Collection: Columbia University Press
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Playing to the camera
Playing to the Camera is the first full-length study devoted to the musical performance documentary. Its scope ranges from rock concert films to experimental video art featuring modernist music. Unlike the 'music under' produced for films by unseen musicians, on-screen 'live' performances show us...
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New digital cinema
This introduction to contemporary digital cinema tracks its intersection with video art, music video, animation, print design and live club events to create an avant-garde for the new millennium.
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Last words
Last Words features extensive interviews with contemporary directors and overviews of the directors' work
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James bond will return
Spanning the franchise’s entire history, from Sean Connery’s iconic swagger to Daniel Craig’s rougher, more visceral interpretation of the superspy, James Bond Will Return offers both academic readers and fans a comprehensive view of the series’s transformations against the backdrop of real-world...
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The cinema of spain and portugal
An overview of Spanish and Portuguese cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films from the early era of cinema up to the present day are featured, from directors such as Florián Rey, Juan Antonio Bardem, Luis Bunuel, Víctor Erice, Manuel Gutiérre...
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The cinema of central europe
This new volume in the Twenty-Four Frames series focuses on twenty-four key Czech, Slovak, Hungarian, and Polish films from the twenties to the present. Between the wars the cinemas of Hungary, Poland, and the former Czechoslovakia each claimed their pioneers of early cinema and attained signific...
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The celluloid madonna
The Celluloid Madonna is the first book to analyze the life of the Virgin Mary on screen from the silent era through to the present. For decades, Mary has caught the imagination of filmmakers from a range of religious backgrounds, whether Catholic, Protestant, Muslim, Marxist, or atheist, and fil...
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The cinema of sean penn
Sean Penn’s directorial works consist of some of the most interesting and singular films made in the United States over the past twenty years.
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The cinema of george a. romero
Explores the relevance of Romero's films within American cultural traditions and explains the potency of such work beyond 'splatter movie' models.
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The cinema of steven soderbergh
The industry's only director-cinematographer-screenwriter-producer-actor-editor, Steven Soderbergh is contemporary Hollywood's most innovative and prolific filmmaker. A Palme d'or and Academy Award-winner, Soderbergh has directed nearly thirty films, including political provocations, digital expe...
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Film authorship
Few topics in the study of film produce as much controversy as authorship. Critics, historians, and theoreticians heatedly debate film authors, arguing vociferously about the nature of film authorship and questioning whether films even have authors at all. Film Authorship evaluates these debates ...
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They live
Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "...
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Trash cinema
This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining the...
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The horror genre
A comprehensive introduction to the history and key themes of the genre. The main issues and debates raised by horror, and the approaches and theories that have been applied to horror texts are all featured. In addressing the evolution of the horror film in social and historical context, Paul Wel...
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Superstar: the karen carpenter story
Banned by the Carpenter estate, Todd Haynes' experimental biopic Superstar: The Karen Carpenter Story (which uses Barbie dolls to narrate the tragic life of the American singer) has become a cult hit because of both its controversy and its rarity. This study details the film's fascinating history...
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Crossing new europe
Although a long-established and influential genre, this is the first comprehensive study of the European road cinema. Crossing New Europe investigates this tradition, its relationship with the American road movie and its aesthetic forms. This movement examines such crucial issues as individual an...
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Projecting race
Projecting Race presents a history of educational documentary filmmaking in the postwar era in light of race relations and the fight for civil rights.
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Dekalog 1
Released in 2003, Lars von Trier and Jorgen Leth's collaborative film has been received as one of the most intriguing and significant cinematic works of recent times. The film comprises five episodes, each a re-creation of Leth's classic film The Perfect Human (1967), but with five different crea...
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The cinema of krzysztof kieslowski
Since his death in 1996, Krzysztof Kieslowski has remained the best-known contemporary Polish filmmaker and one of the most popular and respected European directors, internationally renowned for his ambitious Decalogue and Three Colors trilogy. In this new addition to the Directors'Cuts series, M...
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The trouble with men
A collection of original essays focusing on masculinity and film, particularly the representation of European masculinity. Spilt into four sections—stars, class and race, fathers and bodies—areas covered include the Carmen films, Yiddish cinema, romantic comedy and beur cinema.
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The cinema of france
An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contempora...
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The cinema of tom dicillo
This volume considers this acclaimed director's entire oeuvre, analyzing themes such as identity, family, and masculinity as well as DiCillo's distinctive and influential film style. Detailed chapters on each of DiCillo's films offer a candid look at both the American independent film industry an...
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Lars von trier beyond depression
Linda Badley offers an in-depth examination of Lars von Trier’s Antichrist (2009), Melancholia (2011), Nymphomaniac (2013–14), and The House That Jack Built (2018) and the contexts that produced them. She draws on numerous interviews with the director and his collaborators as well as inside acces...
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East-west encounters
East-West Encounters: Franco-Asian Cinema and Literature is the first book of its kind to examine Franco-Asian film and literary productions in the context of France's postcolonial history. It covers French film-makers' approaches to the Asian 'Other', as well as focusing on the works of Vietname...
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Quadrophenia
1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult...
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Performing illusions
The camera supposedly never lies, yet film's ability to frame, cut and reconstruct all that passed before its lens made cinema the pre-eminent medium of visual illusion and revelation from the early twentieth century onwards. This volume examines film's creative history of special effects and tri...
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Dr. no
Dr. No introduced the James Bond formula that has been a box-office fixture ever since. An explosive cocktail of action, spectacle, and sex, the film transformed popular cinema. James Chapman provides a lively and comprehensive study of Dr. No, marshaling a wealth of archival research to place th...
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The cinema of jonathan demme
This book offers an in-depth look at Jonathan Demme’s four decades of filmmaking, tracing the core elements that unite the disparate strands of his work.
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Dekalog 5
On Dogville is the result of the lively debates prompted by Lars von Trier's film amongst its wide and diverse public. The essays in the volume have been written by authors from across Europe interested in different theoretical approaches and perspectives, ranging from philosophy and ethics to fi...
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The cinema of wes anderson
Wes Anderson's films, such as Rushmore (1998) and The Royal Tenenbaums (2001), are made in a style so distinctive that his films are often recognizable from a single frame. This book explores the filmic and literary influences that have helped make Anderson a major voice in twenty-first-century "...
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Lord of the rings
Much more than a successful film trilogy, Lord of the Rings has become an unparalleled media phenomenon. Through its impact on regional as well as global industries, and stretching from a British origin over Hollywood to a New Zealand appropriation it has challenged our thinking about the commerc...
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The cinema of mike leigh
A keen observer of manners and mores, Mike Leigh has been hailed as a celebrator of "ordinary" people, yet it wasn't until relatively recently that audiences have been able to appreciate the full body of his work. In discussing all his films from Bleak Moments and High Hopes through Naked, the Os...
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The cinema of neil jordan
The most internationally renowned of Irish film directors, Neil Jordan's diverse work has spanned gothic horror (The Company of Wolves, 1984, and Interview with the Vampire, 1994), Irish history (Michael Collins, 1996), literary adaptation (The End of the Affair, 1999) and sexual identity (The Cr...
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The cinema of kathryn bigelow
Kathryn Bigelow has undoubtedly been one of Hollywood's most significant female players, well known in popular terms for films such as Point Break and Blue Steel, yet relatively unexplored in academia. Soundbites about women and guns and speculation about the role of ex-husband James Cameron (Ali...
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Kung fu cult masters
From the balletic intensity of Bruce Lee to the gravity-defying swordplay of Crouching Tiger, Hidden Dragon, the Chinese martial arts film has captured audiences' imaginations around the world while absorbing influences ranging from Beijing opera to computer games. Its global impact can be seen i...
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Cities in transition
The city is one of the greatest unsung heroes in cinema – a modernist inspiration for silent classics such as Metropolis (1926) and a dense urban jungle in The Matrix (1999) – yet there have been few attempts to grasp the cultural and aesthetic nature of its role in film. This volume is an ambiti...
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Frankenstein
Along with an in-depth critical reading of the original 1931 film, this book tracks Frankenstein the monster’s heavy cultural tread
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The cinema of michael winterbottom
Explores the thematic, stylistic, and intellectual consistencies running through Michael Winterbottom's eclectic and controversial body of work.
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The cinema of béla tarr
The Cinema of Béla Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Bela Tarr's career through a close personal and professional relationship for more than twenty-five years. András Bálint Kovác...
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The cinema of takeshi kitano
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming anima...
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Heritage film
This volume provides a comprehensive introduction to the critical debates around the heritage film, from its controversial status in British cinema of the 1980s to its expansion into a versatile international genre in the 1990s and 2000s. This study explores the heritage film in light of question...
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Hungarian cinema
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary e...
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The cinema of todd haynes
Todd Haynes has emerged from the trenches of independent American film in the 1990s to become one of the twenty-first century's most audacious filmmakers. In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nominated Far from Heave...
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Bio-pics
Through a carefully selected range of thematically linked bio-pics, explores key issues surrounding their resurgence, structure, production, subject representation or misrepresentation, and critical response
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Action movies
Action Movies: The Cinema of Striking Back is a study of action cinema, exploring the ethics and aesthetics of the genre with reference to its relatively short history. It moves from seminal classics like Bullitt (1968) and Dirty Harry (1971) through epoch-defining films like Rambo: First Blood P...
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The holy mountain
Alejandro Jodorowsky's El Topo helped inaugurate the midnight movie phenomenon. Its success spawned The Holy Mountain, through interventions by John Lennon and Allen Klein. After a scandalous release and a 16-month midnight career, The Holy Mountain was relegated to the underground world of fan b...
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Mediamorphosis
Mediamorphosis compiles articles by some of today’s leading forces in the scholarship of Kafka as well as film studies to provide a thorough investigation of the reciprocal relations between Kafka’s work and the cinematic medium.
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The cinema of me
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object....
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Eastwood's iwo jima
With Flags of Our Fathers (2006) and Letters from Iwo Jima (2006), Clint Eastwood made a unique contribution to film history, being the first director to make two films about the same event. Eastwood's films examine the battle over Iwo Jima from two nations' perspectives, in two languages, and em...
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Sequences
This volume explores a form of contemporary art that uses sequences of images to explore ideas of space, time, movement, and duration. "Chronophotographers" first explored these ideas at the end of the nineteenth century. At the beginning of the twenty-first, artists have found that sequences off...
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The wallflower critical guide to contemporary british and irish directors
Encompassing the careers of over 350 directors who have worked within the British and Irish film industries over the last twenty years, this volume covers stalwarts such as David Lean, Richard Attenborough, and Neil Jordan; pioneers of 1960s Social Realism such as Lindsay Anderson and Tony Richar...
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The blade runner experience
Since its release in 1982, Ridley Scott's Blade Runner, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep?, has remained a cult classic through its depiction of a futuristic Los Angeles; its complex, enigmatic plot; and its underlying questions about the nature of human identity...
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Projecting migration
Migration is a major global issue, increasingly determining who we are and how we define ourselves. Projecting Migration: Transcultural Documentary Practice is a groundbreaking book/DVD-ROM project that explores contemporary ethnographic narratives through the medium of film, photography, multime...
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The struggle for form
This is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of...
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Bollywood
While we have become familiar with the idea of "Bollywood" here in the West, we know little about the industry's films beyond a certain celebration of kitsch. Bollywood, the latest in Wallflower Press's Short Cuts introductory series, surveys this style of filmmaking from its origins in colonial ...
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Crime films
Crime Films: Investigating the Scene analyzes the wide body of films that fall under the rubric of crime, from the gangster film to the film noir to classic whodunit television series like Law and Order and CSI. Ever since Edwin S. Porter's The Great Train Robbery in 1903, audiences have been fas...
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German expressionist cinema
This volume also offers insights into the technical and thematic developments of the Weimar film. Covering classics such as The Cabinet of Doctor Caligari (1920) and Nosferatu (1922) as well as under-appreciated examples such as Asphalt (1929), this volume forms an essential introduction to one o...
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Installation and the moving image
Traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video
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The cinema of clint eastwood
From A Fistful of Dollars and Dirty Harry to Million Dollar Baby and beyond, takes a close-up look at one of the screen’s most influential and charismatic stars.
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Love in motion
This is a book about how film encountered love in the course of its history. It is also a book about the philosophy of love. Since Plato, erotic love has been praised for leading the soul to knowledge. The vast tradition of poetry devoted to love has emphasized that love is a feeling. Love in Mot...
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Twenty-first-century hollywood
Twenty-First-Century Hollywood looks into the contexts of studio film production in the new century. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored ...
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The cinema of paul thomas anderson
This book provides the most complete account of Paul Thomas Anderson’s career to date, encompassing his evolution from a self-anointed auteur to one of his generation’s most distinctive voices. It is at once an unconventional primer on Anderson’s films and a provocative reframing of what makes hi...
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The cinema of germany
This volume tells the story of the cinema of Germany in 24 essays, each concerning an individual film, in a fresh and concise way. It describes a 'national' film industry which successfully met the demand of a 'national' audience from the 1910s to the 1960s. The book represents this system by foc...
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