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At Our Best: Building Youth-Adult Partnerships in Out-of-School Time Settings brings together the voices of over 50 adults and youth to explore both the promises and challenges of intergenerational work in out-of-school time (OST) programs.

Comprised of 14 chapters, this book features empirical research, conceptual essays, poetry, artwork, and engaged dialogue about the complexities of youth-adult partnerships in practice.

At Our Best responds to key questions that practitioners, scholars, policymakers, and youth navigate in this work, such as: What role can (or should) adults play in supporting youth voice, learning, and activism? What approaches and strategies in youth-adult partnerships are effective in promoting positive youth development, individual and collective well-being, and setting-level change? What are the tensions and dilemmas that arise in the process of doing this work? And, how do we navigate youth-adult partnerships in the face of societal oppressions such as adultism, racism, and misogyny? Through highlighting contemporary cases of authentic youth-adult partnerships in youth programs, this fourth volume of the IAP series on OST aims to introduce, engage, and sharpen educators’ understandings of the power and promise of these relationships. Together, the authors in this volume suggest that both building youth-adult partnerships and actively reflecting on intergenerational work are foundational practices to achieving transformational change in our OST organizations, schools, neighborhoods, and communities.

Peter Mayle’s A Good Year meets Sideways in the delightful debut novel from a James Beard Award–winning American wine merchant, the renowned Kermit Lynch.

Known as the man who introduced rosé to the US, legendary wine importer Kermit Lynch is as lauded for his writing as he is for his impeccable taste in wines of every variety and vintage. His thoughtful, witty notes on the subject led to the modern nonfiction classic Adventures on the Wine Route, which has been hailed as “one of the finest American books on wine” (The New York Times) and was recently celebrated with a twenty-fifth-anniversary edition.

In his debut novel, Lynch presents Kendrick Thomas, an easygoing American wine merchant happily residing in Provence. Ever eager to visit old friends and enjoy all the gastronomic pleasures available in France, he often finds himself on the doorstep of Henri Poupon. Built as ruggedly as a boxer, thick of finger and feature, Poupon is as physically untamed and earthy as his skill as a chef is delicate and exquisite.

In the vein of Peter Mayle, Kendrick and Poupon set off on a road trip: eating, bickering, laughing, and of course, sampling wine both good and bad. From troublesome business associates to Poupon’s shady ex-girlfriend to an appalling new cell tower tarnishing the local tranquility, At Poupon’s Table is a riotous jaunt through the French countryside that always circles back to food—and of course reds, whites, and everything in between.

“Kermit is a legend in the wine business, and in this book he offers us a peek into that secretive world. I can’t think of a more enjoyable way to learn the tricks of the trade. But more than that, this is an ode to a vanishing way of life, where every day is an opportunity to drink wonderful wine and eat beautiful food. The food and wine descriptions are so vivid you can savor every drop and taste every bite. I don’t think I'll ever eat another hamburger without thinking about the one in this book.” —Ruth Reichl, New York Times–bestselling author of The Paris Novel

“A lilting paean to the slow daily delights of eating and drinking well . . . It’s a book of terroir, exuding the particulars of its vividly rendered place. The text is peppered with food descriptions so detailed that they are almost recipes and wine pairings so carefully chosen that it’s hard not to salivate.” —San Francisco Chronicle

“The detailed depictions of wine, food, and landscapes evoke deep sensory pleasure . . . A fun, atmospheric novel.” —Kirkus Reviews

Praise for Adventures on the Wine Route

“One of the finest American books on wine.” —Eric Asimov, The New York Times

“This book deserves to stay in print forever!” —Alice Waters

“One of the pleasantest and truest books I’ve ever read.” —MFK Fisher

“Kermit Lynch is certainly an expert, but his book . . . is also a great pleasure to read. I enjoyed it more than any other wine book I have read.” —Roald Dahl

“The best book I’ve ever read about wine. Kermit Lynch is as brilliant a writer as he is a taster, and his quest for authentic wine is more relevant than ever.” —Jay McInerney

“In Kermit Lynch’s small, true, delightful book there is more understanding about what wine really is than in everything else I have read.” —Victor Hazan

In the mid-1990s, experts predicted that India would face the world's biggest AIDS epidemic by 2000. Though a crisis at this scale never fully materialized, global public health institutions, donors, and the Indian state initiated a massive effort to prevent it. HIV prevention programs channeled billions of dollars toward those groups designated as at-risk—sex workers and men who have sex with men. At Risk captures this unique moment in which these criminalized and marginalized groups reinvented their "at-risk" categorization and became central players in the crisis response. The AIDS crisis created a contradictory, conditional, and temporary opening for sex-worker and LGBTIQ activists to renegotiate citizenship and to make demands on the state.

Working across India and Kenya, Gowri Vijayakumar provides a fine-grained account of the political struggles at the heart of the Indian AIDS response. These range from everyday articulations of sexual identity in activist organizations in Bangalore to new approaches to HIV prevention in Nairobi, where prevention strategies first introduced in India are adapted and circulate, as in the global AIDS field more broadly. Vijayakumar illuminates how the politics of gender, sexuality, and nationalism shape global crisis response. In so doing, she considers the precarious potential for social change in and after a crisis.

In the mid-1990s, experts predicted that India would face the world's biggest AIDS epidemic by 2000. Though a crisis at this scale never fully materialized, global public health institutions, donors, and the Indian state initiated a massive effort to prevent it. HIV prevention programs channeled billions of dollars toward those groups designated as at-risk—sex workers and men who have sex with men. At Risk captures this unique moment in which these criminalized and marginalized groups reinvented their "at-risk" categorization and became central players in the crisis response. The AIDS crisis created a contradictory, conditional, and temporary opening for sex-worker and LGBTIQ activists to renegotiate citizenship and to make demands on the state.

Working across India and Kenya, Gowri Vijayakumar provides a fine-grained account of the political struggles at the heart of the Indian AIDS response. These range from everyday articulations of sexual identity in activist organizations in Bangalore to new approaches to HIV prevention in Nairobi, where prevention strategies first introduced in India are adapted and circulate, as in the global AIDS field more broadly. Vijayakumar illuminates how the politics of gender, sexuality, and nationalism shape global crisis response. In so doing, she considers the precarious potential for social change in and after a crisis.

Readers are taken aboard into a microcosm where wonder meets waterlogged torment and self-harm; where grief, euphoria and longing coexist; where womanhood is as joyful and dizzying an experience as it is searing; where peeling the layers of cultural identity is like plunging into the most opaque and briny deep. While the act of remembering has solitary, melancholy tinges, Aïcha Martine Thiam’s pen never wavers, nor does it stray far from the impulse to bear witness, to do justice, and to connect with kindred souls.

While trying to sleep, a young boy is startled by the North Wind, who chooses to bring him along as she travels throughout the night. The duo embark on eye-opening adventures that teach the child valuable life lessons.

Diamond is a young boy who comes from a poor family. Despite his homelife, he maintains his innocence and chooses to embrace joy. One night when he’s struggling to sleep, he encounters the sweeping presence of the North Wind. She enjoys the child’s company and allows him to join her on her travels. During their journey, Diamond discovers the positive and negative effects of her presence. He realizes she can be a source of support but also do great harm.

In At the Back of the North Wind, George MacDonald explores spiritual and moral conflict. It’s infused with Christian themes including an allegory for Jesus Christ. The story addresses a complex topic using a simple narrative and stunning visuals.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

While trying to sleep, a young boy is startled by the North Wind, who chooses to bring him along as she travels throughout the night. The duo embark on eye-opening adventures that teach the child valuable life lessons.

Diamond is a young boy who comes from a poor family. Despite his homelife, he maintains his innocence and chooses to embrace joy. One night when he’s struggling to sleep, he encounters the sweeping presence of the North Wind. She enjoys the child’s company and allows him to join her on her travels. During their journey, Diamond discovers the positive and negative effects of her presence. He realizes she can be a source of support but also do great harm.

In At the Back of the North Wind, George MacDonald explores spiritual and moral conflict. It’s infused with Christian themes including an allegory for Jesus Christ. The story addresses a complex topic using a simple narrative and stunning visuals.

With an eye-catching new cover, and professionally typeset manuscript, this edition of At the Back of the North Wind is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

While trying to sleep, a young boy is startled by the North Wind, who chooses to bring him along as she travels throughout the night. The duo embark on eye-opening adventures that teach the child valuable life lessons.

Diamond is a young boy who comes from a poor family. Despite his homelife, he maintains his innocence and chooses to embrace joy. One night when he’s struggling to sleep, he encounters the sweeping presence of the North Wind. She enjoys the child’s company and allows him to join her on her travels. During their journey, Diamond discovers the positive and negative effects of her presence. He realizes she can be a source of support but also do great harm.

In At the Back of the North Wind, George MacDonald explores spiritual and moral conflict. It’s infused with Christian themes including an allegory for Jesus Christ. The story addresses a complex topic using a simple narrative and stunning visuals.

With an eye-catching new cover, and professionally typeset manuscript, this edition of At the Back of the North Wind is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This book is about the creative work of chefs at top restaurants in New York and San Francisco. Based on interviews with chefs and observation in restaurant kitchens, the book explores the question of how and why chefs make choices about the dishes they put on their menus. It answers this question by examining a whole range of areas, including chefs' careers, restaurant ratings and reviews, social networks, how chefs think about food and go about creating new dishes, and how status influences their work and careers.

Chefs at top restaurants face competing pressures to deliver complex and creative dishes, and navigate market forces to run a profitable business in an industry with exceptionally high costs and low profit margins. Creating a distinctive and original culinary style allows them to stand out in the market, but making the familiar food that many customers want ensures that they can stay in business. Chefs must make choices between these competing pressures. In explaining how they do so, this book uses the case study of high cuisine to analyze, more generally, how people in creative occupations navigate a context that is rife with uncertainty, high pressures, and contradicting forces.

Paul Owhadi’s improbable entrepreneurial journey began as a first-generation immigrant coming to America with just a few hundred dollars in his pocket. Having learned a remarkable level of self-reliance, as a child sent to a French boarding school at age four, he was educated in London—and then headed to New York City and a whole new life.

After an education and a career in urban planning and city management—one of the youngest city managers in the country—he excelled at creating and transforming cities for the betterment of its people. But it was an unexpected opportunity in the private sector which set Paul on his entrepreneurship path. He took the extraordinary opportunity granted to him to explore the world of property development, discovering a passion for both real estate development and creating companies. He also faced devastating setbacks that would test his mettle and fortitude. Along the way, he formed his own business approach—one combining a passion for innovation and outside-the-box thinking. With the support of family and a fierce work ethic, he conquered his sector. But he also traveled the globe—using intellectual curiosity as his guide.

This is the story of a man who used every challenge to inspire and guide him; this is the inspirational tale of an entrepreneur who grabbed at every opportunity to create a life of passion and innovation.

To a degree uncommon in among Chinese cities, Republican Shanghai had no center. Its territory was divided among three (sometimes more) municipal governments integrated into various national states and empires. No government building or religious institution gave Shanghai a “center." Yet amidst deep cleavages, the city functioned as a coherent whole. What held Shanghai together? The authors' answer is that a group of middlemen with myriad connections across political and social boundaries created networks that held Republican Shanghai together.

Contributors Include: Sei Jeong Chin, Parks Coble, Bryna Goodman, Brian Martin, Elizabeth J. Perry, Kuiyi Shen, Jeffrey Wasserstrom, and Wen-hsin Yeh

While using a large mining device, two men, David Innes and Abner Perry, are transported into a lush prehistoric land hidden beneath the Earth’s crust. They are both captured and forced to participate in its brutal practices.

David Innes and Abner Perry use a large mechanical prospector to mine the Earth’s surface. When the machine malfunctions, they lose control and are transported deep into the planet’s core. Instead of boiling lava, they’re met with a tropical paradise occupied by foreign creatures and stone-age men and women. The humans are enslaved by a reptilian species, forcing David and Abnery into bondage. Despite their circumstance, they join forces to create a plan to abolish the hierarchy once and for all.

At the Earth’s Core combines the most popular elements of science fiction and fantasy. Mystical creatures and time travel are a large part of this colorful tale. It’s another example of the strong visual style Edgar Rice Burroughs is known for.

With an eye-catching new cover, and professionally typeset manuscript, this edition of At the Earth’s Core is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

While using a large mining device, two men, David Innes and Abner Perry, are transported into a lush prehistoric land hidden beneath the Earth’s crust. They are both captured and forced to participate in its brutal practices.

David Innes and Abner Perry use a large mechanical prospector to mine the Earth’s surface. When the machine malfunctions, they lose control and are transported deep into the planet’s core. Instead of boiling lava, they’re met with a tropical paradise occupied by foreign creatures and stone-age men and women. The humans are enslaved by a reptilian species, forcing David and Abnery into bondage. Despite their circumstance, they join forces to create a plan to abolish the hierarchy once and for all.

At the Earth’s Core combines the most popular elements of science fiction and fantasy. Mystical creatures and time travel are a large part of this colorful tale. It’s another example of the strong visual style Edgar Rice Burroughs is known for.

With an eye-catching new cover, and professionally typeset manuscript, this edition of At the Earth’s Core is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

While using a large mining device, two men, David Innes and Abner Perry, are transported into a lush prehistoric land hidden beneath the Earth’s crust. They are both captured and forced to participate in its brutal practices.

David Innes and Abner Perry use a large mechanical prospector to mine the Earth’s surface. When the machine malfunctions, they lose control and are transported deep into the planet’s core. Instead of boiling lava, they’re met with a tropical paradise occupied by foreign creatures and stone-age men and women. The humans are enslaved by a reptilian species, forcing David and Abnery into bondage. Despite their circumstance, they join forces to create a plan to abolish the hierarchy once and for all.

At the Earth’s Core combines the most popular elements of science fiction and fantasy. Mystical creatures and time travel are a large part of this colorful tale. It’s another example of the strong visual style Edgar Rice Burroughs is known for.

With an eye-catching new cover, and professionally typeset manuscript, this edition of At the Earth’s Core is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A collection of poems spanning six decades of life, love, loss, and rebellion amidst the planetary transformations of the working class and capital, from the acclaimed Marxist philosopher and writer George Caffentzis.

"I have never considered myself a poet, yet, from my adolescence, poetry has been a constant company in my life. Only recently, however, I have begun to collect poems that I had scattered through notebooks, back-pages of articles and other occasional spaces. The desire to see them as one work is partly stimulated by the recognition of recurring themes, at times in syntony with those inspiring my political writings. Among them are the memories and the nostalgia for the Greek world of my childhood, my grandmother's house facing the Taygetus mountain, the pleasures and troubles of love and political organizing, and, with the passing of years, the mourning of dead friends and comrades, and above all the never-ending pleasure of playing with words. This book collects some of the poems that have accompanied this journey." —George Caffentzis, from the Introduction

Located in the geographical center of Berlin, the neighboring boroughs of Friedrichshain and Kreuzberg shared a history and identity until their fortunes diverged dramatically following the construction of the Berlin Wall, which placed them within opposing political systems. This revealing account of the two municipal districts before, during and after the Cold War takes a microhistorical approach to investigate the broader historical trajectories of East and West Berlin, with particular attention to housing, religion, and leisure. Merged in 2001, they now comprise a single neighborhood that bears the traces of these complex histories and serves as an illuminating case study of urban renewal, gentrification, and other social processes that continue to reshape Berlin.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org.

Many recent works of contemporary art, performance, and film turn a spotlight on sleep, wresting it from the hidden, private spaces to which it is commonly relegated. At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong’s work, Jean Ma brings together an array of interlocutors—from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol—to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org.

Many recent works of contemporary art, performance, and film turn a spotlight on sleep, wresting it from the hidden, private spaces to which it is commonly relegated. At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong’s work, Jean Ma brings together an array of interlocutors—from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol—to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment.

An explosive crime thriller from the author of The Goodbye Kiss, “the reigning king of Mediterranean noir” (Boston Phoenix).

Giorgio Pellegrini, the hero of The Goodbye Kiss, has been living an “honest” life for eleven years. But that’s about to change. His lawyer has been deceiving him and now Giorgio is forced into service as an unwilling errand boy for an organized crime syndicate. At one time, Giorgio wouldn’t have thought twice about robbing, kidnapping, and killing in order to get what he wanted, but these days he realizes he’s too long in the tooth to face his enemies head-on. To return to his peaceful life as a successful businessman he’s going to have to find another way to shake off the mob. Fortunately, Giorgio’s circumstances may have changed, but deep down he’s still the ruthless killer he used to be.

“Carlotto . . . provides a machine-gun pace, a jaundiced eye for political corruption and a refreshing absence of anything approaching a moral vision.” —Kirkus Reviews

“Carlotto’s taut, broody Mediterranean noir is filled with blind corners and savage set pieces. Pellegrini’s deeds are unquestionably loathsome, but his witty Machiavellian perspective, amplified by a class rage well attuned to the current Italian zeitgeist, makes you root for him all the same.”—The New Yorker

“[Carlotto’s] narration allows gruesome glimpses into an unscrupulous psyche.”—Publishers Weekly

“A surprisingly enjoyable romp . . . a very solid noir thriller, and very good (if slightly queasy-making) fun. One of Carlotto’s better works.”—The Complete Review

Recent decades have witnessed the creation of new types of property systems, ranging from data ownership to national control over genetic resources. This trend has significant implications for wealth distribution and our understanding of who can own what.

This book explores the idea of ownership in the realm of plant breeding, revealing how plants have been legally and materially transformed into property. It highlights the controversial aspects of turning seeds, plants and genes into property and how this endangers the viability of the seed industry.

Examining ownership not simply as a legal concept, but as a bundle of laws, practices and technologies, this is a valuable contribution that will interest scholars of intellectual property studies, the anthropology of markets, science and technology studies and related fields.

With At the End of Sleep, an anthology selected from the past decade of Israeli poet Tal Nitzán’s work, one of Hebrew poetry’s most powerful and acclaimed contemporary voices is finally given her English-language due. Reaching beyond lyricism for its own sake with her lucid, sharp, and occasionally ferocious verse, Nitzán illuminates sexuality and struggle, protests the abuse of power, and plumbs the depths of the Israeli condition.

With At the End of Sleep, an anthology selected from the past decade of Israeli poet Tal Nitzán’s work, one of Hebrew poetry’s most powerful and acclaimed contemporary voices is finally given her English-language due. Reaching beyond lyricism for its own sake with her lucid, sharp, and occasionally ferocious verse, Nitzán illuminates sexuality and struggle, protests the abuse of power, and plumbs the depths of the Israeli condition.

Colonial policing and the imperial endgame is the first comprehensive study of the colonial police and their complex role within Britain’s long and turbulent process of decolonisation, a time characterised by political upheaval and colonial conflict.

The Colonial Police Service was created in 1936 in order to standardise all imperial police forces and mould colonial policing to the British model. From the British Caribbean to the Middle East, the Mediterranean to British Colonial Africa and on to Southeast Asia, colonial police forces struggled with the unrest and conflict that stemmed from Britain’s withdrawal from its empire. As the shadow of decolonisation grew ever longer, so colonial police forces reverted back to their traditional role as a colony’s first line of defence. At the same time, as tensions increased throughout the empire, so too did the power of the police through the development of police intelligence systems and counter-insurgency units. Colonial policing and the imperial endgame controversially asserts that it was coercion rather than consent which was more commonly associated with the work of police forces during this period of political dislocation.

Georgina Sinclair's focussed study of colonial policing during this period facilitates a greater understanding of the processes of decolonisation.

Colonial policing and the imperial endgame is the first comprehensive study of the colonial police and their complex role within Britain’s long and turbulent process of decolonisation, a time characterised by political upheaval and colonial conflict.

The Colonial Police Service was created in 1936 in order to standardise all imperial police forces and mould colonial policing to the British model. From the British Caribbean to the Middle East, the Mediterranean to British Colonial Africa and on to Southeast Asia, colonial police forces struggled with the unrest and conflict that stemmed from Britain’s withdrawal from its empire. As the shadow of decolonisation grew ever longer, so colonial police forces reverted back to their traditional role as a colony’s first line of defence. At the same time, as tensions increased throughout the empire, so too did the power of the police through the development of police intelligence systems and counter-insurgency units. Colonial policing and the imperial endgame controversially asserts that it was coercion rather than consent which was more commonly associated with the work of police forces during this period of political dislocation.

Georgina Sinclair's focussed study of colonial policing during this period facilitates a greater understanding of the processes of decolonisation.

Mining has played a formative role in the history of Northern Ontario. It has been one of the key generators of wealth in the area since the mid-19th century, and is also responsible for much of the urban development of Ontario's northland. The twelve papers published here came out of the second annual confernce of Northern Ontario research and development held in 1990. The papers are grouped into four sections, the early years; the era of government intervention; the present and finally the future and what can be done to maintain the commnities.

The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character.

This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes.

The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.

The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character.

This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes.

The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.

Bobby is driving his tractor on the farm. He and his dog, Trix, are looking for Kitty. Where could she be?

A book filled with friendly farm animals and the sounds they make. For animal lovers ages 2 and up.

At Clavis, our focus is on what’s best for children. We believe that books play an important role in each new phase in life. Our toddler books are tailored for every stage from 0 to 3 and focus on the five most important themes in their life: daily life, skills, emotions, the world, and language development. The age range and theme of every book in our toddler series can be found on the back cover in the form of a colored train.

The structure of the African American family has been a recurring theme in American discourse on the African American community. The role of African American mothers especially has been the cause of heated debates since the time of Reconstruction in the 19th century. The discourse, which often saw the African American family as something that needed fi xing, also put the issue of women’s reproductive rights on the political agenda. Taking a long-term perspective from the 1920s to the early 1990s, Anne Overbeck aims to show how normative notions of the American family infl uenced the perspective on the African American family, especially African American women. The book follows the negotiations on African American women’s reproductive rights within the context of eugenics, modernization theory, overpopulation, and the War on Drugs. Thereby it sets out to trace both continuities and changes in the discourse on the reproductive rights of African American women that still infl uence our perspective on the African American family today.

The multi-century event of enslavement and colonialism changed the cultural and political imagination of the Atlantic world. We still live and work in the horizon of that event. It was an event that placed a violent Manichean structure of antiblackness at the foundation of our shared world. What kinds of life are possible in nihilistic, antiblack worlds of social death? Is it possible to imagine life outside the reach of those worlds? What decolonial methods help us understand that form of life in relation to expressive cultures of resistance and refusal?

At the Margins of Nihilism develops a theoretical frame through a comparative reading of Jacques Derrida and Orlando Patterson. Reading between deconstruction and social death, Drabinski describes a notion of life as interstitial, situated outside the play of life and death in systems of antiblackness. This notion of life has broad epistemological, existential, and ontological implications.

Drawing from a diverse set of sources including Zora Neale Hurston, Ralph Ellison, Gloria Anzaldúa, and others, At the Margins of Nihilism shows how the nihilisms of Richard Wright, Frantz Fanon, James Baldwin, and contemporary afropessimism operate as a closed system. Each system is opened by vernacular forms of life and practices of refusal. Those forms and practices speak to the power and significance of life that persists across centuries of antiblack culture, social life, and political hegemony.

The multi-century event of enslavement and colonialism changed the cultural and political imagination of the Atlantic world. We still live and work in the horizon of that event. It was an event that placed a violent Manichean structure of antiblackness at the foundation of our shared world. What kinds of life are possible in nihilistic, antiblack worlds of social death? Is it possible to imagine life outside the reach of those worlds? What decolonial methods help us understand that form of life in relation to expressive cultures of resistance and refusal?

At the Margins of Nihilism develops a theoretical frame through a comparative reading of Jacques Derrida and Orlando Patterson. Reading between deconstruction and social death, Drabinski describes a notion of life as interstitial, situated outside the play of life and death in systems of antiblackness. This notion of life has broad epistemological, existential, and ontological implications.

Drawing from a diverse set of sources including Zora Neale Hurston, Ralph Ellison, Gloria Anzaldúa, and others, At the Margins of Nihilism shows how the nihilisms of Richard Wright, Frantz Fanon, James Baldwin, and contemporary afropessimism operate as a closed system. Each system is opened by vernacular forms of life and practices of refusal. Those forms and practices speak to the power and significance of life that persists across centuries of antiblack culture, social life, and political hegemony.

An illustrated years' worth of dog stories with reflections on aspects of God's character, together with verses of Scripture to encourage, inform and possibly even amuse.

It might be that a line from a reflection will lead you towards a deeper concept. It might be that a thought provides a timely contemplation for the day, relevant to your circumstances and concerns. Anyone who has ever owned a dog knows that their company enhances your life. Anyone who has walked day by day in the company of the Almighty knows that His presence transforms your life.

Stephen Poxon combines these truths, reflecting day by day on how the dogs he has known speak to him of some aspect of God's nature. A walk with a dog can easily become a walk with your God too. As a dog devotee who tries to follow God these readings bring reminders of His love. As the seasons change and experiences vary between good, bad and indifferent, our relationship with a loving Heavenly Father remains a rewarding constant.

An illustrated years' worth of dog stories with reflections on aspects of God's character, together with verses of Scripture to encourage, inform and possibly even amuse.

It might be that a line from a reflection will lead you towards a deeper concept. It might be that a thought provides a timely contemplation for the day, relevant to your circumstances and concerns. Anyone who has ever owned a dog knows that their company enhances your life. Anyone who has walked day by day in the company of the Almighty knows that His presence transforms your life.

Stephen Poxon combines these truths, reflecting day by day on how the dogs he has known speak to him of some aspect of God's nature. A walk with a dog can easily become a walk with your God too. As a dog devotee who tries to follow God these readings bring reminders of His love. As the seasons change and experiences vary between good, bad and indifferent, our relationship with a loving Heavenly Father remains a rewarding constant.

In much of modern fiction, it is the clothes that make the character. Garments embody personal and national histories. They convey wealth, status, aspiration, and morality (or a lack thereof). They suggest where characters have been and where they might be headed, as well as whether or not they are aware of their fate. At the Mercy of Their Clothes explores the agency of fashion in modern literature, its reflection of new relations between people and things, and its embodiment of a rapidly changing society confronted by war and cultural and economic upheaval. In some cases, people need garments to realize themselves. In other cases, the clothes control the person who wears them.

Celia Marshik's study combines close readings of modernist and middlebrow works, a history of Britain in the early twentieth century, and the insights of thing theory. She focuses on four distinct categories of modern clothing: the evening gown, the mackintosh, the fancy dress costume, and secondhand attire. In their use of these clothes, we see authors negotiate shifting gender roles, weigh the value of individuality during national conflict, work through mortality, and depict changing class structures. Marshik's dynamic comparisons put Ulysses in conversation with Rebecca, Punch cartoons, articles in Vogue, and letters from consumers, illuminating opinions about specific garments and a widespread anxiety that people were no more than what they wore. Throughout her readings, Marshik emphasizes the persistent animation of clothing—and objectification of individuals—in early-twentieth-century literature and society. She argues that while artists and intellectuals celebrated the ability of modern individuals to remake themselves, a range of literary works and popular publications points to a lingering anxiety about how political, social, and economic conditions continued to constrain the individual.

In much of modern fiction, it is the clothes that make the character. Garments embody personal and national histories. They convey wealth, status, aspiration, and morality (or a lack thereof). They suggest where characters have been and where they might be headed, as well as whether or not they are aware of their fate. At the Mercy of Their Clothes explores the agency of fashion in modern literature, its reflection of new relations between people and things, and its embodiment of a rapidly changing society confronted by war and cultural and economic upheaval. In some cases, people need garments to realize themselves. In other cases, the clothes control the person who wears them.

Celia Marshik's study combines close readings of modernist and middlebrow works, a history of Britain in the early twentieth century, and the insights of thing theory. She focuses on four distinct categories of modern clothing: the evening gown, the mackintosh, the fancy dress costume, and secondhand attire. In their use of these clothes, we see authors negotiate shifting gender roles, weigh the value of individuality during national conflict, work through mortality, and depict changing class structures. Marshik's dynamic comparisons put Ulysses in conversation with Rebecca, Punch cartoons, articles in Vogue, and letters from consumers, illuminating opinions about specific garments and a widespread anxiety that people were no more than what they wore. Throughout her readings, Marshik emphasizes the persistent animation of clothing—and objectification of individuals—in early-twentieth-century literature and society. She argues that while artists and intellectuals celebrated the ability of modern individuals to remake themselves, a range of literary works and popular publications points to a lingering anxiety about how political, social, and economic conditions continued to constrain the individual.

Madge Cohen does not regret her marriage to a man nearly twice her age, but looks forward to the day she is able to remarry. Young and lively, Madge was forced to marry Peter Cohen, a man nearly old enough to be her grandfather. While his wealth affords Madge new and greatly appreciated privileges, she finds Mr. Cohen to be boring. While Madge dreams of all the exciting things she could do with a younger husband, she decides to study music, so she can channel her unspent energy into something other than daydreams. Though Madge is forced to wait for love, she is happy to help find it for her friends, especially Lance, Mr. Cohen’s protégé. Determined to watch over Lance to ensure he does not make any costly mistakes, Madge and Lance grow to be close friends who support each other without conditions. However, when Lance becomes fascinated with Miss. Shore, a mysterious and blunt woman, Madge has her doubts. After Lance finds Miss Shore homeless and alone, but oddly stoic, he asks Madge to help her, hoping to get to know Miss Shore better. As a stubborn woman, Madge has a difficult time discarding her original ill impression of Miss Shore. Still, she agrees to help Lance grow closer to her, inviting Miss Shore to stay in the Cohen manor for a time. As the arrangement unfolds, Madge becomes increasingly concerned about the mysterious woman, who seems to be completely haunted by a dark event in her past.

With intimate descriptions of scenery, characters, and social customs, At the Moment of Victory is a beautiful portrayal of the upper class during the late 19th century. First published in 1889, At the Moment of Victory continues to pique readers’ interest with its vivid characters and compelling narrative.

This edition of At the Moment of Victory by Catherine Louisa Pirkis features a new, eye-catching cover design and is printed in an easy-to-read font. With these accommodations, At the Moment of Victory caters to a modern audience while preserving the original beauty of Catherine Louisa Pirkis’ work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Madge Cohen does not regret her marriage to a man nearly twice her age, but looks forward to the day she is able to remarry. Young and lively, Madge was forced to marry Peter Cohen, a man nearly old enough to be her grandfather. While his wealth affords Madge new and greatly appreciated privileges, she finds Mr. Cohen to be boring. While Madge dreams of all the exciting things she could do with a younger husband, she decides to study music, so she can channel her unspent energy into something other than daydreams. Though Madge is forced to wait for love, she is happy to help find it for her friends, especially Lance, Mr. Cohen’s protégé. Determined to watch over Lance to ensure he does not make any costly mistakes, Madge and Lance grow to be close friends who support each other without conditions. However, when Lance becomes fascinated with Miss. Shore, a mysterious and blunt woman, Madge has her doubts. After Lance finds Miss Shore homeless and alone, but oddly stoic, he asks Madge to help her, hoping to get to know Miss Shore better. As a stubborn woman, Madge has a difficult time discarding her original ill impression of Miss Shore. Still, she agrees to help Lance grow closer to her, inviting Miss Shore to stay in the Cohen manor for a time. As the arrangement unfolds, Madge becomes increasingly concerned about the mysterious woman, who seems to be completely haunted by a dark event in her past.

With intimate descriptions of scenery, characters, and social customs, At the Moment of Victory is a beautiful portrayal of the upper class during the late 19th century. First published in 1889, At the Moment of Victory continues to pique readers’ interest with its vivid characters and compelling narrative.

This edition of At the Moment of Victory by Catherine Louisa Pirkis features a new, eye-catching cover design and is printed in an easy-to-read font. With these accommodations, At the Moment of Victory caters to a modern audience while preserving the original beauty of Catherine Louisa Pirkis’ work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Madge Cohen does not regret her marriage to a man nearly twice her age, but looks forward to the day she is able to remarry. Young and lively, Madge was forced to marry Peter Cohen, a man nearly old enough to be her grandfather. While his wealth affords Madge new and greatly appreciated privileges, she finds Mr. Cohen to be boring. While Madge dreams of all the exciting things she could do with a younger husband, she decides to study music, so she can channel her unspent energy into something other than daydreams. Though Madge is forced to wait for love, she is happy to help find it for her friends, especially Lance, Mr. Cohen’s protégé. Determined to watch over Lance to ensure he does not make any costly mistakes, Madge and Lance grow to be close friends who support each other without conditions. However, when Lance becomes fascinated with Miss. Shore, a mysterious and blunt woman, Madge has her doubts. After Lance finds Miss Shore homeless and alone, but oddly stoic, he asks Madge to help her, hoping to get to know Miss Shore better. As a stubborn woman, Madge has a difficult time discarding her original ill impression of Miss Shore. Still, she agrees to help Lance grow closer to her, inviting Miss Shore to stay in the Cohen manor for a time. As the arrangement unfolds, Madge becomes increasingly concerned about the mysterious woman, who seems to be completely haunted by a dark event in her past.

With intimate descriptions of scenery, characters, and social customs, At the Moment of Victory is a beautiful portrayal of the upper class during the late 19th century. First published in 1889, At the Moment of Victory continues to pique readers’ interest with its vivid characters and compelling narrative.

This edition of At the Moment of Victory by Catherine Louisa Pirkis features a new, eye-catching cover design and is printed in an easy-to-read font. With these accommodations, At the Moment of Victory caters to a modern audience while preserving the original beauty of Catherine Louisa Pirkis’ work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Geraldo Valério looks at the nature of true friendship and love in a stunning new wordless picture book.

On a dull gray day, a boy puts his dog on a leash and they walk to a shimmering pond where snowy white swans swim freely. One of the swans invites the boy and dog for a ride. They climb on its back and sail into a stunningly beautiful landscape, dotted with wildflowers, spoonbills and ibises. Foxes, rabbits and deer appear in this paradise, then butterflies and even bigger, more beautiful flowers. The boy unleashes his dog on shore, and the dog bounds off to play.

Now the boy wraps his arms around the swan’s neck — he has a new friend. But when he puts the leash on the swan, the sky turns stormy gray, the water becomes turbulent, and the other swans fly away. Both the boy and swan are miserable, until the boy realizes he must free his friend. When he drops the leash into the pond, warm color fills their world and they return to where the boy’s dog happily awaits him.

Geraldo Valério, a master of wordless picture books, explores the nature of true friendship and love in his newest creation.

Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RL.3.7
Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)

The study endeavors a detailed and systematic classification of linguistic simultaneity expressions. Further, it aims at a well described survey of how simultaneity is expressed by native speakers in their own language. On the basis of real production data the book answers the questions of how native speakers express temporal simultaneity in general, and how learners at different levels of proficiency deal with this situation under experimental test conditions. Furthermore, the results of this study shed new light on our understanding of aspect in general, and on its acquisition by adult learners.

The objective of this edited volume is to shed light upon K-12 perspectives of various school stakeholders in the current unique context of increasing political polarization and heightened teacher and student activism. It is grounded in academic freedom case law and the majority of opinion of the Supreme Court in the Tinker v. Des Moines Independent Community School District (1969) that held that certain forms of expression are protected by the First Amendment. Justice Fortas wrote in the majority opinion that “it can hardly be argued that either students or teachers shed their constitutional rights to freedom of speech or expression at the schoolhouse gate.”

This volume is timely and instructive, as protections afforded by the First Amendment are a topic of enduring concern, with such freedoms requiring vigilant advocacy and protection from each generation. Paulo Freire stated, “Citizenship is not obtained by chance: It is a construction that, never finished, demands we fight for it” (1998, p. 90). There is confusion and much debate in and outside of schools about how and when these and other rights described in the First Amendment may or may not be limited, and the time is now to clarify the place of such rights in public education.

At the Schoolhouse Gate is divided into three sections: Foundations, Case Studies of Rights in Schools, and Choices to Act. The “Foundations” section presents the case law pertaining to the rights of both teachers and students, setting the tone for what presently is permissible and chronicling the ongoing struggle with defining rights and responsibilities in schools. In “Case Studies of Rights in Schools,” various authors examine teacher and student interactions with rights and responsibilities in schools, including the interest of students in participating with their teachers in the democratic experiment of schooling, the promise of student-led conferences, a new teacher’s success with democratizing her classroom, and student views of news and technology. “Choices to Act” includes a portrait of teacher activism during the Oklahoma Walkout, a general counsel’s advice to teachers for availing themselves of their rights, a story of a civic education curriculum generating student agency, and vignettes of two public high school students who took action in their schools and communities.

The objective of this edited volume is to shed light upon K-12 perspectives of various school stakeholders in the current unique context of increasing political polarization and heightened teacher and student activism. It is grounded in academic freedom case law and the majority of opinion of the Supreme Court in the Tinker v. Des Moines Independent Community School District (1969) that held that certain forms of expression are protected by the First Amendment. Justice Fortas wrote in the majority opinion that “it can hardly be argued that either students or teachers shed their constitutional rights to freedom of speech or expression at the schoolhouse gate.”

This volume is timely and instructive, as protections afforded by the First Amendment are a topic of enduring concern, with such freedoms requiring vigilant advocacy and protection from each generation. Paulo Freire stated, “Citizenship is not obtained by chance: It is a construction that, never finished, demands we fight for it” (1998, p. 90). There is confusion and much debate in and outside of schools about how and when these and other rights described in the First Amendment may or may not be limited, and the time is now to clarify the place of such rights in public education.

At the Schoolhouse Gate is divided into three sections: Foundations, Case Studies of Rights in Schools, and Choices to Act. The “Foundations” section presents the case law pertaining to the rights of both teachers and students, setting the tone for what presently is permissible and chronicling the ongoing struggle with defining rights and responsibilities in schools. In “Case Studies of Rights in Schools,” various authors examine teacher and student interactions with rights and responsibilities in schools, including the interest of students in participating with their teachers in the democratic experiment of schooling, the promise of student-led conferences, a new teacher’s success with democratizing her classroom, and student views of news and technology. “Choices to Act” includes a portrait of teacher activism during the Oklahoma Walkout, a general counsel’s advice to teachers for availing themselves of their rights, a story of a civic education curriculum generating student agency, and vignettes of two public high school students who took action in their schools and communities.

In 2016, a landscape painting of the source of the Lison river in France was discovered at the University of Pennsylvania and was immediately suspected of being the work of Gustave Courbet. A lengthy authentication process began in 2018 and the landscape has since been confirmed as his. This new discovery sparked an exhibition showcasing the infamous painter’s modern landscape practice. Titled At the Source: A Courbet Landscape Rediscovered, the exhibition is presented at the University of Pennsylvania’s Arthur Ross Gallery from February 4 to May 28, 2023. Focusing on the motifs of grottos and waterfalls in his art of the 1850s and 1860s, it highlights the rediscovered Courbet painting, not shown in public for close to 100 years, and emphasizes the process of authenticating and conserving this historic work.

Gustave Courbet (1819–1877) was a French painter who led the Realism movement of the mid nineteenth-century. Committed to painting only what he could see, he rejected academic conventions and the Romanticism of the previous generation of artists. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged tradition by depicting unidealized peasants and workers, often on a grand scale previously reserved for paintings of religious or historical subjects. Courbet's subsequent paintings offer a wide range of genres and broadened the political character of his art: landscapes, seascapes, hunting scenes, nudes, and still lifes.

This heavily illustrated catalog brings together essays by leading Courbet scholars, including Petra ten-Doesschate Chu, Aruna D’Souza, Paul Galvez, and Mary Morton, and situates Courbet’s modern landscapes within the genre of nineteenth-century plein-air painting. Contextualizing the newly discovered work in relation to other visual depictions of the site, the catalog reproduces postcards and maps as well as the few other versions of the Source of the Lison that Courbet painted, including other related subjects. The essays draw connections between Courbet’s paintings and his political activism, his interests in geology and environmentalism, and his engagement with issues of gender.

In 2016, a landscape painting of the source of the Lison river in France was discovered at the University of Pennsylvania and was immediately suspected of being the work of Gustave Courbet. A lengthy authentication process began in 2018 and the landscape has since been confirmed as his. This new discovery sparked an exhibition showcasing the infamous painter’s modern landscape practice. Titled At the Source: A Courbet Landscape Rediscovered, the exhibition is presented at the University of Pennsylvania’s Arthur Ross Gallery from February 4 to May 28, 2023. Focusing on the motifs of grottos and waterfalls in his art of the 1850s and 1860s, it highlights the rediscovered Courbet painting, not shown in public for close to 100 years, and emphasizes the process of authenticating and conserving this historic work.

Gustave Courbet (1819–1877) was a French painter who led the Realism movement of the mid nineteenth-century. Committed to painting only what he could see, he rejected academic conventions and the Romanticism of the previous generation of artists. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged tradition by depicting unidealized peasants and workers, often on a grand scale previously reserved for paintings of religious or historical subjects. Courbet's subsequent paintings offer a wide range of genres and broadened the political character of his art: landscapes, seascapes, hunting scenes, nudes, and still lifes.

This heavily illustrated catalog brings together essays by leading Courbet scholars, including Petra ten-Doesschate Chu, Aruna D’Souza, Paul Galvez, and Mary Morton, and situates Courbet’s modern landscapes within the genre of nineteenth-century plein-air painting. Contextualizing the newly discovered work in relation to other visual depictions of the site, the catalog reproduces postcards and maps as well as the few other versions of the Source of the Lison that Courbet painted, including other related subjects. The essays draw connections between Courbet’s paintings and his political activism, his interests in geology and environmentalism, and his engagement with issues of gender.

At the Speed of Light There is Only Illumination collects a dozen re-evaluative essays on Marshall McLuhan and his critical and theoretical legacy; from intellectual adventurer creating a complex architecture of ideas to cultural icon standing in line in Woody Allen’s Annie Hall. Given McLuhan’s prominent status in many academic disciplines, the contributors reflect a multi-disciplinary background. John Moss and Linda Morra chose the essays from a gathering of McLuhan’s academic devotees. The contribution – from “McLuhan as Medium” and “McLuhan in Space” to “What McLuhan Got Wrong” and “Trouble in the Global Village” – to provide a kaleidoscope of new views. As Moss writes of the collected essays: “Some are big and some are small, some exegetic and some confessional, some stand as major statements and others are sidelong glances; some resonate with the concerns of public discourse and others are private or privileged or impious and provocative. Each consists of many parts, each a design on its own. They speak to each other…they may have come together as one version of what happened.”

Published in English.

The summit is what drives us, but the climb itself is what matters.

This gorgeous compendium explores eight of the world’s greatest mountains across all its continents: Everest, Matterhorn, Chimborazo, Fuji, Kilimanjaro, Denali, Puncak Jaya and Vinson Massif. Discover the fascinating stories of the mountains’ formation, their unique ecosystems, the mythologies of their local populations and the legendary tales of their conquest. Each chapter includes a breakdown of the best route to the summit and the dangers one might face on the way. 

Concise, accessible texts by Robin Jacobs (Earth-Shattering Events, Cicada 2019) provide further information about mountain terminology, knot tying and climbing gear, making this a must-have for any budding explorer or climbing enthusiast. Dynamic, vintage-inflected illustrations by Ed J Brown (Epic Animal Journeys, Cicada 2022), bring the book to life, capturing a spirit of adventure and taking young readers on an awe-inspiring expedition to the top of the world.

The first volume in a major new series offering a compelling glimpse into the transformative and revolutionary world of HBCUs, that reveals the complex stories that their collections tell us.

This book, featuring objects from the museums and archives at five HBCUs—Jackson State, Tuskegee, Florida A&M, Clark Atlanta, and Texas Southern Universities—attests to the aesthetic value of African American cultural production on university campuses, the persistent development and expansion of HBCU academic programs, and the impact of student-led activism on campuses and throughout surrounding communities. Organized into four main sections, focusing on the partner institutions, arts, academics, and activism, this remarkable assembly of images will inspire readers to engage with, reflect on, and examine the unforgettable stories they represent.

The museums and archives at the five HBCUs featured tell unique stories, from detailed community histories and accounts of civil-rights era activism to premiere collections of African American art. Together, these institutions paint a powerful and multifaceted picture of African American academia and beyond.

This multi-volume series of publications stemming from the work of NMAAHC’s HBCU History and Culture Access Consortium (HCAC), is a companion publication to the exhibition that will travel to each participating institution from September 2025.

A young apprentice is framed for the murder of her mentor, a wealthy woman who had a serious penchant for spiritualism, theatrics and staged seances. When the woman is suddenly killed all signs point to her longstanding partner. Madame Dauvray was captivated by the supernatural world. She and her companion, Celia Harland, would often engage the public as spiritual mediums. Yet, their presentations were a farce fueled by trickery and performance. One day, Madame Dauvray is found strangled to death at the illustrious Villa Rose. Her maid is indisposed, and her jewels are stolen. Due to proximity and the nature of their business, Celia is made the prime suspect. In an effort to clear her name, the young Englishman, Harry Wethermill asks Inspector Hanaud to crack the case. At the Villa Rose is a thrilling detective story full of misdirects and shocking twists. The beloved character, Inspector Hanaud, makes a memorable debut in the first of six novels. With an eye-catching new cover, and professionally typeset manuscript, this edition of At the Villa Rose is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A young apprentice is framed for the murder of her mentor, a wealthy woman who had a serious penchant for spiritualism, theatrics and staged seances. When the woman is suddenly killed all signs point to her longstanding partner. Madame Dauvray was captivated by the supernatural world. She and her companion, Celia Harland, would often engage the public as spiritual mediums. Yet, their presentations were a farce fueled by trickery and performance. One day, Madame Dauvray is found strangled to death at the illustrious Villa Rose. Her maid is indisposed, and her jewels are stolen. Due to proximity and the nature of their business, Celia is made the prime suspect. In an effort to clear her name, the young Englishman, Harry Wethermill asks Inspector Hanaud to crack the case. At the Villa Rose is a thrilling detective story full of misdirects and shocking twists. The beloved character, Inspector Hanaud, makes a memorable debut in the first of six novels. With an eye-catching new cover, and professionally typeset manuscript, this edition of At the Villa Rose is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A young apprentice is framed for the murder of her mentor, a wealthy woman who had a serious penchant for spiritualism, theatrics and staged seances. When the woman is suddenly killed all signs point to her longstanding partner. Madame Dauvray was captivated by the supernatural world. She and her companion, Celia Harland, would often engage the public as spiritual mediums. Yet, their presentations were a farce fueled by trickery and performance. One day, Madame Dauvray is found strangled to death at the illustrious Villa Rose. Her maid is indisposed, and her jewels are stolen. Due to proximity and the nature of their business, Celia is made the prime suspect. In an effort to clear her name, the young Englishman, Harry Wethermill asks Inspector Hanaud to crack the case. At the Villa Rose is a thrilling detective story full of misdirects and shocking twists. The beloved character, Inspector Hanaud, makes a memorable debut in the first of six novels. With an eye-catching new cover, and professionally typeset manuscript, this edition of At the Villa Rose is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

For the last thirty years John Lister-Kaye has taken the same circular walk from his home deep in a Scottish glen up to a small hill loch. Each day brings a new observation or an unexpected encounter - a fragile spider's web, an osprey struggling to lift a trout from the water or a woodcock exquisitely camouflaged on her nest - and every day, on his return home, he records his thoughts in a journal.

Drawing on this lifetime of close observation, At The Water's Edge encourages us to look again at the nature around us, to discover its wildness for ourselves and to respect and protect it.

Have you ever stopped to think about what is happening at this very moment in time? In this poetic book about the present moment, Matthew Hodson explores what is happening in the natural world, at this very moment in time.

Praise for At This Very Moment

''Soothing, rhythmic, often repetitive words and distinctive illustrations make this a lovely, quiet book that radiates calm''. -- Kirkus

''An intriguing picture ideal for toddlers and preschoolers, who learn though repetition and whose attention spans appreciate a quickly moving picture book''. -- YA and Kids Book Central

'What a reassuring and peaceful last book of the night!'
-- Youth Services Book Review

''There’s a sweet simplicity about this book, making this a great pick for early readers''. -- San Francisco Book Review

''Gentle text is complemented by evocative illustrations from various perspectives for a memorable, calming book''. -- Reading Rockets

''Matthew Hudson has created something quite unique for a class library. A book that, by its very nature, is a chance to be still, connect and relax''.
-- Just Imagine

''Told with simplicity and a variety of landscapes, this is an enchanting story''. -- My Shelves Are Full

''A lullaby of a book''. -- The Literacy Tree

At this very moment
There's a mouse
There’s a small mouse waking up in the early morning sun

And at this very moment
There’s a whale
There’s a blue whale singing whale song, deep beneath the sea

As you sit and read this book
Somewhere there’s a plum
A plum so ripe a worm will come
And eat it for its tea

At This Very Moment is a beautifully poetic bedtime book for children ages 2 and up. Using simple but evocative language, it describes all the wonderful things that are going on around the world right now, this very second. In doing so, it asks the young reader to be present in this moment in time and to feel at one with the giant, magnificent organism that is our planet.

In an entirely organic and unselfconscious way, this book encourages mindfulness and reflection as well as a sense of marvel at the world we live in.

And at this very moment
Somewhere there’s a baby
There are babies everywhere
Drifting off to sleep…