Europa Editions

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.  

IN THIS VOLUME: Paolo Macry on Naples’ “monarch mayors”・Francesco Abazia on the influence of the US Army’s presence on Neapolitan popular music・Cristina Napolitano on the Neapolitan diaspora, and what it means to come back・Gianni Montieri on the city’s passion for football・Alessandra Coppola on the cult of the young victims of the Camorra, or the police, and much more… 

In recent years, Naples has been the subject of countless books, films and TV series, making it even more difficult to imagine a Neapolitan normality, if it exists at all.  As Naples becomes the most filmed city in Italy, where to look for the ordinary, the average? Maybe we need to "go up" to Vomero, a neighborhood considered almost alien to the city, middle class, homogeneous, peaceful? A reality in sharp contrast with the over-the-top life of the historic centre, crossed as it is by a thousand stratifications - architectural, historical and social. And yet even there we find an alternative reading: the city as a model of coexistence between ancient and modern.    

While some areas have been waiting for decades for much promised redevelopment, others have benefited from cutting-edge projects with far-reaching positive impact, representing a Naples that attracts talent, exports models, and colonizes instead of being colonized.  

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Lovestruck in Barcelona by Enrique Vila-Matas • Supermanza 503 by Gabi Martinez • The Great Barcelona Novel by Miqui Otero • plus: the complex legacy of the Olympics; the future of Catalonia; the radical left and the once best in the world soccer team; an endless subway line, and much more…

Thirty years after the 1992 Olympics, which redefined the city’s contemporary identity and changed its destiny, The Passenger travels to Barcelona to understand the history and future of one of the cradles of political, cultural, and urban change in Europe.

From the debate about the impact of mass tourism to the search of new and sustainable models of economic and social development; from the eternal rivalry with Madrid to the rediscovery of the city’s rich tradition of political activism: this volume of The Passenger offers a panoramic view of a city striving to trace a new path forward out of the current crisis, and find a way of life centered on the well-being of its citizens.

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: The mass is ended by Catherine Dunne and Caelainn Hogan・ The Way Back by Colum McCann・A Trip to Westeros by Mark O’Connell・plus: life on the margins of two unions and right in the middle of Brexit, making war on each other for 30 years while playing on the same national rugby team, emigrating to the great enemy or transforming the country one referendum at a time, digging peat bogs and building cottages, talking of the sea in Gaelic, and much more….. 

The Passenger sets off to discover a land full of charm and conflict, a country that in just a few decades has gone from being a poor, semi-theocratic society to a thriving economy free from the influence of the Catholic Church. 

With the 1998 peace agreements, the conflict between nationalists and unionists seemed, if not resolved, at least dormant.  But Brexit—with the ambiguous position it leaves Northern Ireland in—caused old tensions to resurface. The Passenger explores their ramifications in politics, society, culture, and sport.   

Meanwhile, south of the border, epochal transformation has seen a deeply patriarchal, conservative society give space to diversity, the only country in the world to enshrine gay marriage in law through a referendum.  And there’s a whole other Ireland abroad, an Irish diaspora that looks to the old country with new-found pride but doesn’t forget the ugliness it fled from.   

Memory and identity intertwine with the transformations—from globalisation to climate change—that are remodelling the Irish landscape, from the coastal communities under threat of disappearing together with the Irish language fishermen use to talk about the sea, while inland the peat bogs, until recently important sources of energy and jobs, are being abandoned. From Catherine Dunne to Colum McCann, Mark O’Connell and Sara Baume, Irish (but not only) writers and journalists tell of a country striving to stay a step ahead of time. 

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: When the Circus Came to Town: The Resurrection of Potsdamer Platz by Peter Schneider・Berlin Suite by Cees Nooteboom・Tempelhof: A Field of Dreams by Vincenzo Latronico・plus: the controversial reconstruction of a Prussian castle, Berlin’s most transgressive sex club and its disappearing traditional pubs, a green urban oasis, suburban neo-Nazis, North Vietnamese in the East, South Vietnamese in the West, techno everywhere and much more...

“Berlin is too big for Berlin” is the curious title of a book by the flaneur Hanns Zischler, who joked about the low population density of a city so spread-out and polycentric—one of the reasons why it still inspires feelings of freedom and space. But the phrase also carries a symbolic, broader meaning: how can a single city encompass and sustain such a weighty mythology as that of contemporary Berlin, “the capital of cool”?

In order to find out, it is necessary to travel to the 1990s, the origins of today’s Berlin, when time seemed to have stopped. The scars of a century of war were still visible everywhere: coal stoves, crumbling buildings, desolate minimarts, not a working buzzer or elevator. To visit the city then was a hallucinatory experience, a simultaneous journey into the past and into the future. The city’s youth seemed to have appropriated—and turned into a positive—the famous phrase pronounced by Karl Scheffler at the beginning of the 20th century: “Berlin is a place doomed to always become, never be.”

The abandoned ruins, the hidden gems found at the flea market, the illegal basement raves are a thing of the past. The era of Berlin as a site of urban archeology is over. Almost all the damaged buildings have been repaired, squatters have been removed, the shops selling East German furniture have closed down. Without its wounds, the landscape of the city is perhaps less striking but more solid, stronger. Even the city’s inhabitants have lost some of their melancholia, their romantic and self-destructive streak: today you can even find people who come to Berlin to actually work, not just to “create” or idle their days away. Yet, Berlin remains a youthful city that doesn’t cling to its “poor but sexy” past, whose only sacrosanct principles are an uncompromising multiculturalism and the belief that its future is yet to be written. To quote someone who knows the city well, Berlin is and always will be “pure potential.”

A new series from Europa Editions, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Order and Progress? by Jon Lee Anderson・Funk, Pride and Prejudice by Alberto Riva・On the River, I Was King by Eliane Brum・Also: the road that dissects the Amazon; the TV tycoon who shaped Brazilian history; the neo-Pentecostal community that is winning the hearts (and wallets) of Brazilians; politicised samba dancers, idealist gangsters and much more ...

In the second half of the 20th century Brazil made extraordinary contributions to music, sport, architecture. From “bossa nova,” to acrobatic soccer, to the daring architecture of Oscar Niemeyer and Lúcio Costa, the country seemed to embody a new, original vision of modernity, at once “fluid, agile, and complex.”

Seen from abroad, the victory of the far right in the 2018 elections was a rude awakening that suddenly turned the Brazilian dream into a nightmare. For locals, however, illusions had started fading long ago, amid paralyzing corruption, environmental degradation, racial discrimination, and escalating violence. Luckily Brazilians have not lost their desire to fight, minorities are still determined to assert their rights and, now that the glorious past is dead and buried, a desire to rebuild for the future is emerging. Today the challenge of telling the story of this extraordinary country consists in finding its enduring vitality amid the apparent melancholy.

“How can we define the indefinable? Is it possible to pin a single label on a country so multi-faceted that it appears almost schizophrenic?”―From “In Defense Of Fragmentation,” Michel Laub

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.  

IN THIS VOLUME: Buddhism, the State, and Superpowers by Pitchaya Sudbanthad • The Country of Spirits by Emma Larkin • Monarchy Under Attack by Claudio Sopranzetti • plus: soft power and the working class, the heart of rural Thailand and the separatism of the southern peninsula, the success of Boy Love, the palm oil scandal, and much more...  

Thailand’s recent history has been marked by political turbulence, with palace coups, intrigue, attempted revolution, restoration, and democratic elections. In this complex democracy, the working class, progressives, and young urban professionals push for reforms, often clashing with landowners and business elites. While Thailand is perceived as permissive and tolerant, it hides a conservative core. Yet, one of its main cultural exports is Boy Love stories, romantic tales featuring male protagonists, whose success epitomises a cultural revolution that is boosting the country’s entertainment industry and soft power. 

Behind Thailand's glittering image, exemplified by Bangkok—the world’s most visited city in 2023—lie rural regions like Isaan, far from typical tourist paths. These areas reflect the country’s diverse and complex identity and reveal that, despite government efforts to impose cultural uniformity, Thailand’s true strength still lies in its ability to embrace diversity and syncretism. 

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world. 

IN THIS VOLUME: Hell Joseon by Elisa Shua Dusapin • The View from the North by Lee Hyeonseo • Lessons in Democracy by Jiyoung Choi  • plus: the Samsung Republic and the most militarized border in the world, the real reason why Korean women don’t have children, democracy and K-pop, baseball, esports, and shamanism, and much more… 

From kimchi to TV series, from Oscar-winning films to K-pop, from webtoons to cosmetics, in recent years Korea has captured the global imagination, one viral trend at a time. In this volume, The Passenger sets out in search of the world’s coolest nation. 

Eighty years ago, at the end of a devastating civil war, South Korea was one of the poorest countries in the world, under constant threat from the Communist regime north of the 38th parallel and completely dependent on the United States for its security and prosperity. Today, it is the world’s tenth-largest economy, a dynamic and innovative country with a per capita GDP similar to that of Western Europe, a lively and participatory democracy that stands up to its larger, more powerful neighbors. And above all, the country is the origin of the hallyu—the Korean wave—which has reached every corner of the world and taken the global entertainment, food, and culture industries by storm. 

This extremely rapid and astonishing transformation has inevitably brought ruptures and contradictions. If the global youth looks to Korea as previous generations looked to Hollywood and New York, young Koreans instead talk about Hell Joseon: a country that is rapidly aging, an economic system dominated by powerful chaebols (family-controlled conglomerates), a fiercely competitive educational system, a generational gap in outlook and behavior and, at the center of it all, the role of women— one of the keys that The Passenger has chosen to try to decipher a complex, fascinating country, central to the dynamics of today’s world, and that is often exoticized and idealized to the same extent. 

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: The Sea Between Lands by David Abulalfia; The Liquid Road by Leïla Slimani; The Cold One, the Hot One, the Mad One, and the Angry One by Nick Hunt • plus: the sounds and smells of the Mediterranean; the ceaseless hunt for tuna; the invention of the Mediterranean diet; and much more…

The word “Mediterranean” has always evoked something larger than geography. For millennia, it has designated a distinct cultural and historical space, one where different peoples have met, traded, and—not infrequently—clashed. Starting from its Latin etymology (“in the middle of the Earth”), the Mediterranean is intimately connected with ideas of connection, exchange, and multiplicity.

Today, however, the Mediterranean appears to be in crisis. Neglected by the European Union—which often sees North Africa and the Middle East as a threat, or at best as a source of energy—the Mediterranean is at the center of one of the greatest migrations in history. While every year hundreds of millions of vacationers flock to its shores, as in a distorting mirror hundreds of thousands of people face a dramatic journey in the opposite direction—to escape wars, persecutions, and poverty. The liquid road, as Homer called it, is increasingly militarized, trafficked, and polluted—as well as overheated and overfished.

This volume of The Passenger dives deep into the complex issues and contradictions facing the Mediterranean. As the book shows, despite its problems, the Mediterranean remains a source of wonder and fascination—a space not entirely colonized by modernity, where time flows differently, and where multiple cultures and languages are in closer contact and dialogue than elsewhere.

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Underground Tenochtitlan by Guadalupe Nettel • Crime and (No) Punishment by Juan Villoro • The Birth of Fridolatry by Valeria Luiselli • plus: the cocaine that washes in from the sea and the pearl of the west, the jungle train and the last stop on the line, femicide and TikTok politics, mole, rice, the Virgin of Guadalupe and much more ...

Once synonymous with escape and freedom, Mexico is now more frequently described as a place plagued by widespread violence, drug trafficking, endemic corruption, and uncontrolled migration. Under the patina of a tourist paradise—with its beaches, its ancient ruins, its tequila—lies a complex, dynamic country trying to carve out a place for itself in the shadow of its powerful neighbor.

The most populous Spanish-speaking country in the world, Mexico is also home to 89 indigenous peoples and languages: one of the many contradictory legacies of the country’s colonial past, which still permeates its politics, society, religion, food, and culture. With a fifth of the population identifying as indigenous, the issue of rediscovering and revaluing the country’s pre-Columbian roots is at the center of the public debate. The controversial Mayan train project, which would connect Mexico’s Caribbean resorts with the South’s archaeological sites, crossing (and endangering) communities and forests, is a perfect example of the opposition between the two souls of the country.

The attempts to resolve this contradiction, or better still to learn to live with it, will define the Mexico of the future. Only by recognizing equal status to ethnic and linguistic minorities will the country be able to reconcile its fractured identity.

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Still Becoming by Chimamanda Ngozi Adichie・A Nation called Ineba by A. Igoni Barrett・The Niger Delta by Noo Saro-Wiwa・plus: independent cinema and the do-it-yourself society; indiscriminate abductions and discrimination against women; the discrete charm of repair shops and the irresistible fascination with Afrobeat, and much more…

Since gaining independence Nigeria has been in a state of permanent crisis. Even the arrival of democracy in the 1990s failed to bring much improvement. It’s estimated that over 100 million Nigerians, half of the country’s population, live below the poverty line.

Violence is widespread: from the Boko Haram terrorists to the new armed secessionist movements and the growing scourge of kidnappings. How to live in a country where the state is, at best, absent? With regular power cuts, virtually non-existent health care and education, and where the army, present in every one of the 36 states of the federation, is not able to control the violence?

In these circumstances, the only possible society is a do-it-yourself one that blossoms wherever and however it can. 

At the first glimmer of opportunity, Nigerians bring out all their dynamism, entrepreneurial skills, and inventiveness. They develop apps to get around the inaccessibility of the banking system, use solar power to render themselves independent from the unreliable public energy grid, sometimes even resorting to artisanal (but deeply polluting) methods to refine oil/petrol, embrace e-commerce and social media to sell their goods, while films produced on shoestring budgets, books and music find success all over the world.

Nigeria’s energy is unlike that of any other African country. As the generation of generals who won the civil war and governed the country for 60 years dies out, and younger citizens refuse to ignore injustice and violence, the hope is born that a new, vibrant generation will take the country’s future into their hands. And, as they are accustomed to doing, fix it.

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Night, Sleep, Death and the Stars by Lauren Groff・The Universe Underground by Paolo Giordano・We All Hated Each Other So Much by Frank Westermann・plus: discovering new planets and destroying satellites; returning to the Moon (this time to stay); the Mars delusion; the hunt for extraterrestrial life, and much more…

In the 1960s, the rivalry between the superpowers brought us into space, adding a whole new dimension to human life. The last frontier was open, the solar system seemed close at hand, Mars was the next step... Then, nothing. Between 1969 and 1972 twelve men (but no women) walked on the moon, but no one has since. The space race between the United States and the Soviet Union revealed itself for what it really was: a political and military competition between opposing nationalist narratives.

Space agencies, however, have not been idle since the 1970s—quite the opposite. While funding for space missions has been cut and their objectives have changed, humanity has continued to explore the solar system with probes and robots, less costly than human astronauts, and has observed celestial bodies more closely than ever before. Without politics, science has thrived. But the lack of government funding has also opened space exploration to the forces of capitalism. NASA and other space agencies rely more and more on private companies to build modules and rockets, and a generation of visionary and megalomaniac entrepreneurs has become determined to bring humans back to space, this time to stay. The race has started again, with different rules and different players in an increasingly multipolar world.

But for those of us who remain on Earth, space also offers something else—a spiritual dimension, which science keeps alive by seeking answers to fundamental questions: what is the universe made of? How did the solar system form? What are the origins of life? And while colonizing Mars might not be the solution to humanity’s problems, the promise of space—whether expressed in a tweet by Elon Musk or a photo taken by a NASA rover on Mars—is to finally demonstrate that, when necessary, we are able to work together to build a common future for the whole of humanity.

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Growing Uncertainty in the Central Valley by Anna Wiener • How Does It Feel to Be a Solution? by Vanessa Hua • The Burning of Paradise by Mark Arax • plus: direct democracy and unsustainable development, the rise of the ‘land back’ movement, the cultural renaissance of Los Angeles in defiance of rampant gentrification, and much more…

California has stood for more than a century as the brightest symbol of the American dream. In recent years, however, the country’s mainstream media has been declaring with increasing frequency—and thinly veiled schadenfreude—the “end of California as we know it.”

The pessimists point to rising inequality, racial tensions, and the impact of climate change as evidence that the Californian dream has been shattered. Between extreme heat, months-long droughts, devastating wildfires, and rising sea levels, looking at California is like watching the trailer for what awaits the world if we don’t act to reduce global warming. Faced with these pressures, more and more Californians are leaving the state, leading to an unprecedented decline in population that could change the cultural and political balance of power in the country at large. 

That said, demographic decline and climate disasters don’t tell the whole story of one of the most dynamic and diverse states in the Union—one that continues to drive technological and political innovation and define the evolution of work, food, entertainment, and social relations. This volume offers a fascinating picture of California in all its complexity and contradictions; an attempt to understand the laboratory where much of the world’s future continues to be written.

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Rome doesn’t judge you by Nicola Lagioia・The soul of the city by Matteo Nucci・39 memos for a book about Rome by Francesco Piccolo・Plus: a guide to the sounds of Rome by Letizia Muratori; the feigned unrest and real malaise of the suburbs; the influence of the Vatican; the excessive power of real estate speculators and the rule of gangs; disillusioned trappers; football fans of every age, and much more...

If you believe what’s currently being said about Rome—in the media and by its residents—the city is on the verge of collapse. Each year, it slips further down the ranking of the world’s most liveable cities. To the problems faced by all large capitals—hit-and-run tourism, traffic, the divide between elegant, Airbnb-dominated city centers and run-down suburbs—in recent years Rome seems to have added a list of calamities of its own: a string of failing administrations, widespread corruption, the resurgence of fascist movements, rampant crime. A seemingly hopeless situation, perfectly symbolized by the fact that Rome currently leads the world in the number of self-combusting public buses.

If we look closer, however, this narrative is contradicted by just as many signs that point in the opposite direction. Above all, the lack of the mass migration one would be except in these circumstances: the vast majority of Romans don’t think for a second of “betraying” their hometown, and the many newcomers who have populated it in recent decades are often indistinguishable from the natives in the profound love that binds them to the city.

Rome is a place of contradictions and opposites: an “incredibly deceptive city”, always different from what it appears to be. It is thought to be large but it is actually immense, the largest metropolis in Europe. Most important, contrary to the most common and least accurate stereotype about it, Rome is a profoundly modern city. While the city itself was founded almost three millennia ago, 92 per cent of its buildings have been built after 1945. The bottom line is that, in order to understand Rome and fix its problems, we should start considering it a normal city, “not unlike Chicago or Manchester.” Only, incomparably more beautiful.

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Out of the Shadows by Tash Aw・Against the Stars by Tommaso Melilli・Afraid of Being Free by Samar Yazbek・plus: the Champs-Elysées between luxury and riots, the French Republic between antisemitism and islamophobia, the most elegant Congolese dandies of all time, one Parisian woman you will not encounter, the city’s legendary football team that is not the PSG, and much more...

Nothing is what it seems in this city, starting with its size: small if you look only at its core of the twenty arrondissements but the second-largest in Europe if you consider the whole Île-de-France. The radiance of the “city of lights” can be blinding even for tourists: the clash with the real city, so different from the one depicted in films and books, results in some of them developing the so-called “Paris syndrome.” That said, the cracks in the postcard image of the city seem to multiply: the November 2015 terrorist attacks, the demonstrations of the yellow vests, the riots in the suburbs, Notre-Dame in flames, record heatwaves and the coronavirus. Meanwhile, soaring living costs are forcing many Parisians to leave the city.

Yet these are not just a series of unfortunate events. They are phenomena—from increasing population density to climate change, from immigration to the repercussions of globalization and geopolitics— that all metropolises in the world must face. And in Paris, today, the mood is not one of defeat but of renewal: from the city’s ongoing environmental and urbanistic transformation to the fight by a new generation of chefs against the traditionalism of starred restaurants; from the children of immigrants who take to the streets for the right to feel French to the women determined to break the sexism and stereotypes that dominate the fashion industry. Is there anyone who seriously thinks they can teach Parisians how to make a revolution?

Shortlisted for the 2022 Edward Stanford Travel Writing Awards, Illustrated Travel Book Of The Year

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Caste: Yesterday, Today, and Tomorrow by Arundhati Roy・The Invention of Hindu Nationalism by Prem Shankar Jha・No Country for Women by Tishani Doshi・plus: the grand ambitions of the world’s most underrated space program, Bollywood’s obsession with Swiss landscapes, an ode to Bengali food, eagerly awaiting the monsoon, the wrestler tackling stereotypes and much more...

Since its earliest interactions with the West, India has been the object of a gross misinterpretation that has survived to the present day, a vague association with ideas of peace, spiritualism, the magic of the fakirs. Constantly reframed and mythicised by Westerners fleeing their supposedly rationalist societies, India continues to fascinate with its millennia-old history, its shrines on every street corner, its ancient beliefs and rituals, and its unique linguistic and cultural diversity.

Today this picture is mixed with that of a society that is changing at a frenetic pace and is at the forefront of the digital revolution—a “shining India” of dynamic, fast-expanding megalopolises. Yet, these success stories coexist with the daily plight of the large section of India’s population without access to drinking water or a toilet, with a rural economy (still employing the majority of India’s over 1.3 billion inhabitants) that depends on monsoons for irrigation and is threatened by climate change. The greatest democratic experiment ever attempted, India remains plagued by one of the vilest forms of class and racial discrimination, the caste system, which is being exacerbated by the Hindu nationalist regime currently in power.

All things considered, though, it is hard to find a more dynamic and optimistic country or, as Arundhati Roy puts it, “a more irredeemably chaotic people.” This volume aims to depict India’s chaos and its contradictions, its terror and its joy, from the struggle of the Kashmiri people to that of non-believers (hated by all religious sects), from the dances of the hijra in Koovagam to the success of the wrestler Vinesh Phogat, a symbol of the women who seek to free themselves from the oppressive patriarchal mores. Despite the obstacles and steps back, India continues its journey on the long path towards freedom and towards ending poverty for some of the world’s most destitute people.

The Big Dig by Elif Batuman - A Story of Dust and Light by Burhan Sönmez - An Author Recommends by Elif Shafak - plus: the thirty-year coup and the dam that is washing away 12,000 years of history, and more.

The birth of the “New Turkey,” as the country’s President Recep Tayyip Erdogan has called his own creation, is an exemplary story of the rise of “illiberal democracies” through the erosion of civil liberties, press freedom, and the independence of the judicial system. Turkey was a complex country long before the rise of its new sultan: born out of the ashes of a vast multi- ethnic and multi-religious empire, Turkey has grappled through its relatively short history with the definition of its own identity. Poised between competing ideologies, secularism and piousness, a militaristic nationalism and exceptional openness to foreigners, Turkey defies easy labels and categories. Through the voices of some of its best writers and journalists– many of them in self-imposed exile—The Passenger tries to make sense of this fascinating, maddening country, analyzing how it got to where it is now, and finding the bright spots of hope that allow its always resourceful, often frustrated population to continue living, and thriving.

A new series from Europa Editions, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Ghosts of the Tsumani by Richard Lloyd Parry・Living in Shimokitazawa by Yoshimoto Banana・Why Japan Is Populist-Free? by Ian Buruma・plus: a Shinto sect in the shadow of power, feeling debts by disappearing into thin air, the decline of sexual desire, the obsession with American blues, the strongest sumo wrestler of all time (who isn’s Japanese), the revenge of the Ainu and much more...

Visitors from the West look with amazement, and sometimes concern, at Japan’s social structures and unique, complex culture industry; the gigantic scale of its tech corporations and the resilience of its traditions; the extraordinary diversity of the subcultures that flourish in its “post-human” megacities. The country nonetheless remains an intricate and complicated jigsaw puzzle, an inexhaustible source of inspiration for stories, reflections, and reportage.

The subjects in this volume range from the Japanese veneration of the dead to the Tokyo music scene, from urban alienation to cinema, from sumo to toxic masculinity. 

Caught between an ageing population and extreme post-modernity, Japan is an ideal observation point from which to understand our age and the one to come.

“Some Japanese stories end violently. Others never end at all, but only cut away, at the moment of extreme crisis, to a butterfly, or the wind, or the moon.”―Brian Phillips

A new series from Europa Editions, The Passenger collects the best new writing, photography, art and reportage from around the world.

IN THIS VOLUME: Once Upon A Time: The Greek Taverna by Petros Markaris・Land of Migration by Matteo Nucci・The Lost Generation by Christos Ikonomou・plus: Yorgos Lanthimos and the “Weird Wave” of Greek cinema, the island where people forget to die, the NBA’s most valuable player, the mayor who balanced the books but enraged the nationalists, abandoned buildings, oligarchs on the rise, the rebellious rhythm of rebetiko and much more...

Few countries have received more media attention in recent years and even fewer have been represented in such vastly divergent ways. There’s a downside to all this attention: everyone seems to have something final to say about Greece. News headlines replace people’s individual stories, impressions substitute facts, characters take the place of people.

In this volume of The Passenger, we chose to set those opinions aside in order to give to the stories, facts, and people of Greece the dignity and centrality they deserve.

“On the Greek island of Ikaria, life is sweet . . . and very, very long. What is the locals’ secret?” from The Island of Long Life by Andrew Anthony