Humor

The book is intended to provide a definitive view of the field of humor research for both beginning and established scholars in a variety of fields who are developing an interest in humor and need to familiarize themselves with the available body of knowledge. Each chapter of the book is devoted to an important aspect of humor research or to a disciplinary approach to the field, and each is written by the leading expert or emerging scholar in that area.

There are two primary motivations for the book. The positive one is to collect and summarize the impressive body of knowledge accumulated in humor research in and around Humor: The International Journal of Humor Research. The negative motivation is to prevent the embarrassment to and from the "first-timers," often established experts in their own field, who venture into humor research without any notion that there already exists a body of knowledge they need to acquire before publishing anything on the subject-unless they are in the business of reinventing the wheel and have serious doubts about its being round!

The organization of the book reflects the main groups of scholars participating in the increasingly popular and high-powered humor research movement throughout the world, an 800 to 1,000-strong contingent, and growing. The chapters are organized along the same lines: History, Research Issues, Main Directions, Current Situation, Possible Future, Bibliography-and use the authors' definitive credentials not to promote an individual view, but rather to give the reader a good comprehensive and condensed view of the area.

The book is intended to provide a definitive view of the field of humor research for both beginning and established scholars in a variety of fields who are developing an interest in humor and need to familiarize themselves with the available body of knowledge. Each chapter of the book is devoted to an important aspect of humor research or to a disciplinary approach to the field, and each is written by the leading expert or emerging scholar in that area.

There are two primary motivations for the book. The positive one is to collect and summarize the impressive body of knowledge accumulated in humor research in and around Humor: The International Journal of Humor Research. The negative motivation is to prevent the embarrassment to and from the “first-timers,” often established experts in their own field, who venture into humor research without any notion that there already exists a body of knowledge they need to acquire before publishing anything on the subject-unless they are in the business of reinventing the wheel and have serious doubts about its being round!

The organization of the book reflects the main groups of scholars participating in the increasingly popular and high-powered humor research movement throughout the world, an 800 to 1,000-strong contingent, and growing. The chapters are organized along the same lines: History, Research Issues, Main Directions, Current Situation, Possible Future, Bibliography-and use the authors’ definitive credentials not to promote an individual view, but rather to give the reader a good comprehensive and condensed view of the area.

Der Sammelband enthält die Beiträge zahlreicher Wissenschaftler zum Internationalen Symposium Humor in der arabischen Kultur, veranstaltet vom Herausgeber im Juli 2007 an der Freien Universität Berlin. Zunächst wird in der kritischen Betrachtung des frühen religiösen Schrifttums der Muslime – und vor dem Hintergrund entsprechender jüdischer und christlicher Äußerungen – der islamische Diskurs über Wert und Unwert des Humors näher bestimmt und der Frage nachgegangen, inwieweit dabei normative Kräfte frei wurden, die dem Humor der Araber definierte Grenzen zu setzen vermochten. Danach wird die große Bandbreite an Humorvollem in der klassischen arabischen Literatur in den Blick genommen und das den vielfältigen Ausdrucksformen zu Grunde liegende Verbindende – als ein traditionelles arabisches Humorverständnis – offen gelegt. Abschließend werden die Veränderungen des arabischen Humors mit dem Einbruch der Moderne und der Globalisierung sowie die gesellschafts- und politikkritische Rolle des Humors in arabischen Gesellschaften diskutiert.

• Hochaktuelles Thema im derzeitigen religiösen und kulturellen Diskurs
• Darstellung von Wesen, Ursprüngen, Formen und Funktionen des Humors in der Arabischen Kultur
• Von den Anfängen bis in das Zeitalter der Globalisierung

Good Humor, Bad Taste is the first extensive sociological study of the relationship between humor and social background. Using a combination of interview materials, survey data, and historical materials, the book explores the relationship between humor and gender, age, regional background, and especially, humor and social class in the Netherlands. The final chapter focuses on national differences, exploring the differences between the American and the Dutch sense of humor, again using a combination of interview and survey materials.

The starting point for this exploration of differences in sense of humor is one specific humorous genre: the joke. The joke is not a very prestigious genre; in the Netherlands even less so than in the US. It is precisely this lack of status that made it a good starting point for asking questions about humor and taste. Interviewees generally had very pronounced opinions about the genre, calling jokes "their favorite kind humor", but also "completely devoid of humor" and "a form of intellectual poverty". Good Humor, Bad Taste attempts to explain why jokes are good humor to some, bad taste to others.

The focus on this one genre enables Good Humor, Bad Taste to have a very wide scope. The book not only covers the appreciation and evaluation of jokes by different social groups and in different cultures, and its relationship with wider humor styles. It also describes the genre itself: the history of the genre, its decline in status from the sixteenth century onward, and the way the topics and the tone of jokes have changed over the last fifty years of the twentieth century.