eisa davis

Trained in classical piano and Marxism and raised on jazz, gospel, pop, hip hop, and Black revolutionary politics, Pulitzer Prize finalist Eisa Davis’s plays are marked by her stunning intimacy with the praxis of music alongside radical change. In Angela's Mixtape, time shifts like a mixtape, and like a mixtape, the play is both a memoir and a gift—for us, of course, and for Davis’s aunt, activist and scholar Angela Y. Davis, under whose tutelage Davis reads Das Kapital and learns to drive stick and hack her own way toward inheriting her legacy. In The History of Light, Davis counterpoints the intertwining fates of two couples under racialized pressures a generation apart. Lush with the sound of the grand piano, The History of Light is a study in black and white, love and alienation. Underlying the political clarity and formal virtuosity of Davis’s writing are the unexpected crackles of a voice warming up, the crunchiness of missed notes. Because for an artist concerned, like Davis, with how we become who we are and might be, error is a necessary instrument—maybe the sounding weight.

In the plays collected here—Ramp and Mushroom—Pulitzer Prize finalist Eisa Davis mingles modes of myth and speculation, documentary and fiction in two plays about family, desire, restorative justice, ecological sustainability, and immigration amongst the working class. Ramp adapts the foundational Egyption saga of Isis / Osiris and sets on a near-future airline ramp, where siblings Isis, Osiris, Seth, and Nepthys throw luggage on planes and bicker about our thorny, precipitate futurity: should change be fast or gradual? Can the ecological revolution we require for survival produce ease and peace if it’s rooted in violence? Is the path to utopia brutal? Must it be? Mushroom centers on the lives, loves, and working conditions of the Mexican and Central American mushroom-pickers in and around the town of Kennett Square, Pennsylvania, where over 40% of all the mushrooms we eat in this country come from. Through a series of intersecting narratives traversed by English, Spanish, K'iche' and Malayalam speakers, Mushroom considers a workplace dispute that has serious ramifications for multiple immigrant families, mapping how compassion and justice might intersect.

In September 2021, playwright/performers Eisa Davis and Jillian Walker met to discuss Walker’s performance ritual, SKiNFoLK: An American Show (forthcoming from 53rd State Press in March 2022). In January 2022, they met again to discuss Davis’s installation performance piece The Essentialisn't (forthcoming from 53rd State Press in 2023). In these twin interviews about the uncanny ways their works mirror each other, Davis and Walker take up questions of archive, memory, generational trauma, survivor's guilt, and the conundrum of performance given the commodification and consumption of Black women's joy and pain. How to acknowledge, process, and heal the hurt that is felt? How to perform without being captured by others' ideas of what it means to be oneself?