Architecture

Cities are typically thought of as permanent. Structures, streets, infrastructure, and other features of the built environment, even if they are periodically replaced, are intended to endure. But temporary, flexible spaces and uses are essential to how cities function and the ways urban dwellers inhabit them. Such adaptability, moreover, is fundamental if cities are to meet the challenges of the future.

This book examines temporary urbanisms across varied global contexts, considering their significance for cities and everyday life as well as for policy and practice. It brings together many distinct forms and facets of temporariness and adaptability—from sites of consumption by privileged residents to the survival strategies of marginalized groups—drawing on examples spanning five continents. Lauren Andres explores the driving forces of adaptability as well as the power dynamics and tensions between temporariness and permanence. She highlights how adaptability enhances livability, sustainability, and resilience, showing its importance for addressing crises such as climate change, socioeconomic inequalities, and pandemics. Authoritative and wide-ranging, Adaptable Cities and Temporary Urbanisms reveals why experimentation and creativity are crucial to the present and future of cities.

Cities are typically thought of as permanent. Structures, streets, infrastructure, and other features of the built environment, even if they are periodically replaced, are intended to endure. But temporary, flexible spaces and uses are essential to how cities function and the ways urban dwellers inhabit them. Such adaptability, moreover, is fundamental if cities are to meet the challenges of the future.

This book examines temporary urbanisms across varied global contexts, considering their significance for cities and everyday life as well as for policy and practice. It brings together many distinct forms and facets of temporariness and adaptability—from sites of consumption by privileged residents to the survival strategies of marginalized groups—drawing on examples spanning five continents. Lauren Andres explores the driving forces of adaptability as well as the power dynamics and tensions between temporariness and permanence. She highlights how adaptability enhances livability, sustainability, and resilience, showing its importance for addressing crises such as climate change, socioeconomic inequalities, and pandemics. Authoritative and wide-ranging, Adaptable Cities and Temporary Urbanisms reveals why experimentation and creativity are crucial to the present and future of cities.

Certain cities—most famously New York, London, and Tokyo—have been identified as “global cities,” whose function in the world economy transcends national borders. Without the same fanfare, formerly peripheral and secondary cities have been growing in importance, emerging as global cities in their own right. The striking similarity of the skylines of Dubai, Miami, and Singapore is no coincidence: despite following different historical paths, all three have achieved newfound prominence through parallel trends.

In this groundbreaking book, Alejandro Portes and Ariel C. Armony demonstrate how the rapid and unexpected rise of these three cities recasts global urban studies. They identify the constellation of factors that allow certain urban places to become “emerging global cities”—centers of commerce, finance, art, and culture for entire regions. The book traces the transformations of Dubai, Miami, and Singapore, identifying key features common to these emerging global cities. It contrasts them with “global hopefuls,” cities that, at one point or another, aspired to become global, and analyzes how Hong Kong is threatened with the loss of this status. Portes and Armony highlight the importance of climate change to the prospects of emerging global cities, showing how the same economic system that propelled their rise now imperils their future. Emerging Global Cities provides a powerful new framework for understanding the role of peripheral cities in the world economy and how they compete for and sometimes achieve global standing.

Certain cities—most famously New York, London, and Tokyo—have been identified as “global cities,” whose function in the world economy transcends national borders. Without the same fanfare, formerly peripheral and secondary cities have been growing in importance, emerging as global cities in their own right. The striking similarity of the skylines of Dubai, Miami, and Singapore is no coincidence: despite following different historical paths, all three have achieved newfound prominence through parallel trends.

In this groundbreaking book, Alejandro Portes and Ariel C. Armony demonstrate how the rapid and unexpected rise of these three cities recasts global urban studies. They identify the constellation of factors that allow certain urban places to become “emerging global cities”—centers of commerce, finance, art, and culture for entire regions. The book traces the transformations of Dubai, Miami, and Singapore, identifying key features common to these emerging global cities. It contrasts them with “global hopefuls,” cities that, at one point or another, aspired to become global, and analyzes how Hong Kong is threatened with the loss of this status. Portes and Armony highlight the importance of climate change to the prospects of emerging global cities, showing how the same economic system that propelled their rise now imperils their future. Emerging Global Cities provides a powerful new framework for understanding the role of peripheral cities in the world economy and how they compete for and sometimes achieve global standing.

In times of crisis, mutual aid becomes paramount. Even before the COVID-19 pandemic, new forms of sharing had gained momentum to redress precarity and stark economic inequality. Today, a diverse array of mutualistic organizations seek to fundamentally restructure housing, care, labor, food, and more. Yet design, art, and architecture play a key role in shaping these initiatives, fulfilling their promise of solidarity, and ensuring that these values endure.

In this book, artist Marisa Morán Jahn and architect Rafi Segal converse about the transformative potential of mutualism and design with leading thinkers and practitioners: Mercedes Bidart, Arturo Escobar, Michael Hardt, Greg Lindsay, Jessica Gordon Nembhard, Ai-jen Poo, and Trebor Scholz. Together, they consider how design inspires, invigorates, and sustains contemporary forms of mutualism—including platform cooperatives, digital-first communities, emerging currencies, mutual aid, care networks, social-change movements, and more. From these dialogues emerge powerful visions of futures guided by communal self-determination and collective well-being.

In times of crisis, mutual aid becomes paramount. Even before the COVID-19 pandemic, new forms of sharing had gained momentum to redress precarity and stark economic inequality. Today, a diverse array of mutualistic organizations seek to fundamentally restructure housing, care, labor, food, and more. Yet design, art, and architecture play a key role in shaping these initiatives, fulfilling their promise of solidarity, and ensuring that these values endure.

In this book, artist Marisa Morán Jahn and architect Rafi Segal converse about the transformative potential of mutualism and design with leading thinkers and practitioners: Mercedes Bidart, Arturo Escobar, Michael Hardt, Greg Lindsay, Jessica Gordon Nembhard, Ai-jen Poo, and Trebor Scholz. Together, they consider how design inspires, invigorates, and sustains contemporary forms of mutualism—including platform cooperatives, digital-first communities, emerging currencies, mutual aid, care networks, social-change movements, and more. From these dialogues emerge powerful visions of futures guided by communal self-determination and collective well-being.

From modest chapels to majestic cathedrals, and historic synagogues to modern mosques and Buddhist temples: this photo-filled, pocket-size guidebook presents 1,079 houses of worship in Manhattan and lays to rest the common perception that skyscrapers, bridges, and parks are the only defining moments in the architectural history of New York City. With his exhaustive research of the city's religious buildings, David W. Dunlap has revealed (and at times unearthed) an urban history that reinforces New York as a truly vibrant center of community and cultural diversity.

Published in conjunction with a New-York Historical Society exhibition, From Abyssinian to Zion is a sometimes quirky, always intriguing journey of discovery for tourists as well as native New Yorkers. Which popular pizzeria occupies the site of the cradle of the Christian and Missionary Alliance movement, the Gospel Tabernacle? And where can you find the only house of worship in Manhattan built during the reign of Caesar Augustus? Arranged alphabetically, this handy guide chronicles both extant and historical structures and includes

• 650 original photographs and 250 photographs from rarely seen archives

• 24 detailed neighborhood maps, pinpointing the location of each building

• concise listings, with histories of the congregations, descriptions of architecture, and accounts of prominent priests, ministers, rabbis, imams, and leading personalities in many of the congregations

This beautifully conceived and produced survey of Islamic architecture explores the glorious world of the caravansarai, mausoleum, palace, and mosque. Focusing on the multifaceted relation of architecture to society, Robert Hillenbrand covers public architecture in the Middle East and North Africa from the medieval period to 1700. Extensive photographs and ground plans— among which are hundreds of newly executed three-dimensional drawings that provide an accurate and vivid depiction of the structure—are presented with an emphasis on the way the specific details of the building fulfilled their function.

Included are chapters on religious and secular architecture and the architecture of tombs. Each building is discussed in terms of function, the links between particular forms and specific uses, the role of special types of buildings in the Islamic order, and the expressions of different sociocultural groups in architectural terms. Here the student or historian of Islamic architecture will find an astonishing resource, including Maghribi palaces, Anatolian madrasas, Indian minarets, Fatimid mausolea, and Safavid mosques, each rendered in lavish illustrations and explained with incomparable precision.

From modest chapels to majestic cathedrals, and historic synagogues to modern mosques and Buddhist temples: this photo-filled, pocket-size guidebook presents 1,079 houses of worship in Manhattan and lays to rest the common perception that skyscrapers, bridges, and parks are the only defining moments in the architectural history of New York City. With his exhaustive research of the city's religious buildings, David W. Dunlap has revealed (and at times unearthed) an urban history that reinforces New York as a truly vibrant center of community and cultural diversity.

Published in conjunction with a New-York Historical Society exhibition, From Abyssinian to Zion is a sometimes quirky, always intriguing journey of discovery for tourists as well as native New Yorkers. Which popular pizzeria occupies the site of the cradle of the Christian and Missionary Alliance movement, the Gospel Tabernacle? And where can you find the only house of worship in Manhattan built during the reign of Caesar Augustus? Arranged alphabetically, this handy guide chronicles both extant and historical structures and includes

• 650 original photographs and 250 photographs from rarely seen archives

• 24 detailed neighborhood maps, pinpointing the location of each building

• concise listings, with histories of the congregations, descriptions of architecture, and accounts of prominent priests, ministers, rabbis, imams, and leading personalities in many of the congregations

Cass Gilbert's pioneering buildings injected vitality into skyscraper design, and his "Gothic skyscraper," epitomized by the Woolworth Building, profoundly influenced architects during the first decades of the twentieth century. Now, as the New-York Historical Society mounts a major exhibit documenting his architectural career, the full breadth of Gilbert's achievements is visible in one lavishly illustrated volume.

Architect of the Broadway Chambers Building, the US Custom House, the Minnesota State Capitol, the St. Louis Art Museum, and large-scale projects like the city plan for New Haven, Connecticut, Gilbert is most famous for his skyscrapers—"symbols of our national genius and unrestraint"—monuments of the Beaux Arts "City Beautiful" aesthetic he embraced throughout his career.

Containing essays by major Gilbert scholars, Inventing the Skyline documents fascinating details about the buildings: the color scheme of the main entrance of the Minnesota State Capitol, made to resemble the Byzantine tomb of Galla Placidia in Ravenna; the controversy that erupted over the use of female nudes on the relief of the Essex County Courthouse; and the ill-fated plans for the George Washington Bridge as a Beaux Arts monument with elaborate plazas, fountains, and sculptures.

This beautifully conceived and produced survey of Islamic architecture explores the glorious world of the caravansarai, mausoleum, palace, and mosque. Focusing on the multifaceted relation of architecture to society, Robert Hillenbrand covers public architecture in the Middle East and North Africa from the medieval period to 1700. Extensive photographs and ground plans— among which are hundreds of newly executed three-dimensional drawings that provide an accurate and vivid depiction of the structure—are presented with an emphasis on the way the specific details of the building fulfilled their function.

Included are chapters on religious and secular architecture and the architecture of tombs. Each building is discussed in terms of function, the links between particular forms and specific uses, the role of special types of buildings in the Islamic order, and the expressions of different sociocultural groups in architectural terms. Here the student or historian of Islamic architecture will find an astonishing resource, including Maghribi palaces, Anatolian madrasas, Indian minarets, Fatimid mausolea, and Safavid mosques, each rendered in lavish illustrations and explained with incomparable precision.

Cass Gilbert's pioneering buildings injected vitality into skyscraper design, and his "Gothic skyscraper," epitomized by the Woolworth Building, profoundly influenced architects during the first decades of the twentieth century. Now, as the New-York Historical Society mounts a major exhibit documenting his architectural career, the full breadth of Gilbert's achievements is visible in one lavishly illustrated volume.

Architect of the Broadway Chambers Building, the US Custom House, the Minnesota State Capitol, the St. Louis Art Museum, and large-scale projects like the city plan for New Haven, Connecticut, Gilbert is most famous for his skyscrapers—"symbols of our national genius and unrestraint"—monuments of the Beaux Arts "City Beautiful" aesthetic he embraced throughout his career.

Containing essays by major Gilbert scholars, Inventing the Skyline documents fascinating details about the buildings: the color scheme of the main entrance of the Minnesota State Capitol, made to resemble the Byzantine tomb of Galla Placidia in Ravenna; the controversy that erupted over the use of female nudes on the relief of the Essex County Courthouse; and the ill-fated plans for the George Washington Bridge as a Beaux Arts monument with elaborate plazas, fountains, and sculptures.

The designer of such landmarks as the Washington Square Arch, the New York Herald and Tiffany Buildings, and the homes of captains of American industry, Stanford White is a legendary figure in the history of American architecture. Yet while the exteriors and floor plans of his designs have been extensively studied and written about, no book has fully examined the other aspect of his career, which claimed at least half of his time and creativity. Wayne Craven's work offers the first study of Stanford White as an interior decorator and a dealer in antiques and the fine arts.

Craven also offers a vivid portrait of the sweeping social and cultural changes taking place in the United States in the late nineteenth and early twentieth centuries. He places White's work as an interior decorator within the context of the lives and society of the nouveaux riches who built unprecedented fortunes during the Industrial Revolution. Rejecting the dominant middle-class tastes and values of the United States, the Whitneys, Vanderbilts, Astors, Paynes, Mackays, and other wealthy New York families saw themselves as the new aristocracy and desired the prestige and trappings accorded to Old World nobility. Stanford White fulfilled their hunger for aristocratic recognition by adorning their glamorous Fifth Avenue mansions and Long Island estates with the sculptures, stained-glass windows, coats of arms, and carved fireplaces of the European past. Interior decorators such as White did more than just buy single pieces for these families. They purchased entire rooms from palazzos, chateaux, villas, nunneries, and country houses; had them dismantled; and shipped—both furnishings and architectural elements—to their American clients. Through Stanford White's activities, Craven uncovers the mostly, but not always, legal business of dealing in antiquities, as American money entered and changed the European art market.

Based on the archives of the Avery Architectural Library of Columbia University and the New-York Historical Society, this book recovers a neglected yet significant part of White's career, which lasted from the 1870s to his murder in 1906. White not only set the bar for twentieth-century architecture but also defined the newly emerging profession of interior design.

Since its emergence in the mid-nineteenth century as the nation's "metropolis," New York has faced the most challenging housing problems of any American city, but it has also led the nation in innovation and reform. The horrors of the tenement were perfected in New York at the same time that the very rich were building palaces along Fifth Avenue; public housing for the poor originated in New York, as did government subsidies for middle-class housing.

A standard in the field since its publication in 1992, A History of Housing in New York City traces New York's housing development from 1850 to the present in text and profuse illustrations. Richard Plunz explores the housing of all classes, with comparative discussion of the development of types ranging from the single-family house to the high-rise apartment tower. His analysis is placed within the context of the broader political and cultural development of New York City. This revised edition extends the scope of the book into the city's recent history, adding three decades to the study, covering the recent housing bubble crisis, the rebound and gentrification of the five boroughs, and the ecological issues facing the next generation of New Yorkers. More than 300 illustrations are integrated throughout the text, depicting housing plans, neighborhood changes, and city architecture over the past 130 years. This new edition also features a foreword by the distinguished urban historian Kenneth T. Jackson.

Since its emergence in the mid-nineteenth century as the nation's "metropolis," New York has faced the most challenging housing problems of any American city, but it has also led the nation in innovation and reform. The horrors of the tenement were perfected in New York at the same time that the very rich were building palaces along Fifth Avenue; public housing for the poor originated in New York, as did government subsidies for middle-class housing.

A standard in the field since its publication in 1992, A History of Housing in New York City traces New York's housing development from 1850 to the present in text and profuse illustrations. Richard Plunz explores the housing of all classes, with comparative discussion of the development of types ranging from the single-family house to the high-rise apartment tower. His analysis is placed within the context of the broader political and cultural development of New York City. This revised edition extends the scope of the book into the city's recent history, adding three decades to the study, covering the recent housing bubble crisis, the rebound and gentrification of the five boroughs, and the ecological issues facing the next generation of New Yorkers. More than 300 illustrations are integrated throughout the text, depicting housing plans, neighborhood changes, and city architecture over the past 130 years. This new edition also features a foreword by the distinguished urban historian Kenneth T. Jackson.