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Angela Carter is best known for her novels, short fiction and journalism, but she also produced a substantial body of writing for media other than the printed page, including five radio plays, two film adaptations, an original television documentary and a number of unrealised scripts for stage and screen. Despite increasing academic interest in Carter's work, these dramatic writings have largely been ignored. In this book, Charlotte Crofts redresses this lack of critical attention by examining Carter's dramatic writings together for the first time (including two unpublished works), giving them a more central position in the Carter canon.

Divided into three sections on radio, film and television, the book's interdisciplinary approach is underpinned by reference to exclusive interviews with the directors and producers with whom Carter collaborated, giving a unique insight into processes of adaptation and the technologies of media production. The author demonstrates how, far from being an aberration from her real vocation as a writer of fiction, Carter's writing for radio, film and television is an extension of her self-professed demythologising practice.

The Victorian private solider was a despised figure. A working man had to be desperate indeed to take the Queen’s shilling. Yet in the first sixteen months of the Great War two and a half million men from the UK and many more from the empire, flocked to the colours – without any form of legal compulsion. There had never been a volunteer army like it.

What was in the air of England in the generation or so before 1914 to bring about such collective exultation? How did it come about that, in a society which – in oft-proclaimed contrast to Germany – rejected conscription and prided itself on having no taint of militarism, men could be induced to volunteer in such numbers? The nation’s general state of mind, system of values and set of attitudes derived largely from the upper middle class, which had emerged and become dominant during the nineteenth century. The book examines the phenomenon of 1914 and the views held by people of that class, since it was under their leadership that the country went to war.

‘Other’ Spanish theatres challenges established opinions on modern Iberian theatre by considering the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages.

In questioning the primacy of the dramatist, this pioneering study offers a new interpretation of a nation’s theatrical culture that has been viewed primarily through the prisms of a select number of playwrights. Accordingly many of the conclusions reached are new ones, and the case, for acknowledging the wide influence of Spanish practitioners on theatre in Europe and the Americas is made in persuasive terms. Through a bold documentation and interrogation of key productions and their reception both at home and abroad, ‘Other’ Spanish theatres focuses on the doing of performance, asking provocative questions around how performances are tested against the texts that remain.

In a broad and detailed study Delgado selects six case studies which map out alternative readings of a nation’s theatrical innovation through the twentieth century: muse and mentor to Federico Garcia Lorca, Margarita Xirgu; theatrical innovator and influence on Orson Welles, Enrique Rambal; tragedienne Maria Casares feted by George Craig Camus, Genet and Cocteau; actress, producer and director Nuria Espert; international director Lluis Pasqual and Catalan performance company La Cubana.

This book discusses the history of the Church of Ireland and the Catholic Church and their Episcopal leaders in the period from 1949 to 1973. It considers the opening years of the Troubles in Northern Ireland and their impact on the main churches, and also the relationships between these churches and the two states in Ireland. It also looks at the development of inter-church relations and ecumenism, and offers a new perspective on North-South relations and the causes of religious division. Based on highly original and very comprehensive research, the book offers fascinating insights into the recent past of these key Irish institutions.

It will be welcomed by students and teachers of twentieth century and contemporary Irish history, as well as those interested in the political landscape of Ireland today.

This is the first book-length study to focus primarily on the role of class in the encounter between South Asians and British institutions in the United Kingdom at the height of British imperialism.

In a departure from previous scholarship on the South Asian presence in Britain, Wainwright emphasizes the importance of class as the register through which British polite society interpreted other social distinctions such as race, gender, and religion. Drawing mainly on unpublished material from the India Office Records, the National Archives, and private collections of charitable organizations, this book examines not only the attitudes of British officials towards South Asians in their midst, but also the actual application of these attitudes in decisions pertaining to them.

This fascinating book will be of particular interest to scholars and general readers of imperialism, immigration as well as British and Indian social history.

Cinema provides entertainment, but it also communicates a set of values, a vision of the world or an ideology. From its beginnings more than a century ago, European cinema has dealt with the tension between these two functions in a variety of ways: at the extremes, dictatorial regimes have sweetened the pill of ideology with the sugar of entertainment. Meanwhile, spectators have persisted in seeking out, above all, the pleasure film can provide.

Now available again in paperback, this book explores the complex relationship between entertainment, ideology and audiences in European film, through studies that range from the Stalinist musicals of the 1930s, to cinematic representations of masculinity under Franco, to recent French films and their Hollywood remakes.

Diverse and entertaining, this study is addressed to students of film – especially French, German, Russian or Spanish – and to those readers and academics interested in both the history of cinema and in European culture.

Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time.

This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material – many images reproduced for the first time – alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.

A Clockwork Counterpoint is the first book to examine the musical side of Anthony Burgess, an astonishingly prolific, underrated and talented composer, revealing how his lifelong involvement in music is an essential key toward understanding his life and work.

Whether explaining the sonata form structure of A Clockwork Orange and the musical underpinnings of dozens of his other novels, his distinctive views on the interrelationship between music and literature, music's role in his ties to his father and wives, or what his compositions tell us about his troubled relationship with his son, A Clockwork Counterpoint illuminates Burgess's dual creative life, providing the first complete portrait of a prodigious artist whose musical accomplishments have remained largely unknown until now.

Chloe Chard assembles fascinating passages from late eighteenth-century and early nineteenth-century accounts of travel in Italy, by Northern Europeans, writing in English (or, in some cases, translated into English at the time); 'Tristes Plaisirs' includes writings by Charles Dupaty, Maria Graham, Anna Jameson, Sydney Morgan, Henry Matthews and Hester Lynch Piozzi.
The extracts often focus on the labile moods that contribute to the ‘triste plaisir’ of travelling (as Madame de Staël termed it): moods such as restlessness, anxiety, exhaustion, animal exuberance, sexual excitement and piqued curiosity.
The introduction considers some of these responses in relation to the preoccupations and rhetorical strategies of travel writing during the Romantic period and introductory commentaries examine the ways in which the passages take up a series of themes, around which the five chapters are ordered: ‘Pleasure’, ‘Rising and sinking in sublime places’, ‘Danger and destabilization’, ‘Art, unease and life’, and ‘Gastronomy, Gusto and the Geography of the Haunted’.

The signing of the Good Friday Agreement in 1998 appeared to open up a new phase in the history of Northern Ireland and indeed world politics generally. Hailed from the outset as a model that would inspire peace processes in other countries, it sought through careful negotiation and delicate compromise to bring to a conclusion a conflict that had cost over 3600 lives, damaged Britain’s international position and at times come very close to undermining relations between the UK and Ireland. While the peace has held it is obvious that serious divisions continue to make a final settlement of the Northern Irish question very difficult.

This comprehensive and original study is the first to explain in detail how the Good Friday Agreement ran into trouble, why we are still some way from a final settlement, but why a return to war is most unlikely – even in an age where global terror now threatens world order more seriously than at any time in the past.

This new edition of an established, authoritative text will be essential reading for students, researchers and academics of Irish politics, conflict and peace studies, and international relations.

This book offers a comprehensive study, and social history, of the development of sports medicine in Britain, as practised by British doctors and on British athletes in national and international settings. It takes as its focus the changing medical concept of the ‘athletic body’. Athletes start the century as normal, healthy citizens, and end up as potentially unhealthy physiological ‘freaks’, while the general public are increasingly urged to do more exercise and play more sports. The book also considers the origins and history of all the major institutions and organisations of British sports medicine, and shows how they interacted with and influenced international sports medicine and sporting events.

As well as being an important read for anyone interested in ‘body history’, this volume will be essential reading for those studying or researching the history of modern medicine, sports, or twentieth-century Britain more generally.

This book provides an outline history of English spelling from the Anglo-Saxon’ adoption of the Roman alphabet to the present day. It shows the respective influences on modern usage of native French and Latin orthographies and attempts a definition of the manner in which spelling stabilised. A final chapter traces changing notions of correctness in spelling during the last four centuries, and also gives a summary of the principle movements for its reform in favour of a more consistent and phonetic system of notion.

Students in higher education specialising in English or linguistics and also those studying other languages at an advanced level should find this a useful book. The general reader with an interest in the history of his language or the question of spelling will find it most readable

The book traces the history of international humanitarianism from the anti-slavery movement to the end of the cold war. It is based on an extensive survey of the international literature and is retold in an original narrative that relies on a close examination of the sources. The reconstruction of humanitarianism’s long history unfolds around some crucial moments and events: the colonial expansion of European countries, the two world wars and their aftermaths, the emergence of a new postcolonial order.
In terms of its contents, narrative style, interpretative approach the book is aimed at a large and diverse public including: scholars who are studying and teaching humanitarianism; students who need to learn about humanitarianism as part of their training or research; operators and volunteers who are engaged in the field; non-specialist readers who are interested in the topic because of its relevance to current events.

Torbjørn L. Knutsen introduces ideas on international relations expressed by thinkers from High Middle Ages to the present day and traces the development of four ever-present themes: war, peace, wealth and power. The book counters the view that international relations has no theoretical tradition and shows that scholars, soldiers and statesmen have been speculating about the subject for the last 700 years.

Beginning with the roots of the state and the concept of sovereignty in the Middle Ages, the author draws upon the insights of outstanding political thinkers – from Machiavelli and Hobbes to Hegel, Rousseau, and Marx and contemporary thinkers such as Woodrow Wilson, Lenin, Morgenthau and Walt – who profoundly influenced the emergence of a discrete discipline of international relations in the twentieth century. Fully revised and updated, the final section embraces more recent approaches to the study of international relations, most notably postmodernism and ecologism.

This introduction to International Relations theory, now in its third edition, shows how discussions of war, wealth, peace and power stretch back well over 500 years. It shows how ancient ideas still effect the way we perceive world politics. By placing international arguments, perspectives, terms and theories in their proper historical setting, it traces the evolution of International Relations theory in context.

Beginning with the emergence of the territorial state in the Middle Ages, the book follows the international ideas of sages, statesmen and scholars. It discusses early theories about the sovereign nature of the state. It demonstrates how contract philosophers like Hobbes, Locke and Rousseau paved the way for the modern analysis of international relations. It shows how Enlightenment theorists followed up with balance-of-power theory and perpetual-peace projects. It seeks to demonstrate that the contemporary science of International Relations is the outcome of a long evolution and how its core concepts and major theories have been deeply affected by international events along the way while also showing that basic ideas have remained remarkably constant over the centuries. This has been a top selling title for a number of years and this new edition is keenly awaited.

Available for the first time in paperback, this book is the first definitive history of the Northern Ireland Labour Party (NILP), a unique political force which drew its support from Protestants and Catholics and became electorally viable despite deep-seated ethnic, religious and national divisions. Formed in 1924 and disbanded in 1987, the NILP succeeded in returning several of its members to the locally-based Northern Ireland parliament in 1925–29 and 1958–72 and polled some 100,000 votes in both the 1964 and the 1970 British general elections. As British Labour’s ‘sister’ party in the province from the late 1920s until the late 1970s, the NILP could rely on substantive fraternal and organisational support at critical junctures in its history. Despite its political successes the NILP’s significance has been downplayed by historians, partly because of the lack of empirical evidence and partly to reinforce the simplistic view of Northern Ireland as the site of the most protracted sectarian conflict in modern Europe.

For the first time this book brings together important archival sources and the oral testimonies of former NILP members to explain the enigma of an extraordinary political party operating in extraordinary circumstances. The book situates the NILP’s successes and failures in a broad historical framework, providing the reader with a balanced account of twentieth-century Northern Irish political history.

This is the history of one of the largest nursing organizations in the world and one of the largest professional associations of women.

The Royal College of Nursing began as a small professional association in 1916. Its work included nurses’ education, professional policy and labour relations. It considers the history of nursing from political, social and economic points of view and sheds light on both gender relations and the position of women in the work place in Britain since 1916. The themes include the struggle to achieve professional status for nurses, the radicalization of nurses from the 1960s, the effect of immigration on nursing as a work force, gender relations within the profession and between nurses, their employers and other health professionals.

This book will appeal to anyone interested in nursing studies, gender history and labour history.

This is the first substantial history to trace the political development of the Ulster Unionist Party through the years of protest and opposition to Irish Home Rule to the half-century as a governing party within Northern Ireland, and beyond to the current attempts to bring peace to the Province. It demonstrates why the Party is so central to efforts to reach a political settlement, and explains why it has for so long been the main political voice of the pro-Union electorate in Northern Ireland.

An important and scholarly work based on extensive primary source research, it brings to light forgotten historical episodes of contemporary political significance, and provides new angles on old controversies and debates. The book discusses the evolution of the Ulster Unionist Party with reference to competing ideological currents, class and social tensions within the Unionist movement, and the role of leadership figures and maverick personalities. This is a book that maps the party’s historical journey from the dramatic days of Carson to the current predicaments of Trimble.

A popular and influential play from its first performance in 1611 until the early eighteenth century, 'A King and No King' helped establish tragicomedy as the seventeenth century's favoured dramatic genre, and Beaumont and Fletcher as leading playwrights of the day.

Accompanying this newly edited text, an introduction explores the play's sources, both literary and dramatic, and offers a thorough reconsideration of its relation to its social and political context, and contemporary issues of royal absolutism, good governance, and the political role of the aristocracy. In addition, the introduction provides the fullest available account of 'A King and No King''s stage history, tracing the shifts in cultural mores that eroded its popularity and ultimately consigned it to the study rather than the stage. This fully annotated edition encourages an appreciation of the play's very real virtues and will appeal to theatre professionals as well as to students of Renaissance drama.

This book investigates the crucial question of ‘restitution’ in the work of W. G. Sebald. Written by leading scholars from a range of disciplines, with a foreword by his English translator Anthea Bell, the essays collected in this volume place Sebald’s oeuvre within the broader context of European culture in order to better understand his engagement with the ethics of aesthetics.

Whilst opening up his work to a range of under-explored areas including dissident surrealism, Anglo-Irish relations, contemporary performance practices and the writings of H. G. Adler, the volume notably returns to the original German texts. The recurring themes identified in the essays – from Sebald’s carefully calibrated syntax to his self-consciousness about ‘genre’, from his interest in liminal spaces to his literal and metaphorical preoccupation with blindness and vision – all suggest that the ‘attempt at restitution’ constitutes the very essence of Sebald’s understanding of literature.

This book explores the evolution of Ireland’s national television service during its first tumultuous decade, addressing how the medium helped undermine the conservative political, cultural and social consensus that dominated Ireland into the 1960s. It also traces the development of the BBC and ITA in Northern Ireland, considering how television helped undermine a state that had long governed without consensus.

Using a wide array of new archival sources and extensive interviews Savage illustrates how an increasingly confident television service upset political, religious and cultural elites who were profoundly uncomfortable with the changes taking place around them. Savage argues that during this period television was not a passive actor, but an active agent often times aggressively testing the limits of the medium and the patience of governments. Television helped facilitate a process of modernisation that slowly transformed Irish society during the 1960s.

This book will be essential for those interested in contemporary Irish political and cultural history and readers interested in media history, and cultural studies.

A minority and the state looks at the relationship between Travellers, or ‘Gypsies’, and the wider settled society in Britain throughout the twentieth century. This detailed study considers the ways in which the state has tried to create and enforce legislation to regulate their lifestyles, as well as the Travellers’ responses, and resistance, to these efforts.

The book is a much needed history of Britain's travelling communities in the twentieth century, drawing together detailed archival research at local and national level to explore the impact of state and legislative developments on Travellers, as well as their experience of missions, education, war and welfare. It offers a new perspective on British ethnic history by arguing that Travellers' experiences should not be understood as the history of a nomadic group, but in terms of the wider history of British minorities.

Winner of the NUI Publication Prize in Irish History 2015.

This book examines the phenomenon of infanticide in Ireland from 1850 to 1900, examining a sample of 4,645 individual cases of infant murder, attempted infanticide and concealment of birth. Evidence for this study has been gleaned from a variety of sources, including court documents, coroners' records, prison files, parliamentary papers, and newspapers. Through these sources, many of which are rarely used by scholars, attitudes towards the crime, the women accused of the offence, and the victim, are revealed. Although infant murder was a capital offence during this period, none of the women found guilty of the crime were executed, suggesting a degree of sympathy and understanding towards the accused. Infanticide cases also allude to complex dynamics and tensions between employers and servants, parents and pregnant daughters, judges and defendants, and prison authorities and inmates. This book highlights much about the lived realities of nineteenth-century Ireland.

The study of the European Union has historically been a theoretical battleground. Since the 1990s, new theoretical directions such as neo-institutionalism, multi-level governance and constructivism have provided a new impetus. However, despite these new inroads, empirical work has often remained sociologically and empirically underspecified. This volume seeks to bridge the gap between theory and fieldwork by developing an actor-centred political sociology. In doing so, the volume engages in a critical dialogue with the constructivist framework and proposes to build on its insights through a sociological hardening centred on European actors.

The renewal of European studies through political sociology is only useful if it generates new understandings through empirical observation. This volume seeks to take a new tack on constructivism by asking what it is that Europe constructs by looking at three areas- social spaces and professions, policy 'problems' and policies and policy instruments such as the Eurobarometer.

This book is written for patients and members of the public who want to understand more about the approaches, methods and language used by health-services researchers. Patient and public involvement (PPI) in research is now a requirement of most major health-research programmes, and this book is designed to equip these individuals with the knowledge and skills necessary for meaningful participation. Edited by award-winning mental-health researchers, the book has been produced in partnership with mental-health-service users and carers with experience of research involvement. It includes personal reflections from these individuals alongside detailed information on quantitative, qualitative and health-economics research methods.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality.

Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press?

Building on extensive archival research, the book examines how African and Mexican American men have been constructed as ‘racial problems’, investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.

This well-written and comprehensive book by an outstanding expert provides students of history and the general reader with reliable up-to-date information on an essential part of the history of mankind: the global impact of European colonial expansion from the late Middle Ages to the present. It deals with the discoveries, with Portuguese, Dutch and English trade systems in Asia, with the Spanish, Portuguese, Dutch, French and British Colonies in America, the American plantation economy and the trade in African slaves, with settler colonies in the southern hemisphere, with US-, Russian and Chinese continental imperialism, with western colonial rule in Asia and Africa and the several waves of decolonisation between 1775 and 1989. Twenty-four maps illustrate the narrative.

A useful teaching text, it combines traditional and more recent perspectives to produce a final balance sheet of Western colonialism and its global heritage. A carefully selected bibliography encourages further reading.

Table for one: A critical reading of singlehood, gender and time is the first book to consider the profound relationship between singlehood and time. Drawing on a wide range of cultural resources - including web columns, blogs, advice columns, popular clichés, advertisements and references from television and cinema, the author challenges the conventional meaning-making processes of singlehood and time. Lahad's analysis gives us the opportunity to explore and theorize singlehood through varied temporal concepts such as waiting, wasting, timeout, age, the life course, linearity and commodification of time. This unique analytical approach enables the fresh consideration of some of our dominant perceptions about collective clocks, schedules, time tables and the temporal organization of social life in general.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

This edition presents a thoroughly reconsidered text based on collation of all known copies of the 1608 quarto (including material unnoticed by earlier editors).

Textual analysis draws on detailed internal investigation and the printer’s wider practice to propose that relatively improvisational procedures and a paper quota governed A Trick’s printing operations. Discovery of an overlooked record revises the date of court performance to 1 January 1607, with implications for the play’s early history. Critical discussion freshly examines the play’s multi-layered ironic texture in relation to such issues as the status of women, marriage’s relation to prostitution and vice versa, and the contemporary marriage market. And the Courtesan receives special attention in the context of this overarching ironic scheme. An extensive stage history explores original staging and documents revivals to 2011. The commentary is the most wide-ranging and comprehensive of all modern editions.

‘A really fun idea for a book - and full of great stuff.’
Greg Jenner, Public Historian

This is the perfect guide for any writer who wants to recreate the Roman world accurately in their fiction. It will aid any novelist, screenwriter, games designer or re-enactor in populating their story with authentic characters and scenes, costumes and locations.

Written from a historian’s perspective, this guide pulls back the curtain to show the reader what life in Ancient Rome was really like: what they wore, what they ate, and how they spent their time at work, at home, at war, and at play. Individual chapters focus on different aspects of Romans’ lives, to give you specific knowledge of what they looked like and how they behaved, as well as a broad appreciation of what held their civilisation together, from religion, to the economy, to law and order. You may wish to work your way through the book from cover to cover, or focus specifically on individual chapters as you hone your creative writing skills.

Covering the period between 200 BCE and 200 CE, A writer’s guide to Ancient Rome surveys the vast amount of sources and scholarship on the Classical world so you don’t have to! It outlines current scholarly debates and changing interpretations, suggests further reading, and recommends particular resources to mine for each topic. It gives you plenty to consider while you construct your own Roman world.

Drawing on over 150 interviews with former IRA, INLA, UVF and UFF prisoners, this is a major analysis of why Northern Ireland has seen a transition from war to peace. Most accounts of the peace process are ‘top-down’, relying upon the views of political elites. This book is ‘bottom-up’, analysing the voices of those who actually ‘fought the war’. What made them fight, why did they stop and what are the lessons for other conflict zones?

Using unrivalled access to members of the armed groups, the book, available for the first time in paperback, offers a critical appraisal of one-dimensional accounts of the onset of peace, grounded in ‘mutually hurting stalemate’ and ‘ripeness’, which downgrade the political and economic aspects of conflict. Military stalemate had been evident since the early 1970s and offers little in explaining the timing of the peace process. Moreover, republicans and loyalists based their ceasefires upon very different perceptions of transformation or victory.

Based on a Leverhulme Trust project and written by an expert team, Abandoning Conflict offers a new analysis, based on subtle interplays of military, political, economic and personal changes and experiences.

Geoffrey Hill has said that some great poetry 'recognises that words fail us'. These essays explore Hill's struggle over fifty years with the recalcitrance of language. This book seeks to show how all his work is marked by the quest for the right pitch of utterance whether it is sorrowing, angry, satiric or erotic. It shows how Hill's words are never lightly 'acceptable' but an ethical act, how he seeks out words he can stand by - words that are 'getting it right'.

This book is the most comprehensive and up-to-date critical work on Geoffrey Hill so far, covering all his work up to ‘Scenes from Comus’ (2005), as well as some poems yet to appear in book form. It aims to contribute something to the understanding of his poetry among those who have followed it for many years and students and other readers encountering this major poet for the first time.

An inspiring manifesto offering a radical vision for our political future.

We live in an age of crisis and decline. The right presents ‘solutions’ that only worsen the situation, driving a downward cycle in which desperation leads to despair. But the left is also to blame: progressive politicians have consistently failed to recognise both the urgency of people’s need and their receptiveness to new solutions.

In Act now, a team of leading researchers presents a compelling and achievable vision for a progressive future. They outline clear policies for welfare, health and social care, education, housing and more. Arguing for a rolling forwards of the state, they call for a new era of active citizenship and economic democracy, grounded in robust and resilient institutions.

Only a comprehensive and integrated approach, based on clear evidence of feasibility and popularity, can provide a pathway to the secure, democratic and prosperous Britain of tomorrow. This book is the blueprint. It calls on politicians, pundits and the British people to act now.

Acts and apparitions examines how new performance practices from the 1990s to the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority.

This book departs significantly from existing scholarship on contemporary performance in its rejection of the dramatic/postdramatic binary and its interrogation of previous applications of Derridean poststructuralism to theatrical representation and notions of the real.

It offers new perspectives on the political analysis of contemporary theatre and performance across a wide range of models from Forced Entertainment and the Wooster Group, to Roland Schimmelpfennig and Howard Barker; from verbatim theatre to audio tours and the interactive performances of Ontroerend Goed.

First published in 1776, Adam Smith's Wealth of Nations is much more than just a handbook on the principles of free-market economics; it is a founding text for the organisation of Western society in its broadest sense.

In order to understand the impact of Smith's text across the academic disciplines, this volume brings together leading scholars from fields of economics, politics, history, sociology and literature. Each essay offers a different reading of Wealth of Nations and its legacy.

Contributors consider the historical context in which Wealth of Nations was written, its reception and its profound impact on contemporary concepts of market liberalism, on education, on gender relations and on environmental debates. The volume also offers deconstructive analyses of the text and a feminist critique of Smith's construction of the economy.

This volume will be the ideal companion to Smith's work for all students of literature, politics and economic history.

This book draws on aesthetic theory, including ideas from the history of painting, music and dance, to offer a fresh perspective on the video game as a popular cultural form. It argues that games like Grand Theft Auto and Elektroplankton are aesthetic objects that appeal to players because they offer an experience of form, as this idea was understood by philosophers like Immanuel Kant and Theodor Adorno.

Video games are awkward objects that have defied efforts to categorise them within established academic disciplines and intellectual frameworks. Yet no one can deny their importance in re-configuring contemporary culture and their influence can be seen in contemporary film, television, literature, music, dance and advertising. This book argues that their very awkwardness should form the starting point for a proper analysis of what games are and the reasons for their popularity. This book will appeal to anyone with a serious interest in the increasingly playful character of contemporary capitalist culture.

New, completely revised and re-written edition. Offers a detailed but accessible account of the vital German philosophical tradition of thinking about art and the self. Looks at recent historical research and contemporary arguments in philosophy and theory in the humanities, following the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantics, Schelling, Hegel, Schleiermacher, to Nietzsche. Develops the approaches to subjectivity, aesthetics, music and language in relation to new theoretical developments bridging the divide between the continental and analytical traditions of philosophy. The huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy will make this an indispensable read.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Africa 2.0 provides an important history of how two technologies – mobile calling and internet – were made available to millions of sub-Saharan Africans, and the impact they have had on their lives. The book deals with the political challenges of liberalisation and privatisation that needed to be in place in order for these technologies to be built. It analyses how the mobile phone fundamentally changed communications in sub-Saharan Africa and the ways Africans have made these technologies part of their lives, opening up a very different future.

The book offers a critical examination of the impact these technologies have had on development practices, and the key role development actors played in accelerating regulatory reform, fibre roll-out and mobile money. Southwood shows how corruption in the industry is a prism through which patronage relationships in government can be understood, and argues that the arrival of a start-up ecosystem in the region has the potential to change this. A vital overview of the changes of the last three decades, Africa 2.0 examines the transformative effects of mobile and internet technologies, and the very different future they have opened out for sub-Saharan Africa.

The global success of football icons like Samuel Eto’o, Didier Drogba and Mohamed Salah has fuelled the migratory projects of countless young men across the African continent who dream of following in their footsteps. Drawing on over a decade of ethnographic research, the book chronicles the experiences and trajectories of those pursuing this highly prized form of transnational migration. This book uncovers and traces the myriad actors, networks and institutions that affect the ability of young people across the continent to realise social mobility through football’s global production network.

The book sheds critical light on the barriers to social mobility erected by neoliberal capitalism, and how these are negotiated. It also generates original interdisciplinary perspectives on the complex interplay between structural forces and human agency, as young players navigate an industry rife with commercial speculation.

‘A people who do not preserve their memory are a people who have forfeited their history.’ So argues Wole Soyinka, in his book The Burden of Memory, the Muse of Forgiveness, and this provides the overarching thematic concept for African pasts as a whole. Colonialism for Africans is not an event encapsulated in the past, but is a history whose repercussions and traumatic consequences are still actively evolving in today’s political, historical, cultural and artistic scenes.

African pasts examines African literatures in English since the end of colonialism, investigating how they represent African history through the twin matrices of memory and trauma. Inextricably tied up with the historical conditions of Africa’s colonisation, charting the emergence of its independence, and scrutinising Africa’s contemporary neo-colonial and postcolonial states as a legacy of the colonial past, African literatures are continually preoccupied with exploring modes of representation to ‘work through’ their different traumatic colonial pasts.

African pasts covers a wide range of African literatures (drawn from West, East and Southern Africa) and a cross-section of genres – fiction, poetry, prison-narratives, postcolonial theory – and embraces such well-known writers as Soyinka, Coetzee, Ngugi and Achebe, and more recent writers such as Nuruddin Farah, Tsitsi Dangarembga, Achmat Dangor, Etienne van Heerden, Zakes Mda, Gillian Slovo and Calixthe Beyala.

Do artists travel away from or towards trauma? Is trauma encrypted or inscribed in art? Or can aesthetic practices (after-images) bring about transformation of trauma, personal trauma or historical traumas? Can they do this in a way that does not imply cure or resolution of the traces (after-affects) of trauma? How do artists themselves process these traces as participants in and sensors for our life-worlds and histories, and how does the viewer, coming belatedly or from elsewhere, encounter works bearing such traces or seeking forms through which to touch and transform them?

These are some of the questions posed by major feminist art historian and cultural analyst, Griselda Pollock, in her latest installation of the virtual feminist museum. In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, first- and second-generation Holocaust experience, migration, exile and the encounter with political horror and atrocity. Offering a specifically-feminist contribution to trauma studies, and a feminist psychoanalytical contribution to the study of contemporary art, this volume continues the conceptual innovations that have been the hall-mark of Pollock’s dedicated exploration of feminist interventions in art’s histories.

'Agricultural policy in Europe', available for the first time in paperback, provides a unique comparative analysis of the UK, France, Poland, the Netherlands, Greece and Ireland, using up-to-date material on CAP reform, world trade liberalisation, animal disease, rural development and the environment. In its core argument that Europe has a Common Agricultural Policy in name only, the study offers a distinctive interpretation of contemporary policies for agriculture and rural development. Policy is considerably more diverse than usually recognised, and also varies across different policy stages such as agenda setting, formulation and implementation. This diversity is the result of a multilevel policy process in which global, regional and local actors play a key role alongside the institutions of the EU. Yet nation states are central. Despite the existence of the CAP, substantial policy variations reflect different national economies, cultures, priorities and interests, usually mediated through different types of policy networks. Far from greater policy integration, the pressures for diversity have increased in recent years, notably through world trade liberalisation, environmental concern and EU enlargement.

With continuing controversy about the future direction and powers of the EU, this groundbreaking book sheds new light on the extent to which agricultural policy in Europe is common. It goes beyond formal legal structures and the rhetoric of popular debate to look at what actually happens in a complex policy process that is both multilevel and multi stage. The result is a very different picture in which agricultural policy is considerably more diverse and fragmented than usually assumed.

Interventions on behalf of Armenia and Armenians have come to be identified by scholars and practitioners alike as defining moments in the history of humanitarianism. This book reassesses these claims, critically examining a range of interventions by governments, international and diasporic organizations, and individuals that aimed to ‘save Armenians’.

Drawing on multidisciplinary perspectives, it traces the evolution of these interventions from the late-nineteenth century to the present day, paying particular attention to the aftermaths of the genocide and the upheavals of the post-Soviet period. The contributions connect diverse places (the Caucasus, Russia, the Middle East, Europe, North America, South America, and Australia) to reveal shifting transnational networks of aid and intervention.

Aid to Armenia explores this history, and engages critically with contemporary humanitarian questions facing Armenia, the South Caucasus region and the wider diaspora.

Placing Robbe-Grillet’s filmic oeuvre in the related contexts of both his novelistic work and the different historical and cultural periods in which his films were made, from the early 1960s to the present, the book traces lines of influence and continuity throughout his work, which is shown to exhibit a consistent preoccupation with an identifiable body of themes, motifs and structures. Close readings of all the films are skilfully combined with a thematic approach, ranging across the entire filmic corpus. The book also contains chapters on cinematography and technique.

Now available in paperback, this lucid, comprehensive and fascinating study shows Robbe-Grillet’s contribution to the evolution of the cinematic art both in France and internationally to have been considerably more important than previously acknowledged.

Alan Bennett is one of the UK’s most well-known and successful writers. His oeuvre is one where populist art forms and intellectually complex arguments co-exist seamlessly, allowing the work to appeal to a wide audience. Bennett’s familiar voice combines both an appreciation for the past with a critical assessment of contemporary Britain, often through relentlessly detailed observation of himself and of others.

Bennett has acted, written, directed, presented or edited in almost every conceivable dramatic medium, including stage, television, radio, film and print media. This book is the first to focus on his often neglected work for television, from the mid-1960s right through to the present. It encompasses formats such as the single play (the rarely seen 1970s collaborations with Stephen Frears and Lindsay Anderson), the two Talking Heads series, perceived as a reinvention of the television monologue, and his autobiographical documentaries.

While providing a context of television drama in which Bennett’s output is embedded, this study also provides compact overviews of his work in other media. The book is intended for those interested in Alan Bennett, his many voices and the history of television drama.

The British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play Scum, and his study of football hooliganism, The Firm. This book uncovers the full range of his work from the mythic fantasy of Penda's Fen, to the radical short film on terrorism, Elephant.

Dave Rolinson uses original research to examine the development of Clarke's career from the theatre and the 'studio system' of provocative television play strands of the 1960s and 1970s, to the increasingly personal work of the 1980s, which established him as one of Britain's greatest directors.

Alan Clarke examines techniques of television direction, and proposes new methodologies as it questions the critical neglect of directors in what is traditionally seen as a writer's medium. It raises crucial issues in television studies, including aesthetics, authorship, censorship, the convergence of film and television, drama-documentary form, narrative and realism.

This groundbreaking, cross-generic collection is the first to consider the entire breadth of Alan Hollinghurst's Booker Prize-winning writing. Focused through the concept of influence, the volume addresses critical issues surrounding the work of Britain's most important contemporary novelist. It encompasses provocative and timely subjects ranging from gay visual cultures and representations, to Victorian, modernist and contemporary literature, as well as race and empire, theatre and cinema, eros and economics. The book reveals the fascinating intellectual and affective matter that lies beneath the polished control and dazzling style of Hollinghurst's work. Alongside contributions by distinguished British and American critics, the book includes an unpublished interview with Hollinghurst.

Alan Hollinghurst: Writing under the influence uses a creative range of critical approaches to provide the most authoritative and innovative account available of Hollinghurst's works.

The first book-length study to address Moore’s significance to the Gothic, this volume is also the first to provide in-depth analyses of his spoken-word performances, poetry and prose, as well as his comics and graphic novels.

The essays collected here identify the Gothic tradition as perhaps the most significant cultural context for understanding Moore’s work, providing unique insight into its wider social and political dimensions as well as addressing key theoretical issues in Gothic Studies, Comics Studies and Adaptation Studies.

Scholars, students and general readers alike will find fresh insights into Moore’s use of horror and terror, homage and parody, plus allusion and adaptation. The international list of contributors includes leading researchers in the field and the studies presented here enhance the understanding of Moore’s works while at the same time exploring the ways in which these serve to advance a broader appreciation of Gothic aesthetics.

The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art.

Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.

Since the release of his first feature in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004.

This book is the first full-length study in English of Amenábar’s shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and world cinema.

This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation.

Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the ‘black decade’ of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.

Little Grey Rabbit and Sam Pig are just two of the inspired characters created by Alison Uttley, loved by millions and still very popular today. But who was the real woman spinning enchanting tales of country life and lore, magic and friendship?

Alison Uttley gathered much of the inspiration for her stories from the fond memories of her Derbyshire childhood and her love of the countryside. A talented and prolific writer, she was still producing stories in her late eighties. Yet she was often plagued by self-doubt, and extremely possessive over her close friends, family and work. Tragically, Alison's husband committed suicide before her writing successes. She soon developed a smothering relationship with her only child John, even convincing him to jilt his first fiancée and escape to Scotland - the honeymoon destination.

With exclusive and unrestricted access to her personal diaries and private letters, Denis Judd paints an intriguing portrait of one of the most successful, creative and troubled children's authors of modern times.

What does an assemblage made out of crumpled newspaper have in common with an empty room in which the lights go on and off every five seconds? This book argues that they are both examples of a 'precarious' art that flourished from the late 1950s to the first decade of the twenty-first century, in light of a growing awareness of the individual's fragile existence in capitalist society.

Focusing on comparative case studies drawn from European, North and South American practices, this study maps out a network of similar concerns and practices, while outlining its evolution from the 1960s to the beginning of the twenty-first century.

This book will provide students and amateurs of contemporary art and culture with new insights into contemporary art practices and the critical issues that they raise concerning the material status of the art object, the role of the artist in society, and the relation between art and everyday life.

This book reconstructs American consular activity in Ireland from 1790 to 1913 and elucidates the interconnectedness of America’s foreign interests, Irish nationalism and British imperialism.

Its originality lies in that it is based on an interrogation of American, British and Irish archives, and covers over one hundred years of American, Irish and British relations through the post of the American consular official while also uncovering the consul’s role in seminal events such as the War of 1812, the 1845-51 Irish famine, the American Civil War, Fenianism and mass Irish emigration. It is a history of the men who filled posts as consuls, vice consuls, deputy consuls and consular agents. It reveals their identities, how they interpreted and implemented US foreign policy, their outsider perspective on events in both Ireland and America and their contribution to the expanding transatlantic relationship.

The work intersects diaspora studies, emigration history and diplomatic relations as well as illuminating the respective Irish-American, Anglo-Irish and Anglo-American relationships.

This book discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists. It is the first study to extend the analysis of Irish influence on American literature beyond racial, ethnic or national frameworks.

Through close readings and archival research, American literature and Irish culture, 1910–55 provides a balanced and structured approach to the study of the complexities of American modernist writers’ responses to Ireland. Offering new readings of familiar literary figures – including Fitzgerald, Moore, O’Neill, Steinbeck and Stevens – it makes for essential reading for students and academics working on twentieth-century American and Irish literature and culture, and transatlantic studies.