Foreign Language Study

Surviving theatrical contracts throw light on the remarkable degree of theatrical activity throughout 17c Spain.

In 1639 the Madrid notary Juan García de Albertos was appointed Escribano de la Comisión de las comedias - official theatre notary. His annual registers of contracts (protocolos) contain more than two thousand items related to actors and theatrical activity from 1634 to 1660. This exceptionally rich collection of documents offers a fascinating overview of theatrical life, in all its diversity, in Madrid and the surrounding area during the age of Calderón. Especially plentiful are the contracts for performances at festivities in towns and villages, both by professional companies and by local amateurs assisted by individual actresses and musicians hired in Madrid. This extraordinary degree of theatrical activity in even the smallest communities, almost entirely neglected hitherto, forces us to revise and expand our conventional picture of the Spanish Golden Age theatre. The collection also reveals in abundant detail the composition and working practices of acting companies, especially in the numerous asientos (actors' employment contracts), as well as transport conditions, costume hire, staging practices and repertory. The actors' convoluted and often precarious finances are an ever-present theme. The documents are accompanied by appendices and maps, and the extensive introduction provides an exhaustive survey of what can be learned from this remarkable source.
CHARLES DAVIS was formerly Lecturer in Spanish at Queen Mary, University of London, and is currently a Ramón y Cajal Research Fellow at the University of Valencia. The late J. E. VAREYwas Professor of Spanish at the University of London and Principal of Westfield College.
For description in Spanish see Volume II.
Actividad Teatral en la Región de Madrid is published in TWO VOLUMES (I: ISBN 1855660628, II ISBN 1855660792) WHICH MUST BE PURCHASED AS A SET.

A detailed study of the private boxes of Madrid's first permanent playhouse

The Corral de la Cruz (1579-1736) is the less well known of Madrid's Golden Age playhouses. This latest volume in Tamesis's Fuentes series is a detailed study of one of its most distinctive features: the boxes, or aposentos, fromwhich the privileged and powerful, including Philip IV, witnessed the premieres of so many plays by Lope de Vega, Calderón and others. These boxes were rooms overlooking the yard, but were situated in private houses outside the walls of the playhouse, with independent access. Their structure and history are traced here through a substantial corpus of new documents containing information on the location, structure, dimensions, owners, lessees and users of the boxes and the houses, as well as the vexed question of payment for viewing rights. This provides an indispensable basis for the reconstruction of the first permanent theatre in the Spanish capital, in both its architectural andsocioeconomic aspects.

CHARLES DAVIS is a Ramón y Cajal Research Fellow at the University of Valencia and Honorary Research Fellow of Queen Mary, University of London.

El Corral de la Cruz (1579-1736) es elmenos conocido de los dos corrales de comedias madrileños. Este último tomo de las Fuentes de Tamesis es un estudio pormenorizado de uno de sus elementos más característicos: los aposentos, o palcos, desde donde los espectadoresmás privilegiados, entre ellos el propio Felipe IV, presenciaban los estrenos de tantas obras de Lope de Vega, Calderón y otros. Eran habitaciones que daban al patio, pero estaban situadas en casas particulares fuera de las medianerías del teatro, con entradas independientes. Se traza aquí su historia y estructura a través de un nutrido corpus documental que ofrece nuevos datos sobre la ubicación, estructura, medidas, propietarios, inquilinos y usuarios delos aposentos y las casas.