Photography

The Taking of Vimy Ridge explores the life and works of William Ivor Castle, a Canadian official First World War photographer known for staging and manipulating his photographs.

Castle shot more than 1000 photographs during his time as official photographer attached to the Canadian Corps, and his iconic (though sometimes manipulated) scenes of war created a sensation at London’s Grafton Galleries during the war. But the remainder of his wartime oeuvre, and Castle himself, are less well-remembered today.

The Taking of Vimy Ridge analyzes the unique relationship between Castle and the Canadian War Records Office and distinguishes several of Castle’s never-before-identified manipulated works as he attempted to illustrate the Battle of Vimy Ridge—one of Canada’s most mythologized First World War battles—to audiences around the world.

Drawing from Canadian and British archival records, as well as Castle’s complete body of work from the Battle of Vimy Ridge, this richly illustrated book offers a much more expansive understanding of Castle's contribution to both war photography and our understanding of portrayals of the First World War, including a close interpretation of the technical choices he made in framing his images, and the context in which this oeuvre developed.

What makes Waterloo Region unique? What defines a sense of place?
Seventy-five carefully chosen photographs depict the elements that collectively make Waterloo Region's urban landscape different from any other Ontario city, for example, the predominance of industrial architecture in the heart of the city, the Pennsylvania-German influences, and the Mid-Century Modernist buildings, which University of Waterloo Architecture Professor Rick Haldenby calls “the vernacular architecture of Waterloo Region.”
Sense of place has been defined as our relationship with places in terms of the emotions, personal experiences, stories they evoke. Elsworthy's photographs dramatically illustrate how the built form can attract or repel. He invites us into each of his photographs to experience and interpret each scene for ourselves. Over the course of the book, we come to see how community and sense of place are intrinsically and vitally connected.