Name: Buried But Not Quite Dead
Brand: Anthony Daniels
Price: 21.99 USD
Availability: InStock

Anthony Daniels

Buried But Not Quite Dead

$21.99

While many famous writers – Balzac, Proust, Oscar Wilde – are buried at Paris’s Père Lachaise Cemetery, “there are also writers, many more of them in fact, buried there who have been completely forgotten, not necessarily because they were not good but because cultural memory is necessarily limited.”

In eight chapters, the inimitable Anthony Daniels dilates on some forgotten writers of Père Lachaise, exploring their literary merit and the amusing byways of history, aiming “to entertain while illustrating the inexhaustible depth of our past.”

Russell Kirk

Old House of Fear

$19.00

A founding father of the American conservative movement, Russell Kirk (1918–94) was also a renowned and bestselling writer of fiction. Kirk’s focus was the ghost story, or “ghostly tale” – a “decayed art” of which he considered himself a “last remaining master.” Old House of Fear, Kirk’s first novel, revealed this mastery at work. Its 1961 publication was a sensation, outselling all of Kirk’s other books combined, including The Conservative Mind, his iconic study of American conservative thought. A native of Michigan, Kirk set Old House of Fear in the haunted isles of the Outer Hebrides, drawing on his time in Scotland as the first American to earn a doctorate of letters from the University of St. Andrews. The story concerns Hugh Logan, an attorney sent by an aging American industrialist to Carnglass to purchase his ancestral island and its castle called the Old House of Fear. On the island, Logan meets Mary MacAskival, a red-haired ingénue and love interest, and the two face off against Dr. Edmund Jackman, a mystic who has the island under his own mysterious control. This new edition features an introduction by James Panero, Executive Editor of The New Criterion.

Eric Gibson

The Necessity of Sculpture

$18.99

The Necessity of Sculpture brings together a selection of articles on sculpture and sculptors from Eric Gibson’s nearly four-decade career as an art critic. It covers subjects as diverse as Mesopotamian cylinder seals, war memorials, and the art of the American West; stylistic periods such as the Hellenistic in Ancient Greece and Kamakura in medieval Japan; Michelangelo, Gian Lorenzo Bernini, Augustus Saint-Gaudens, and other historical figures; modernists like Auguste Rodin, Pablo Picasso, and Alberto Giacometti; and contemporary artists including Richard Serra, Rachel Whiteread, and Jeff Koons. Organized chronologically by artist and period, this collection is as much a synoptic history of sculpture as it is an art chronicle. At the same time, it is an illuminating introduction to the subject for anyone coming to it for the first time.

David Pryce-Jones

Fault Lines

$25.00

Born in Vienna in 1936, David Pryce-Jones is the son of the well-known writer and editor of the Times Literary Supplement Alan Pryce-Jones and Therese “Poppy” Fould-Springer. He grew up in a cosmopolitan mix of industrialists, bankers, soldiers, and playboys on both sides of a family, embodying the fault lines of the title: “not quite Jewish and not quite Christian, not quite Austrian and not quite French or English, not quite heterosexual and not quite homosexual, socially conventional but not quite secure.”

Graduating from Magdalen College, Oxford, David Pryce-Jones served as Literary Editor of the Financial Times and the Spectator, a war correspondent for the Daily Telegraph, and Senior Editor of National Review. Fault Lines is a memoir that spans Europe, America, and the Middle East and encompasses figures ranging from Somerset Maugham to Svetlana Stalin to Elie de Rothschild. As seen on Channel 4's My Grandparents' War, with Helena Bonham Carter, the memoir has the storytelling power of Pryce-Jones’s numerous novels and non-fiction books, and is perceptive and poignant testimony to the fortunes and misfortunes of the present age.

Andrew Forge

Observation: Notation

$20.00

Andrew Forge was an English painter and a teacher of painting (Yale University 1975–1994), renowned and respected on both sides of the Atlantic. But he was also known for his writing on the arts, spanning almost fifty years, which was admired for the delicacy and openness of his language and the ways in which he thought about the processes of perception in all their sensual possibilities. The selection here of his writings is intended to show the range of his interests and the particularly personal interpretations he brought to all he saw in an art with which he was so passionately engaged. It is also a fascinating record of the arts that were of concern in the years he wrote, from the work of Rubens to that of Rauschenberg and Frankenthaler, as well as, especially in his last essays, the work of his many friends and associates: Kenneth Martin, Euan Uglow, Jake Berthot, William Bailey, and Graham Nickson.