Language Arts & Disciplines

In recent decades, Mexico has been one of the most dangerous democracies for journalists. Their coverage of the war on drugs, abuses of power, and human rights violations has led to harassment, threats, and violence by powerful cartels and corrupt officials. This book provides a ground-level view of how Mexican journalists have navigated this perilous environment, offering insight into how they protect themselves while reporting on the most critical and sensitive subjects.

Based on in-depth interviews with reporters, editors, activists, and officials, Mexico’s Resilient Journalists examines the strategies that media workers have employed in pursuit of both personal safety and the public interest. Julieta Brambila argues that Mexican journalists have developed innovative forms of resilience, highlighting their power and agency amid violence, censorship, and intimidation. She considers how journalists have banded together to develop coping mechanisms, protect each other, and raise public awareness. These resilient newsmakers have adapted to adversity by redefining their professional values and practices, rethinking their surroundings, and reassessing their role. Brambila also evaluates how various media organizations have learned from incidents of violence and changed their policies to better protect their reporters. Shedding new light on defense of the freedom of the press in Mexico, this book offers crucial lessons for other countries seeing a rise in threats to independent journalism.

After the Nazis came to power in Germany in 1933, the Associated Press (AP) brought news about life under the Third Reich to tens of millions of American readers. The AP was America’s most important source for foreign news, but to continue reporting under the Nazi regime the agency made both journalistic and moral compromises. Its reporters and photographers in Berlin endured onerous censorship, complied with anti-Semitic edicts, and faced accusations of spreading pro-Nazi propaganda. Yet despite restrictions, pressures, and concessions, AP’s Berlin “newshawks” provided more than a thousand U.S. newspapers with extensive coverage of the Nazi campaigns to conquer Europe and annihilate the continent’s Jews.

Newshawks in Berlin reveals how the Associated Press covered Nazi Germany from its earliest days through the aftermath of World War II. Larry Heinzerling and Randy Herschaft accessed previously classified government documents; plumbed diary entries, letters, and memos; and reviewed thousands of published stories and photos to examine what the AP reported and what it left out. Their research uncovers fierce internal debates about how to report in a dictatorship, and it reveals decisions that sometimes prioritized business ambitions over journalistic ethics. The book also documents the AP’s coverage of the Holocaust and its unveiling. Featuring comprehensive research and a memorable cast of characters, this book illuminates how the dilemmas of reporting on Nazi Germany remain familiar for journalists reporting on authoritarian regimes today.

Winner, 2024 Choice Outstanding Academic Title

A small but growing number of people in many countries consistently avoid the news. They feel they do not have time for it, believe it is not worth the effort, find it irrelevant or emotionally draining, or do not trust the media, among other reasons. Why and how do people circumvent news? Which groups are more and less reluctant to follow the news? In what ways is news avoidance a problem—for individuals, for the news industry, for society—and how can it be addressed?

This groundbreaking book explains why and how so many people consume little or no news despite unprecedented abundance and ease of access. Drawing on interviews in Spain, the United Kingdom, and the United States as well as extensive survey data, Avoiding the News examines how people who tune out traditional media get information and explores their “folk theories” about how news organizations work. The authors argue that news avoidance is about not only content but also identity, ideologies, and infrastructures: who people are, what they believe, and how news does or does not fit into their everyday lives. Because news avoidance is most common among disadvantaged groups, it threatens to exacerbate existing inequalities by tilting mainstream journalism even further toward privileged audiences. Ultimately, this book shows, persuading news-averse audiences of the value of journalism is not simply a matter of adjusting coverage but requires a deeper, more empathetic understanding of people’s relationships with news across social, political, and technological boundaries.

Podcasting’s stratospheric rise has inspired a new breed of audio reporting. Offering immersive storytelling for a binge-listening audience as well as reaching previously underserved communities, podcasts have become journalism’s most rapidly growing digital genre, buoying a beleaguered news industry. Yet many concerns have been raised about this new medium, such as the potential for disinformation, the influence of sponsors on content, the dominance of a few publishers and platforms, and at-times questionable adherence to journalistic principles.

David O. Dowling critically examines how podcasting and its evolving conventions are transforming reporting—and even reshaping journalism’s core functions and identity. He considers podcast reporting’s most influential achievements as well as its most consequential ethical and journalistic shortcomings, emphasizing the reciprocal influences between podcasting and traditional and digital journalism. Podcasting, both as a medium and a business, has benefited from the blurring of boundaries separating news from entertainment, editorial from advertising, and neutrality from subjectivity. The same qualities and forces that have allowed podcasting to bypass the limitations of traditional categories, expand the space of social and political discourse, and provide openings for marginalized voices have also permitted corporations to extend their reach and far-right firebrands to increase their influence. Equally attentive to the medium’s strengths and flaws, this is a vital book for all readers interested in how podcasting has changed journalism.

To what extent does journalism deserve blame for the failure to address climate change over the last thirty years? Critics point out that climate coverage has often lacked necessary urgency and hewed to traditional notions of objectivity and balance that allowed powerful interests—mainly fossil fuel companies—to manufacture doubt. Climate journalism, however, developed alongside the digital media landscape, which is characterized by rampant misinformation, political polarization, unaccountable tech companies, unchecked corporate power, and vast inequalities. Under these circumstances, journalism struggled, and bad actors flourished, muddling messages while emissions mounted and societies struggled to avert catastrophe.

The Mediated Climate explores the places where the climate and information crises meet, examining how journalism, activism, corporations, and Big Tech compete to influence the public. Adrienne Russell argues that the inadequate response to climate change is intertwined with the profound challenges facing the communications environment. She demonstrates that the information crisis is driven not only by technological changes but also by concentrated power that predates the rise of digital media companies. Efforts to improve climate coverage must take into account the larger social and material contexts in which journalism operates and the broader power dynamics that shape public discourse. Drawing on interviews with journalists and activists, Russell considers the ways recent movements are battling misinformation. She offers timely recommendations to foster engagement with climate issues and calls on readers to join in efforts to reshape the media landscape to better serve the public interest.

Shortlisted, 2024 SHARP Book History Book Prize, Society for the History of Authorship, Reading, and Publishing

In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed.

Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction.

Big Fiction features dazzling readings of a vast range of novelists—including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O’Brian, and Walter Mosley—as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.

More than 40 percent of the world’s estimated 7,100+ languages are in danger of disappearing by the end of this century. As with the decline of biodiversity, language loss has been attributed to environmental degradation, developmentalism, and the destruction of Indigenous communities. This book brings together leading experts and younger scholars across the humanities and social sciences to investigate what global language justice looks like in a time of climate crisis. Examining the worldwide loss of linguistic diversity, they develop a new conception of justice to safeguard marginalized languages.

Global Language Justice explores the socioeconomic transformations that both accelerate the decline of minoritized languages and give rise to new possibilities through population movement, unexpected encounters, and technological change. It also critically examines the concepts that are typically deployed to defend linguistic diversity, including human rights, inclusiveness, and equality. Contributors take up topics such as mapping language communities in New York City or how Indigenous innovation challenges notions of linguistic purity. They demonstrate the need to reckon with linguistic diversity in order to achieve a sustainable global economic system and show how the concept of digital vitality can push language justice in new directions. Interspersed with their essays are multilingual works by world-renowned poets and artists that engage with and deepen the book’s themes. Integrating ambitious theoretical exploration with concrete solutions, Global Language Justice offers vital new perspectives on the place of linguistic diversity in ongoing ecological crises.

Across the United States, newsrooms are grappling with systemic racism in their organizations and the media industry. Many have implemented diversity, equity, and inclusion (DEI) initiatives or made other attempts to confront past and present biases in pursuit of greater equity. Are such efforts merely performative, or are any transforming norms and power structures? What would it take to hold newsrooms truly accountable?

Andrea Wenzel provides a critical look at how local media organizations in the Philadelphia area are attempting to address structural racism. She focuses on two established, majority-white newsrooms, the Philadelphia Inquirer and the public radio station WHYY, and two start-ups where at least half the staff identify as Black, Indigenous, or people of color (BIPOC), Resolve Philly and Kensington Voice. Drawing on more than five years of field research, Wenzel charts how these outlets have pursued a range of interventions—such as tracking the diversity of sources, examining reporting and editing practices, and working with community members to gain input—to varying degrees of success. Wenzel argues that institutional and systemic transformation will be possible only through the establishment of structures that facilitate holding those with more power responsible for listening to and addressing the needs and concerns of those with less. Offering recommendations for building infrastructure that enables sustainable accountability, Antiracist Journalism is an important book for everyone interested in making local journalism more equitable.

Low pay. Uncertain work prospects. Diminished prestige. Why would anyone still want be a journalist? Drawing on in-depth interviews in France and the United States, Matthew Powers and Sandra Vera-Zambrano explore the ways individuals come to believe that journalism is a worthy pursuit—and how that conviction is managed and sometimes dissolves amid the profession’s ongoing upheavals.

For many people, journalism represents a job that is interesting and substantial, with opportunities for expression, a sense of self-fulfillment, and a connection to broader social values. By distilling complex ideas, holding the powerful to account, and revealing hidden realities, journalists play a crucial role in helping audiences make sense of the world. Experiences in the profession, though, are often far more disappointing. Many find themselves doing tasks that bear little relation to what attracted them initially or are frustrated by institutions privileging what sells over what informs. The imbalance between the profession’s economic woes and its social importance threatens to erode individuals’ beliefs that journalism remains a worthwhile pursuit. Powers and Vera-Zambrano emphasize that, as with many seemingly individual choices, social factors—class, gender, education, and race—shape how journalists make sense of their profession and whether or not they remain in it.

An in-depth story of one profession under pressure, The Journalist’s Predicament uncovers tensions that also confront other socially important jobs like teaching, nursing, and caretaking.

The dramatic events of 2020—the presidential election, the COVID-19 pandemic, protests for racial justice—affected every corner of American life. What did these events mean for the residents of small towns and cities that are often overlooked by national newspapers? How do local stories change when they are told by journalists with roots in these communities? And what is lost as this kind of coverage disappears?

American Deadline brings together dispatches from four longtime local journalists in different parts of the United States that tell the story of 2020 anew. It shares reporting from Bowling Green, Virginia; Macon, Georgia; McKeesport, Pennsylvania; and McAllen, Texas—two towns that lost their local newspapers and two where they are barely hanging on. The authors consider what makes each town distinctive and how these local perspectives tell a part of a broader American story. This book reports on how residents of these towns grapple with and talk about issues relating to race, schooling, health, immigration, deindustrialization, as well as local and national politics amid a changing and increasingly precarious information ecosystem. A distinct and intimate look at a calamitous year, American Deadline is an important book for all readers interested in the possibilities and future of local journalism.

By now it is widely accepted wisdom that the Internet has vast potential as a learning tool for students of almost all ages and levels. But it is less clear how to harness this potential most effectively. What indeed should the "online classroom" mean to teachers? Will the rush to get "wired" mean little more than enhanced visuals or automated lecture delivery—or can it result in innovative pedagogies for improving literacy into the twenty-first century?

In this collection of essays, some of the most progressive voices in literacy studies reconsider what it means to be literate in the information age, and offer practical advice not only for getting networked computers into the classroom but also for instructing students and other teachers how to tap into their boundless potential.

Essays range in subject from the story of a radical, communal writers' group working together in a networked environment; to an exploration of how utopian notions of the networked classroom don't always hold true, on the basis of the authors' classroom experience of hostile, dysfunctional chat room exercises; to an applied and totally attainable model for gathering support and preparing teachers for new technologies.

Together the contributions provide a provocative and much-needed introduction to the constantly shifting subject of literacy theory, paving the way for continued dialogue on a subject that teachers, students, and all writers and readers can no longer afford to ignore.

The Best American Magazine Writing 2023 offers a selection of outstanding journalism on timely topics, including inequalities and injustices pressuring families, especially mothers. Rozina Ali tells the story of a U.S. marine who unlawfully adopted an Afghan girl and her family’s efforts to bring her home (New York Times Magazine). A Mother Jones exposé confronts the imprisonment of women for failing to protect their children from their abusive partners. “The Landlord and the Tenant” juxtaposes the lives of a poor single mother convicted for her children’s deaths in a fire and the man who owned the fatal property (ProPublica with Milwaukee Journal Sentinel). Caitlin Dickerson investigates the history of the U.S. government’s family-separation policy (The Atlantic). Jia Tolentino’s New Yorker commentary considers abortion in a post-Roe world.

The anthology features pieces on a wide range of subjects, such as Nate Jones on the “Nepo Baby” and Allison P. Davis’s essay about a decade on Tinder (New York). Natalie So recounts how her mother’s small computer chip company became the target of a Silicon Valley crime ring (The Believer). Clint Smith asks what Holocaust memorials in Germany can teach the United States about our reckoning with slavery (The Atlantic). Esquire’s Chris Heath examines the FBI’s involvement in a plot to kidnap the governor of Michigan. Courtney Desiree Morris takes a queer psychedelic ramble through New Orleans (Stranger’s Guide). Namwali Serpell reflects on representations of sex workers (New York Review of Books). An ESPN Digital investigation uncovers Penn State’s other serial sexual predator before Jerry Sandusky. Profiles of the acclaimed actress Viola Davis (New York Times Magazine) and the self-taught artist Matthew Wong (New Yorker), as well as Michelle de Kretser’s short story “Winter Term” (Paris Review), round out the volume.

The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women’s Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban’s seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker’s “Beyond Britney” examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory—and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker).

The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA’s James Webb Space Telescope (Quanta). It features celebrated writers, including Harper’s magazine pieces by Ann Patchett, whose “These Precious Days” is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers “notes on humiliation.” Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam’s story of queer first love across religious boundaries, “Come with Me” (Georgia Review).

What makes political speech powerful? How does eloquent rhetoric transcend ordinary language? Which stylistic choices allow effective orators to stir emotions and spur action? And in the age of Donald Trump, does political eloquence still matter?

This book examines a wide swath of political discourse to shed new light on the meaning and significance of eloquence. Roderick P. Hart, a leading scholar of political communication, develops new ways of measuring persuasiveness and rhetorical power through the use of computer-based methods. He examines one hundred of the most important speeches of the twentieth century, given by presidents and politicians as well as leaders, activists, and cultural figures including Martin Luther King Jr., Lou Gehrig, Mario Savio, Carrie Chapman Catt, and Stokely Carmichael.

Deploying the tools of the digital humanities as well as critical rhetorical analysis, Hart considers what distinguishes the linguistic properties of iconic oratory from those of more mundane texts. He argues that eloquence represents the confluence of cultural resonance, personal investment, and poetic imagination, providing empirical metrics for assessing each of these qualities. A quantitative and qualitative exploration of American political speech, this interdisciplinary book offers a powerful argument for why eloquence is essential for a functioning democracy.

Reporting on China has long been one of the most challenging and crucial of journalistic assignments. Foreign correspondents have confronted war, revolution, isolation, internal upheaval, and onerous government restrictions as well as barriers of language, culture, and politics. Nonetheless, American media coverage of China has profoundly influenced U.S. government policy and shaped public opinion not only domestically but also, given the clout and reach of U.S. news organizations, around the world.

This book tells the story of how American journalists have covered China—from the civil war of the 1940s through the COVID-19 pandemic—in their own words. Mike Chinoy assembles a remarkable collection of personal accounts from eminent journalists, including Stanley Karnow, Seymour Topping, Barbara Walters, Dan Rather, Melinda Liu, Nicholas Kristof, Joseph Kahn, Evan Osnos, David Barboza, Amy Qin, and Megha Rajagopalan, among dozens of others. They share behind-the-scenes stories of reporting on historic moments such as Richard Nixon’s groundbreaking visit in 1972, China’s opening up to the outside world and its emergence as a global superpower, and the crackdowns in Tiananmen Square and Xinjiang. Journalists detail the challenges of covering a complex and secretive society and offer insight into eight decades of tumultuous political, economic, and social change.

At a time of crisis in Sino-American relations, understanding the people who have covered China for the American media and how they have done so is crucial to understanding the news. Through the personal accounts of multiple generations of China correspondents, Assignment China provides that understanding.

Faced with a full-blown crisis, a growing number of journalists are engaging in seemingly unjournalistic practices such as creating and maintaining databases, handling algorithms, or designing online applications. “Data journalists” claim that these approaches help the profession demonstrate greater objectivity and fulfill its democratic mission. In their view, computational methods enable journalists to better inform their readers, more closely monitor those in power, and offer deeper analysis.

In Computing the News, Sylvain Parasie examines how data journalists and news organizations have navigated the tensions between traditional journalistic values and new technologies. He traces the history of journalistic hopes for computing technology and contextualizes the surge of data journalism in the twenty-first century. By importing computational techniques and ways of knowing new to journalism, news organizations have come to depend on a broader array of human and nonhuman actors. Parasie draws on extensive fieldwork in the United States and France, including interviews with journalists and data scientists as well as a behind-the-scenes look at several acclaimed projects in both countries. Ultimately, he argues, fulfilling the promise of data journalism requires the renewal of journalistic standards and ethics. Offering an in-depth analysis of how computing has become part of the daily practices of journalists, this book proposes ways for journalism to evolve in order to serve democratic societies.

Winner, 2023 Columbia University Press Distinguished Book Award

Winner, 2023 Frank Luther Mott / Kappa Tau Alpha Research Award

Winner, 2023 Journalism Studies Division Book Award, International Communication Association

Winner, 2023 History Book Award, Association for Education in Journalism and Mass Communication

Long before the current preoccupation with “fake news,” American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant. From fibs about royal incest in America’s first newspaper to social-media-driven conspiracy theories surrounding Barack Obama’s birthplace, Andie Tucher explores how American audiences have argued over what’s real and what’s not—and why that matters for democracy.

Early American journalism was characterized by a hodgepodge of straightforward reporting, partisan broadsides, humbug, tall tales, and embellishment. Around the start of the twentieth century, journalists who were determined to improve the reputation of their craft established professional norms and the goal of objectivity. However, Tucher argues, the creation of outward forms of factuality unleashed new opportunities for falsehood: News doesn’t have to be true as long as it looks true. Propaganda, disinformation, and advocacy—whether in print, on the radio, on television, or online—could be crafted to resemble the real thing. Dressed up in legitimate journalistic conventions, this “fake journalism” became inextricably bound up with right-wing politics, to the point where it has become an essential driver of political polarization. Shedding light on the long history of today’s disputes over disinformation, Not Exactly Lying is a timely consideration of what happens to public life when news is not exactly true.

The Best American Magazine Writing 2021 presents outstanding journalism and commentary that reckon with urgent topics, including COVID-19 and entrenched racial inequality. In “The Plague Year,” Lawrence Wright details how responses to the pandemic went astray (New Yorker). Lizzie Presser reports on “The Black American Amputation Epidemic” (ProPublica). In powerful essays, the novelist Jesmyn Ward processes her grief over her husband’s death against the backdrop of the pandemic and antiracist uprisings (Vanity Fair), and the poet Elizabeth Alexander considers “The Trayvon Generation” (New Yorker). Aymann Ismail delves into how “The Store That Called the Cops on George Floyd” dealt with the repercussions of the fatal call (Slate). Mitchell S. Jackson scrutinizes the murder of Ahmaud Arbery and how running fails Black America (Runner’s World).

The anthology features remarkable reporting, such as explorations of the cases of children who disappeared into the depths of the U.S. immigration system for years (Reveal) and Oakland’s efforts to rethink its approach to gun violence (Mother Jones). It includes selections from a Public Books special issue that investigate what 2020’s overlapping crises reveal about the future of cities. Excerpts from Marie Claire’s guide to online privacy examine topics from algorithmic bias to cyberstalking to employees’ rights. Aisha Sabatini Sloan’s perceptive Paris Review columns explore her family history in Detroit and the toll of a brutal past and present. Sam Anderson reflects on a unique pop figure in “The Weirdly Enduring Appeal of Weird Al Yankovic” (New York Times Magazine). The collection concludes with Susan Choi’s striking short story “The Whale Mother” (Harper’s Magazine).

As cash-strapped metropolitan newspapers struggle to maintain their traditional influence and quality reporting, large national and international outlets have pivoted to serving readers who can and will choose to pay for news, skewing coverage toward a wealthy, white, and liberal audience. Amid rampant inequality and distrust, media outlets have become more out of touch with the democracy they purport to serve. How did journalism end up in such a predicament, and what are the prospects for achieving a more equitable future?

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market. She details how Google, Facebook, and the digital-advertising ecosystem have wreaked havoc on the economic model for quality journalism, leaving local news to suffer. Usher also highlights how the handful of likely survivors—well-funded media outlets such as the New York Times—increasingly appeal to a global, “placeless” reader.

News for the Rich, White, and Blue concludes with a series of provocative recommendations to reimagine journalism to ensure its resiliency and its ability to speak to a diverse set of issues and readers.

As technological and legal changes have hollowed out the protections that reporters and news organizations have depended upon for decades, information security concerns facing journalists as they report, produce, and disseminate the news have only intensified. From source prosecutions to physical attacks and online harassment, the last two decades have seen a dramatic increase in the risks faced by journalists at all levels even as the media industry confronts drastic cutbacks in budgets and staff. As a result, few professional or aspiring journalists have a comprehensive understanding of what is required to keep their sources, stories, colleagues, and reputations safe.

This book is an essential guide to protecting news writers, sources, and organizations in the digital era. Susan E. McGregor provides a systematic understanding of the key technical, legal, and conceptual issues that anyone teaching, studying, or practicing journalism should know. Bringing together expert insights from both leading academics and security professionals who work at and with news organizations from BuzzFeed to the Associated Press, she lays out key principles and approaches for building information security into journalistic practice. McGregor draws on firsthand experience as a Wall Street Journal staffer, followed by a decade of researching, testing, and developing information security tools and practices. Filled with practical but evergreen advice that can enhance the security and efficacy of everything from daily beat reporting to long-term investigative projects, Information Security Essentials is a vital tool for journalists at all levels.

* Please note that older print versions of this book refer to Reuters' Gina Chua by her previous name. This is being corrected in forthcoming print and digital editions.

The Best American Magazine Writing 2020 brings together outstanding writing, from in-depth reporting to incisive criticism. The anthology features excerpts from major projects that challenge American certitudes: the Washington Post Magazine’s “Prison” issue, detailing the scope of mass incarceration, and the New York Times Magazine’s “The 1619 Project,” which recenters the nation’s history around slavery and its legacies. It includes extraordinary globe-spanning journalism, including pieces on the genocide against the Rohingya (New York Times Magazine) and the unintended consequences of a dengue fever vaccine (Fortune). Pamela Colloff details prosecutors’ reliance on an untrustworthy jailhouse informant (New York Times Magazine in partnership with ProPublica), and a ProPublica series investigates the disaster that befell the USS Fitzgerald.

The anthology showcases the work of remarkable stylists, including Jia Tolentino’s cultural commentary (New Yorker) and Ligaya Mishan’s columns on food and culture (T: The New York Times Style Magazine). Columns by s.e. smith consider disability (Catapult), and the DeafBlind poet John Lee Clark writes about art he can touch (Poetry). Jordan Kisner visits a Martha Washington–themed debutante ball in Texas near the Mexican border for The Believer, and Jacob Baynham offers a moving portrait of his father-in-law (Georgia Review). Arundhati Roy excoriates the increasing authoritarianism of Modi’s India (The Nation in partnership with Type Media Center). The anthology concludes with Jonathan Escoffery’s short story of homesickness for Jamaica, “Under the Ackee Tree” (Paris Review).

The United Nations’ Universal Declaration of Human Rights in 1948 proclaimed a vision of freedom of expression exercised regardless of frontiers. Nonetheless, laws and norms regarding the freedom or limits of expression are typically established and understood at the national level. In today’s interconnected world, newfound threats to free expression have suddenly arisen. How can this fundamental right be secured at a global level?

This volume brings together leading experts from a variety of fields to critically evaluate the extent to which global norms on freedom of expression and information have been established and which actors and institutions have contributed to their diffusion. The authors also consider ongoing and new challenges to these norms, from conflicts over hate speech and the rise of populism to authoritarian governments, as well as the profound disruption introduced by the internet. Together, the essays lay the groundwork for an international legal doctrine on global freedom of expression that considers issues such as access to government-held information, media diversity, and political speech. As the world risks renouncing previous commitments to the freedom of expression, Regardless of Frontiers serves as a timely reminder of just how much is at stake and what needs protecting.

In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.

In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other “shadow libraries” and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.

Americans of all political persuasions fear that “free speech” is under attack. This may seem strange at a time when legal protections for free expression remain strong and overt government censorship minimal. Yet a range of political, economic, social, and technological developments have raised profound challenges for how we manage speech. New threats to political discourse are mounting—from the rise of authoritarian populism and national security secrecy to the decline of print journalism and public trust in experts to the “fake news,” trolling, and increasingly subtle modes of surveillance made possible by digital technologies.

The Perilous Public Square brings together leading thinkers to identify and investigate today’s multifaceted threats to free expression. They go beyond the campus and the courthouse to pinpoint key structural changes in the means of mass communication and forms of global capitalism. Beginning with Tim Wu’s inquiry into whether the First Amendment is obsolete, Matthew Connelly, Jack Goldsmith, Kate Klonick, Frederick Schauer, Olivier Sylvain, and Heather Whitney explore ways to address these dangers and preserve the essential features of a healthy democracy. Their conversations with other leading thinkers, including Danielle Keats Citron, Jelani Cobb, Frank Pasquale, Geoffrey R. Stone, Rebecca Tushnet, and Kirsten Weld, cross the disciplinary boundaries of First Amendment law, internet law, media policy, journalism, legal history, and legal theory, offering fresh perspectives on fortifying the speech system and reinvigorating the public square.

Will the use of artificial intelligence (AI), algorithms, and smart machines be the end of journalism as we know it—or its savior? In Newsmakers, Francesco Marconi, who has led the development of the Associated Press and Wall Street Journal’s use of AI in journalism, offers a new perspective on the potential of these technologies. He explains how reporters, editors, and newsrooms of all sizes can take advantage of the possibilities they provide to develop new ways of telling stories and connecting with readers.

Marconi analyzes the challenges and opportunities of AI through case studies ranging from financial publications using algorithms to write earnings reports to investigative reporters analyzing large data sets to outlets determining the distribution of news on social media. Newsmakers contends that AI can augment—not automate—the industry, allowing journalists to break more news more quickly while simultaneously freeing up their time for deeper analysis. Marshaling insights drawn from firsthand experience, Marconi maps a media landscape transformed by artificial intelligence for the better. In addition to considering the benefits of these new technologies, Marconi stresses the continuing need for editorial and institutional oversight. Newsmakers outlines the important questions that journalists and media organizations should consider when integrating AI and algorithms into their workflow. For journalism students as well as seasoned media professionals, Marconi’s insights provide much-needed clarity and a practical roadmap for how AI can best serve journalism.

The Best American Magazine Writing 2019 presents articles honored by this year’s National Magazine Awards, showcasing outstanding writing that addresses urgent topics such as justice, gender, power, and violence, both at home and abroad. The anthology features remarkable reporting, including the story of a teenager who tried to get out of MS-13, only to face deportation (ProPublica); an account of the genocide against the Rohingya in Myanmar (Politico); and a sweeping California Sunday Magazine profile of an agribusiness empire. Other journalists explore the indications of environmental catastrophe, from invasive lionfish (Smithsonian) to the omnipresence of plastic (National Geographic).

Personal pieces consider the toll of mass incarceration, including Reginald Dwayne Betts’s “Getting Out” (New York Times Magazine); “This Place Is Crazy,” by John J. Lennon (Esquire); and Robert Wright’s “Getting Out of Prison Meant Leaving Dear Friends Behind” (Marshall Project with Vice). From the pages of the Atlantic and the New Yorker, writers and critics discuss prominent political figures: Franklin Foer’s “American Hustler” explores Paul Manafort’s career of corruption; Jill Lepore recounts the emergence of Ruth Bader Ginsburg; and Caitlin Flanagan and Doreen St. Félix reflect on the Kavanaugh hearings and #MeToo. Leslie Jamison crafts a portrait of the Museum of Broken Relationships (Virginia Quarterly Review), and Kasey Cordell and Lindsey B. Koehler ponder “The Art of Dying Well” (5280). A pair of never-before-published conversations illuminates the state of the American magazine: New Yorker writer Ben Taub speaks to Eric Sullivan of Esquire about pursuing a career as a reporter, alongside Taub’s piece investigating how the Iraqi state is fueling a resurgence of ISIS. And Karolina Waclawiak of BuzzFeed News interviews McSweeney’s editor Claire Boyle about challenges and opportunities for fiction at small magazines. That conversation is inspired by McSweeney’s winning the ASME Award for Fiction, which is celebrated here with a story by Lesley Nneka Arimah, a magical-realist tale charged with feminist allegory.

Aggregated news fills our social media feeds, our smartphone apps, and our e-mail inboxes. Much of the news that we consume originated elsewhere and has been reassembled, repackaged, and republished from other sources, but how is that news made? Is it a twenty-first-century digital adaptation of the traditional values and practices of journalistic and investigative reporting, or is it something different—shoddier, less scrupulous, more dangerous?

Mark Coddington gives a vivid account of the work of aggregation—how such content is produced, what its values are, and how it fits into today’s changing journalistic profession. Aggregating the News presents an analysis built on observation and interviews of news aggregators in a variety of settings, exploring how aggregators weigh sources, reshape news narratives, and manage life on the fringes of journalism. Coddington finds that aggregation is defined by its derivative relationship to reporting, which colors it with a sense of inferiority. Aggregators strive to be seen as legitimate journalists, but they are constrained by commercial pressures, professional disapproval, and limited access to important forms of evidence. The first comprehensive treatment of news aggregation as a practice, Aggregating the News deepens our understanding of how news and knowledge are produced and consumed in the digital age. By centering aggregation, Coddington sheds new light on how journalistic authority and legitimacy are created—and the consequences when their foundations are eroded.

How do journalists around the world view their roles and responsibilities in society? Based on a landmark study that has collected data from more than 27,500 journalists in 67 countries, Worlds of Journalism offers a groundbreaking analysis of the different ways journalists perceive their duties, their relationship to society and government, and the nature and meaning of their work.

Challenging assumptions of a universal definition or concept of journalism, the book maps a world populated by a rich diversity of journalistic cultures. Organized around a series of key questions on topics such as editorial autonomy, journalistic ethics, trust in social institutions, and changes in the profession, it details how the practice of journalism differs across the world in a range of political, social, and economic contexts. The book covers how journalism as an institution is created and re-created by journalists and how they experience their profession in very different ways, even as they retain a commitment to some basic, widely shared professional norms and practices. It concludes with a global classification of journalistic cultures that reflects the breadth of worldviews and orientations found in disparate countries and regions. Worlds of Journalism offers an ambitious, comparative global understanding of the state of journalism in a time when it is confronting a series of economic and political threats.

On Election Day in 2016, it seemed unthinkable to many Americans that Donald Trump could become president of the United States. But the victories of the Obama administration hid from view fundamental problems deeply rooted in American social institutions and history. The election’s consequences drastically changed how Americans experience their country, especially for those threatened by the public outburst of bigotry and repression. Amid the deluge of tweets and breaking news stories that turn each day into a political soap opera, it can be difficult to take a step back and see the big picture. To confront the threats we face, we must recognize that the Trump presidency is a symptom, not the malady.

Antidemocracy in America is a collective effort to understand how we got to this point and what can be done about it. Assembled by the sociologist Eric Klinenberg as well as the editors of the online magazine Public Books, Caitlin Zaloom and Sharon Marcus, it offers essays from many of the nation’s leading scholars, experts on topics including race, religion, gender, civil liberties, protest, inequality, immigration, climate change, national security, and the role of the media. Antidemocracy in America places our present in international and historical context, considering the worldwide turn toward authoritarianism and its varied precursors. Each essay seeks to inform our understanding of the fragility of American democracy and suggests how to protect it from the buried contradictions that Trump’s victory brought into public view.

The journalistic profile is one of the most popular, widely read types of magazine feature writing. Helen Benedict, a master of the genre, has collected for Portraits in Print nine of her best pieces, and provided a fascinating behind-the-scenes look at the art of portrait journalism.

Among the persons profiled here are Joseph Brodsky, Isaac Bashevis Singer, Susan Sontag, Paule Marshall, Bernard Malamud, and Beverly Sills. In a general introduction and in lively discussions after each profile, Helen Benedict describes how she selected the subjects, got them to agree to be interviewed, convinced the magazines' editor's to assign her the pieces, prepared for the interviews, and set about writing each one after the research and interviewing were complete. Benedict also discusses how much confidence to betray, how personal to get, what to leave out, and the writer's power over the profile subject. This is fascinating reading, especially for aspiring writers who hope to learn more about the skills and practices of this popular genre.

Portraits in Print concludes with an Afterward by the famous muckraker and author of The American Way of Death, Jessica Mitford. Mitford takes the opposite tack, in an amusing essay about what it is like to be an interviewee.

This helpful guidebook for prospective journalists provides the skills needed to be a successful magazine or newspaper feature writer. The Essential Feature is a writing guide, a file of examples, and a style manual all in one book. The author concentrates on those aspects of nonfiction writing that editors find wanting in beginning journalists: research, accuracy, and the skills needed to tell a story, not just report news. This book tells novice writers what editors want them to know.

The Essential Feature explains how to apply research and literary techniques to journalistic writing; provides eight examples of successful prize-winning published articles; combines approaches to writing with practical advice on working as a staff or freelance writer; and supplies publishing tips to give the beginning writer a better understanding of the market.

Writing News for Broadcast is the Strunk and White of broadcast newswriting books. Long considered the gold standard of broadcast journalism textbooks, this guide for the student and the professional has inspired generations of newscasters through its eloquent examples and emphasis on the writer's responsibility, commitment, and integrity. It is written in a conversational style reflecting years of professional and teaching experience in radio and television newswriting.

This new edition is fully revised with examples throughout, drawn from fine writing by journalists at networks and local stations. It includes updated chapters covering use of the wire services and special formats that have become popular in recent years such as the newsmagazine. But the third edition retains the inspirational quality that has for years made this text so widely respected. In this process of providing clear, succinct instruction in the basics of the trade, it conveys to students and practicing newswriters a sense of the extraordinary tradition within which they work. The authors' emphasis on skill and creativity, responsibility to the listener, and appreciation of the profession's finest hours and finest writers make this book unique.

In the most reliable and readable guide to effective writing for the Americans of today, Wilson answers questions of meaning, grammar, pronunciation, punctuation, and spelling in thousands of clear, concise entries. His guide is unique in presenting a systematic, comprehensive view of language as determined by context. Wilson provides a simple chart of contexts—from oratorical speech to intimate, from formal writing to informal—and explains in which contexts a particular usage is appropriate, and in which it is not.

The Columbia Guide to Standard American English provides the answers to questions about American English the way no other guide can with:

* an A–Z format for quick reference;

* over five thousand entries, more than any other usage book;

* sensible and useful advice based on the most current linguistic research;

* a convenient chart of levels of speech and writing geared to context;

* both descriptive and prescriptive entries for guidance;

* guidelines for nonsexist usage;

* individual entries for all language terms.

A vibrant description of how our language is being spoken and written at the end of the twentieth century—and how we ourselves can use it most effectively—The Columbia Guide to Standard American English is the ideal handbook to language etiquette: friendly, sensible, and reliable.

James Lull's classic work on media and culture in the global perspective is thoroughly revised, expanded, and updated. Drawing on the best contemporary social and cultural theory, the noted scholar offers a balanced, bold, and comprehensive analysis of current developments worldwide. In his familiar, reader-friendly style, Lull brings to life a wide range of examples, from hip-hop hybrids of New Zealand's Maori youth and the divergent meanings of race and culture in the United States and Brazil, to ethnic malls in California and the global impact of McDonald's and Microsoft. Complex theoretical ideas are explained in a clear and engaging way that challenges traditional understandings.

By connecting major streams of theory to the latest trends in the global cultural mix, the new edition of Media, Communication, Culture provides a fresh and unsurpassed introduction to media, communication, and cultural studies.

Drawing upon the experience of some forty of the nation's finest journalists, all alumni of the Knight-Bagehot Fellowship in Economics and Business Journalism at Columbia University, this book is a complete guide to writing about business and economics.

Writing About Business begins by demystifying basic concepts of macroeconomics, microeconomics, financial markets, and international economics and trade. Next, it provides practical reporting tips, from how to use statistics to understanding what the government has in its files, from conducting live interviews to using electronic data to generate stories about companies. In closing, the book suggests investigative techniques and strategies for covering specific beats, including personal finance, health care, the environment, labor and workplace issues, media and entertainment businesses, technology, small businesses, and not-for-profit institutions.

To many journalists and public relations professionals, business and financial writing can appear fraught with complexity. With its wealth of practical information, Writing About Business helps these writers with the often daunting task of reporting on business and industry.

Since the 1980s, investigative journalism has undergone startling development in South America, where repressive regimes have long relegated such reporting to marginal publications or underground outlets. Watchdog Journalism in South America explores the rise of critical journalism in four countries: Argentina, Brazil, Colombia, and Peru. Drawing upon interviews with journalists and editors and analyzing selected news stories from each country, Silvio Waisbord offers a unique look at the significant differences between critical reporting in developing democracies and that already in place in the United States and European democracies.

As Waisbord demonstrates, critical reporting in South America can be better understood as watchdog journalism than as investigative reporting as understood in the tradition of Anglo-American journalism. Examining the historical absence of a muckraking press, he argues that watchdog journalism represents new political and media dynamics and discusses the emergence of a new journalistic culture and its contributions to the quality of democracy and public debates about morality, truth, and accountability.

Ubiquitous news, global information access, instantaneous reporting, interactivity, multimedia content, extreme customization: Journalism is undergoing the most fundamental transformation since the rise of the penny press in the nineteenth century. Here is a report from the front lines on the impact and implications for journalists and the public alike.

John Pavlik, executive director of the Center for New Media at Columbia University's Graduate School of Journalism, argues that the new media can revitalize news gathering and reengage an increasingly distrustful and alienated citizenry. The book is a valuable reference on everything from organizing a new age newsroom to job hunting in the new media.

Streitmatter tells the stories of dissident American publications and press movements of the last two centuries, and of the colorful individuals behind them. From publications that fought for the disenfranchised to those that promoted social reform, Voices of Revolution examines the abolitionist and labor press, black power publications of the 1960s, the crusade against the barbarism of lynching, the women's movement, and antiwar journals. Streitmatter also discusses gay and lesbian publications, contemporary on-line journals, and counterculture papers like The Kudzu and The Berkeley Barb that flourished in the 1960s. Voices of Revolution also identifies and discusses some of the distinctive characteristics shared by the genres of the dissident press that rose to prominence—from the early nineteenth century to the late twentieth century.

For far too long, mainstream journalists and even some media scholars have viewed radical, leftist, or progressive periodicals in America as "rags edited by crackpots." However, many of these dissident presses have shaped the way Americans think about social and political issues.

Many stylebooks and manuals explain writing, but before the release ten years ago of Elsie Myers Stainton's The Fine Art of Copyediting, few addressed the practices and problems of editing. This handbook has guided users through the editing process for books and journals, with tips on how to be diplomatic when recommending changes, how to edit notes and bibliographies, how to check proofs, and how to negotiate the ethical, intellectual, and emotional problems characteristic of the editorial profession. Now featuring solid advice on computer editing and a new chapter on style, as well as more information on references, bibliographies, indexing, and bias-free writing, The Fine Art of Copyediting, Second Edition offers the same wealth of information that prompted William Safire to commend the first edition in The New York Times Magazine.

Complete with helpful checklists for the manuscript, proof, and index stages of book production, as well as an excellent bibliography of reference works useful to the copyeditor, The Fine Art of Copyediting, Second Edition is an indispensable desk reference for writers and editors confronting a host of questions each day. Why use the word "people" instead of "persons?" What precautions are necessary for publishers to avoid libel suits? How can an editor win an author's trust? What type fonts facilitate the copyediting process? How does computer editing work? For experienced and novice copyeditors, writers and students, this is the source for detailed, step-by-step guidance to the entire editorial process.

Approximately how many languages compose the Bantu language group of central and southern Africa? What is the name of the language spoken in Hawaii by an estimated two thousand people? What Western European language is not known to be related to any other language family in the world—and is considered by linguists to be one of the most difficult to learn?

These are only a few of the questions language lovers, linguists, and lay readers will be able to answer with the Dictionary of Languages—an easy-to-navigate, authoritative guide to the world's languages and language groups at the end of the twentieth century. Andrew Dalby had the needs and interests of general readers in mind when he compiled this comprehensive reference work—most other language guides are written for scholars, and many include little or none of the absorbing social, cultural, geographic, and historical details that are brought together here.

In the Dictionary of Languages, readers will find:

•a selection of four hundred languages and language groups, arranged alphabetically, with rich, detailed descriptions of the genesis, development, and current status of each;

•more than two hundred maps displaying where the languages are spoken today;

•sidebars showing alphabets, numerals, and other enriching facts

•a comprehensive index listing additional languages, guiding readers to the nearest language groups with full writeups and maps;

•charts breaking down large language groups—such as Bantu or Austroasiatic languages—by geographic region and approximate number of speakers.

In a world where geopolitical boundaries often explain little about the people that live within them, where we may read about Kurd and Khmer in the same newspaper and be expected to be conversant about each—if not conversant in each—Dalby's single, information-packed volume helps us make sense of the rich mosaic of world languages.

The first journalism textbook for reporters who cover finance and economics in developing and transitional countries, Covering Globalization is an essential guide to the pressing topics of our times. Written by economists from the Asian Development Bank and the International Monetary Fund as well as journalists who have worked for Dow Jones, the Financial Times, the New York Times, Fortune, and Reuters—and with an introduction by Nobel Laureate Joseph E. Stiglitz—this invaluable resource helps reporters write about subjects such as banking and banking crises, pension reform, privatization, trade agreements, central banks, the World Bank, sovereign debt restructuring, commodity markets, corporate governance, poverty-eradication programs, and the "resource curse."

Each chapter explains the basic economic principles and current thinking on a given topic and provides

• tips on what to look for when covering specific subjects;

• a way to structure business and economics stories;

• a way to use the Internet for reporting with links to more information online;

• extensive glossaries and much more.

As Norbert Hornstein writes in his foreword, "it underestimates Chomsky's impact in linguistics, philosophy, and psychology to describe it as immense." In Rules and Representations, Noam Chomsky lays out many of the concepts that have made his approach to linguistics and human cognition so instrumental to our understanding of language.

In this influential and controversial work Chomsky draws on philosophy, biology, and the study of the mind to consider the nature of human cognitive capacities, particularly as they are expressed in language. He arrives at his well-known position that there is a universal grammar, genetically determined, structured in the human mind, and common to all human languages. Aside from his examination of the various principles of the universal grammar—its "rules and representations"—Chomsky considers the biological basis of language capabilities and the possibility of studying mental structures and capacities in the manner of the natural sciences. Finally, he also explores whether there may be similar "grammars" of perception, art, human nature, scientific reasoning, and the unconscious.

Based on Chomsky's lively 1978 Woodbridge Lectures, this edition, first published in 1980, contains revised versions of the original lectures and two new essays. It also includes an extensive foreword by Norbert Hornstein, discussing Chomsky's ideas and their wide-ranging impact.

The Best American Magazine Writing 2010 proves that print journalism is as vital as ever, offering information, amusement, connection, and perspective to those who love to lose themselves in a good read. This year's selections, chosen from National Magazine Awards finalists and winners, include David Grann's article from the New Yorker on the execution of a possibly innocent man; Sheri Fink's report from the New York Times Magazine on the alleged euthanization of patients during Hurricane Katrina; and Fareed Zakaria's compelling take from Newsweek on Iran's weakening regime.

The Best American Magazine Writing 2010 also includes absorbing profiles, arresting interviews, personal essays, and entrancing fiction. Esquire's Mike Sager recounts a promising quarterback's shocking descent into drugs; Vanity Fair's Bryan Burrough shares the confessions of the year's other major Ponzi schemer, and, from McSweeney's Quarterly, Wells Tower weaves a transporting tale of elemental desire. GQ's Tom Carson offers his critique of America's current vampire craze; Mitch Albom rediscovers Detroit's indomitable spirit in Sports Illustrated; and Garrison Keillor sings an ode to the homegrown joys of state fairs in National Geographic. Additional contributors include Atul Gawande, Megan McArdle, and many others commenting on a range of issues, from health care and the national debt to war movies and the controversy over circumcision. Altogether the writing collected here proves the rich pleasures waiting in the best magazines.

Reporting on violence is one of the most problematic features of journalistic practice-the area most frequently criticized by the public and those on the receiving end of that coverage. Now in its second edition, Covering Violence remains a crucial guide for becoming a sensitive and responsible reporter. Discussing such topics as rape and the ethics of interviewing children, the book gives students and journalists a detailed understanding of what is happening "on the scene" of a violent event, including where a reporter can go safely and legally, how to obtain the most useful information, and how best to interview and photograph victims and witnesses. This second edition takes our turbulent postmillennium history into account and emphasizes the consequences of frequent exposure to traumatic events. It offers new chapters on 9/11 and terrorism, the Columbine school shootings, and the photographing of violent events, as well as additional profiles of Vietnamese American, Native American, and African American journalists.

More essential than ever, Covering Violence connects journalistic practices to the rapidly expanding body of literature on trauma, post-traumatic stress disorder, and secondary traumatic stress, and pays close attention to current medical and political debates concerning victims' rights.

Killing the Messenger has long been a popular resource for readers eager to experience the best media criticism of the past century. Selections are chosen from magazines, journals, official reports, public speeches, and books that have been long out of print and cover a range of issues: the inadequacy of the press to police themselves, the importance of ethics and training, the problem of bias and sensationalism, and the threat of censorship.

Pieces by Theodore Roosevelt, Louis Brandeis, Joseph Pulitzer, Upton Sinclair, Spiro Agnew, George Seldes, and John Hersey, among others, are now joined by A. J. Liebling's early warning of the dangers of media consolidation, Will Irwin's analysis of journalism's growing power and pervasiveness, Daniel P. Moynihan's look at the changing relationship between the press and the presidency in 1971, Robert Darnton's essay on creative license, and Leo C. Rosten's statistical survey of the sociological makeup of newspaper correspondents in 1930s Washington and the effect of a journalist's "psychology" on the character of his reporting.

Killing the Messenger serves as a valuable reminder that criticizing the press is an old and invaluable tradition in our country and that many of today's issues have their roots in these fascinating and provocative examples of early criticism.

In the magazine world, no recognition is more highly coveted or prestigious than a National Magazine Award. Annually, members of the American Society of Magazine Editors, in association with the Columbia University Graduate School of Journalism, select the year's most dynamic, original, provocative, and influential magazine stories. The winning and finalist pieces in this anthology represent outstanding work by some of the most eminent writers in America as well as rising literary and journalistic talents. This prestigious collection includes stories that cover a variety of subjects from Elizabeth Kolbert's investigation into global warming in the New Yorker and James Bamford's look at the PR campaign behind the Iraq War in Rolling Stone to Chris Heath's remarkable profile of Merle Haggard in GQ and Bill Heavey's hilarious account of teaching his daughter to fish in Field and Stream. Other writers include David Foster Wallace (The Atlantic Monthly), Joyce Carol Oates (The Virginia Quarterly Review), Priscilla Long (The American Scholar), Jesse Katz (Los Angeles Magazine), Marjorie Williams (Vanity Fair), Hendrik Hertzberg (New Yorker), Sven Birkerts (The Virginia Quarterly Review), Erik Reece (Harper's), Wendy Brenner (The Oxford American), John Jeremiah Sullivan (GQ), James Wolcott (Vanity Fair), and Wyatt Mason (Harper's).

Wide-ranging in their style and subjects, these writers' stories inform, surprise, entertain, and provide new perspectives on our world. They also reflect elements that distinguish the best in magazine writing: moral passion, investigative zeal, vivid characters and settings, persistent reporting, and artful writing.

This year's selection includes William Langewiesche's probing investigation in Vanity Fair of the slaughter of twenty-four Iraqis in Haditha; C. J. Chivers's chilling account in Esquire of the 2004 hostage crisis in Beslan, which killed 331 people, 186 of them children; Susan Casey's revelation in Best Life of a virtually unknown, Texas-sized garbage dump resting at the bottom of the Pacific ocean; and Andrew Corsello's harrowing portrait in GQ of Robert Mugabe's mad rule and two men-a white farmer and a fiery black priest-who strive for forgiveness instead of hate.

The collection also includes Vanessa Grigoriadis's hilarious portrait of fashion icon Karl Lagerfeld in New York Magazine; Christopher Hitchens's profile of survivors of Agent Orange in Vanity Fair; Sandra Tsing Loh's coverage of the stay-at-home-mommy debate in the Atlantic Monthly; Paul Theroux's thoughts on the dangers of anthropomorphism and our misconceptions about birds in the Smithsonian; Janet Reitman's unraveling of the mysteries of Scientology in Rolling Stone; and the work of nine other exceptional writers.

Noam Chomsky applies a rational, scientific approach to disciplines as diverse as linguistics, ethics, and politics. His best-known innovations involve a groundbreaking theory of generative grammar, the revolution it initiated in cognitive science, and a radical encounter with political theory and practice.

In Chomsky Notebook, Cedric Boeckx and Norbert Hornstein tackle the evolution of Chomsky's linguistic theory. Akeel Bilgrami revisits Chomsky's work on freedom and truth, and Pierre Jacob analyzes his naturalism. Chomsky's own contributions include an interview with Jean Bricmont and an essay each on Edward Said and the natural world. Altogether, these works reveal the penetrating insight of a remarkable intellectual whose thought extends into a number of fields within and outside of academia. For the uninitiated reader and longtime fan, this anthology attests to the power of Chomsky's rationalism and the dexterity of his critical investigations.

The Best American Magazine Writing 2010 proves that print journalism is as vital as ever, offering information, amusement, connection, and perspective to those who love to lose themselves in a good read. This year's selections, chosen from National Magazine Awards finalists and winners, include David Grann's article from the New Yorker on the execution of a possibly innocent man; Sheri Fink's report from the New York Times Magazine on the alleged euthanization of patients during Hurricane Katrina; and Fareed Zakaria's compelling take from Newsweek on Iran's weakening regime.

The Best American Magazine Writing 2010 also includes absorbing profiles, arresting interviews, personal essays, and entrancing fiction. Esquire's Mike Sager recounts a promising quarterback's shocking descent into drugs; Vanity Fair's Bryan Burrough shares the confessions of the year's other major Ponzi schemer, and, from McSweeney's Quarterly, Wells Tower weaves a transporting tale of elemental desire. GQ's Tom Carson offers his critique of America's current vampire craze; Mitch Albom rediscovers Detroit's indomitable spirit in Sports Illustrated; and Garrison Keillor sings an ode to the homegrown joys of state fairs in National Geographic. Additional contributors include Atul Gawande, Megan McArdle, and many others commenting on a range of issues, from health care and the national debt to war movies and the controversy over circumcision. Altogether the writing collected here proves the rich pleasures waiting in the best magazines.

Bill Grueskin, Ava Seave, and Lucas Graves spent close to a year tracking the reporting of on-site news organizations—some of which were founded over a century ago and others established only in the past year or two—and found in their traffic and audience engagement patterns, allocation of resources, and revenue streams ways to increase the profits of digital journalism.

In chapters covering a range of concerns, from advertising models and alternative platforms to the success of paywalls, the benefits and drawbacks to aggregation, and the character of emerging news platforms, this volume identifies which digital media strategies make money, which do not, and which new approaches look promising. The most comprehensive analysis to date of digital journalism's financial outlook, this text confronts business challenges both old and new, large and small, suggesting news organizations embrace the unique opportunities of the internet rather than adapt web offerings to legacy business models. The authors ultimately argue that news organizations and their audiences must learn to accept digital platforms and their constant transformation, which demand faster and more consistent innovation and investment.

The founder of modern linguistics, Ferdinand de Saussure inaugurated semiology, structuralism, and deconstruction and made possible the work of Jacques Derrida, Roland Barthes, Michel Foucault, and Jacques Lacan, thus enabling the development of French feminism, gender studies, New Historicism, and postcolonialism. Based on Saussure's lectures, Course in General Linguistics (1916) traces the rise and fall of the historical linguistics in which Saussure was trained, the synchronic or structural linguistics with which he replaced it, and the new look of diachronic linguistics that followed this change. Most important, Saussure presents the principles of a new linguistic science that includes the invention of semiology, or the theory of the "signifier," the "signified," and the "sign" that they combine to produce.

This is the first critical edition of Course in General Linguistics to appear in English and restores Wade Baskin's original translation of 1959, in which the terms "signifier" and "signified" are introduced into English in this precise way. Baskin renders Saussure clearly and accessibly, allowing readers to experience his shift of the theory of reference from mimesis to performance and his expansion of poetics to include all media, including the life sciences and environmentalism. An introduction situates Saussure within the history of ideas and describes the history of scholarship that made Course in General Linguistics legendary. New endnotes enlarge Saussure's contexts to include literary criticism, cultural studies, and philosophy.

All the Art That's Fit to Print reveals the true story of the world's first Op-Ed page, a public platform that—in 1970—prefigured the Internet blogosphere. Not only did the New York Times's nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration's very purpose and potential.

Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury's Garry Trudeau, and why reporter Syd Schanburg—whose story was told in the movie The Killing Fields—stated that he would travel anywhere to see Kissinger hanged, as well as Kraus's tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon.

All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse.

Op-Ed's subject is the world, and its illustrations are created by the world's finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists' common drive to communicate their creative visions and to stir our vibrant cultural-political pot.

In this entertaining anthology, editors, writers, art directors, and publishers from such magazines as Vanity Fair, The New Yorker, The New Republic, Elle, and Harper's draw on their varied, colorful experiences to explore a range of issues concerning their profession. Combining anecdotes with expert analysis, these leading industry insiders speak on writing and editing articles, developing great talent, effectively incorporating art and design, and the critical relationship between advertising dollars and content. They emphasize the importance of fact checking and copyediting; share insight into managing the interests (and potential conflicts) of various departments; explain how to parlay an entry-level position into a masthead title; and weigh the increasing influence of business interests on editorial decisions. In addition to providing a rare, behind-the-scenes look at the making of successful and influential magazines, these contributors address the future of magazines in a digital environment and the ongoing importance of magazine journalism. Full of intimate reflections and surprising revelations, The Art of Making Magazines is both a how-to and a how-to-be guide for editors, journalists, students, and anyone hoping for a rare peek between the lines of their favorite magazines. The chapters are based on talks delivered as part of the George Delacorte Lecture Series at the Columbia School of Journalism.

Essays include: "Talking About Writing for Magazines (Which One Shouldn't Do)" by John Gregory Dunne; "Magazine Editing Then and Now" by Ruth Reichl; "How to Become the Editor in Chief of Your Favorite Women's Magazine" by Roberta Myers; "Editing a Thought-Leader Magazine" by Michael Kelly; "Fact-Checking at The New Yorker" by Peter Canby; "A Magazine Needs Copyeditors Because...." by Barbara Walraff; "How to Talk to the Art Director" by Chris Dixon; "Three Weddings and a Funeral" by Tina Brown; "The Simpler the Idea, the Better" by Peter W. Kaplan; "The Publisher's Role: Crusading Defender of the First Amendment or Advertising Salesman?" by John R. MacArthur; "Editing Books Versus Editing Magazines" by Robert Gottlieb; and "The Reader Is King" by Felix Dennis

The most comprehensive collection of perspectives on translation to date, this anthology features essays by some of the world's most skillful writers and translators, including Haruki Murakami, Alice Kaplan, Peter Cole, Eliot Weinberger, Forrest Gander, Clare Cavanagh, David Bellos, and José Manuel Prieto. Discussing the process and possibilities of their art, they cast translation as a fine balance between scholarly and creative expression. The volume provides students and professionals with much-needed guidance on technique and style, while affirming for all readers the cultural, political, and aesthetic relevance of translation.

These essays focus on a diverse group of languages, including Japanese, Turkish, Arabic, and Hindi, as well as frequently encountered European languages, such as French, Spanish, Italian, German, Polish, and Russian. Contributors speak on craft, aesthetic choices, theoretical approaches, and the politics of global cultural exchange, touching on the concerns and challenges that currently affect translators working in an era of globalization. Responding to the growing popularity of translation programs, literature in translation, and the increasing need to cultivate versatile practitioners, this anthology serves as a definitive resource for those seeking a modern understanding of the craft.

Best-selling author Umberto Eco's latest work unlocks the riddles of history in an exploration of the "linguistics of the lunatic," stories told by scholars, scientists, poets, fanatics, and ordinary people in order to make sense of the world. Exploring the "Force of the False," Eco uncovers layers of mistakes that have shaped human history, such as Columbus's assumption that the world was much smaller than it is, leading him to seek out a quick route to the East via the West and thus fortuitously "discovering" America. The fictions that grew up around the cults of the Rosicrucians and Knights Templar were the result of a letter from a mysterious "Prester John"—undoubtedly a hoax—that provided fertile ground for a series of delusions and conspiracy theories based on religious, ethnic, and racial prejudices. While some false tales produce new knowledge (like Columbus's discovery of America) and others create nothing but horror and shame (the Rosicrucian story wound up fueling European anti-Semitism) they are all powerfully persuasive.

In a careful unraveling of the fabulous and the false, Eco shows us how serendipities—unanticipated truths—often spring from mistaken ideas. From Leibniz's belief that the I Ching illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Eco tours the labyrinth of intellectual history, illuminating the ways in which we project the familiar onto the strange.

Eco uncovers a rich history of linguistic endeavor—much of it ill-conceived—that sought to "heal the wound of Babel." Through the Middle Ages and the Renaissance, Greek, Hebrew, Chinese, and Egyptian were alternately proclaimed as the first language that God gave to Adam, while—in keeping with the colonial climate of the time—the complex language of the Amerindians in Mexico was viewed as crude and diabolical. In closing, Eco considers the erroneous notion of linguistic perfection and shrewdly observes that the dangers we face lie not in the rules we use to interpret other cultures but in our insistence on making these rules absolute.

With the startling combination of erudition and wit, bewildering anecdotes and scholarly rigor that are Eco's hallmarks, Serendipities is sure to entertain and enlighten any reader with a passion for the curious history of languages and ideas.

Our annual anthology of finalists and winners of the National Magazine Awards 2014 includes Max Chafkin's oral history of Apple from Fast Company, Joshua Davis's intimate portrait of tech pioneer John McAfee's personal and public breakdown from Wired; Kyle Dickman's haunting investigation into the preventable death of nineteen firemen battling an Arizona wildfire; and Ariel Levy's emotional account of extreme travel to a remote land—while pregnant—from The New Yorker.

Other essays include Wright Thompson's bittersweet profile of Michael Jordan's fifty-something second act (ESPN the Magazine); Jean M. Twenge's revealing look at fertility myths and baby politics (The Atlantic); Janet Reitman's controversial study of the Boston Marathon bomber Dzhokhar Tsarnaev (Rolling Stone); Luke Mogelson's harrowing experience accompanying asylum seekers on a potentially deadly sea voyage to Australia (New York Times Magazine); Lisa Miller's poignant report from Newtown, Connecticut, as the town tries to cope with the aftermath of one of the nation's worst mass shootings (New York); Emily Nussbaum's critiques of gender and politics on television (The New Yorker); and Witold Rybczynski's poetic engagement with modern architecture (Architect). The collection concludes with the award-winning poem "Elegies" by Kathleen Ossip (Poetry) and "The Embassy of Cambodia," a short story by Zadie Smith (The New Yorker).

This anthology of the year's best investigative business writing explores the secret dealings of an elite Wall Street society and uncovers the crimes and misadventures of the young founder of Silk Road, the wildly successful online illegal goods site known as the "eBay of vice." It reveals how the Fed dithered while the financial crisis unfolded and explains why the leaders of a two-trillion-dollar bond fund went to war with each other. Articles from the best newspapers and magazines in the country delve into how junk-food companies use science to get you to eat more and how Amazon dodges the tax man how J.Crew revitalized itself by transforming its creative process and Russell Brand went deep on media and marketing after his GQ Awards speech went haywire.

Best Business Writing 2014 includes provocative essays on the NFL's cover-ups and corporate welfare, Silicon Valley's ultralibertarian culture, and the feminist critique of Sheryl Sandberg's career-advice book for women, Lean-In. Stories about toast, T-shirt making, and the slow death of the funeral business show the best writers can find worthy tales in even the most mundane subjects.

Engaged Journalism explores the changing relationship between news producers and audiences and the methods journalists can use to secure the attention of news consumers. Based on Jake Batsell's extensive experience and interaction with more than twenty innovative newsrooms, this book shows that, even as news organizations are losing their agenda-setting power, journalists can still thrive by connecting with audiences through online technology and personal interaction.

Batsell conducts interviews with and observes more than two dozen traditional and startup newsrooms across the United States and the United Kingdom. Traveling to Seattle, London, New York City, and Kalamazoo, Michigan, among other locales, he attends newsroom meetings, combs through internal documents, and talks with loyal readers and online users to document the successes and failures of the industry's experiments with paywalls, subscriptions, nonprofit news, live events, and digital tools including social media, data-driven interactives, news games, and comment forums. He ultimately concludes that, for news providers to survive, they must constantly listen to, interact with, and fulfill the specific needs of their audiences, whose attention can no longer be taken for granted. Toward that end, Batsell proposes a set of best practices based on effective, sustainable journalistic engagement.

In this sweeping, incisive post mortem, Dean Starkman exposes the critical shortcomings that softened coverage in the business press during the mortgage era and the years leading up to the financial collapse of 2008. He locates the roots of the problem in the origin of business news as a market messaging service for investors in the early twentieth century. This access-dependent strain of journalism was soon opposed by the grand, sweeping work of the muckrakers. Propelled by the innovations of Bernard Kilgore, the great postwar editor of the Wall Street Journal, these two genres merged when mainstream American news organizations institutionalized muckraking in the 1960s, creating a powerful guardian of the public interest. Yet as the mortgage era dawned, deep cultural and structural shifts—some unavoidable, some self-inflicted—eroded journalism's appetite for its role as watchdog. The result was a deafening silence about systemic corruption in the financial industry. Tragically, this silence grew only more profound as the mortgage madness reached its terrible apogee from 2004 through 2006.

Starkman frames his analysis in a broad argument about journalism itself, dividing the profession into two competing approaches—access reporting and accountability reporting—which rely on entirely different sources and produce radically different representations of reality. As Starkman explains, access journalism came to dominate business reporting in the 1990s, a process he calls "CNBCization," and rather than examining risky, even corrupt, corporate behavior, mainstream reporters focused on profiling executives and informing investors. Starkman concludes with a critique of the digital-news ideology and corporate influence, which threaten to further undermine investigative reporting, and he shows how financial coverage, and journalism as a whole, can reclaim its bite.

This year's Best American Magazine Writing features articles on politics, culture, sports, sex, race, celebrity, and more. Selections include Ta-Nehisi Coates's intensely debated "The Case For Reparations" (The Atlantic) and Monica Lewinsky's reflections on the public-humiliation complex and how the rules of the game have (and have not) changed (Vanity Fair). Amanda Hess recounts her chilling encounter with Internet sexual harassment (Pacific Standard) and John Jeremiah Sullivan shares his investigation into one of American music's greatest mysteries (New York Times Magazine).

The anthology also presents Rebecca Traister's acerbic musings on gender politics (The New Republic) and Jerry Saltz's fearless art criticism (New York). James Verini reconstructs an eccentric love affair against the slow deterioration of Afghanistan in the twentieth century (The Atavist); Roger Angell offers affecting yet humorous reflections on life at ninety-three (The New Yorker); Tiffany Stanley recounts her poignant experience caring for a loved one with Alzheimer's (National Journal); and Jonathan Van Meter takes an entertaining look at fashion's obsession with being a social-media somebody (Vogue). Brian Phillips describes his surreal adventures in the world of Japanese ritual and culture (Grantland), and Emily Yoffe reveals the unforeseen casualties in the effort to address the college rape crisis (Slate). The collection concludes with a work of fiction by Donald Antrim, exploring the geography of loss. (The New Yorker).

The Joseph Pulitzer Gold Medal for meritorious public service is an unparalleled American media honor, awarded to news organizations for collaborative reporting that moves readers, provokes change, and advances the journalistic profession. Updated to reflect new winners of the Pulitzer Prize for public service journalism and the many changes in the practice and business of journalism, Pulitzer's Gold goes behind the scenes to explain the mechanics and effects of these groundbreaking works.

The veteran journalist Roy J. Harris Jr. adds fascinating new detail to well-known accounts of the Washington Post investigation into the Watergate affair, the New York Times coverage of the Pentagon Papers, and the Boston Globe revelations of the Catholic Church's sexual-abuse cover-up. He examines recent Pulitzer-winning coverage of government surveillance of U.S. citizens and expands on underexplored stories, from the scandals that took down Boston financial fraud artist Charles Ponzi in 1920 to recent exposés that revealed neglect at Walter Reed Army Medical Center and municipal thievery in Bell, California. This one-hundred-year history of bold journalism follows developments in all types of reporting—environmental, business, disaster coverage, war, and more.

There are no men so dull and stupid, not even idiots, as to be incapable of joining together different words, and thereby constructing a declaration by which to make their thoughts understood.... On the other hand, there is no other animal, however perfect or happily circumstanced which can do the like.—Descartes

Language is more like a snowflake than a giraffe's neck. Its specific properties are determined by laws of nature, they have not developed through the accumulation of historical accidents.—Noam Chomsky

In I Speak, Therefore I Am, the Italian linguist and neuroscientist Andrea Moro composes an album of his favorite quotations from the history of linguistics, beginning with the Book of Genesis and the power of naming and concluding with Noam Chomsky's metaphor that language is a snowflake. Moro's seventeen linguistic thoughts and his commentary on them display the humanness of language: our need to name and interpret this world and create imaginary ones, to express and understand ourselves. This book is sure to delight anyone who enjoys the ineffable paradox that is human language.

Over the past decade, American outlets such as PolitiFact, FactCheck.org, and the Washington Post's Fact Checker have shaken up the political world by holding public figures accountable for what they say. Cited across social and national news media, these verdicts can rattle a political campaign and send the White House press corps scrambling. Yet fact-checking is a fraught kind of journalism, one that challenges reporters' traditional roles as objective observers and places them at the center of white-hot, real-time debates. As these journalists are the first to admit, in a hyperpartisan world, facts can easily slip into fiction, and decisions about which claims to investigate and how to judge them are frequently denounced as unfair play.

Deciding What's True draws on Lucas Graves's unique access to the members of the newsrooms leading this movement. Graves vividly recounts the routines of journalists at three of these hyperconnected, technologically innovative organizations and what informs their approach to a story. Graves also plots a compelling, personality-driven history of the fact-checking movement and its recent evolution from the blogosphere, reflecting on its revolutionary remaking of journalistic ethics and practice. His book demonstrates the ways these rising organizations depend on professional networks and media partnerships yet have also made inroads with the academic and philanthropic worlds. These networks have become a vital source of influence as fact-checking spreads around the world.

This year's Best American Magazine Writing features outstanding writing on contentious issues including incarceration, policing, sexual assault, labor, technology, and environmental catastrophe. Selections include Paul Ford's ambitious "What Is Code?" (Bloomberg Businessweek), an innovative explanation of how programming works, and "The Really Big One," by Kathryn Schulz (The New Yorker), which exposes just how unprepared the Pacific Northwest is for a major earthquake. Joining them are Meaghan Winter's exposé of crisis pregnancy centers (Cosmopolitan) and a chilling story of police prejudice that allowed a serial rapist to run free (the Marshall Project in partnership with ProPublica). Also included is Shane Smith's interview with Barack Obama about mass incarceration (Vice).

Other selections demonstrate a range of long-form styles and topics across print and digital publications. The imprisoned hacker and activist Barrett Brown pens hilarious dispatches from behind bars, including a scathing review of Jonathan Franzen's fiction (The Intercept). "The New American Slavery" (Buzzfeed) documents the pervasive exploitation of guest workers, and Luke Mogelson explores the purgatorial fate of an undocumented man sent back to Honduras (New York Times Magazine). Joshua Hammer harrowingly portrays Sierra Leone's worst Ebola ward as even the staff succumb to the disease (Matter). And in "The Friend," Matthew Teague's wife is afflicted with cancer, his friend moves in, and the result is a devastating narrative of relationships and death (Esquire). The collection concludes with Jenny Zhang's "How It Feels," an unconventional meditation on the intersection of teenage cruelty and art (Poetry).

Edward Snowden's release of classified NSA documents exposed the widespread government practice of mass surveillance in a democratic society. The publication of these documents, facilitated by three journalists, as well as efforts to criminalize the act of being a whistleblower or source, signaled a new era in the coverage of national security reporting. The contributors to Journalism After Snowden analyze the implications of the Snowden affair for journalism and the future role of the profession as a watchdog for the public good. Integrating discussions of media, law, surveillance, technology, and national security, the book offers a timely and much-needed assessment of the promises and perils for journalism in the digital age.

Journalism After Snowden is essential reading for citizens, journalists, and academics in search of perspective on the need for and threats to investigative journalism in an age of heightened surveillance. The book features contributions from key players involved in the reporting of leaks of classified information by Edward Snowden, including Alan Rusbridger, former editor-in-chief of The Guardian; ex-New York Times executive editor Jill Abramson; legal scholar and journalist Glenn Greenwald; and Snowden himself. Other contributors include dean of Columbia Graduate School of Journalism Steve Coll, Internet and society scholar Clay Shirky, legal scholar Cass Sunstein, and journalist Julia Angwin. Topics discussed include protecting sources, digital security practices, the legal rights of journalists, access to classified data, interpreting journalistic privilege in the digital age, and understanding the impact of the Internet and telecommunications policy on journalism. The anthology's interdisciplinary nature provides a comprehensive overview and understanding of how society can protect the press and ensure the free flow of information.

When we encounter a news story, why do we accept its version of events? Why do we even recognize it as news? A complicated set of cultural, structural, and technological relationships inform this interaction, and Journalistic Authority provides a relational theory for explaining how journalists attain authority. The book argues that authority is not a thing to be possessed or lost, but a relationship arising in the connections between those laying claim to being an authority and those who assent to it.

Matt Carlson examines the practices journalists use to legitimate their work: professional orientation, development of specific news forms, and the personal narratives they circulate to support a privileged social place. He then considers journalists' relationships with the audiences, sources, technologies, and critics that shape journalistic authority in the contemporary media environment. Carlson argues that journalistic authority is always the product of complex and variable relationships. Journalistic Authority weaves together journalists’ relationships with their audiences, sources, technologies, and critics to present a new model for understanding journalism while advocating for practices we need in an age of fake news and shifting norms.

As traditional news outlets’ international coverage has waned, several prominent nongovernmental organizations have taken on a growing number of seemingly journalistic functions. Groups such as Amnesty International, Human Rights Watch, and Médecins Sans Frontières send reporters to gather information and provide analysis and assign photographers and videographers to boost the visibility of their work. Digital technologies and social media have increased the potential for NGOs to communicate directly with the public, bypassing traditional gatekeepers. But have these efforts changed and expanded traditional news practices and coverage—and are there consequences to blurring the lines between reporting and advocacy?

In NGOs as Newsmakers, Matthew Powers analyzes the growing role NGOs play in shaping—and sometimes directly producing—international news. Drawing on interviews, observations, and content analysis, he charts the dramatic growth in NGO news-making efforts, examines whether these efforts increase the organizations' chances of garnering news coverage, and analyzes the effects of digital technologies on publicity strategies. Although the contemporary media environment offers NGOs greater opportunities to shape the news, Powers finds, it also subjects them to news-media norms. While advocacy groups can and do provide coverage of otherwise ignored places and topics, they are still dependent on traditional media and political elites and influenced by the expectations of donors, officials, journalists, and NGOs themselves. Through an unprecedented glimpse into NGOs’ newsmaking efforts, Powers portrays the possibilities and limits of NGOs as newsmakers amid the transformations of international news, with important implications for the intersections of journalism and advocacy.

A healthy democracy requires vigorous, uncompromising investigative journalism. But today the free press faces a daunting set of challenges: in the face of harsh criticism from powerful politicians and the threat of lawsuits from wealthy individuals, media institutions are confronted by an uncertain financial future and stymied by a judicial philosophy that takes a narrow view of the protections that the Constitution affords reporters. In Journalism Under Fire, Stephen Gillers proposes a bold set of legal and policy changes that can overcome these obstacles to protect and support the work of journalists.

Gillers argues that law and public policy must strengthen the freedom of the press, including protection for news gathering and confidential sources. He analyzes the First Amendment’s Press Clause, drawing on older Supreme Court cases and recent dissenting opinions to argue for greater press freedom than the Supreme Court is today willing to recognize. Beyond the First Amendment, Journalism Under Fire advocates policies that facilitate and support the free press as a public good. Gillers proposes legislation to create a publicly funded National Endowment for Investigative Reporting, modeled on the national endowments for the arts and for the humanities; improvements to the Freedom of Information Act; and a national anti-SLAPP law, a statute to protect media organizations from frivolous lawsuits, to help journalists and the press defend themselves in court. Gillers weaves together questions of journalistic practice, law, and policy into a program that can ensure a future for investigative reporting and its role in our democracy.

Today, transparency is a widely heralded value, and the U.S. Freedom of Information Act (FOIA) is often held up as one of the transparency movement’s canonical achievements. Yet while many view the law as a powerful tool for journalists, activists, and ordinary citizens to pursue the public good, FOIA is beset by massive backlogs, and corporations and the powerful have become adept at using it for their own interests. Close observers of laws like FOIA have begun to question whether these laws interfere with good governance, display a deleterious anti-public-sector bias, or are otherwise inadequate for the twenty-first century’s challenges.

Troubling Transparency brings together leading scholars from different disciplines to analyze freedom of information policies in the United States and abroad—how they are working, how they are failing, and how they might be improved. Contributors investigate the creation of FOIA; its day-to-day uses and limitations for the news media and for corporate and citizen requesters; its impact on government agencies; its global influence; recent alternatives to the FOIA model raised by the emergence of “open data” and other approaches to transparency; and the theoretical underpinnings of FOIA and the right to know. In addition to examining the mixed legacy and effectiveness of FOIA, contributors debate how best to move forward to improve access to information and government functioning. Neither romanticizing FOIA nor downplaying its real and symbolic achievements, Troubling Transparency is a timely and comprehensive consideration of laws such as FOIA and the larger project of open government, with wide-ranging lessons for journalism, law, government, and civil society.

In a time of reckoning, this year’s National Magazine Awards finalists and winners focus on abuse of power in many forms. Ronan Farrow’s Pulitzer Prize–winning revelation of Harvey Weinstein’s depredations (New Yorker), along with Rebecca Traister’s charged commentary for New York and Laurie Penny’s incisive Longreads columns, speak to the urgency of the #MeToo moment. Ginger Thompson’s reporting on the botched U.S. operation that triggered a cartel massacre in Mexico (National Geographic/ProPublica) and Azmat Khan and Anand Gopal’s New York Times Magazine investigation of the civilian casualties of drone strikes in Iraq amplify the voices of those harmed by U.S. actions abroad. And Alex Tizon’s “My Family’s Slave” (Atlantic) is a powerful attempt to come to terms with the cruelty that was in plain sight in his own upbringing.

Responding to the overt racism of the Trump era, Ta-Nehisi Coates’s “My President Was Black” (Atlantic) looks back at the meaning of Obama. Howard Bryant (ESPN the Magazine) and Bim Adewunmi (Buzzfeed) offer incisive columns on the intersections of pop culture, sports, race, and politics. In addition, David Wallace-Wells reveals the coming disaster of our climate-change-ravaged future (New York); Don Van Natta Jr. and Seth Wickersham’s ESPN the Magazine reporting exposes the seamy sides of the NFL; Nina Martin and Renee Montagne investigate America’s shameful record on maternal mortality (NPR/ProPublica); Ian Frazier asks “What Ever Happened to the Russian Revolution?” (Smithsonian); and Alex Mar considers “Love in the Time of Robots” (Wired with Epic Magazine). The collection concludes with Kristen Roupenian’s viral hit short story “Cat Person” (New Yorker).

With the advent of the internet and handheld or wearable media systems that plunge the user into 360º video, augmented—or virtual reality—technology is changing how stories are told and created. In this book, John V. Pavlik argues that a new form of mediated communication has emerged: experiential news. Experiential media delivers not just news stories but also news experiences, in which the consumer engages news as a participant or virtual eyewitness in immersive, multisensory, and interactive narratives.

Pavlik describes and analyzes new tools and approaches that allow journalists to tell stories that go beyond text and image. He delves into developing forms such as virtual reality, haptic technologies, interactive documentaries, and drone media, presenting the principles of how to design and frame a story using these techniques. Pavlik warns that although experiential news can heighten user engagement and increase understanding, it may also fuel the transformation of fake news into artificial realities, and he discusses the standards of ethics and accuracy needed to build public trust in journalism in the age of virtual reality. Journalism in the Age of Virtual Reality offers important lessons for practitioners seeking to produce quality experiential news and those interested in the ethical considerations that experiential media raise for journalism and the public.

What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa—the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories—voluntarily or not—sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media.

Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of “making” the news, from the events that brought an ordinary person to journalists’ attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.

In this brisk and accessible history, sinologist Thomas O. Höllmann explains the development of the Chinese writing system and its importance in literature, religion, art, and other aspects of culture. Spanning the earliest epigraphs and oracle bones to writing and texting on computers and mobile phones today, Chinese Script is a wide-ranging and versatile introduction to the complexity and beauty of written text and calligraphy in the Chinese world.

Höllmann delves into the origins of Chinese script and its social and political meanings across millennia of history. He recounts the social history of the writing system; written and printed texts; and the use of writing materials such as paper, silk, ink, brush, and printing techniques. The book sheds light on the changing role of literacy and education; the politics of orthographic reform; and the relationship of Chinese writing to non-Han Chinese languages and cultures. Höllmann explains the inherent complexity of Chinese script, demonstrating why written Chinese expresses meaning differently than oral language and the subtleties of the relationship between spoken word and written text. He explores calligraphy as an art, the early letter press, and other ways of visually representing Chinese languages. Chinese Script also provides handy illustrations of the concepts discussed, showing how ideographs function and ways to decipher them visually.

With the work of reporters under fire worldwide, this year’s anthology of National Magazine Award finalists and winners is a timely reminder of the power of journalism. The pieces included here explore the fault lines in American society. Shane Bauer’s visceral “My Four Months as a Private Prison Guard” (Mother Jones) and Sarah Stillman’s depiction of the havoc wreaked on young people’s lives when they are put on sex-offender registries (The New Yorker) examine controversial criminal-justice practices. And responses to the shocks of the recent election include Matt Taibbi’s irreverent dispatches from the campaign trail (Rolling Stone), George Saunders’s transfixing account of Trump’s rallies (The New Yorker), and Andrew Sullivan’s fears for the future of democracy (New York).

In other considerations of the political scene, Jeffrey Goldberg talks through Obama’s foreign-policy legacy with the former president (The Atlantic), and Gabriel Sherman analyzes how Roger Ailes’s fall sheds light on conservative media (New York). Linking personal stories to the course of history, Nikole Hannah-Jones looks for a school for her daughter in a rapidly changing, racially divided Brooklyn (New York Times Magazine), and Pamela Colloff explores how the 1966 University of Texas Tower mass shooting changed the course of one survivor’s life (Texas Monthly). A selection of Rebecca Solnit’s Harper’s commentary ranges from a writer on death row to the isolation at the heart of conservatism. Becca Rothfeld ponders women waiting on love from the Odyssey to Tinder (Hedgehog Review). Siddhartha Mukherjee depicts the art and agony of oncology (New York Times Magazine). David Quammen ventures to Yellowstone to consider the future of wild places (National Geographic), and Mac McClelland follows a deranged expedition to Cuba in search of the ivory-billed woodpecker (Audubon). The collection concludes with Zandria Robinson’s eloquent portrait of her father as reflected in the music he loved (Oxford American).

Journalists are being imprisoned and killed in record numbers. Online surveillance is annihilating privacy, and the Internet can be brought under government control at any time. Joel Simon, the executive director of the Committee to Protect Journalists, warns that we can no longer assume that our global information ecosystem is stable, protected, and robust. Journalists are increasingly vulnerable to attack by authoritarian governments, militants, criminals, and terrorists, who all seek to use technology, political pressure, and violence to set the global information agenda.

Reporting from Pakistan, Russia, Turkey, Egypt, and Mexico, among other hotspots, Simon finds journalists under threat from all sides. The result is a growing crisis in information—a shortage of the news we need to make sense of our globalized world and fight human rights abuses, manage conflict, and promote accountability. Drawing on his experience defending journalists on the front lines, he calls on "global citizens," U.S. policy makers, international law advocates, and human rights groups to create a global freedom-of-expression agenda tied to trade, climate, and other major negotiations. He proposes ten key priorities, including combating the murder of journalists, ending censorship, and developing a global free-expression charter to challenge the criminal and corrupt forces that seek to manipulate the world's news.