Anne Bogart

From one remarkable mind to another, Conversations with Anne documents the series of intimate interviews that theater director Anne Bogart has conducted—before live audiences—with major artists and cultural thinkers at her West Side studio over half a decade. In these extraordinary conversations, Bogart and her guests consider such free-ranging topics as the driving forces in their work, the paths their lives have taken, and their visions for the future of their field. Bogart delves into the daily thoughts of these artists and thinkers whom she most admires—a group that, collectively, has profoundly shaped the arts and artistry in America over the past twenty-five years.

Interviewees include: JoAnne Akalaitis, Lee Breuer, Ben Cameron, Martha Clarke, Oskar Eustis, Zelda Fichandler, Richard Foreman, Andre Gregory, Bill T. Jones, Tony Kushner, Tina Landau, Elizabeth LeCompte, Eduardo Machado, Charles Mee, Joseph V. Melillo, Meredith Monk, Mary Overlie, Peter Sellars, SITI Company, Molly Smith, Elizabeth Streb, Julie Taymor, Robert Woodruff and Paula Vogel.

Anne Bogart is artistic director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She has received two OBIE Awards, a Bessie Award, and a Guggenheim Fellowship, and is a professor at Columbia University, where she runs the Graduate Directing Program.

The first three volumes in the TCG Oral History Project, Preserving the Legacy series, tells the story of the American not-for-profit theatre movement over the past 50 years through the eyes of some of its most noted practitioners. Each of the nine individuals served as the President of the board of directors of TCG, the national organization for theatre, during the past 40 years; and their stories become a microcosm of the field itself. As theatre in the U.S. moves further into the 21st century, it becomes increasingly urgent to document and celebrate the accomplishments and artistry of our past.

These interviews offer insights into what it means to create a life in the theatre: their first encounter with theatre, their early careers, their heroes, the role of the artist and the future of theatre. This series provides rare access for the future generations to the legacy of the theatre movement in America.

DVD features: Interviews are searchable by index topics. Complete interview transcripts can be downloaded and printed from a computer.

The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with—space and time—into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.

The Viewpoints are a set of names given to certain principles of movement through time and space—they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form.

Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life.

Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice’s Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz.

Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.