литературных и культурных связей между Россией, Японией и колониальной Кореей и выявляя общую восприимчивость и литературный опыт стран Восточной Азии (которые рассматривали Россию как значимого партнера в формировании своих собственных современных литератур), эта книга выделяет перевод как радикальную и неискоренимую составляющую, а не просто как инструмент, катализатор или дополнение формирования современной национальной литературы, переосмысливая путь развития современной литературы в Корее и Восточной Азии.

This book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia. The author analyzes over 30 Soviet science fiction films, foregrounding their structures of utopia and their evolution over time, in order to trace both their transnational positionalities, transmedial resonance, and impact on post-Soviet Russian films about the space age.

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В своей книге Наталия Майсова исследует связь между ностальгией сегодняшнего дня и утопиями прошлого в контексте космической эры XX века и ее репрезентации в кинофильмах СССР и постсоветской России. Автор анализирует более 30 советских научно-фантастических фильмов, выделяя их утопические структуры и эволюцию с течением времени, чтобы проследить их транснациональную значимость, медийный резонанс и влияние на постсоветские российские фильмы о космической эре.

The Russian intelligentsia is the historic phenomenon of an educated opposition, and it has provoked a substantial body of Russian and Western publications. This book focuses on the intelligentsia’s Myth, Mission, Metamorphosis as discovered in literature, journalism, and theater. The chapters define essential elements of the myth of the intelligentsia as a distinctive social group and a spiritual formation claiming high moral standards and expectations for the self and for society. Second, contributions explore how the intelligentsia sees its mission on various historical stages as inextricably linked with Russia’s (and the Soviet Union’s) cultural destiny, especially its literary and other artistic creations. Finally, the volume addresses the metamorphosis of the intelligentsia over centuries, as socio-political factors shaped its persistence and its perpetual transformation.

This volume presents a chronological biography of Alexander Pushkin, often held to be Russia’s national poet and writer. Lotman pays special attention to the development of Pushkin’s social and political thought throughout the poet’s life, painting a picture of the poet as having been deeply in tune with and even involved in the most pressing socio-political challenges of his age, such as the issue of constitutional monarchy and revolution through his association with various members of the Decembrist movement, the issue of serfdom, and his struggle for personal, creative, and financial freedom as a writer who was under constant public scrutiny and state surveillance. Lotman also fascinatingly describes the deliberate measures Pushkin undertook in his own life to shape the public’s perception of him, essentially treating his life and personal mythology as a work of art in itself. 

Zionism and Jewish Culture examines the history of Zionism from a new perspective, arguing that Zionism was not only a political project, but also a major cultural force in modern Jewish life. To understand the growth of this movement and its success in establishing a modern Jewish state, the book examines the cultural world of pre-state Zionist activists, offering an understanding of the basic ideological challenges they faced—challenges that Israel is still grappling with today. It asks, how did the early Zionists define the relationship between Israel and Jewish tradition? How did they envision the ideal balance between the Jewish people’s welfare and the Land of Israel? What was their view on Western versus Eastern principles in defining the state? And what was their vision for the future of the Jewish state? In exploring these topics, this book enables a deeper understanding of the forces that continue to shape Zionism and Israel today.

The term "Enlightenment" is frequently discussed – and abused - in public and scholarly discourses. At times, it is considered the most significant achievement of modernity. Alternatively, it is argued that the Enlightenment has failed, because it deified reason, was not enlightened itself, or has led to totalitarianism and genocide. This book examines distinct and legitimate conceptions of the Enlightenment: as an intercultural phenomenon of processes of rationalization; as a historical epoch concept; as "enlightenment of the intellect"; as enlightenment through science; as an emancipatory project; as enlightenment of reason. Individual chapters investigate epistemological approaches; the enlarged way of thinking, humor, and cynicism; the moral-philosophical foundations of the rule of law, tolerance, and human rights; the models of enlightened religiosity.

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Термином «Просвещение» часто злоупотребляют в общественных и научных дискуссиях. Иногда этот концепт считают самым значительным достижением современности. В других же случаях утверждают, что Просвещение потерпело неудачу, поскольку оно, обожествляя разум, само не было просвещенным, что в перспективе привело к тоталитаризму и геноцидам. В книге рассматриваются различные концепции: Просвещение как межкультурный феномен процессов рационализации; Просвещение как понятие исторической эпохи; Просвещение как «просвещение интеллекта»; Просвещение в его научном срезе; Просвещение как эмансипаторный проект; Просвещение как «просвещение разума». Автор исследует эпистемологические подходы к изучению Просвещения, роль юмора и цинизма, морально-философские основания правового государства, толерантности и прав человека, а также модели просвещенной религиозности.

What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective’s mind work? The answers to these and many other fascinating questions are found in this book. Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis’s life and what it took for a Jew to navigate and survive in the halls of Soviet power. 

In the early 1920s, Soviet writers and literary theorists were convinced that adventure fiction held the key to developing a new kind of narrative. The call for a "Russian Stevenson" (Lev Lunts) profoundly impacted the theory of prose and different notions of the literary hero. It also led theorists like Shklovsky to write dime novels and convinced writers of various backgrounds to explore Soviet topography in a new light, harnessing the synergies between imperialism and adventure. Despite the inherently anarchist nature of adventure and its bourgeois offspring, the magic of adventure found its way into socialist realism under different guises, demanding recognition and resisting neglect, especially in the case of socialist realist film.

This book offers a critical historical reconstruction of the early Soviet adventure craze and its lasting popularity in socialist realism. It also offers innovative theoretical propositions for a philological analysis of adventure fiction that arise from this unique historical context.

The essays collected in this book constitute a new contribution to our understanding of the originality and significance of Chekhov’s prose. A close textual analysis of his work is provided, and especially of previously neglected works—some long overdue for in-depth investigation—that Chekhov himself rightfully considered to be masterpieces. Analysis of both these and other previously analyzed works offers a new interpretation which contrasts with those offered by previous Chekhov scholars.  

Works examined include those dealing with Chekhov’s astonishingly accurate and artistic portrayal of a wide variety of illnesses—without the use of any medical terms. These works are shown to be not mere “clinical studies,” but genuine, impressive works of art. The author, who suffered half of his life from tuberculosis, effectively portrayed many characters afflicted with this disease which was incurable at the time. Many of these works reveal an indisputable symbiosis of the doctor and the artist. Chekhov maintained that “in Goethe the poet lived amicably side by side with the scientist”—a fitting description of him as well.

Doctors, the most frequently portrayed characters in Chekhov’s oeuvre are appropriately subjected to extensive analysis, as are the themes of fate and death and dying that figure so prominently in Chekhov’s work. Attention is accorded to imaginative fictional works dealing with philosophy and the theme of crime and punishment, as well as The Island of Sakhalin, a narrative of non-fictional sociological content.

More than just colorful clickbait or pragmatic city grids, maps are often deeply emotional tales: of political projects gone wrong, budding relationships that failed, and countries that vanished. In Map Men, Steven Seegel takes us through some of these historical dramas with a detailed look at the maps that made and unmade the world of East Central Europe.

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Географические карты – это не просто яркие картинки или сухие топологические визуализации. Зачастую это глубоко эмоциональные истории: о неудачных политических проектах, не сложившихся отношениях и исчезнувших странах. В своей книге Стивен Сигел проводит нас через такие исторических драмы, подробно рассматривая карты, показывающие реальный и воображаемый мир Восточно-Центральной Европы на протяжении периода мировых войн и революций. В коллективной биографии пяти выдающихся географов 1870-1950 годов – Альбрехта Пенка, Эугениуша Ромера, Степана Рудницкого, Исайи Боумана и графа Паля Телеки – Сигел заново исследует эмоции, социальные связи и трагедии нескольких поколений людей, стоящих за этими влиятельными картами.

What does it mean to live in the modern world? How different is that world from those that preceded it, and when did we become modern? In Distant Strangers, James Vernon argues that the world was made modern not by revolution, industrialization, or the Enlightenment. Instead, he shows how in Britain, a place long held to be the crucible of modernity, a new and distinctly modern social condition emerged by the middle of the nineteenth century. Rapid and sustained population growth, combined with increasing mobility of people over greater distances and concentrations of people in cities, created a society of strangers. Vernon explores how individuals in modern societies adapted to live among strangers by forging more abstract and anonymous economic, social, and political relations, as well as by reanimating the local and the personal.

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В книге «Далекие чужие» Джеймс Вернон утверждает, что мир стал современным не благодаря революции, индустриализации или Просвещению. Вместо этого он показывает, как в Великобритании к середине XIX века возникло новое, отчетливо современное социальное состояние. Быстрый и устойчивый рост населения в сочетании с растущей мобильностью людей и их концентрацией в городах создали общество чужаков. Вернон исследует, как люди в современных обществах приспосабливались к жизни среди чужих, формируя более абстрактные и анонимные экономические, социальные и политические отношения, а также возрождая локальное и личное.

Despite China's growing importance on the world stage, the nation remains often and easily misunderstood. The book traces the changes occurring in this powerful and ancient nation across time and space to provide a better understanding of present conditions. Beginning with China's diverse landscapes and environments, continuing through its formative history and tumultuous past, the authors show contemporary China as a product of both internal and external forces over time. The authors consider historical and current successes and difficulties, including economic, political, cultural, and environmental challenges, while placing China in its international context as a vital regional and global power.

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Несмотря на очевидное и растущее значение Китая на мировой арене, эту страну легко понять неверно. Китай многообразен и противоречив, что наглядно демонстрирует представленный в данной книге обзор. Коллектив из четырех авторов отслеживает изменения, происходящие в могущественной и древней цивилизации, помещая Китай в международный контекст как огромную и активно развивающуюся страну, которая удовлетворяет потребности своих 1,4 миллиардов граждан, выступая при этом крупным региональным и глобальным игроком.

Up to its pillage by the Crusaders in 1204, Constantinople teemed with magnificent statues of emperors, pagan gods, and mythical beasts. Yet the significance of this wealth of public sculpture has hardly been acknowledged beyond late antiquity. In this book, Paroma Chatterjee offers a new perspective on the topic, arguing that pagan statues were an integral part of Byzantine visual culture. Examining the evidence in patriographies, chronicles, novels, and epigrams, she demonstrates that the statues were admired for three specific qualities - longevity, mimesis, and prophecy; attributes that rendered them outside of imperial control and endowed them with an enduring charisma sometimes rivaling that of holy icons. Chatterjee's interpretations refine our conceptions of imperial imagery, the Hippodrome, the Macedonian Renaissance, a corpus of secular objects, and Orthodox icons. Her book offers novel insights into Iconoclasm and proposes a more truncated trajectory of the holy icon in medieval Orthodoxy than has been previously acknowledged.

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Вплоть до 1204 года, когда Константинополь был разграблен крестоносцами, этот город славился искусными статуями, посвященными образам императоров, языческих богов и мифических существ, однако значение этого скульптурного наследия долгое время не было оценено по достоинству. В этой книге профессор Парома Чаттерджи предлагает новый взгляд на эту тему: она доказывает, что языческие статуи являлись неотъемлемой частью византийской визуальной культуры, а также на примере хроник, эпиграмм и произведений художественной литературы показывает, что константинопольские статуи не только были долговечны и искусно выполнены, но и несли в себе пророческий потенциал. Книга профессора Чаттерджи дополняет существующий пласт литературы на тему византийского визуального искусства и предлагает новый взгляд на священные образы и их место в истории человечества.

This incisive intellectual history of Japanese social science from the 1890s to the present day considers the various forms of modernity that the processes of “development” or “rationalization” have engendered and the role social scientists have played in their emergence. Andrew E. Barshay argues that Japan, together with Germany and pre- revolutionary Russia, represented forms of “developmental alienation” from the Atlantic Rim symptomatic of late-emerging empires. Neither members nor colonies of the Atlantic Rim, these were independent national societies whose cultural self-image was inescapably marked by a sense of difference from the ostensibly advanced societies that provided the late-comers with the institutional models they sought to follow— or reject. Building on a historical overview of major Japanese trends, Barshay focuses on two of the most powerful streams of Japanese social science, one associated with Marxism, the other with Modernism (kindaishugi), whose most representative figure is the late Maruyama Masao. Demonstrating that a sense of developmental alienation shaped the thinking of social scientists in both streams, the author argues that they together provided Japanese social science—and indeed the wider society itself—with moments of shared self-understanding. The book ends with a question for others to answer: if the condition of developmental alienation in Japan has been resolved, what is the purpose and orientation of social science now?

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В своей книге Эндрю Баршай представляет исторический обзор основных японских социологических тенденций с 1890-х годов до наших дней и рассматривает два наиболее мощных течения японской социальной науки. Одно из них связано с марксизмом, а другое — с модернизмом (киндайсюги). Демонстрируя, как чувство отчуждения японцев от стран Атлантического кольца формировало мышление социологов обоих течений, автор утверждает, что, несмотря на все различия, они придали японской социальной науке единство и общее самопонимание.

Jenna M. Gibbs explores the world of theatrical and related print production on both sides of the Atlantic in an age of remarkable political and social change. Her deeply researched study of working-class and middling entertainment covers the period of the American Revolution through the first half of the nineteenth century, examining controversies over the place of black people in the Anglo-American moral imagination. Taking a transatlantic and nearly century-long view, Performing the Temple of Liberty draws on a wide range of performed texts as well as ephemera―broadsides, ballads, and cartoons―and traces changes in white racial attitudes. The book will appeal to readers across disciplinary lines of history, literature, theater history, and culture studies. Scholars and students interested in slavery and abolition, British and American politics and culture, and Atlantic history will also take an interest in this provocative work.

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Дженна Гиббс исследует мир театральной и связанной с ней печатной продукции по обе стороны Атлантики в период Американской революции и первой половины XIX века, рассматривая споры о месте темнокожих людей в англо-американском культурном пространстве. Гиббс задается вопросом, как популярные развлечения включали в себя и помогали определить концепции свободы и естественных прав и осознать зло рабства. Эта история оказывается нелестной ни для Соединенных Штатов, ни для Великобритании. Автор показывает, как британское изображение африканцев склонялось к сочувствию, но при этом отражало чувство расового и культурного превосходства. На американской сцене отношение к чернокожим свелось к принижающему, покровительственному представление, укоренившемуся как в блэкфейс-бурлеске, так и в идее «Свободы», персонифицированной в фигуре белой богини.

Performing Pain explores music’s relationships to trauma and grief by focusing upon the late 20 th century in Eastern Europe. The 1970s and 80s witnessed a cultural preoccupation with WWII and the Stalinist era. Journalists, historians, writers, artists, and filmmakers explored themes related to pain and memory, truth and history, morality and spirituality during glasnost and the years prior. Performing Pain considers how music by composers Alfred Schnittke, Galina Ustvolskaya, Arvo Pärt, and Henryk Górecki musically engage contemporary concerns regarding suffering through composition, performance, and reception. Drawing upon theories from psychology, sociology, and literary studies, this book demonstrates the ways in which people turn to music to make sense of trauma and loss.

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В своей книге Мария Чизмич исследует отражение травмы в музыкальном искусстве Восточной Европы конца ХХ века. В 1970-80-е годы вопрос коллективной травмы, особенно связанной со Второй мировой войной и сталинской эпохой, стал темой для публичного обсуждения. Журналисты, историки, писатели, художники и кинематографисты неоднократно обращались к сюжетам боли и памяти, правды и истории, морали и духовности как во времена гласности, так и в предшествующие годы. Мария Чизмич рассматривает, как эти проблемы затрагивались в произведениях композиторов Альфреда Шнитке, Галины Уствольской, Арво Пярта и Хенрика Гурецкого. Опираясь на данные психологии и социологии, используя методы литературоведения и культурологии, автор показывает, как средствами музыки происходило осмысление исторических травмы и потери.

This book examines the relationship between the rabbinate and politics in religious Zionism during the early years of the State of Israel. What fundamental issues did the rabbis of the party face? Did all religious Zionist rabbis follow the same ideological line? Why did the relationship between rabbis and politicians experience ups and downs? And is there a chance for rabbis to have significant influence over religious Zionism in the future? Rabbinism and Politics in Religious Zionism seeks to answer these questions.

Arguably the most authoritative English translation of Poland’s great national poem.  

Sometimes called the “last epos in world literature,” Pan Tadeusz (first published in Paris in 1834) is a classic tale of romance, mystery, war, and patriotism set in the turbulent Napoleonic era. The old Polish-Lithuanian Commonwealth lies dismembered and erased from the political map of Europe by the great powers of Russia, Prussia, and Austria. A brief ray of hope rekindles national aspirations when Napoleon Bonaparte establishes the Grand Duchy of Warsaw by the terms of the Treaty of Tilsit (1807) and sets the stage for his invasion of Russia.

Building Bridges Among Abraham’s Children honors the extraordinary career of Professor Michael Berenbaum, a luminary in Holocaust studies, museum design, filmmaking, and interfaith dialogue. With contributions from renowned scholars and close friends, the short and highly readable essays in this collection delve into the core themes that have defined Professor Berenbaum’s work: biblical and postbiblical narratives, rabbinic thought and action, Jewish commitment to education, interreligious relations, and Holocaust remembrance. From his role in building the US Holocaust Memorial Museum to his pioneering work in preserving survivor testimonies through film, Professor Berenbaum’s influence is profound and multifaceted, and the compelling essays in this volume serve as a tribute to a scholar whose enduring legacy continues to make a global impact.

From Tiberias With Love is a journey to rediscovering the magic and mystery, the intimacy and depth of a lost moment in the history of a remarkably relevant conscious community in the Galilee that still has much to teach us. In the year 1777, a group of spiritual seekers from Eastern European set sail in search of a promised land, far away from the internal and external conflicts plaguing those souls seeking the infinite within this finite world. Some who set sail identified with the burgeoning Jewish spiritual renewal movement of Hasidism, while others seem to have just come along for the ride. Weathering challenges both socioeconomic and geographic, this emigrating group sought to establish a center for a burgeoning hasidic ethos that would radiate to the Diaspora from its renewed center in the Holy Land in Palestine. Tiberian Hasidism provides a model of an intensive contemplative life that is particularly appealing to contemporary spiritual seekers for many reasons, including: its deep focus on mystical theology; devotional practice; and the ecstasy of deep friendship rather than allegiance to an institutionalized religion. This volume focuses on the teachings of letters of love from Vitebsker and Kalisker in Tiberias to their disciples in Eastern Europe known as the Iggrot Qodesh, still so ripe for excavation, offering an authentic roadmap to future contemplative pathways ripe for our age.

This book investigates the hybrid, multiform nature of contemporary poetry with particular emphasis on recent Russian lyric and its translations into German and English. Poetry translation, thriving and obstinately open-ended, is not so much a defined process as a practice of ongoing transit across linguistic and national borders. The book’s innovative format invites contemporary poets into dialogue with literary translators, editors, publishers, and scholars; the conversations among their wide-ranging essays, poems, and exchanges both model and investigate the work of transcultural dialogue. As a kind of transition, poetry translation engages the composition and disintegration of forms, revises relations of producers to receivers, mixes and rethinks genres and media, translates itself as multilingual writing or language experiment. Multiple translations of a poem do not compete but interact, reshaping the putative gulf between source and target language. In the end this volume underscores the aesthetic productivity of poetry translation and the need to nurture it. A must-read for anyone interested in the dynamic interplay of poetry, language, and culture.

This book calls on educators to teach the whole child by including their faith as integral to their identity and offers suggestions for how to honor faith within a nurturing learning environment. Part One describes the concept of faith honoring as an extension of historical educational approaches and offers a framework for how to teach in ways that are faith-honoring. Part Two is a collection of personal essays reflecting on experiences of faith honoring and faith silencing.

A state's ability to maintain mandatory conscription and wage war rests on the idea that a "real man" is one who has served in the military. Yet masculinity has no inherent ties to militarism. The link between men and the military, argues Maya Eichler, must be produced and reproduced in order to fill the ranks, engage in combat, and mobilize the population behind war.
In the context of Russia's post-communist transition and the Chechen wars, men's militarization has been challenged and reinforced. Eichler uncovers the challenges by exploring widespread draft evasion and desertion, anti-draft and anti-war activism led by soldiers' mothers, and the general lack of popular support for the Chechen wars. However, the book also identifies channels through which militarized gender identities have been reproduced. Eichler's empirical and theoretical study of masculinities in international relations applies for the first time the concept of "militarized masculinity," developed by feminist IR scholars, to the case of Russia.

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В этой книге подробно исследуется окончание Тихоокеанской войны в контексте международного положения. Тщательному анализу подвергнуты сложные взаимоотношения между тремя основными участниками конфликта: Соединенными Штатами, Советским Союзом и Японией. В книге автор показывает, что Сталин был активным участником драмы под названием «Капитуляция Японии», а вовсе не находился на второстепенных ролях, как ранее полагали историки. Также в ней дается более полная картина того, при каких обстоятельствах было принято решение об атомных бомбардировках Японии. Наконец, в этой книге описывается бурная деятельность, проводившаяся Сталиным между 15 августа, когда Япония согласилась на безоговорочную капитуляцию, и 5 сентября, когда завершилась операция советских войск на Курилах. Книга предназначена как историкам, так и всем интересующимся периодом Второй мировой войны и международными отношениями в целом.

Post-Soviet Power tells the story of the Russian electricity system and examines the politics of its transformation from a ministry to a market. Susanne A. Wengle shifts our focus away from what has been at the center of post-Soviet political economy - corruption and the lack of structural reforms - to draw attention to political struggles to establish a state with the ability to govern the economy. She highlights the importance of hands-on economic planning by authorities - post-Soviet developmentalism - and details the market mechanisms that have been created. This book argues that these observations urge us to think of economies and political authority as mutually constitutive, in Russia and beyond. Whereas political science often thinks of market arrangements resulting from political institutions, Russia's marketization demonstrates that political status is also produced by the market arrangements that actors create. Taking this reflexivity seriously suggests a view of economies and markets as constructed and contingent entities.

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Книга рассказывает историю российской энергосистемы и исследует политические закономерности ее перестройки с бюрократических рельсов на рыночные. Сюзан Венгле переводит внимание читателя с того, что обычно попадало в фокус постсоветской политэкономии — коррупции и недостаточности структурных реформ — на политическую борьбу вокруг управления экономикой. Она подчеркивает важность того, как сильно власть была вовлечена в экономическое планирование, и рассматривает механизмы государственного вмешательства в строительство рынка. Книга предлагает нам смотреть на экономическую и политическую власти как взаимоуправляющие — как в России, так и за ее пределами. Если традиционно политология принимает за данность, что устройство рынка опирается на политические институты, в российском случае переход к рынку ознаменовался тем, что политические решения были производными от экономических договоренностей — при том, что экономику и рынок Венгле заставляет нас увидеть как исполненный случайностей и условностей конструкт.

Women and the LGBT (lesbian, gay, bisexual, and transgender) community in Russia and Turkey face pervasive discrimination. Only a small percentage dare to challenge their mistreatment in court. Facing domestic police and judges who often refuse to recognize discrimination, a tiny minority of activists have exhausted their domestic appeals and then turned to their last hope: the European Court of Human Rights (ECtHR). The ECtHR, located in Strasbourg, France, is widely regarded as the most effective international human rights court in existence. Russian citizens whose rights have been violated at home have brought tens of thousands of cases to the ECtHR in the last 20 years. But only one of these cases resulted in a finding of gender discrimination—and that case was brought by a man. By comparison, the Court has found gender discrimination more frequently in decisions on Turkish cases. Courting Gender Justice explores the obstacles that confront those who try to use domestic and international law to fight gender and sexual orientation discrimination in Russia and Turkey, and sheds light on the factors that make legal victories possible both at home and abroad. Based on interviews with human rights and feminist activists and lawyers in both countries, this engaging book grounds the law in the experiences of individual people fighting to defend their rights.

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Коллектив авторов пристально рассматривает историю обращения российских и турецких женщин в Европейский суд по правам человека и выясняет, что, несмотря на десятки тысяч поданных за два десятилетия исков, победить в ЕСПЧ по делу о гендерной дискриминации оказывается очень сложно. Сравнительный анализ исков из Турции и России помогает выяснить, в каких случаях в таких делах оказывается все же возможно доказать факт нарушения своих прав. Накопленный массив информации позволяет также дать практические рекомендации тем, кто желает обратиться в международные инстанции в поисках справедливости.

Ancient China and Greece are two classical civilisations that have exerted far-reaching influence in numerous areas of human experience and are often invoked as the paradigms in East-West comparison. This book examines gender relations in the two ancient societies as reflected in convivial contexts such as family banquets, public festivals, and religious feasts. Two distinct patterns of interpersonal affinity and conflict emerge from the Chinese and Greek sources that show men and women organizing themselves and interacting with each other in social occasions intended for collective pursuit of pleasure. Through an analysis of the two different patterns, Yiqun Zhou illuminates the different socio-political mechanisms, value systems, and fabrics of human bonds in the two classical traditions. Her book will be important for readers who are interested in the comparative study of societies, gender studies, women's history, and the legacy of civilisations.

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Древний Китай и Древняя Греция — две классические цивилизации, оказавшие существенное влияние на многие области человеческого опыта и часто упоминаемые в качестве парадигмы при сравнении «Восток — Запад». В данной книге упомянутые древние общества рассматриваются с точки зрения гендерных отношений, отражающихся в таких контекстах общения, как семейные пирше- ства, общественные праздники и религиозные празднества. В китайских и грече- ских источниках прослеживаются две различные модели межличностной близо- сти и конфликта, которые показывают, как мужчины и женщины самоорганизу- ются и взаимодействуют во время социальных мероприятий, предназначенных для получения коллективного удовольствия. Через анализ этих моделей Ицюнь Чжоу освещает различные социально-политические механизмы, системы ценностей и структуру человеческих связей в двух классических цивилизациях. Эта книга станет важным источником информации для тех, кто интересуется гендерными исследованиями, историей женщин, сравнительным анализом древних обществ и наследием цивилизаций.

Marta dreamed of an extraordinary life: she wanted to conquer the world, she wanted to write. But the Second World War and Holocaust destroyed everything. Marta's Notebooks tells the story of the one thing Marta wrote, decades after the war, when she was hospitalized in a psychiatric ward and suffering from deep depression. A close relationship developed between Marta and her psychiatrist, leading her to write her story: her poignant memoir, an intimate and historical document, is a testimony to a woman’s life and a place that was destroyed.

Marta’s Notebooks brings together three components: an authentic memoir written by Marta Wollner, a Holocaust survivor; a literary, fictive biography based on this diary; and an auto-fiction novella, the confession of her daughter reflecting on the profound impact of her mother’s trauma on her own life. Providing a unique approach to telling a survival story, Marta's Notebooks is a testament to the complex wounds trauma leaves behind.

The Destruction of Jewish Cemeteries in Poland offers a comprehensive examination of the history of Jewish cemeteries in Poland, shedding light on an overlooked aspect of Holocaust history. Beginning with the settlement of Jewish communities in Poland, the book covers the establishment and subsequent destruction of over 1,200 Jewish cemeteries within the country's present borders. Krzysztof Bielawski draws on meticulous research and firsthand experience to explore the complex dynamics behind the destruction, exposing the roles played by various actors. Through a detailed analysis of texts, iconographic sources, and archival materials, the book not only documents the destruction but also seeks to identify the perpetrators, challenging common misconceptions and offering a nuanced perspective on this dark chapter in history.

You may support the Foundation for the Preservation of Jewish Heritage, where the author works, at www.fodz.pl.

Marta dreamed of an extraordinary life: she wanted to conquer the world, she wanted to write. But the Second World War and Holocaust destroyed everything. Marta's Notebooks tells the story of the one thing Marta wrote, decades after the war, when she was hospitalized in a psychiatric ward and suffering from deep depression. A close relationship developed between Marta and her psychiatrist, leading her to write her story: her poignant memoir, an intimate and historical document, is a testimony to a woman’s life and a place that was destroyed.

Marta’s Notebooks brings together three components: an authentic memoir written by Marta Wollner, a Holocaust survivor; a literary, fictive biography based on this diary; and an auto-fiction novella, the confession of her daughter reflecting on the profound impact of her mother’s trauma on her own life. Providing a unique approach to telling a survival story, Marta's Notebooks is a testament to the complex wounds trauma leaves behind.

Arguably the most authoritative English translation of Poland’s great national poem.  

Sometimes called the “last epos in world literature,” Pan Tadeusz (first published in Paris in 1834) is a classic tale of romance, mystery, war, and patriotism set in the turbulent Napoleonic era. The old Polish-Lithuanian Commonwealth lies dismembered and erased from the political map of Europe by the great powers of Russia, Prussia, and Austria. A brief ray of hope rekindles national aspirations when Napoleon Bonaparte establishes the Grand Duchy of Warsaw by the terms of the Treaty of Tilsit (1807) and sets the stage for his invasion of Russia.

What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective’s mind work? The answers to these and many other fascinating questions are found in this book. Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis’s life and what it took for a Jew to navigate and survive in the halls of Soviet power. 

Telling October examines the rich and accretive processes by which the new Soviet regime sought to construct the events of 1917 as a major revolutionary event, indeed a foundation event, for the new Communist state. As a "memory project," it sought to socialize generations of Soviet citizens into an understanding of "October" as just such a watershed event. Although by no means completely successful, these efforts still leave their traces today in modern Russia.

RUS

Книга Фредерика Корни посвящена анализу процессов, с помощью которых советский режим сделал Октябрьскую революцию 1917 года основополагающим событием для нового коммунистического государства. Этот «проект памяти» был сконструирован так, чтобы объединить поколения советских граждан в понимании Октября как точки эпохального перелома. Несмотря на далеко не полный успех, следы этих усилий и сегодня заметны в российском общественном сознании.

The Military Enlightenment brings to light a radically new narrative both on the Enlightenment and the French armed forces from Louis XIV to Napoleon. Christy Pichichero makes a striking discovery: the Geneva Conventions, post-traumatic stress disorder, the military "band of brothers," and soldierly heroism all found their antecedents in the eighteenth-century French armed forces. Readers of The Military Enlightenment will be startled to learn of the many ways in which French military officers, administrators, and medical personnel advanced ideas of human and political rights, military psychology, and social justice.

RUS

Книга Кристи Пичичеро предлагает радикально новый взгляд как на историю французских вооруженных сил от Людовика XIV до Наполеона, так и на Просвещение в целом. Автор находит в военной истории Франции данного периода истоки гораздо более поздних концептов и нарративов – от Женевской конвенции до посттравматического стрессового расстройства. По мнению Пичичеро, французские офицеры, военные администраторы и медицинский персонал уже в восемнадцатом веке развивали идеи прав человека и социальной справедливости, а также основы военной психологии.

Liberalism is a critically important topic in the contemporary world as liberal values and institutions are in retreat in countries where they seemed relatively secure. Lucidly written and accessible, this book offers an important yet neglected Russian aspect to the history of political liberalism. Vanessa Rampton examines Russian engagement with liberal ideas during Russia's long nineteenth century, focusing on the high point of Russian liberalism from 1900 to 1914. It was then that a self-consciously liberal movement took shape, followed by the founding of the country's first liberal (Constitutional-Democratic or Kadet) party in 1905. For a brief, revelatory period, some Russians - an eclectic group of academics, politicians and public figures - drew on liberal ideas of Western origin to articulate a distinctively Russian liberal philosophy, shape their country's political landscape, and were themselves partly responsible for the tragic experience of 1905.

RUS

Либерализм – критически значимая тема в современном мире, поскольку либеральные ценности и институты сдают позиции даже в тех странах, где им, казалось бы, ничего не угрожает. В своем исследовании Ванесса Рэмптон обращает внимание на важный российский сюжет в истории мирового политического либерализма. Автор рассматривает взаимодействие российской дореволюционной общественности с либеральными идеями, уделяя особое внимание их высшей точке – периоду с 1900 по 1914 год. Именно тогда в стране сформировалось полноценное либеральное движение, за которым последовало создание первой либеральной кадетской партии.