Biography & Autobiography

The book provides an account of many Jesuits, from the time of St. Ignatius to the 1990’s, who have been incarcerated around the world for their faith. It is divided into chapters that deal with specific themes related to their imprisonment. The principal themes are: prayer as a key element in survival, arrest and trial procedures, the experience of suffering, Mass, the daily order of prison life, forced labor, ministry to other prisoners, guards, prisoners who became Jesuits while imprisoned, community in prison, and voluntary incarceration.

This is the first book to examine the experience of incarcerated Jesuits around the world and down through the centuries from the standpoint of these various themes. Much of the material is by the Jesuits themselves, in letters, autobiographical fragments and other sources—including obscure publications long out of print. The result is a gathering together of these pieces and fragments into a coordinated whole, with commentary on their significance in the context of the political and cultural situations of their time—situations that were generally the immediate cause of the Jesuits imprisonment, whether in Elizabethan England or in Communist China and Russia.

A chart of imprisoned Jesuits by country of incarceration at the beginning, and a glossary of names at the back (as well as an index), will help the reader to keep track of the names of the many Jesuits who figure in the book.

The book provides an account of many Jesuits, from the time of St. Ignatius to the 1990’s, who have been incarcerated around the world for their faith. It is divided into chapters that deal with specific themes related to their imprisonment. The principal themes are: prayer as a key element in survival, arrest and trial procedures, the experience of suffering, Mass, the daily order of prison life, forced labor, ministry to other prisoners, guards, prisoners who became Jesuits while imprisoned, community in prison, and voluntary incarceration.

This is the first book to examine the experience of incarcerated Jesuits around the world and down through the centuries from the standpoint of these various themes. Much of the material is by the Jesuits themselves, in letters, autobiographical fragments and other sources—including obscure publications long out of print. The result is a gathering together of these pieces and fragments into a coordinated whole, with commentary on their significance in the context of the political and cultural situations of their time—situations that were generally the immediate cause of the Jesuits imprisonment, whether in Elizabethan England or in Communist China and Russia.

A chart of imprisoned Jesuits by country of incarceration at the beginning, and a glossary of names at the back (as well as an index), will help the reader to keep track of the names of the many Jesuits who figure in the book.

This refreshing re-evaluation of the so-called autobiography of Ignatius Loyola (c. 1491–1556) situates Ignatius’s Acts against the backgrounds of the spiritual geography of Luke’s New Testament writings and the culture of Renaissance humanism. Ignatius Loyola’s So-Called Autobiography builds upon recent scholarly consensus, examines the language of the text that Ignatius Loyola dictated as his legacy to fellow Jesuits late in life, and discusses relevant elements of the social, historical, and religious contexts in which the text came to birth. Recent monographs by Marjorie O’Rourke Boyle and John W. O’Malley have characterized Ignatius’s Acts as a mirror of vainglory and of apostolic religious life, respectively. In this study, John M. McManamon, S.J., persuasively argues that an appreciation of the two Lukan New Testament writings likewise helps interpret the theological perspectives of Ignatius. The geography of Luke’s two writings and the theology that undergirds Luke’s redactional innovation assisted Ignatius in remembering and understanding the crucial acts of God in his own life.

This eloquent, lucidly written new book is essential reading for anyone interested in Ignatius, the early Jesuits, sixteenth-century religious life, and the history of early modern Europe.

This refreshing re-evaluation of the so-called autobiography of Ignatius Loyola (c. 1491–1556) situates Ignatius’s Acts against the backgrounds of the spiritual geography of Luke’s New Testament writings and the culture of Renaissance humanism. Ignatius Loyola’s So-Called Autobiography builds upon recent scholarly consensus, examines the language of the text that Ignatius Loyola dictated as his legacy to fellow Jesuits late in life, and discusses relevant elements of the social, historical, and religious contexts in which the text came to birth. Recent monographs by Marjorie O’Rourke Boyle and John W. O’Malley have characterized Ignatius’s Acts as a mirror of vainglory and of apostolic religious life, respectively. In this study, John M. McManamon, S.J., persuasively argues that an appreciation of the two Lukan New Testament writings likewise helps interpret the theological perspectives of Ignatius. The geography of Luke’s two writings and the theology that undergirds Luke’s redactional innovation assisted Ignatius in remembering and understanding the crucial acts of God in his own life.

This eloquent, lucidly written new book is essential reading for anyone interested in Ignatius, the early Jesuits, sixteenth-century religious life, and the history of early modern Europe.

This book is the first biography in 42 years of the priest and educator whom
historians have called “the most important anticommunist in the country.”
Edmund A. Walsh, as dean of Georgetown College and founder in 1919 of its
School of Foreign Service, is one of the most influential Catholic figures of the
20th century. Soon after the birth of the Bolshevik state, he directed the Papal
Relief Mission in the Soviet Union, starting a lifelong immersion in Soviet and
Communist affairs. He also established a Jesuit college in Baghdad, and served
as a consultant to the Nuremberg War Crimes Tribunal.
A pioneer in the new science of geopolitics, Walsh became one of Truman’s most
trusted advisers on Soviet strategy. He wrote four books, dozens of articles, and
gave thousands of speeches on the moral and political threat of Soviet Communism
in America. Although he died in 1956, Walsh left an indelible imprint on the
ideology and practical politics of Cold War Washington, moving easily outside the
traditional boundaries of American Catholic life and becoming, in the words of one
historian, “practically an institution by himself.” Few priests, indeed few Catholics,
played so large a role in shaping American foreign policy in the 20th century.

From the award-winning author of Crossing Ocean Parkway, a personal memoir about adjusting to loss through books, meditation, and the process of memory itself

Marianna De Marco Torgovnick experienced the rupture of two of her life’s most intimate relations when her mother and brother died in close proximity. Mourning rocked her life, but it also led to the solace and insight offered by classic books and the practice of meditation. Her resulting journey into the past imagines a viable future and raises questions acute for Italian Americans but pertinent to everyone, about the nature of memory and the meanings of home at a time, like ours, marked by cultural disruption and wartime. Crossing Back: Books, Family, and Memory without Pain presents a personal perspective on death, mourning, loss, and renewal.

A sequel to her award-winning and much-anthologized Crossing Ocean Parkway, Crossing Back is about close familial ties and personal loss, written after the death of her remaining birth family, who had always been there, and now were not. After their loss, she entered a spiritual and psychological state of “transcendental homelessness”: the feeling of being truly at home nowhere, of being spiritually adrift. In a grand act of symbolic reenactment, she found herself moving apartments repeatedly, not realizing she did so subconsciously to keep busy, to stave off grief. By reading and studying great books, she opened up to mourning, a process she constitutionally resisted as somehow shameful. Over time, she discovered that a third death colored and prolonged her feelings of grief: her first child’s death in infancy, which, in the course of a happier lifetime, had never been adequately acknowledged. Her new losses led her finally to take stock of her son’s death too. Reading and meditating, followed by writing, became daily her healing rituals.

A warm and intimate user’s guide to books, family, and memory in the mourning process, the end-point being memory without pain, Crossing Back is a wide-ranging memoir about growing older and learning to ride the waves of change. Lively and conversational, Torgovnick is masterful at tracking the moment-to moment, day-to-day challenges of sudden or protracted grief and the ways in which the mind and the body seem to search for—and sometimes find—solutions.

Foreword Book of the Year Award
Independent Publishers Award (IPPY)
Lambda Literary Award Finalist
Publishing Triangle Award Finalist
GAMMA Award, Best Feature from The Magazine Association of the Southwest for “Getting the News,” The Georgia Review, Summer 2009
Notable Essay of the Year Citation in Best American Essays 2010 for “Getting the News”
Named one of the Best Books of the Year by the Guerilla Girls On Tour and by WILLA: Women in Literary Arts and Letters

An extended meditation on the nature of love and the nature of time inside illness, Called Back is both a narrative and non-narrative experiment in prose. The book moves through the standard breast cancer treatment trajectory (diagnosis, surgery, chemotherapy, radiation), with the aim of discovering unexpected vectors of observation, meaning and desire inside each phase of the typically mandated four-part ritual. A lyrical feminist critique of living with cancer at the turn of the twenty-first century in the United States, the book looks through the lens of cancer to discover new truths about intimacy and essential solitude, eroticism, the fact of the body, and the impossibility of turning away. Offering original exegeses of the work of Marsden Hartley, Emily Dickinson, Gertrude Stein, and Marcel Proust, Called Back relies on these artists’ queer aesthetics to tease the author back to life. What might a person tutored as a reader of signs “see” inside breast cancer’s paces, protocols, and regimes? What does the experience occlude, and what can we afford to liberate?

The first chapter paves the way for the book’s central emphases: a meditation on the nature of “news” and the new, on noticing, on messages—including those that the body itself relies upon in the assumption of disease—and the interpretive methods we bring to them in medical crisis. Language is paramount for how we understand and act on the disease, how we imagine it, how we experience it, and how we treat it, Cappello argues.

Working at the borders of memoir, literary nonfiction, and cultural analysis, Called Back aims to displace tonal and affective norms— infantilizing or moralizing, redemptive, sentimental or cute—with reverie, rage, passionate intensity, intelligence, and humor.

An inventive literary account of Cixous’s remarkable journey to her mother’s birthplace

Winner, French Voices Award for Excellence in Publication and Translation

For about eighty years, the Jonas family of Osnabrück were part of a small but vibrant Jewish community in this mid-size city of Lower Saxony. After the war, Osnabrück counted not a single Jew. Most had been deported and murdered in the camps, others emigrated if they could and if they managed to overcome their own inertia. It is this inertia and failure to escape that Hélène Cixous seeks to account for in Osnabrück Station to Jerusalem.

Vicious anti-Semitism hounded all of Osnabrück’s Jews long before the Nazis’ rise to power in 1933. So why did people wait to leave when the threat was so patent, so in-their-face? Drawn from the stories told to Cixous by her mother, Ève, and grandmother, Rosalie (Rosi), this literary work reimagines fragments of Ève’s and Rosi’s stories, including the death of Ève’s uncle, Onkel André. Piecing together the story of Andreas Jonas from what she was told and from what she envisages, Cixous recounts the tragedy of the one she calls the King Lear of Osnabrück, who followed his daughter to Jerusalem only to be sent away by her and to return to Osnabrück in time to be deported to a death camp.

Cixous wanders the streets of the city she had heard about all her life in her mother’s and grandmother’s stories, digs into its archives, meets city officials, all the while wondering if she should have come. These hesitations and reflections in the present, often voiced in dialogues staged with her own son or daughter, are woven with scenes from her childhood in Algeria and the half-remembered, half-invented stories of the Jonas family, making Osnabrück Station to Jerusalem one of the author’s most intensely engaging books.

This work received the French Voices Award for excellence in publication and translation. French Voices is a program created and funded by the French Embassy in the United States and FACE (French American Cultural Exchange).

An inventive literary account of Cixous’s remarkable journey to her mother’s birthplace

Winner, French Voices Award for Excellence in Publication and Translation

For about eighty years, the Jonas family of Osnabrück were part of a small but vibrant Jewish community in this mid-size city of Lower Saxony. After the war, Osnabrück counted not a single Jew. Most had been deported and murdered in the camps, others emigrated if they could and if they managed to overcome their own inertia. It is this inertia and failure to escape that Hélène Cixous seeks to account for in Osnabrück Station to Jerusalem.

Vicious anti-Semitism hounded all of Osnabrück’s Jews long before the Nazis’ rise to power in 1933. So why did people wait to leave when the threat was so patent, so in-their-face? Drawn from the stories told to Cixous by her mother, Ève, and grandmother, Rosalie (Rosi), this literary work reimagines fragments of Ève’s and Rosi’s stories, including the death of Ève’s uncle, Onkel André. Piecing together the story of Andreas Jonas from what she was told and from what she envisages, Cixous recounts the tragedy of the one she calls the King Lear of Osnabrück, who followed his daughter to Jerusalem only to be sent away by her and to return to Osnabrück in time to be deported to a death camp.

Cixous wanders the streets of the city she had heard about all her life in her mother’s and grandmother’s stories, digs into its archives, meets city officials, all the while wondering if she should have come. These hesitations and reflections in the present, often voiced in dialogues staged with her own son or daughter, are woven with scenes from her childhood in Algeria and the half-remembered, half-invented stories of the Jonas family, making Osnabrück Station to Jerusalem one of the author’s most intensely engaging books.

This work received the French Voices Award for excellence in publication and translation. French Voices is a program created and funded by the French Embassy in the United States and FACE (French American Cultural Exchange).

WINNER OF THE IASA BOOK AWARD!
AMERICAN BOOK AWARD WINNER!

As the child of children of immigrants, Louise DeSalvo was at first reluctant to write about her truths. Her abusive father, her sister’s suicide, her illness. In this stunning collection of her captivating and frank essays on her life and her Italian-American culture, Louise DeSalvo centers on her beginnings, reframing and revising her acclaimed memoiristic essays, pieces that were the seeds of longer collections, to reveal her true power as a memoirist: the ability to dig ever deeper for personal and political truths that illuminate what it means to be a woman, a second-generation American, a writer, and a scholar.

Each essay is driven by a complex inquiry that examines the personal, familial, social, ethnic, and historical dimensions of identity. Collectively, they constitute a story significantly different from DeSalvo’s memoirs when they first published, where the starkness of their meaning became blunted by material surrounding them. DeSalvo has also restored material written and then deleted—experiences she was too reticent to reveal before, in writing about her sister’s suicide, her husband’s adultery, her own sexual assault. The essays also include new material to shift the ballast of an essay as her life has changed significantly through the years.

The House of Early Sorrows is a courageous exploration not only of the DeSalvo’s family life and times, but also of our own.

For more than fifty years, Geoffrey Hartman has been a pivotal figure in the humanities. In his first book, in 1954, he helped establish the study of Romanticism as key to the problems of modernity. Later, his writings were crucial to the explosive developments in literary theory in the late seventies, and he was a pioneer in Jewish studies, trauma studies, and studies of the Holocaust. At Yale, he was a founder of its Judaic Studies program, as well as of the first major video archive for Holocaust testimonies.

Generations of students have benefited from Hartman’s generosity, his penetrating and incisive questioning, the wizardry of his close reading, and his sense that the work of a literary scholar, no less than that of an artist, is a creative act.

All these qualities shine forth in this intellectual memoir, which will stand as his autobiography. Hartman describes his early education, uncanny sense of vocation, and development as a literary scholar and cultural critic. He looks back at how his career was influenced by his experience, at the age of nine, of being a refugee from Nazi Germany in the Kindertransport. He spent the next six years at school in England, where he developed his love of English literature and the English countryside, before leaving to join his mother in America.
Hartman treats us to a “biobibliography” of his engagements with the major trends in literary criticism. He covers the exciting period at Yale handled so controversially by the media and gives us vivid portraits, in particular, of Harold Bloom, Paul de Man, and Jacques Derrida.

All this is set in the context of his gradual self-awareness of what scholarship implies and how his personal displacements strengthened his calling to mediate between European and American literary cultures. Anyone looking for a rich, intelligible account of the last half-century of combative literary studies will want to read Geoffrey Hartman’s unapologetic scholar’s tale.

For more than fifty years, Geoffrey Hartman has been a pivotal figure in the humanities. In his first book, in 1954, he helped establish the study of Romanticism as key to the problems of modernity. Later, his writings were crucial to the explosive developments in literary theory in the late seventies, and he was a pioneer in Jewish studies, trauma studies, and studies of the Holocaust. At Yale, he was a founder of its Judaic Studies program, as well as of the first major video archive for Holocaust testimonies.

Generations of students have benefited from Hartman’s generosity, his penetrating and incisive questioning, the wizardry of his close reading, and his sense that the work of a literary scholar, no less than that of an artist, is a creative act.

All these qualities shine forth in this intellectual memoir, which will stand as his autobiography. Hartman describes his early education, uncanny sense of vocation, and development as a literary scholar and cultural critic. He looks back at how his career was influenced by his experience, at the age of nine, of being a refugee from Nazi Germany in the Kindertransport. He spent the next six years at school in England, where he developed his love of English literature and the English countryside, before leaving to join his mother in America.
Hartman treats us to a “biobibliography” of his engagements with the major trends in literary criticism. He covers the exciting period at Yale handled so controversially by the media and gives us vivid portraits, in particular, of Harold Bloom, Paul de Man, and Jacques Derrida.

All this is set in the context of his gradual self-awareness of what scholarship implies and how his personal displacements strengthened his calling to mediate between European and American literary cultures. Anyone looking for a rich, intelligible account of the last half-century of combative literary studies will want to read Geoffrey Hartman’s unapologetic scholar’s tale.

“I see this book as the story my father never got to tell,” John Toffey writes. And what a remarkable story it is that Lt. Col. Jack Toffey never got to tell.

In this moving account of a young man’s journey to know a father who went to war in 1942 and never came back, John Toffey weaves memory, history, and his father’s vivid letters home into a fascinating tale of a family, a war, and the threads that connect them.

John Toffey was nine when his father’s National Guard outfit was mobilized. For two years Toffey, his mother, and his sister moved from post to post before his dad shipped out—to North Africa, fighting the Vichy French in Morocco, then the Germans in Tunisia, where he was wounded. In July 1943 he went back to war, leading an infantry battalion in the invasions of Sicily and southern Italy. In January 1944 he landed his battalion at Anzio and was wounded again. After a long, bitter stalemate, Toffey’s regiment led Mark Clark’s push on Rome. On June 3, 1944, Jack Toffey was killed in the hill town of Palestrina, one day before the Allies marched into
Rome. In a brutal campaign, Jack Toffey had commanded a combat battalion longer than any other officer in the Mediterranean theater.

Only in 1996, when his father’s letters were discovered, did John Toffey begin to piece together what happened to his father. And he tells this contested story of Allied success and failure with drama, steely reserve, and balance, adding an invaluable perspective to the portrait of Jack Toffey created by Rick Atkinson in his bestselling Day of Battle.

This book is also a lovingly crafted portrait of home front Ohio, and how a young boy, his sister, and his mother waited out their war, scanning newspapers and magazines for news of Dad and devouring letters full of easy humor and expressions of love for and pride in his family and dreams of a good life after the war.

This book offers a unique twist to the Who’s Who of midcentury writers, editors, and artists

Much is made of Flannery O’Connor’s life on the Georgia dairy farm, Andalusia—a rural setting that clearly influenced her writing. But before she lived on that farm, before she showed signs of having lupus, before she became dependent on her mother and then succumbed to the disease at thirty-nine, O’Connor lived in the northeast. She stayed at the artists’ colony Yaddo in 1948 and early 1949 and lived in Connecticut with good friends from fall of 1949 through all of 1950. But in between those experiences, and perhaps more importantly, O’Connor lived in Manhattan.

In her biographies, little is said of her time in Gotham; in some sources, this period gets no more than one sentence. But little is said because little has been known. In Flannery O’Connor’s Manhattan, the author’s goal is to explore New York City from O’Connor’s point of view. To do this, the author consults not just letters (both unpublished and published) and biography, but five personal address books housed in Emory’s Stuart A. Rose Manuscript, Archives and, Rare Book Library. The result is a book of interest to both the O’Connor fan and the O’Connor scholar, not to mention those interested in midcentury Manhattan.

Flannery O’Connor’s Manhattan is part guide to the who-was-who and who-lived-where of New York from roughly 1948 to 1964, at least those as they mattered to O’Connor. It also acts as a window to the writer’s experiences in the city, whether she was coming into town for a series of meetings or strolling down Broadway on her way to lunch. In the end, it is the combination of the who-she-knew and the what-she-did that formed O’Connor’s personal view of what is arguably the most famous of American cities.

This book offers a unique twist to the Who’s Who of midcentury writers, editors, and artists

Much is made of Flannery O’Connor’s life on the Georgia dairy farm, Andalusia—a rural setting that clearly influenced her writing. But before she lived on that farm, before she showed signs of having lupus, before she became dependent on her mother and then succumbed to the disease at thirty-nine, O’Connor lived in the northeast. She stayed at the artists’ colony Yaddo in 1948 and early 1949 and lived in Connecticut with good friends from fall of 1949 through all of 1950. But in between those experiences, and perhaps more importantly, O’Connor lived in Manhattan.

In her biographies, little is said of her time in Gotham; in some sources, this period gets no more than one sentence. But little is said because little has been known. In Flannery O’Connor’s Manhattan, the author’s goal is to explore New York City from O’Connor’s point of view. To do this, the author consults not just letters (both unpublished and published) and biography, but five personal address books housed in Emory’s Stuart A. Rose Manuscript, Archives and, Rare Book Library. The result is a book of interest to both the O’Connor fan and the O’Connor scholar, not to mention those interested in midcentury Manhattan.

Flannery O’Connor’s Manhattan is part guide to the who-was-who and who-lived-where of New York from roughly 1948 to 1964, at least those as they mattered to O’Connor. It also acts as a window to the writer’s experiences in the city, whether she was coming into town for a series of meetings or strolling down Broadway on her way to lunch. In the end, it is the combination of the who-she-knew and the what-she-did that formed O’Connor’s personal view of what is arguably the most famous of American cities.

WINNER, 2024 BEAT STUDIES ASSOCIATION AWARDS

A revelatory look at how poet Allen Ginsberg transformed experiences of mental illness and madness into some of the most powerful and widely read poems of the twentieth century.

Allen Ginsberg’s 1956 poem “Howl” opens with one of the most resonant phrases in modern poetry: “I saw the best minds of my generation destroyed by madness.” Thirty years later, Ginsberg entrusted a Columbia University medical student with materials not shared with anyone else, including psychiatric records that documented how he and his mother, Naomi Ginsberg, struggled with mental illness.

In Best Minds, psychiatrist, researcher, and scholar Stevan M. Weine, M.D., who was that medical student, examines how Allen Ginsberg took his visions and psychiatric hospitalization, his mother’s devastating illness, confinement, and lobotomy, and the social upheavals of the postwar world and imaginatively transformed them.

Though madness is often linked with hardship and suffering, Ginsberg’s showed how it could also lead to profound and redemptive aesthetic, spiritual, and social changes. Through his revo­lutionary poetry and social advocacy, Ginsberg dedicated himself to leading others toward new ways of being human and easing pain.
Throughout his celebrated career Ginsberg made us feel as though we knew everything there was to know about him. However, much has been left out about his experiences growing up with a mentally ill mother, his visions, and his psychiatric hospitalization.

In Best Minds, with a forty-year career studying and addressing trauma, Weine provides a groundbreaking exploration of the poet and his creative process especially in relation to madness.

Best Minds examines the complex relationships between mental illness, psychiatry, trauma, poetry, and prophecy—using the access Ginsberg generously shared to offer new, lively, and indis­pensable insights into an American icon. Weine also provides new understandings of the paternalism, treatment failures, ethical lapses, and limitations of American psychiatry in the 1940s and 1950s.

In light of these new discoveries, the challenges Ginsberg faced appear starker and his achieve­ments, both as a poet and an advocate, even more remarkable.

Maurice Blanchot (1907–2003) was one of the most important writers of the twentieth century. His novels, shorter narratives, literary criticism, and fragmentary texts exercised enormous influence over several generations of writers, artists, and philosophers. In works such as Thomas the Obscure, The Instant of my Death, The Writing of the Disaster, The Unavowable Community, Blanchot produced some of the most incisive statements of what it meant to experience the traumas and turmoils of the twentieth century.

As a journalist and political activist, Blanchot had a public side that coexisted uneasily with an inclination to secrecy, a refusal of interviews and photographs, and a reputation for mysteriousness and seclusion. These public and private Blanchots came together in complicated ways at some of the twentieth century's most momentous occasions. He was among the public intellectuals participating in the May ’68 revolution in Paris and helped organize opposition to the Algerian war. During World War II, he found himself moments away from being executed by the Nazis. More controversially, he had been active in far-right circles in the ’30s.

Now translated into English, Christophe Bident’s magisterial, scrupulous, much-praised critical biography provides the first full-length account of Blanchot’s itinerary, drawing on unpublished letters and on interviews with the writer’s close friends. But the book is both a biography and far more. Beyond filling out a life famous for its obscurity, Bident’s book will transform the way readers of Blanchot respond to this major intellectual figure by offering a genealogy of his thought, a distinctive trajectory that is at once imaginative and speculative, at once aligned with literary modernity and a close companion and friend to philosophy.

The book is also a historical work, unpacking the ‘transformation of convictions’ of an author who moved from the far-right in the 1930s to the far-left in the 1950s and after. Bident’s extensive archival research explores the complex ways that Blanchot’s work enters into engagement with his contemporaries, making the book also a portrait of the circles in which he moved, which included friends such as Georges Bataille, Marguerite Duras, Emmanuel Levinas, Michel Foucault, and Jacques Derrida.

Finally, the book traces the strong links between Blanchot’s life and an oeuvre that nonetheless aspires to anonymity. Ultimately, Bident shows how Blanchot’s life itself becomes an oeuvre—becomes a literature that bears the traces of that life secretly. In its even-handed appraisal, Bident’s sophisticated reading of Blanchot’s life together with his work offers a much-needed corrective to the range of cruder accounts, whether from Blanchot’s detractors or from his champions, of a life too easily sensationalized.

This definitive biography of a seminal figure of our time will be essential reading for anyone concerned with twentieth-century literature, thought, culture, and politics.

Maurice Blanchot (1907–2003) was one of the most important writers of the twentieth century. His novels, shorter narratives, literary criticism, and fragmentary texts exercised enormous influence over several generations of writers, artists, and philosophers. In works such as Thomas the Obscure, The Instant of my Death, The Writing of the Disaster, The Unavowable Community, Blanchot produced some of the most incisive statements of what it meant to experience the traumas and turmoils of the twentieth century.

As a journalist and political activist, Blanchot had a public side that coexisted uneasily with an inclination to secrecy, a refusal of interviews and photographs, and a reputation for mysteriousness and seclusion. These public and private Blanchots came together in complicated ways at some of the twentieth century's most momentous occasions. He was among the public intellectuals participating in the May ’68 revolution in Paris and helped organize opposition to the Algerian war. During World War II, he found himself moments away from being executed by the Nazis. More controversially, he had been active in far-right circles in the ’30s.

Now translated into English, Christophe Bident’s magisterial, scrupulous, much-praised critical biography provides the first full-length account of Blanchot’s itinerary, drawing on unpublished letters and on interviews with the writer’s close friends. But the book is both a biography and far more. Beyond filling out a life famous for its obscurity, Bident’s book will transform the way readers of Blanchot respond to this major intellectual figure by offering a genealogy of his thought, a distinctive trajectory that is at once imaginative and speculative, at once aligned with literary modernity and a close companion and friend to philosophy.

The book is also a historical work, unpacking the ‘transformation of convictions’ of an author who moved from the far-right in the 1930s to the far-left in the 1950s and after. Bident’s extensive archival research explores the complex ways that Blanchot’s work enters into engagement with his contemporaries, making the book also a portrait of the circles in which he moved, which included friends such as Georges Bataille, Marguerite Duras, Emmanuel Levinas, Michel Foucault, and Jacques Derrida.

Finally, the book traces the strong links between Blanchot’s life and an oeuvre that nonetheless aspires to anonymity. Ultimately, Bident shows how Blanchot’s life itself becomes an oeuvre—becomes a literature that bears the traces of that life secretly. In its even-handed appraisal, Bident’s sophisticated reading of Blanchot’s life together with his work offers a much-needed corrective to the range of cruder accounts, whether from Blanchot’s detractors or from his champions, of a life too easily sensationalized.

This definitive biography of a seminal figure of our time will be essential reading for anyone concerned with twentieth-century literature, thought, culture, and politics.

Available in a new digital edition with reflowable text suitable for e-readers

William Wordsworth: A Poetic Life is a new biography of the great father of British Romanticism. It is new in several ways, most notably in the way it approaches the life of the poet. Paying its proper respect to the classic lives of Wordsworth by Mary Moorman and Stephen Gill, it attempts to tell the story of the life through a more rigorous reading of key and representative works of the poet, through careful blending of life and poetry. Wordsworth offers the story of the literariness of the poet's life - childhood and adolescence in the Lake District, education at Cambridge, love and political radicalism in France, the long period of residence in Grasmere and Rydal, celebrity, and national and international recognition. Its reading of the poems, in tune with current theoretical practice, offers a sense of the continuities in Wordsworth's career as it moves away from familiar theories of a Golden Decade of creativity and a period of long decline. The book also works closely and rigorously with Wordsworth's poetry as a method of dramatizing the essentially poetic character of the poet's life.

“Our lives are Swiss,” Emily Dickinson wrote in 1859, “So still—so cool.” But over the Alps, “Italy stands the other side.” For Dickinson, as for many other writers and artists, Italy has been the land of light, a seductive source of invention, enchantment, and freedom.

So it was for Helen Barolini, who, as a student in Rome after World War II, wrote her first poetry and gave birth to her own creative life, reinvigorating her mother tongue. In this book, Barolini celebrates the lives of other women whose imaginations succumbed to the lure of Italy.

Here Barolini profiles six gifted women transformed by Italy’s mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of “Italy” and its gifts—in whose welcome a new self could be created. Or discovered.

Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies—and created a refuge from Mussolini’s fascism.

Linking these lives, Barolini shows, is the transforming catalyst of change in a new land. Their Other Side is a wise, warm, and deeply felt literary journey that brilliantly captures the enduring effects of Italy as a place, a culture, and an experience.

A Circular Journey collects for the first time in one book the essays that most powerfully define the unique gifts of one of America’s most distinctive voices.

These fifteen pieces, tracking some thirty years of a writer’s life, come together to illuminate the stages and themes and places that mark Helen Barolini’s art. Divided into three closely linked sections—“Home,” “Abroad,” “Return,”—the essays move through Barolini’s worlds. Her love of literature began when, as a child growing up as an avid reader in Syracuse, New York, she was presented with a diary and told to write in it. Returning to the heritage of her Italian immigrant grandparents, she moved to Italy as a young writer. There she lived for many years, becoming acquainted with the brightest of Italy’s literary lights. The accomplished poet, novelist, and critic she became now lives at home in two nurturing cultures, America and Italy both.

The essays are memoirs of her house on a street named for Henry James’s grandfather, tales of literary journeys from Taos to Taormina, and Paris to Rome, as the young bride of a poet from the Veneto and, later on, as a distinguished writer whose explorations of identity and dislocation took her back to Italian inspirations.
From a delightful account of a writing fellowship in an exquisite villa overlooking the Italian lakes to her first trip back to discover distant family roots in the hills of Calabria, Barolini moves lyrically through the generations of her life, giving form to the influences that shaped her art and her sense of self—as an American, a woman, and a gifted daughter of the two cultures she has so powerfully imagined.

Praise for Helen Barolini

“An impassioned and magnificent contribution to our knowledge of what it has meant and means still to be an ethnic American and woman . . . . a book of heroic recovery and affirmation.”—Alice Walker (on The Dream Book)

“Large in scope, in depth, and in the gift of narrative.”—Cynthia Ozick (on Umbertina)

“Our lives are Swiss,” Emily Dickinson wrote in 1859, “So still—so cool.” But over the Alps, “Italy stands the other side.” For Dickinson, as for many other writers and artists, Italy has been the land of light, a seductive source of invention, enchantment, and freedom.

So it was for Helen Barolini, who, as a student in Rome after World War II, wrote her first poetry and gave birth to her own creative life, reinvigorating her mother tongue. In this book, Barolini celebrates the lives of other women whose imaginations succumbed to the lure of Italy.

Here Barolini profiles six gifted women transformed by Italy’s mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of “Italy” and its gifts—in whose welcome a new self could be created. Or discovered.

Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies—and created a refuge from Mussolini’s fascism.

Linking these lives, Barolini shows, is the transforming catalyst of change in a new land. Their Other Side is a wise, warm, and deeply felt literary journey that brilliantly captures the enduring effects of Italy as a place, a culture, and an experience.

A Circular Journey collects for the first time in one book the essays that most powerfully define the unique gifts of one of America’s most distinctive voices.

These fifteen pieces, tracking some thirty years of a writer’s life, come together to illuminate the stages and themes and places that mark Helen Barolini’s art. Divided into three closely linked sections—“Home,” “Abroad,” “Return,”—the essays move through Barolini’s worlds. Her love of literature began when, as a child growing up as an avid reader in Syracuse, New York, she was presented with a diary and told to write in it. Returning to the heritage of her Italian immigrant grandparents, she moved to Italy as a young writer. There she lived for many years, becoming acquainted with the brightest of Italy’s literary lights. The accomplished poet, novelist, and critic she became now lives at home in two nurturing cultures, America and Italy both.

The essays are memoirs of her house on a street named for Henry James’s grandfather, tales of literary journeys from Taos to Taormina, and Paris to Rome, as the young bride of a poet from the Veneto and, later on, as a distinguished writer whose explorations of identity and dislocation took her back to Italian inspirations.
From a delightful account of a writing fellowship in an exquisite villa overlooking the Italian lakes to her first trip back to discover distant family roots in the hills of Calabria, Barolini moves lyrically through the generations of her life, giving form to the influences that shaped her art and her sense of self—as an American, a woman, and a gifted daughter of the two cultures she has so powerfully imagined.

Praise for Helen Barolini

“An impassioned and magnificent contribution to our knowledge of what it has meant and means still to be an ethnic American and woman . . . . a book of heroic recovery and affirmation.”—Alice Walker (on The Dream Book)

“Large in scope, in depth, and in the gift of narrative.”—Cynthia Ozick (on Umbertina)

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death—as a quality of invention, of melancholy, of small victories in the face of greater threats—at the moment when his sight (and life) is eclipsed.

This new edition includes an Introduction and Afterword contextualizing Guibert’s work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death—as a quality of invention, of melancholy, of small victories in the face of greater threats—at the moment when his sight (and life) is eclipsed.

This new edition includes an Introduction and Afterword contextualizing Guibert’s work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

A comprehensive reading of Mark Twain's major work

At the end of his long life, Samuel Clemens felt driven to write a truthful account of what he regarded as the flaws in his character and the errors of his ways. His attempt to tell the unvarnished truth about himself is preserved in nearly 250 autobiographical dictations. In order to encourage complete veracity, he decided from the outset that these would be published only posthumously.

Nevertheless, Clemens’s autobiography is singularly unrevealing. Forrest G. Robinson argues that, by contrast, it is in his fiction that Clemens most fully—if often inadvertently—reveals himself. He was, he confessed, like a cat who labors in vain to bury the waste that he has left behind. Robinson argues that he wrote out of an enduring need to come to terms with his remembered experiences—not to memorialize the past, but to transform it.

By all accounts—including his own—Clemens’s special curse was guilt. He was unable to forgive himself for the deaths of those closest to him—from his siblings’ death in childhood to the deaths of his own children. Nor could he reconcile himself to his role in the Civil War, his part in the duel that prompted his departure from Virginia City in 1864, and—worst of all—his sense of moral complicity in the crimes of slavery.

Tracing the theme of bad faith in all of Clemens’s major writing, but with special attention to the late work, Robinson sheds new light on a tormented moral life. His book challenges conventional assumptions about the humorist’s personality and creativity, directing attention to what William Dean Howells describes as “the depths of a nature whose tragical seriousness broke in the laughter which the unwise took for the whole of him.”

A rare and evocative memoir of a respected constitutional scholar, dedicated public servant, political reformer, and facilitator of peace in the land of his ancestors.

John D. Feerick’s life has all the elements of a modern Horatio Alger story: the poor boy who achieves success by dint of his hard work. But Feerick brought other elements to that classic American success story: his deep religious faith, his integrity, and his paramount concern for social justice. In his memoir, That Further Shore, Feerick shares his inspiring story, from his humble beginnings: born to immigrant parents in the South Bronx, going on to practice law, participating in framing the U.S. Constitution’s Twenty-Fifth Amendment, serving as dean of Fordham Law, and serving as President of the New York City Bar Association and chair of state commissions on government integrity.

Beginning with Feerick’s ancestry and early life experiences, including a detailed genealogical description of Feerick’s Irish ancestors in County Mayo and his laborious quest to identify them and their relationships with one another, the book then presents an evocative survey of the now-vanished world of a working-class Irish Catholic neighborhood in the South Bronx. Feerick’s account of how he financed his education from elementary school through law school is a moving tribute to the immigrant work ethic that he inherited from his parents and shared with many young Americans of his generation. The book then traces Feerick’s career as a lawyer and how he gave up a lucrative partnership in a prestigious New York City law firm at an early age to accept the office of Dean of the Fordham School of Law at a fraction of his previous income because he felt it was time to give back something to the world.

John Feerick has consistently shown his commitment to the law as a vocation as well as a profession by his efforts to protect the rights of the poor, to enable minorities to achieve their rightful places in American society, and to combat political corruption. That Further Shore is an inspiring memoir of how one humble and decent man helped to make America a more just and equitable society.

A rare and evocative memoir of a respected constitutional scholar, dedicated public servant, political reformer, and facilitator of peace in the land of his ancestors.

John D. Feerick’s life has all the elements of a modern Horatio Alger story: the poor boy who achieves success by dint of his hard work. But Feerick brought other elements to that classic American success story: his deep religious faith, his integrity, and his paramount concern for social justice. In his memoir, That Further Shore, Feerick shares his inspiring story, from his humble beginnings: born to immigrant parents in the South Bronx, going on to practice law, participating in framing the U.S. Constitution’s Twenty-Fifth Amendment, serving as dean of Fordham Law, and serving as President of the New York City Bar Association and chair of state commissions on government integrity.

Beginning with Feerick’s ancestry and early life experiences, including a detailed genealogical description of Feerick’s Irish ancestors in County Mayo and his laborious quest to identify them and their relationships with one another, the book then presents an evocative survey of the now-vanished world of a working-class Irish Catholic neighborhood in the South Bronx. Feerick’s account of how he financed his education from elementary school through law school is a moving tribute to the immigrant work ethic that he inherited from his parents and shared with many young Americans of his generation. The book then traces Feerick’s career as a lawyer and how he gave up a lucrative partnership in a prestigious New York City law firm at an early age to accept the office of Dean of the Fordham School of Law at a fraction of his previous income because he felt it was time to give back something to the world.

John Feerick has consistently shown his commitment to the law as a vocation as well as a profession by his efforts to protect the rights of the poor, to enable minorities to achieve their rightful places in American society, and to combat political corruption. That Further Shore is an inspiring memoir of how one humble and decent man helped to make America a more just and equitable society.

Now available for the first time—more than 50 years after it was written—is the memoir of Michael Dillon/Lobzang Jivaka (1915–62), the British doctor and Buddhist monastic novice chiefly known to scholars of sex, gender, and sexuality for his pioneering transition from female to male between 1939 and 1949, and for his groundbreaking 1946 book Self: A Study in Ethics and Endocrinology. Here at last is Dillon/Jivaka’s extraordinary life story told in his own words.

Out of the Ordinary captures Dillon/Jivaka’s various journeys—to Oxford, into medicine, across the world by ship—within the major narratives of his gender and religious journeys. Moving chronologically, Dillon/Jivaka begins with his childhood in Folkestone, England, where he was raised by his spinster aunts, and tells of his days at Oxford immersed in theology, classics, and rowing. He recounts his hormonal transition while working as an auto mechanic and fire watcher during World War II and his surgical transition under Sir Harold Gillies while Dillon himself attended medical school. He details his worldwide travel as a ship’s surgeon in the British Merchant Navy with extensive commentary on his interactions with colonial and postcolonial subjects, followed by his “outing” by the British press while he was serving aboard The City of Bath.

Out of the Ordinary is not only a salient record of an early sex transition but also a unique account of religious conversion in the mid–twentieth century. Dillon/Jivaka chronicles his gradual shift from Anglican Christianity to the esoteric spiritual systems of George Gurdjieff and Peter Ouspensky to Theravada and finally Mahayana Buddhism. He concludes his memoir with the contested circumstances of his Buddhist monastic ordination in India and Tibet. Ultimately, while Dillon/Jivaka died before becoming a monk, his novice ordination was significant: It made him the first white European man to be ordained in the Tibetan Buddhist tradition.

Out of the Ordinary is a landmark publication that sets free a distinct voice from the history of the transgender movement.

Now available for the first time—more than 50 years after it was written—is the memoir of Michael Dillon/Lobzang Jivaka (1915–62), the British doctor and Buddhist monastic novice chiefly known to scholars of sex, gender, and sexuality for his pioneering transition from female to male between 1939 and 1949, and for his groundbreaking 1946 book Self: A Study in Ethics and Endocrinology. Here at last is Dillon/Jivaka’s extraordinary life story told in his own words.

Out of the Ordinary captures Dillon/Jivaka’s various journeys—to Oxford, into medicine, across the world by ship—within the major narratives of his gender and religious journeys. Moving chronologically, Dillon/Jivaka begins with his childhood in Folkestone, England, where he was raised by his spinster aunts, and tells of his days at Oxford immersed in theology, classics, and rowing. He recounts his hormonal transition while working as an auto mechanic and fire watcher during World War II and his surgical transition under Sir Harold Gillies while Dillon himself attended medical school. He details his worldwide travel as a ship’s surgeon in the British Merchant Navy with extensive commentary on his interactions with colonial and postcolonial subjects, followed by his “outing” by the British press while he was serving aboard The City of Bath.

Out of the Ordinary is not only a salient record of an early sex transition but also a unique account of religious conversion in the mid–twentieth century. Dillon/Jivaka chronicles his gradual shift from Anglican Christianity to the esoteric spiritual systems of George Gurdjieff and Peter Ouspensky to Theravada and finally Mahayana Buddhism. He concludes his memoir with the contested circumstances of his Buddhist monastic ordination in India and Tibet. Ultimately, while Dillon/Jivaka died before becoming a monk, his novice ordination was significant: It made him the first white European man to be ordained in the Tibetan Buddhist tradition.

Out of the Ordinary is a landmark publication that sets free a distinct voice from the history of the transgender movement.

New York’s Court of Appeals is the highest court in the state, created in 1847 to articulate statewide principles of law in the context of deciding particular lawsuits. Focusing on broad issues of law rather than individual disputes, the Court now consists of seven judges—one chief judge and six associate judges—appointed by the governor to terms of fourteen years.

Since its creation, the Court of Appeals has often been at the forefront of shaping American law; its judges have been among the nation’s most influential jurists.

And now, this important reference work finally provides a comprehensive, authoritative guide to one hundred and sixty years of this important legal legacy.

Featuring original biographies of 106 chief and associate judges, this unique resource takes the real measure of the Court’s history. The entries range in length from concise portraits to extended discussions of such leading figures at Benjamin Cardozo and Irving Lehman, from its first term under Chief Judge Freeborn G. Jewitt to the current term under Chief Judge Judith S. Kaye.

Designed for lawyers, judges, scholars, and students of the courts and history, these valuable biographies are filled with essential facts, expert analysis, and illuminating interpretation. Each entry features a full personal and professional biography, and concise coverage of landmark cases, key opinions, and a detailed context for understanding the legacy of each jurist. In addition, the book features biographies of other important Court figures, hundreds of illustrations, full case citations, bibliographies, and listings of judges’ progeny.

This first book of its kind fills a major gap in the literature and will be an essential resource not only for the New York legal community but also for scholars, students, and practitioners of the law around the country.

The extraordinary story of a man who bestrode his era like a colossus, Hugo Black is the first and only comprehensive biography of the Supreme Court Justice of thirty four years, (1886-1971). Once a member of the Ku Klux Klan, Black became one of the most celebrated and important civil libertarians in the history of the United States and the chief twentieth-century proponent of the First Amendment.

Newman presents us with the long odyssey of Hugo Black, capturing the man as he was—a brilliant trial lawyer, the investigating senator called by one reporter “a walking encyclopedia with a Southern accent,” and the wily politician and astute justice who led the redirection of American law toward the protection of the individual.

Selected by his son, these are the speeches of William Hughes Mulligan, litigator, judge, law professor and dean, and unrivaled artisan among after-dinner speakers. Mulligan's natural ability to compose and deliver a speech with impeccable timing and laced with urbane and timely wit combined with a sampling of his gentle wisdom made him a favorite practitioner of this art. Audiences were ever delighted with his recurring cast of characters, including "Hercules Mulligan," Christopher Lynch, the discoverer of America, and that noted Irishman of ancient renown, King Tut.

A graduate of Fordham College and Fordham Law School, where he was editor of the Fordham Law Review, William Hughes Mulligan (1918-1996) joined the Fordham Law School faculty after service in World War II and was named Dean in 1956. In 1971 President Nixon appointed him to the United States Court of Appeals. After a decade on the federal bench, he became a partner in the law firm of Skadden, Arps, Slate, Meagher and Flom.

The inspiring memoir of a man The New York Times has called a “power broker with blarney in his pen.”

James F. Gill is one of the most influential New Yorkers you’ve never heard of. Now a senior partner at a prestigious New York law firm, Gill has quietly made his mark in the rarefied worlds of business and politics while distinguishing himself as a determined and idealistic advocate of the public interest.

Gill has represented trade unions and celebrity estates; he has rubbed shoulders with governors and mayors; he is known and trusted by New York’s movers and shakers. And as the head of the Battery Park City Authority, he is at the center of the efforts to rebuild Lower Manhattan in the aftermath of the attacks on the World Trade Center. Brimming with insight, passion, and his trademark humor, For James and Gillian is the story of a remarkable public servant whose accomplishments and idealism will inspire readers of all ages.

Stealing Home is an at times witty, at times grave, at times hopeful, and at times cynical, but always thought-provoking collection of autobiographical essays. This book is a man's bold yet humble analysis of his own choices, particularly of his decision to give up a modest, bucolic, and secure academic life in California for an even more rewarding and meaningful one in Israel.

These twenty-eight wonderfully written essays leave no delicate subject untouched. Chertok exposes the materialistic shallowness of many American "assimilated" Jews. He describes his experiences in the Israeli army and his growing distress with Israel's involvement in Lebanon. He bemoans Israel's schools, he criticizes Israel's treatment of the Arabs. He is, in fact, a rare bird- a dedicated Zionist and an observant Jew who despises narrowmindedness in any shape or form, whether it be cultural, social, left-win, right-wing, or religious.

This book is essential reading not only for those concerned with Israel or with the "Jewish-American experience." Stealing Home addresses universal issues that have concerned all people in all nations throughout history. It is a book about finding one's place in the world...without becoming complacent or self-righteous.

Stealing Home is an at times witty, at times grave, at times hopeful, and at times cynical, but always thought-provoking collection of autobiographical essays. This book is a man's bold yet humble analysis of his own choices, particularly of his decision to give up a modest, bucolic, and secure academic life in California for an even more rewarding and meaningful one in Israel.

These twenty-eight wonderfully written essays leave no delicate subject untouched. Chertok exposes the materialistic shallowness of many American "assimilated" Jews. He describes his experiences in the Israeli army and his growing distress with Israel's involvement in Lebanon. He bemoans Israel's schools, he criticizes Israel's treatment of the Arabs. He is, in fact, a rare bird- a dedicated Zionist and an observant Jew who despises narrowmindedness in any shape or form, whether it be cultural, social, left-win, right-wing, or religious.

This book is essential reading not only for those concerned with Israel or with the "Jewish-American experience." Stealing Home addresses universal issues that have concerned all people in all nations throughout history. It is a book about finding one's place in the world...without becoming complacent or self-righteous.

From Slave Ship to Harvard is the true story of an African American family in Maryland over six generations. The author has reconstructed a unique narrative of black struggle and achievement from paintings, photographs, books, diaries, court records, legal documents, and oral histories. From Slave Ship to Harvard traces the family from the colonial period and the American Revolution through the Civil War to Harvard and finally today.

Yarrow Mamout, the first of the family in America, was an educated Muslim from Guinea. He was brought to Maryland on the slave ship Elijah and gained his freedom forty-four years later. By then, Yarrow had become so well known in the Georgetown section of Washington, D.C., that he attracted the attention of the eminent American portrait painter Charles Willson Peale, who captured Yarrow’s visage in the painting that appears on the cover of this book. The author here reveals that Yarrow’s immediate relatives—his sister, niece, wife, and son—were notable in their own right. His son married into the neighboring Turner family, and the farm community in western Maryland called Yarrowsburg was named for Yarrow Mamout’s daughter-in-law, Mary “Polly” Turner Yarrow. The Turner line ultimately produced Robert Turner Ford, who graduated from Harvard University in 1927.

Just as Peale painted the portrait of Yarrow, James H. Johnston’s new book puts a face on slavery and paints the history of race in Maryland. It is a different picture from what most of us imagine. Relationships between blacks and whites were far more complex, and the races more dependent on each other. Fortunately, as this one family’s experience shows, individuals of both races repeatedly stepped forward to lessen divisions and to move America toward the diverse society of today.

From Slave Ship to Harvard is the true story of an African American family in Maryland over six generations. The author has reconstructed a unique narrative of black struggle and achievement from paintings, photographs, books, diaries, court records, legal documents, and oral histories. From Slave Ship to Harvard traces the family from the colonial period and the American Revolution through the Civil War to Harvard and finally today.

Yarrow Mamout, the first of the family in America, was an educated Muslim from Guinea. He was brought to Maryland on the slave ship Elijah and gained his freedom forty-four years later. By then, Yarrow had become so well known in the Georgetown section of Washington, D.C., that he attracted the attention of the eminent American portrait painter Charles Willson Peale, who captured Yarrow’s visage in the painting that appears on the cover of this book. The author here reveals that Yarrow’s immediate relatives—his sister, niece, wife, and son—were notable in their own right. His son married into the neighboring Turner family, and the farm community in western Maryland called Yarrowsburg was named for Yarrow Mamout’s daughter-in-law, Mary “Polly” Turner Yarrow. The Turner line ultimately produced Robert Turner Ford, who graduated from Harvard University in 1927.

Just as Peale painted the portrait of Yarrow, James H. Johnston’s new book puts a face on slavery and paints the history of race in Maryland. It is a different picture from what most of us imagine. Relationships between blacks and whites were far more complex, and the races more dependent on each other. Fortunately, as this one family’s experience shows, individuals of both races repeatedly stepped forward to lessen divisions and to move America toward the diverse society of today.

When literary biographer and memoirist Louise DeSalvo embarked upon a journey to learn why her father came home from World War II a changed man, she didn’t realize her quest would take ten years, and that it would yield more revelations about the man—and herself—and the effect of his military service upon their family than she’d ever imagined. During his last years, as he told her about his life, DeSalvo began to understand that her obsession with war novels and military history wasn’t merely academic but rooted in her desire to understand this complex father whom she both adored and reviled because of his mistreatment of her. Although she at first believes she wants to uncover his story, the story of a man who was no hero but who was nonetheless adversely affected by the his military service, she learns that what she really wants is to recover the man that he was before he went away.

As DeSalvo and her father uncover his past piece-by-piece, bit-by-bit, she learns about the dreams of a working-class man who entered the military in the late 1930s during peacetime to better himself, a man who wanted to become a pilot. She learns about what it was like for him to participate in war games in the Pacific prior to the war, and its devastating toll. She learns about what it was like for her parents to fall in love, set up house, marry, and have children during this cataclysmic time. And as the pieces of her father’s life fall into place as works to piece together the puzzle of everything she’s learned about this time, she finds herself finally able to understand him.

Chasing Ghosts is an original contribution to the understanding of working-class World War II veterans who did not conventionally distinguish themselves through “heroic” actions and whose lives were not until recently considered worthy of historical or cultural attention. It personalizes the history of those sailors who served in the Navy aboard aircraft carriers and on islands in the Pacific prior to, and during World War II and contributes to the current vital conversation about the often-unrecognized effects of war and its traumas upon those men and their families. It reveals the lifelong devastating consequences of military service on those men and women who fell in love, married, and set up house. And it reveals the complexity of what it is like to be the daughter of a father who has gone to war.

Daniel O’Connell, as we bring him into focus, after generations of bitter criticism, misrepresentation, and neglect, becomes a very modern man. The principles which he held with such consistency and expounded with such consummate eloquence are, by modern standards, enlightened, even prescient. They are wholly pertinent questions which are of deep concern to all of us.

The reader of history will perceive that the span of O’Connell’s life, 1775-1847, witnessed profound changes in political arrangements, in power structures, and in national boundaries in the Western world. One of the more important of these developments has been the growth of nationalism, not only here but throughout the world. As the national consciousness affected Ireland, it cannot be interpreted, even understood, except as it was awakened by O’Connell. He entered public life as an opponent of the Act of Union of 1800, a measure which was to infect British relations with Ireland for a century and a quarter.

O’Connell earned and held in the Western world high rank among the individuals who promoted religious liberty and separation of Church and State, cardinal principles in the American tradition. Since the first half of his public life was devoted to the restoration of Catholic rights, he realized that he could not rationally insist upon rights for his fellow communicants which he would deny to others. His concept of true religion was of something lived wholly apart from interference or support by civil authority. As we shall see, he carried his zeal for religious liberty to the support of the Jews in their struggle to life the disabilities imposed by English law.

Originally published in Germany in 1997, Lotte Strauss's Over the Green Hill: Personal Memoir, Germany 1913-43, was begun in 1975 as a letter to her daughter. It took twenty years to write the complete story, and by then, was no longer a letter, but a book.

Lotte Strauss was born one year before the beginning of World War I. She spent her formative years observing how the mood of Post War Germany turned anti-Semitic. The Gestapo came for Strauss during October of 1942, stating that she was to join her parents on a 'resettlement' to the east. Realizing that to comply, that to take such orders would have dire consequences, Strauss managed to slip out the door of her apartment while the Gestapo's attention was momentarily diverted, and make it to her husband, Herbert in Berlin. The Strausses, together, spent the next six months hiding in Germany, planning for their escape, and continuing to evade the Gestapo by just seconds. In May, 1943, they managed to slip across the Swiss border.

Originally published in Germany in 1997, Herbert A. Strauss In The Eye of The Storm: Growing Up Jewish in Germany, 1918-1943, A Memoir is not merely a memoir, or biography, but rather a description of a life embedded in the history of the Jewish community. It is the story of Jewish life, both pre-Nazi Germany and during Nazi Germany.

Born in 1913 to a Christian mother and a Jewish father, Strauss was raised in a conservative Jewish fashion, studying Hebrew and Jewish history. Like many other Jews, he took little notice as the anti-Semitism of Nazi culture began to seep into his daily life. He remarks of when he was a boy, how amused he was, when during a school genetics lesson, he was selected as the embodiment of a perfect Aryan. But, as Strauss grew older the story changed. Restrictions placed on Jews became more increasingly harsh and he began to feel apprehensive. Yet, while still a student at the Hochshule, a remarkable Jewish school that the Nazis permitted to function until the early months of 1942, Strauss still refused to believe that things could get much worse, and went on concerning himself with his education in the Humanities. However, by late 1942, after he was shut out of the academic world, made a street cleaner, and then forced into hiding, along with his girlfriend (now wife), Lotte, Strauss finally came to the truth of what was happening. A truth he could hardly believe. Both he and Lotte escaped from the Gestapo, with help from the Jewish underground and Frau Meier, a Catholic, who supplied forged documents so that they could enter Switzerland.

The second volume of William Cullen Bryant's letters opens in 1836 as he has just returned to New York from an extended visit to Europe to resume charge of the New York Evening Post, brought near to failure during his absence by his partner William Leggett's mismanagement. At the period's close, Bryant has found in John Bigelow an able editorial associate and astute partner, with whose help he has brought the paper close to its greatest financial prosperity and to national political and cultural influence.

Bryant's letters show the versatility of his concern with the crucial political, social, artistic, and literary movements of his time, and the varied friendships he enjoyed despite his preoccupation with a controversial daily paper, and with the sustenance of a poetic reputation yet unequaled among Americans. As president of the New York Homeopathic Society, in letters and editorials urging widespread public parks, and in his presidency of the New York Society for the Abolition of the Punishment of Death, he gave attention to public health, recreation, and order. He urged the rights of labor, foreign and religious minorities, and free African Americans; his most powerful political effort of the period was in opposition to the spread of slavery through the conquest of Mexico. An early commitment to free trade in material goods was maintained in letters and editorials, and to that in ideas by his presidency of the American Copyright Club and his support of the efforts of Charles Dickens and Harriet Martineau to secure from the United States Congress and international copyright agreement.

Bryant's first visit to Great Britain came at the height of his poetic and journalistic fame in 1845, bringing him into cordial intimacy with members of Parliament, scientists, journalists, artists, and writers. In detailed letters to his wife, published here for the first time, he describes the pleasures he took in breakfasting with the literary patron Samuel Rogers and the American minister Edward Everett, boating on the Thames with artists and with diarist Henry Crabb Robinson, spending an evening in the home of Leigh Hunt, and calling on the Wordsworths at Rydal Mount as well as in the distinctions paid him at a rally of the Anti-Corn-Law League in Covent Garden Theatre, and at the annual meeting in Cambridge of the British Association for the Advancement of Science.

Equally fresh are most of the letters to prominent Americans, many of them his close friends, such as the two Danas, Bancroft, Cole, Cooper, Dewey, Dix, Downing, Durand, Forrest, Greenough, Irving, Longfellow, Simms, Tilden, Van Buren, and Weir. His letters to the Evening Post recounting his observations and experiences during travels abroad and in the South, West, and Northeast of the United States, which were copied widely in other newspapers and praised highly by many of their subscribers, are here made available to the present-day reader.

The Letters of William Cullen Bryant: Volume II, 1836–1849 is available from the publisher on an open-access basis.

On April 26, 1865, as Abraham Lincoln's funeral cortege paused in Union Square, New York, before being taken by rail to Springfield, Illinois, William Cullen Bryant listened as his own verse elegy for the slain president was read to a great concourse of mourners by the Reverend Samuel Osgood. Only five years earlier and a few blocks downtown, at Cooper Union, Bryant had introduced the prairie candidate to his first eastern audience. There his masterful appeal to the conscience of the nation prepared the way for his election to the presidency on the verge of the Civil War. Now, Bryant stood below Henry Kirke Brown's equestrian statue of George Washington, impressing Osgood as if he were "the 19tth Century itself thinking over the nation and the age in that presence."

Bryant's staunch support of the Union cause throughout the war, and of Lincoln's war efforts, no less than his known influence with the president, led several prominent public figures to urge that he write Lincoln's biography. Oliver Wendell Holmes wrote him, "No man combines the qualities for his biographer so completely as yourself and the finished task would be a noble crown to a noble literary life." But Bryant declined, declaring his inability to record impartially critical events in which he had taken so central a part. Furthermore, while preoccupied with the editorial direction of the New York Evening Post, he was just then repossessing and enlarging his family's homestead at Cummington, Massachusetts, where he hoped his ailing wife might, during long summers in mountain air, regain her health. But in July 1866, Frances died of recurrent rheumatic fever, and, Bryant confessed to Richard Dana, he felt as "one cast out of Paradise."

After France's death Bryant traveled with his daughter Julia for nearly a year through Great Britain and the Continent, where he met British statesman and novelist Edward Bulwer Lytton and French literary critic Hyppolyte Taine, renewed his friendship with Spanish poet Carolina Coronado, Italian liberator Giuseppe Garibaldi, and British and American artists, and visited the family of the young French journalist Georges Clemenceau, as well as the graves of earlier acquaintances Francis Lord Jeffrey and Elizabeth Barrett Browning. In his spare moments Bryant sought solace by beginning the translation of Homer, and Longfellow had found relief after his wife's tragic death by rendering into English Dante's Divine Comedy.

Home again in New York, Bryant bought and settled in a house at 24 West 16th Street which would be his city home for the rest of his life. Here he completed major publications, including the Iliad and Odyssey of Homer and an exhaustive Library of Poetry and Song, and added to published tributes to earlier friends, such as Thomas Cole, Fenimore Cooper, and Washington Irving, memorial discourses on Fitz-Greene Halleck and Gulian Verplanck. In addition to his continued direction of the New York Homeopathic Medical college and the American Free Trade League, he was elected to the presidency of the Williams College Alumni Association, the International Copyright Association, and the Century Association, the club of artists and writers of which, twenty years earlier, he had been a principal founder and which he would direct for the last decade of his life.

The Letters of William Cullen Bryant: Volume V, 1865–1871 is available from the publisher on an open-access basis.

In January 1872, Bryant traveled to Mexico City, where he was greeted warmly by President Benito Juarez; on this and other occasions he was feted for the Evening Post's sturdy condemnation in 1863 of the abortive invasion of Mexico, which was freshly remembered there. At the close of his visit a local newspaper remarked that the "honors and hospitality which were so lavishly and generously conferred upon him were the spontaneous outpouring of a grateful people, who had not forgotten that when Mexico was friendless Mr. Bryant became her friend." Returning in April through New Orleans and up the Mississippi by steamboat to Cincinnati, he was greeted at a public reception by Governor Rutherford Hayes, who was pleased by his "winning and lovable" manners and "pithy" anecdotes.

That spring Bryant built a library for his birthplace, Cummington, stocking it with several thousand books procured for him by the publisher George Palmer Putnam in New York and London. The following year, after the last of his many travels - this time a revisit to South Carolina and Florida - he made a similar gift to Roslyn. These benefactions won him honorary membership in the newly formed American Library Association, and an invitation to open a library at Princeton University, which made him an honorary doctor of letters. Ultimately, in the final year of his life, his plans for the Bryant Library at Cummington, solicited from the White House by President Hayes, provided the basic design for the first presidential library in the country - that established by Hayes in Fremont, Ohio.

An improbable by-product of the presidential race in 1872 was a proposal by leading journalists that Bryant become -in his seventy-eighth year - a candidate to oppose President Grant and his challenger for the Republican nomination, the mercurial editor of the New York Tribune, Horace Greeley. Bryant's immediate refusal to take the suggestion seriously was succinct, and tinged with humor. It was impossible, he declared in his newspaper, that he should receive the nomination, and "equally impossible," if it were offered, that he should "commit the folly of accepting it." Four years later he was distressed at being unable to switch his journal's support of the Republican candidate Hayes to the Democratic candidate, his old companion in political reform, Samuel Jones Tilden.

As Bryant approached and entered his eighties, his writing and public speaking continued without slackening. Between 1872 and 1878 he published his collected Orations and Addresses, edited a revision of his anthology of poetry and two volumes of landscape sketches, Picturesque America, co-authored a four-volume Popular History of the United States, and undertook to co-edit a three-volume set of Shakespeare's plays, while also producing long monographs on several seventeenth-century English poets. He dedicated statues of Shakespeare, Walter Scott, and Fitz-Green Halleck in Central Park, and spoke elsewhere on Robert Burns, Benjamin Franklin, Goethe, and Shakespeare, gave speeches on Mexico and "National Honesty," and presided over the founding of the State Charities Aid Association. He was honored in Albany at receptions by each house of the legislature. For his eightieth birthday, his life's work was celebrated in silver on a Tiffany vase given him by admirers throughout the country.

Bryant's last public act was to unveil, in Central Park, his brainchild of nearly a half century earlier: a bust of the Italian patriot Giuseppe Mazzini. Here, after exhaustion under the June sun, he fell and suffered a massive concussion followed by a stroke, which led to his death a fortnight later in his eighty-fourth year. A period of virtual national mourning preceded his funeral and his burial beside his wife at Roslyn. At one of many memorial services, a eulogist exclaimed, "The broad outline of his character had become universally familiar, like a mountain or a sea. Whoever saw Bryant saw America."

The Letters of William Cullen Bryant: Volume VI, 1872–1878 is available from the publisher on an open-access basis.

This is the only collection ever made of Bryant's letters, two-thirds of which have never before been printed. Their publication was foreseen by the late Allan Nevin as "one of the most important and stimulating enterprises contributory to the enrichment of the nation's cultural and political life that is now within range of individual and group effort.

William Cullen Bryant (1794–1878) was America's earliest national poet. His immediate followers—Longfellow, Poe, and Whitman—unquestionably began their distinguished careers in imitation of his verses. But Bryant was even more influential in his long career as a political journalist, and in his encouragement of American art, from his lectures at the National Academy of Design in 1828 to his evocation of the Metropolitan Museum of Art in 1870. Between the appearance of his first major poem, "Thanatopsis," in 1817, and his death sixty-one years later at the age of eight-three, Bryant knew and corresponded with an extraordinary number of eminent men and women. More than 2,100 of his know letters have already been recovered for the present edition.

When William Cullen Bryant signed the first of 314 letters in the present volume, in 1809, he was a frail and shy farm boy of fourteen who had nonetheless already won some fame as the satirist of Thomas Jefferson. When he wrote the last, in 1836, he had become the chief poet of his country, the editor of its principal liberal newspaper, and the friend and collaborator of its leading artists and writers. His collected poems, previously published at New York, Boston, and London, were going into their third edition. His incisive editorials in the New York Evening Post were affecting the decisions of Andrew Jackson's administration. His poetic themes were beginning to find expression in the landscape paintings of Robert Weir, Asher Durand, and Thomas Cole.

The early letters gathered here in chronological order give a unique picture of Cullen Bryant's youth and young manhood: his discipline in the classics preparatory to an all-too-brief college tenure; his legal study and subsequent law practice; the experiments with romantic versification which culminated in his poetic masterpieces, and those with the opposite sex which led to his courtship and marriage; his eager interest in the politics of the Madison and Monroe Presidencies, and his subsequent activities as a local politician and polemicist in western Massachusetts; his apprenticeship as magazine editor and literary critic in New York City, from which his later eminence as journalist was the natural evolution; the lectures on poetry and mythology which foreshadowed a long career as occasional orator; the collaboration in writing The Talisman, The American Landscape, and Tales of Glauber-Spa, and in forming the National Academy of Design, and the Sketch Club, which brought him intimacy with writers, artists, and publishers; his first trip to the American West, and his first long visit to Europe, during which he began the practice of writing letters to his newspaper which, throughout nearly half a century, proved him a perceptive interpreter of the distant scene to his contemporaries.

Here, in essence, is the first volume of the autobiography of one whom Abraham Lincoln remarked after his first visit to New York City in 1860, "It was worth the journey to the East merely to see such a man." And John Bigelow, who of Bryant's many eulogists knew him best, said in 1878 of his longtime friend and business partner, "There was no eminent American upon whom the judgment of his countrymen would be more immediate and unanimous. The broad simple outline of his character and career had become universally familiar, like a mountain or a sea."

The Letters of William Cullen Bryant: Volume I, 1809–1836 is available from the publisher on an open-access basis.

During the years covered in this volume, Bryant traveled more often and widely than at any comparable period during his life. The visits to Great Britain and Europe, a tour of the Near East and the Holy Land, and excursions in Cuba, Spain, and North Africa, as well as two trips to Illinois, he described in frequent letters to the Evening Post. Reprinted widely, and later published in two volumes, these met much critical acclaim, one notice praising the "quiet charm of these letters, written mostly from out-of-the-way places, giving charming pictures of nature and people, with the most delicate choice of words, and yet in the perfect simplicity of the true epistolary style."

His absence during nearly one-fifth of this nine-year period reflected the growing prosperity of Bryant's newspaper, and his confidence in his editorial partner John Bigelow and correspondents such as William S. Thayer, as well as in the financial acumen of his business partner Isaac Henderson. These were crucial years in domestic politics, however, and Bryant's guidance of Evening Post policies was evident in editorials treating major issues such as the Compromise of 1850, the Fugitive Slave Law, the Kansas-Nebraska Bill, the rise of the Republican Party, and the Dred Scott Decision, as well as in his correspondence with such statesmen as Salmon P. Chase, Hamilton Fish, William L. Marcy, Edwin D. Morgan, and Charles Sumner. His travel letters and journalistic writings reflected as well his acute interest in a Europe in turmoil. In France and Germany he saw the struggles between revolution and repression; in Spain he talked with journalists, parliamentary leaders, and the future president of the first Spanish republic; in New York he greeted Louis Kossuth and Giuseppe Garibaldi.

Bryant's close association with the arts continued. He sat for portraits to a dozen painters, among them Henry P. Gray, Daniel Huntington, Asher Durand, Charles L. Elliott, and Samuel Laurence. The landscapists continued to be inspired by his poetic themes. Sculptor Horatio Greenough asked of Bryant a critical reading of his pioneering essays on functionalism. His old friend, the tragedian Edwin Forrest, sought his mediation in what would become the most sensational divorce case of the century, with Bryant and his family as witnesses. His long advocacy of a great central park in New York was consummated by the legislature. And in 1852, his eulogy on the life of James Fenimore Cooper became the first of several such orations which would establish him as the memorialist of his literary contemporaries in New York.

The years just before and during the Civil War marked the high point of Bryant's influence on public affairs, which had grown steadily since the Evening Post had upheld the democratic Jacksonian revolution of the 1830s. A founder of the Free Soil Party in 1848 and the Republican Party in 1856, Bryant was lauded in 1857 by Virginia anti-slavery leader John Curtis Underwood, who wrote to Eli Thayer, "What a glory it would be to our country if it could elect this man to the Presidency-the country not he would be honored & elevated by such an event."

In 1860 Bryant helped secure the Presidential nomination for Abraham Lincoln, and was instrumental in the choice of two key members of his cabinet, Salmon Chase as Secretary of the Treasury, and Gideon Welles as Secretary of the Navy. During disheartening delays and defeats in the early war years, direct communications from Union field commanders empowered his editorial admonitions to such a degree that the conductor of a national magazine concluded that the Evening Post's "clear and able political leaders have been of more service to the government of this war than some of its armies."

Bryant's correspondence with statesmen further reflects the immediacy of his concern with military and political decisions. There are thirty-five known letters to Lincoln, and thirty-two to Chase, Welles, war secretary Stanton, and Senators Fessenden, Morgan, and Sumner.

This seven-year passage in Bryant's life, beginning with his wife's critical illness at Naples in 1858, concludes with a unique testimonial for his seventieth birthday in November 1864. The country's leading artists and writers entertained him at a "Festival" in New York's Century Club, giving him a portfolio of pictures by forty-six painters as a token of the "sympathy" he had "ever manifested toward the Artists," and the "high rank" he had "ever accorded to art." Poets Emerson, Holmes, Longfellow, Lowell, and Whittier saluted him in prose and verse. Emerson saw him as "a true painter of the face of this country"; Holmes, as the "first sweet singer in the cage of our close-woven life." To Whittier, his personal and public life sounded "his noblest strain." And in the darkest hours of the war, said Lowell, he had "remanned ourselves in his own manhood's store," had become "himself our bravest crown."

This is the only collection ever made of Bryant's letters, two-thirds of which have never before been printed. Their publication was foreseen by the late Allan Nevins as "one of the most important and stimulating enterprises contributory to the enrichment of the nation's cultural and political life that is now within the range of individual and group effort."

William Cullen Bryant (1794-1878) was America's earliest national poet. His immediate followers-Longfellow, Poe, and Whitman-unquestionably began their distinguished careers in imitation of his verses. But Bryant was even more influential in his long career as a political journalist, and in his encouragement of American art, from his lectures at the National Academy of Design in 1828 to his evocation of the Metropolitan Museum of Art in 1870. Between the appearance of his first major poem, "Thanatopsis," in 1817, and his death sixty-one years later at the age of eighty-three, Bryant knew and corresponded with an extraordinary number of eminent men and women. More than 2,100 of his known letters have already been recovered for the present edition.

National book Award laureate; recipient of Special Pulitzer Prize citation; winner of the Life in America Prize the Archives of American Art Award; among many others, James Thomas Flexner has written with distinction about American history and art. He has penetrated many of the charactrers who have shaped history exposing the intricacies of not only the historical figure, but the man beneath the marble image. The range of Flexner's subjects is wide: painters, inventors, doctors, loyalists, traitors, and spies, such luminaries as George Washington, Benedict Arnold, Alexander Hamilton, and John Singleton Copley, are among those Flexner has taken as subjects.

After over fifty years of writnig, Flexner, one of America's greatest chroniclers has turned his probing eye back on to the pages of his own life with the same honesty, frankness, wit which have come to signify his form.

James Thomas Flexner was born in 1908 on Lexington Avenue, New York City to parents Helen Thomas and Simon Flexner (scientist and first director of the Rockefeller Institute for Medical research.) Published in the literary magazine at the Lincoln High School, Flexner's passion for writing was spawned at a young age. This passion would become a source of life long struggle as well as success for Flexner. Journalist for the Herald Tribune, and foremost biographer (as well as making numerous appearances on radio and television,) Flexner's career allowed him access into the quick of the political, social, and artistic movements and developments that shaped the twentieth century.

An un-traditional student, Flexner, although graduating magna com laude from Harvard University, often pursued what was to be considered by academics, unorthodox methods of research for his work. Following the passion of his own interests and plotting his own course of research and study, Flexner created of himself a sort of maverick, chartign a course for biography that countered that written in the guide books of academe.

While he probed and uncovered the lives of the great men who shaped the past, noteworthy publishers, writers, artists, and politicians of the twentieth century fill the pages of Maverick's Progress. Flexner writes of how influences, acquantances, and friends such as Bernard Berenson, Conrad Aiken, Ivy Lee, Harry Hopkins, Allan Nevins, Logan Pearsall Smith, and Edward Hopper figured in his life, and in his development as a writer.

James Flexner has authored more than twenty books, several of them have been recently re-published by Fordham University Press. He was awarded the Gold Medal for Eminence in Biography, by the American Academy and Institute of Arts and Letters in 1988. He is perhaps most well known for his four-volume biography of George Washington which was eventually condensed into one: An Indispensable Man from which two television mini-series have been produced and for which he was awared the Peabody Award and Emmy Nomination. Maverick's Progress offers us a candid an sparkling look into the life of a writer who has indeed been a maverick in the canon of American historians - an individual who himself has been an Indispensable Man.

National book Award laureate; recipient of Special Pulitzer Prize citation; winner of the Life in America Prize the Archives of American Art Award; among many others, James Thomas Flexner has written with distinction about American history and art. He has penetrated many of the charactrers who have shaped history exposing the intricacies of not only the historical figure, but the man beneath the marble image. The range of Flexner's subjects is wide: painters, inventors, doctors, loyalists, traitors, and spies, such luminaries as George Washington, Benedict Arnold, Alexander Hamilton, and John Singleton Copley, are among those Flexner has taken as subjects.

After over fifty years of writnig, Flexner, one of America's greatest chroniclers has turned his probing eye back on to the pages of his own life with the same honesty, frankness, wit which have come to signify his form.

James Thomas Flexner was born in 1908 on Lexington Avenue, New York City to parents Helen Thomas and Simon Flexner (scientist and first director of the Rockefeller Institute for Medical research.) Published in the literary magazine at the Lincoln High School, Flexner's passion for writing was spawned at a young age. This passion would become a source of life long struggle as well as success for Flexner. Journalist for the Herald Tribune, and foremost biographer (as well as making numerous appearances on radio and television,) Flexner's career allowed him access into the quick of the political, social, and artistic movements and developments that shaped the twentieth century.

An un-traditional student, Flexner, although graduating magna com laude from Harvard University, often pursued what was to be considered by academics, unorthodox methods of research for his work. Following the passion of his own interests and plotting his own course of research and study, Flexner created of himself a sort of maverick, chartign a course for biography that countered that written in the guide books of academe.

While he probed and uncovered the lives of the great men who shaped the past, noteworthy publishers, writers, artists, and politicians of the twentieth century fill the pages of Maverick's Progress. Flexner writes of how influences, acquantances, and friends such as Bernard Berenson, Conrad Aiken, Ivy Lee, Harry Hopkins, Allan Nevins, Logan Pearsall Smith, and Edward Hopper figured in his life, and in his development as a writer.

James Flexner has authored more than twenty books, several of them have been recently re-published by Fordham University Press. He was awarded the Gold Medal for Eminence in Biography, by the American Academy and Institute of Arts and Letters in 1988. He is perhaps most well known for his four-volume biography of George Washington which was eventually condensed into one: An Indispensable Man from which two television mini-series have been produced and for which he was awared the Peabody Award and Emmy Nomination. Maverick's Progress offers us a candid an sparkling look into the life of a writer who has indeed been a maverick in the canon of American historians - an individual who himself has been an Indispensable Man.

A prize-winning historian details his intellectual and political evolution

Written by the author of the landmark book The Wages of Whiteness and one of the key figures in the critical study of race and racism in America, An Ordinary White is the life story of the historian and radical American writer, David Roediger.

With wry wit and keen observation, Roediger chronicles his intellectual and political evolution from growing up in his southern Midwest sundown town to becoming a leading figure in working-class his­tory and Whiteness studies. A latecomer to the New Left, a longtime figure in the Chicago Surrealist Group, and part of the collective reviving of the Charles Kerr Company—the world’s oldest socialist publisher—Roediger captures events and characters absent from standard histories of the left as well as such icons of resistance as Studs Terkel, Noel Ignatiev, Angela Davis, Toni Morrison, and C. L. R. James.

A direct response to the venom, effectiveness, and durability of white nationalist attacks on Critical Race Theory, this memoir describes Roediger’s youth as “ordinary,” both in its unfolding in a lower-middle-class family of southern Illinois workers and in the depth of white racism he was taught. He considers himself “saved” by social movements of his time, including those of labor, against empire, and, above all, the Black Freedom struggle. Public education, dissenting currents in Catholicism, knowledge of the importance of good union jobs, and generative impulses in sports and music helped make his salvation stick.

Roediger’s knowledge of white advantage came from his personal everyday experiences, but among people ordinary enough to guard against the mistaken notion that poor and working-class whites are uniquely the culprits of white nationalism. Importantly he argues against the character­ization of them as intractably racist or incapable of understanding the advantages of whiteness. A teacher in state universities for forty years, Roediger has tirelessly fought against their being hollowed out by corporate values and austerity. In An Ordinary White, he writes movingly of these experiences and what we have lost in our institutions whose soaring rhetoric outstrips any ability to defend education or racial justice.

An exiled professor’s journey from inside and beyond academe

In the summer of 2014, Steven Salaita was fired from a tenured position in American Indian Studies at the University of Illinois for his unwavering stance on Palestinian human rights and other political controversies. A year later, he landed a job in Lebanon, but that, too, ended badly. With no other recourse, Salaita found himself trading his successful academic career for an hourly salaried job. Told primarily from behind the wheel of a school bus—a vantage point from which Salaita explores social anxiety, suburban architecture, political alienation, racial oppression, working-class solidarity, pro­fessional malfeasance, and the joy of chauffeuring children to and from school—An Honest Living describes the author’s decade of turbulent post-professorial life and his recent return to the lectern.

Steven Salaita was practically born to a life in academia. His father taught physics at an HBCU in southern West Virginia and his earliest memories are of life on campus and the cinder walls of the classroom. It was no surprise that he ended up in the classroom straight after graduate school. Yet three of his university jobs—Virginia Tech, the University of Illinois, and the American University of Beirut [AUB] —ended in public controversy. Shaken by his sudden notoriety and false claims of antisemitism, Salaita found himself driving a school bus to make ends meet. While some considered this just punishment for his anti-Zionist beliefs, Steven found that driving a bus provided him with not just a means to pay the bills but a path toward freedom of thought.

Now ten years later, with a job at American University at Cairo, Salaita reconciles his past with his future. His restlessness has found a home, yet his return to academe is met with the same condition of fugitivity from whence he was expelled: an occasion for defiance, not conciliation. An Honest Living presents an intimate personal narrative of the author’s decade of professional joys and travails.

Today, seventy-three years after his death, journalists still tell tales of Charles E. Chapin. As city editor of Pulitzer’s New York Evening World , Chapin was the model of the take-no-prisoners newsroom tyrant: he drove reporters relentlessly—and kept his paper in the center ring of the circus of big-city journalism. From the Harry K. Thaw trial to the sinking of the Titanic , Chapin set the pace for the evening press, the CNN of the pre-electronic world of journalism.

In 1918, at the pinnacle of fame, Chapin’s world collapsed. Facing financial ruin, sunk in depression, he decided to kill himself and his beloved wife Nellie. On a quiet September morning, he took not his own life, but Nellie’s, shooting her as she slept. After his trial—and one hell of a story for the World’s competitors—he was sentenced to life in the infamous Sing Sing Prison in Ossining, New York.

In this story of an extraordinary life set in the most thrilling epoch of American journalism, James McGrath Morris tracks Chapin’s rise from legendary Chicago street reporter to celebrity powerbroker in media-mad New York. His was a human tragedy played out in the sensational stories of tabloids and broadsheets. But it’s also an epic of redemption: in prison, Chapin started a newspaper to fight for prisoner rights, wrote a best-selling autobiography, had two long-distance love affairs, and tapped his prodigious talents to transform barren prison plots into world-famous rose gardens before dying peacefully in his cell in 1930.

The first portrait of one of the founding figures of modern American journalism, and a vibrant chronicle of the cutthroat culture of scoops and scandals, The Rose Man of Sing Sing is also a hidden history of New York at its most colorful and passionate.

James McGrath Morris is a former journalist, author of Jailhouse Journalism: The Fourth Estate Behind Bars , and a historian. He lives in Falls Church, Virginia, and teaches at West Springfield High School.

Today, seventy-three years after his death, journalists still tell tales of Charles E. Chapin. As city editor of Pulitzer’s New York Evening World , Chapin was the model of the take-no-prisoners newsroom tyrant: he drove reporters relentlessly—and kept his paper in the center ring of the circus of big-city journalism. From the Harry K. Thaw trial to the sinking of the Titanic , Chapin set the pace for the evening press, the CNN of the pre-electronic world of journalism.

In 1918, at the pinnacle of fame, Chapin’s world collapsed. Facing financial ruin, sunk in depression, he decided to kill himself and his beloved wife Nellie. On a quiet September morning, he took not his own life, but Nellie’s, shooting her as she slept. After his trial—and one hell of a story for the World’s competitors—he was sentenced to life in the infamous Sing Sing Prison in Ossining, New York.

In this story of an extraordinary life set in the most thrilling epoch of American journalism, James McGrath Morris tracks Chapin’s rise from legendary Chicago street reporter to celebrity powerbroker in media-mad New York. His was a human tragedy played out in the sensational stories of tabloids and broadsheets. But it’s also an epic of redemption: in prison, Chapin started a newspaper to fight for prisoner rights, wrote a best-selling autobiography, had two long-distance love affairs, and tapped his prodigious talents to transform barren prison plots into world-famous rose gardens before dying peacefully in his cell in 1930.

The first portrait of one of the founding figures of modern American journalism, and a vibrant chronicle of the cutthroat culture of scoops and scandals, The Rose Man of Sing Sing is also a hidden history of New York at its most colorful and passionate.

James McGrath Morris is a former journalist, author of Jailhouse Journalism: The Fourth Estate Behind Bars , and a historian. He lives in Falls Church, Virginia, and teaches at West Springfield High School.

Italian adventurer and sea captain Celso Cesare Moreno traveled the world lying, scheming, and building an extensive patron/client network to establish his reputation as a middleman and person of significance. Through his machinations, Moreno became a critical player in the expansion of western trade and imperialism in Asia, the trafficking of migrant workers and children in the Atlantic, the conflicts of Americans and Native Hawaiians over the fate of Hawaii, and the imperial competitions of French, British, Italian, and American governments during a critically important era of imperial expansion during the nineteenth century. Oh Capitano! teases out Moreno’s enormous peculiarities and fascination as well as his significance.

Celso Cesare Moreno was simultaneously toxic, deceitful, and charming in equal measure. He wandered, adventured, cheated, exaggerated, promoted (mainly himself), and continuously created newly invented past lives. He repeatedly sought a role at the center of a globalizing world with gusto and had no qualms about lying or betraying others. He claimed at times to be the ruler of a Southeast Asian island that he then offered for sale to several western nations. He briefly became prime minister of Hawai’i. He testified before the U.S. Congress as an expert witness. He sought to promote a trans-Pacific cable project. He fought with the ministers and leaders of many countries (and with his fellow Italians and Catholic churchmen almost everywhere) but was more often ignored and rejected than feted. He was accused, probably with good cause, of abusing his obligations after claiming guardianship of the sons of King David Kalakaua of Hawaii. Dragged by his uncontrollable polemical passions, the old Captain died alone, unloved by anyone and with no significant relations to others.

With its focus on Moreno, Oh Capitano! illustrates some of the most puzzling cultural traits of emigrant Italian elites. Called a “carpetbagger,” “land pirate,” “extinct volcano,” among many other derogatory monikers, Celso emerges in this fascinating biography as a multifaceted, chameleon-like personality not reducible to a single epithet.