Literary Collections

Timeless fables of loyalty and betrayal

Like Aesop’s Fables, Kalīlah and Dimnah is a collection designed not only for moral instruction, but also for the entertainment of readers. The stories, which originated in the Sanskrit Panchatantra and Mahabharata, were adapted, augmented, and translated into Arabic by the scholar and state official Ibn al-Muqaffaʿ in the second/eighth century. The stories are engaging, entertaining, and often funny, from “The Man Who Found a Treasure But Could Not Keep It,” to “The Raven Who Tried To Learn To Walk Like a Partridge” and “How the Wolf, the Raven, and the Jackal Destroyed the Camel.”

Kalīlah and Dimnah is a “mirror for princes,” a book meant to inculcate virtues and discernment in rulers and warn against flattery and deception. Many of the animals who populate the book represent ministers counseling kings, friends advising friends, or wives admonishing husbands. Throughout, Kalīlah and Dimnah offers insight into the moral lessons Ibn al-Muqaffaʿ believed were important for rulers—and readers.

A bilingual Arabic-English edition.

Uplifting tales from one of the most influential Arabic books of the Middle Ages

One of the most popular and influential Arabic books of the Middle Ages, Deliverance Follows Adversity is an anthology of stories and anecdotes designed to console and encourage the afflicted. Regarded as a pattern-book of Arabic storytelling, this collection shows how God’s providence works through His creatures to rescue them from tribulations ranging from religious persecution and medical emergencies to political skullduggery and romantic woes.

A resident of Basra and Baghdad, al-Tanukhi (327–84/939–94) draws from earlier Arabic classics as well as from oral stories relayed by the author’s tenth-century Iraqi contemporaries, who comprised a wide circle of writers, intellectuals, judges, government officials, and family members. This edition and translation includes the first three chapters of the work, which deal with Qur'anic stories and prayers that bring about deliverance, as well as general instances of the workings of providence. The volume incorporates material from manuscripts not used in the standard Arabic edition, and is the first translation into English. The complete translation, spanning four volumes, will be the first integral translation into any European language.

A bilingual Arabic-English edition.

A literary tour of Christian monasteries of the medieval Middle East

The Book of Monasteries takes readers on an engaging tour of the monastic centers of the medieval Middle East, illustrated with a rich variety of poetry and prose. Starting with monasteries in Baghdad, readers are taken up the Tigris into the mountains of south-eastern Anatolia before moving to Palestine and Syria, along the Euphrates down to the old Christian center of Ḥīrah and onward to Egypt. For the literary anthologist al-Shābushtī, who was Muslim, monasteries were important sites of interactions between Abbasid elites and the Christian communities that made up about half the population of the Abbasid Empire at the time.

Each section in this anthology covers a specific monastery, beginning with a discussion of its location and the reason for its name. Al-Shābushtī presents poems, anecdotes, and historical reports related to each site. He selects heroic and spectacular incidents, illustrations of caliphal extravagance, and occasions that gave rise to memorable verse. Important political personalities and events that were indirectly linked with monasteries also appear here, as do scenes of festive court life and gruesome murders. Through these accounts, al-Shābushtī offers readers a meditation on the splendor of Abbasid culture as well as moral and philosophical lessons: the ephemerality of power; the virtues of generosity and tolerance; the effectiveness of eloquence in prose and poetry; and the fleeting nature of pleasure and beauty. Translated into English for the first time, The Book of Monasteries offers an entertaining panorama of religious, political, and literary life during the Abbasid era.

A bilingual Arabic-English edition.

A collection of poems about nature and power

To Ibn al-Muʿtazz and his Abbasid contemporaries, the hunt was more than a diversion—it was the theater for their poetic and political endeavors, captured here in fifty-nine Arabic hunting poems, or ṭardiyyāt. The poems of In Deadly Embrace describe hunting expeditions with animals trained to hunt, including saluki hounds and birds of prey. Many were composed after these outings, when the hunting party gathered to enjoy the game they caught.

Poetry was central to Abbasid society and served as a method of maintaining networks of patronage and friendship; the poems in this collection reflect these power dynamics and allowed Ibn al-Muʿtazz—prince of the realm and in line for the caliphate—to explore his own relationship to social and political power and to demonstrate his fitness to rule.

Ibn al-Muʿtazz was an influential poet and literary theorist of the Modernist school of poetry. In Deadly Embrace merges the Modernists’ new techniques and styles with age-old themes: military prowess and wisdom, fitness to rule and comradeship, the camaraderie of the hunt and the cult of heroic masculinity. Groundbreaking and evocative, the poems paint vivid pictures of hunting scenes while posing deep questions about our attentiveness to the natural world and the relationship of the human to the nonhuman.

A bilingual Arabic-English edition.

A witty satire of the medical profession

The Doctors’ Dinner Party is an eleventh-century satire in the form of a novella, set in a medical milieu. A young doctor from out of town is invited to dinner with a group of older medical men, whose conversation reveals their incompetence. Written by the accomplished physician Ibn Buṭlān, the work satirizes the hypocrisy of quack doctors while displaying Ibn Buṭlān’s own deep technical knowledge of medical practice, including surgery, blood-letting, and medicines. He also makes reference to the great thinkers and physicians of the ancient world, including Hippocrates, Galen, and Socrates.

Combining literary parody with social satire, the book is richly textured and carefully organized: in addition to the use of the question-and-answer format associated with technical literature, it is replete with verse and subtexts that hint at the infatuation of the elderly practitioners with their young guest. The Doctors’ Dinner Party is an entertaining read in which the author skewers the pretensions of the physicians around the table.

A bilingual Arabic-English edition.

A modern translation of a foundational document of Islamic jurisprudence

The Epistle on Legal Theory is the oldest surviving Arabic work on Islamic legal theory and the foundational document of Islamic jurisprudence. Its author, Muhammad ibn Idris al-Shafi'i (d. 204/820), was the eponym of the Shafi'i school of legal thought, one of the four rites in Sunni Islam. This fascinating work offers the first systematic treatment in Arabic of key issues in Islamic legal thought. These include a survey of the importance of Arabic as the language of revelation, principles of textual interpretation to be applied to the Qur'an and prophetic Traditions, techniques for harmonizing apparently contradictory precedents, legal epistemology, rules
of inference, and discussions of when legal interpretation is required. The author illustrates his theoretical claims with numerous examples drawn from nearly all areas of Islamic law, including ritual law, commercial law, tort law, and criminal law. The text thus provides an important window into both Islamic law and legal thought in particular and early Islamic intellectual history in general.

The Arabic text has been established on the basis of the two most important critical editions and includes variants in the notes, while the English text is a new translation by a leading scholar of Shafi'i and his thought. The Epistle on Legal Theory represents one of the earliest complete works on Islamic law, one that is centrally important for the formation of Islamic legal thought and the Islamic legal tradition.

A bilingual Arabic-English edition.

Maqāmāt Abī Zayd al-Sarūjī is a scholarly, Arabic-only edition of the celebrated work by al-Ḥarīrī, which is also available in English translation from the Library of Arabic Literature as Impostures. Al-Ḥarīrī's text consists of fifty stories about the adventures of the itinerant con man and master of persuasion Abū Zayd al-Sarūjī, as told by the equally itinerant and often gullible narrator al-Ḥārith ibn Hāmmam. Al-Ḥarīrī was a virtuoso writer of the rhymed prose narrative genre known as the maqāmah, which would continue as a popular literary form into the twentieth century.

An Arabic edition with an Arabic foreword and English scholarly apparatus.

Collecting 635 meticulous recipes, Scents and Flavors invites us to savor an inventive cuisine that elevates simple ingredients by combining the sundry aromas of herbs, spices, fruits, and flower essences.

This popular thirteenth-century Syrian cookbook is an ode to what its anonymous author calls the “greater part of the pleasure of this life,” namely the consumption of food and drink, as well as the fragrances that garnish the meals and the diners who enjoy them.

Organized like a meal, it opens with appetizers and juices and proceeds through main courses, side dishes, and desserts, including such confections as candies based on the higher densities of sugar syrup—an innovation unique to the medieval Arab world. Apricot beverages, stuffed eggplant, pistachio chicken, coriander stew, melon crepes, and almond pudding are seasoned with nutmeg, rose, cloves, saffron, and the occasional rare ingredient like ambergris to delight and surprise the banqueter. Bookended by chapters on preparatory perfumes, incenses, medicinal oils, antiperspirant powders, and after-meal hand soaps, this comprehensive culinary journey is a feast for all the senses.

With the exception of four extant Babylonian and Roman specimens, cookbooks did not appear on the world literary scene until Arabic speakers began compiling their recipe collections in the tenth century, peaking in popularity in the thirteenth century. Scents and Flavors quickly became a bestseller during this golden age of cookbooks, and remains today a delectable read for epicures and cultural historians alike.

A bilingual Arabic-English edition.

Fantastic tales of magic and wonder

Edited and translated into English for the first time, A Hundred and One Nights is a marvelous example of the rich tradition of popular Arabic storytelling. Like its more famous sibling, the Thousand and One Nights, this collection opens with the frame story of Shahrazad, the gifted vizier’s daughter who recounts imaginative tales night after night in an effort to distract the murderous king from taking her life. A Hundred and One Nights features an almost entirely different set of stories, however, each one more thrilling, amusing, and disturbing than the last. In them, we encounter tales of epic warriors, buried treasures, disappearing brides, cannibal demon women, fatal shipwrecks, and clever ruses, where human strength and ingenuity play out against a backdrop of inexorable, inscrutable fate.

Although these tales draw on motifs and story elements that circulated across cultures, A Hundred and One Nights is distinctly rooted in Arabic literary culture and the Islamic tradition. It is also likely much older than Thousand and One Nights, drawing on Indian and Chinese antecedents. This careful edition and vibrant translation of A Hundred and One Nights promises to transport readers, new and veteran alike, into its fantastical realms of magic and wonder.

A bilingual Arabic-English edition.

A collection of poems from a changing Bedouin world

Bedouin Poets of the Nafūd Desert features poetry from three poets of the Ibn Rashīd dynasty–the highwater mark of Bedouin culture in the nineteenth century. Khalaf Abū Zwayyid, ʿAdwān al-Hirbīd, and ʿAjlān ibn Rmāl belonged to tribes based around the area of Jabal Shammar in northern Arabia. A cultural and political center for the region, Jabal Shammar attracted caravans of traders and pilgrims, tribal shaykhs, European travelers (including T.E. Lawrence), illiterate Bedouin poets, and learned Arabs. All three poets lived at the inception of or during modernity’s accelerating encroachment. New inventions and firearms spread throughout the region, and these poets captured Bedouin life in changing times. Their poems and the accompanying narratives showcase the beauty and complexity of Bedouin culture, while also grappling with the upheaval brought about by the rise of the House of Saud and Wahhabism.

The poems featured in Bedouin Poets of the Nafūd Desert are often humorous and witty, yet also sentimental, wistful, and romantic. They vividly describe journeys on camelback, stories of family and marriage, thrilling raids, and beautiful nature scenes, offering a window into Bedouin culture and society in the nineteenth and early twentieth centuries.

A bilingual Arabic-English edition.

A groundbreaking exposition of Islamic mysticism

The Essence of Reality was written over the course of just three days in 514/1120, by a scholar who was just twenty-four. The text, like its author ʿAyn al-Quḍāt, is remarkable for many reasons, not least of which that it is in all likelihood the earliest philosophical exposition of mysticism in the Islamic intellectual tradition. This important work would go on to exert significant influence on both classical Islamic philosophy and philosophical mysticism.

Written in a terse yet beautiful style, The Essence of Reality consists of one hundred brief chapters interspersed with Qurʾanic verses, prophetic sayings, Sufi maxims, and poetry. In conversation with the work of the philosophers Avicenna and al-Ghazālī, the book takes readers on a philosophical journey, with lucid expositions of questions including the problem of the eternity of the world; the nature of God’s essence and attributes; the concepts of “before” and “after”; and the soul’s relationship to the body. All these discussions are seamlessly tied into ʿAyn al-Quḍāt’s foundational argument—that mystical knowledge lies beyond the realm of the intellect.

A bilingual Arabic-English edition.

Uncovering the professional secrets of con artists and swindlers in the medieval Middle East

The Book of Charlatans is a comprehensive guide to trickery and scams as practiced in the thirteenth century in the cities of the Middle East, especially in Syria and Egypt. The author, al-Jawbarī, was well versed in the practices he describes and may well have been a reformed charlatan himself. Divided into thirty chapters, his book reveals the secrets of everyone from “Those Who Claim to be Prophets” to “Those Who Claim to Have Leprosy” and “Those Who Dye Horses.”

The material is informed in part by the author’s own experience with alchemy, astrology, and geomancy, and in part by his extensive research. The work is unique in its systematic, detailed, and inclusive approach to a subject that is by nature arcane and that has relevance not only for social history but also for the history of science. Covering everything from invisible writing to doctoring gemstones and quack medicine, The Book of Charlatans opens a fascinating window into a subculture of beggars’ guilds and professional con artists in the medieval Arab world.

A bilingual Arabic-English edition.

Sayings of the Prophet Muhammad, wielding an authority second only to the Qur'an.

The words of Muhammad (d. 11/632), God's messenger and prophet of Islam, have a special place in the hearts of his followers. Wielding an authority second only to the Qur'an, Muhammad’s hadith are cited by scholars as testimonial texts in a vast array of disciplines—including law, theology, metaphysics, poetry, grammar, history, and medicine—and are quoted by Muslims to one another in their daily lives.

Assembling Muhammad’s words has been a major preoccupation for scholars throughout the fourteen centuries since his death, resulting in an abundance of compilations. Among the legally-grounded collections, which aimed to guide the community in its practice of religious law and ritual worship, one which stands out in particular is Light in the Heavens (Kitab al-Shihab) by al-Qadi al-Quda'i, a Shafi'i judge in the Fatimid court in Egypt. The collection’s overall conceptualization is distinctively ethical and pragmatic, and offers humanitarian lessons and practical insights with universal appeal.

From North Africa to India, generations have used Light in the Heavens as a teaching text for children as well as adults, and many of its 1200 sayings are familiar to individuals of diverse denominations and ethnicities. For Muslims—who consider Muhammad’s teachings the fount of wisdom and the beacon of guidance in all things, mundane and sublime—these sayings provide a direct window into the inspired vision of one of the most influential humans to have walked the Earth.

A bilingual Arabic-English edition.

Poems and tales of a literary forefather of the United Arab Emirates

Love, Death, Fame features the poetry of al-Māyidī ibn Ẓāhir, who has been embraced as the earliest poet in what would later become the United Arab Emirates. Although little is known about his life, he is the subject of a sizeable body of folk legend and is thought to have lived in the seventeenth century, in the area now called the Emirates. The tales included in Love, Death, Fame portray him as a witty, resourceful, scruffy poet, at times combative and at times kindhearted.

His poetry primarily features verses of wisdom and romance, with scenes of clouds and rain, desert migrations, seafaring, and pearl diving. Like Arabian Romantic and Arabian Satire, this collection is a prime example of Nabaṭī poetry, combining vernacular language of the Arabian Peninsula with archaic vocabulary and images dating to Arabic poetry’s very origins. Distinguished by Ibn Ẓāhir’s unique voice, Love, Death, Fame offers a glimpse of what life was like four centuries ago in the region that is now the UAE.

A bilingual Arabic-English edition.

The adventures of the man who created Aladdin

The Book of Travels is Ḥannā Diyāb’s remarkable first-person account of his travels as a young man from his hometown of Aleppo to the court of Versailles and back again, which forever linked him to one of the most popular pieces of world literature, the Thousand and One Nights.

Diyāb, a Maronite Christian, served as a guide and interpreter for the French naturalist and antiquarian Paul Lucas. Between 1706 and 1716, Diyāb and Lucas traveled through Syria, Cyprus, Egypt, Tripolitania, Tunis, Italy, and France. In Paris, Ḥannā Diyāb met Antoine Galland, who added to his wildly popular translation of the Thousand and One Nights several tales related by Diyāb, including “Aladdin” and “Ali Baba and the Forty Thieves.” When Lucas failed to make good on his promise of a position for Diyāb at Louis XIV’s Royal Library, Diyāb returned to Aleppo. In his old age, he wrote this engaging account of his youthful adventures, from capture by pirates in the Mediterranean to quack medicine and near-death experiences.

Translated into English for the first time, The Book of Travels introduces readers to the young Syrian responsible for some of the most beloved stories from the Thousand and One Nights.

A bilingual Arabic-English edition.

The Excellence of the Arabs is a spirited defense of Arab identity—its merits, values, and origins—at a time of political unrest and fragmentation, written by one of the most important scholars of the early Abbasid era.

In the cosmopolitan milieu of Baghdad, the social prestige attached to claims of being Arab had begun to decline. Although his own family originally hailed from Merv in the east, Ibn Qutaybah locks horns with those members of his society who belittled Arabness and vaunted the glories of Persian heritage and culture. Instead, he upholds the status of Arabs and their heritage in the face of criticism and uncertainty.

The Excellence of the Arabs is in two parts. In the first, Arab Preeminence, which takes the form of an extended argument for Arab privilege, Ibn Qutaybah accuses his opponents of blasphemous envy. In the second, The Excellence of Arab Learning, he describes the fields of knowledge in which he believed pre-Islamic Arabians excelled, including knowledge of the stars, divination, horse husbandry, and poetry. And by incorporating extensive excerpts from the poetic heritage—“the archive of the Arabs”—Ibn Qutaybah aims to demonstrate that poetry is itself sufficient corroboration of Arab superiority.

Eloquent and forceful, The Excellence of the Arabs addresses a central question at a time of great social flux at the dawn of classical Muslim civilization: what did it mean to be Arab?

A bilingual Arabic-English edition.

'A'ishah al-Ba'uniyyah (d. 923/1517) of Damascus was one of the great women scholars in Islamic history. A mystic and prolific poet and writer, 'A'ishah composed more works in Arabic than any other woman before the twentieth century. Yet despite her extraordinary literary and religious achievements, 'A'ishah al-Ba'uniyyah
remains largely unknown. For the first time her key work, The Principles of Sufism, is available in English translation.

The Principles of Sufism is a mystical guide book to help others on their spiritual path. She recounts the fundamental stages and states of the spiritual novice’s transformative journey, emphasizing the importance of embracing both human limitations and God’s limitless love. Drawing on lessons and readings from centuries-old Sufi tradition, 'A'ishah advises the seeker to repent of selfishness and turn to a sincere life of love. In addition to his lucid translation, Th. Emil Homerin provides an insightful introduction, notes and a glossary to 'A'ishah al-Ba'uniyyah’s remarkable account of the pursuit of mystical illumination.

A bilingual Arabic-English edition.

A scholarly edition of a classic textbook on logic

Najm al-Dīn al-Kātibī’s al-Risālah al-Shamsiyyah is a scholarly edition and translation of The Rules of Logic, with commentary and notes. Composed by Najm al-Dīn al-Kātibī, a scholar of the Shāfiʿī school of law, al-Risālah al-Shamsiyyah is the most widely read introduction to logic in the Arabic-speaking world. It has probably enjoyed a longer shelf-life than any other logic textbook ever written, having been in use by madrasah students from the early eighth/fourteenth century up until the present day. Building on the theories of Avicenna, al-Rāzī, and other pioneers of logic, al-Kātibī discusses the many pitfalls of building arguments and setting out unambiguous claims in natural language. The enduring nature of the text is a testament to al-Kātibī and his impact on concepts of formal discourse and argument.

An Arabic edition with English scholarly apparatus.

The adventures of the man who created Aladdin

The Book of Travels is Ḥannā Diyāb’s remarkable first-person account of his travels as a young man from his hometown of Aleppo to the court of Versailles and back again, which forever linked him to one of the most popular pieces of world literature, the Thousand and One Nights.

Diyāb, a Maronite Christian, served as a guide and interpreter for the French naturalist and antiquarian Paul Lucas. Between 1706 and 1716, Diyāb and Lucas traveled through Syria, Cyprus, Egypt, Tripolitania, Tunis, Italy, and France. In Paris, Ḥannā Diyāb met Antoine Galland, who added to his wildly popular translation of the Thousand and One Nights several tales related by Diyāb, including “Aladdin” and “Ali Baba and the Forty Thieves.” When Lucas failed to make good on his promise of a position for Diyāb at Louis XIV’s Royal Library, Diyāb returned to Aleppo. In his old age, he wrote this engaging account of his youthful adventures, from capture by pirates in the Mediterranean to quack medicine and near-death experiences.

Translated into English for the first time, The Book of Travels introduces readers to the young Syrian responsible for some of the most beloved stories from the Thousand and One Nights.

A bilingual Arabic-English edition.

Wide-ranging essays on Moroccan history, Sufism, and religious life

Al-Hasan al-Yusi was arguably the most influential and well-known Moroccan intellectual figure of his generation. In 1084/1685, at the age of roughly fifty-four, and after a long and distinguished career, this Amazigh scholar from the Middle Atlas began writing a collection of short essays on a wide variety of subjects. Completed three years later and gathered together under the title Discourses on Language and Literature (al-Muhadarat fi l-adab wa-l-lughah), they offer rich insight into the varied intellectual interests of an ambitious and gifted Moroccan scholar, covering subjects as diverse as genealogy, theology, Sufism, history, and social mores.

In addition to representing the author’s intellectual interests, The Discourses also includes numerous autobiographical anecdotes, which offer valuable insight into the history of Morocco, including the transition from the Saadian to the Alaouite dynasty, which occurred during al-Yusi’s lifetime. Translated into English for the first time, The Discourses offers readers access to the intellectual landscape of the early modern Muslim world through an author who speaks openly and frankly about his personal life and his relationships with his country’s rulers, scholars, and commoners.

A bilingual Arabic-English edition.

A major translation achievement, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the eighteenth century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars. Both entertaining and informative, Classical Arabic Literature ranges from the early Bedouin poems with their evocation of desert life to refined urban lyrical verse, from tender love poetry to sonorous eulogy and vicious lampoon, and from the heights of mystical rapture to the frivolity of comic verse. Prose selections include anecdotes, entertaining or edifying tales and parables, a fairy-tale, a bawdy story, samples of literary criticism, and much more.

With this anthology, distinguished Arabist Geert Jan van Gelder brings together well-known texts as well as less familiar pieces new even to scholars. Classical Arabic Literature reveals the rich variety of pre-modern Arabic social and cultural life, where secular texts flourished alongside religious ones. This masterful anthology introduces this vibrant literary heritage—including pieces translated into English for the first time—to a wide spectrum of new readers.

An English-only edition.

Insights into a life of integrity by a master of Arabic eloquence

A Treasury of Virtues is a collection of sayings, sermons, and teachings attributed to 'Ali ibn Abi Talib (d. 40/661), the cousin and son-in-law of the Prophet Muhammad, the first Shia Imam and the fourth Sunni Caliph. An acknowledged master of Arabic eloquence and a sage of Islamic wisdom, 'Ali was renowned for his eloquence: his words were collected, quoted, and studied over the centuries, and extensively anthologized, excerpted, and interpreted.

Of the many compilations of 'Ali’s words, A Treasury of Virtues, compiled by the Fatimid Shafi'i judge al-Quda'i, arguably possesses the broadest compass of genres and the largest variety of themes. Included are aphorisms, proverbs, sermons, speeches, homilies, prayers, letters, dialogues, and verse, all of which provide instruction on how to be a morally upstanding human being. The shorter compilation included here, One Hundred Proverbs, is attributed to the eminent writer al-Jahiz (d. 255/869). This volume presents the first English translation of both of these important collections.

A bilingual Arabic-English edition.

Flora, fauna, and famine in thirteenth-century Egypt

A Physician on the Nile begins as a description of everyday life in Egypt at the turn of the seventh/thirteenth century, before becoming a harrowing account of famine and pestilence. Written by the polymath and physician ʿAbd al-Laṭīf al-Baghdādī, and intended for the Abbasid caliph al-Nāṣir, the first part of the book offers detailed descriptions of Egypt’s geography, plants, animals, and local cuisine, including a recipe for a giant picnic pie made with three entire roast lambs and dozens of chickens. ʿAbd al-Laṭīf’s text is also a pioneering work of ancient Egyptology, with detailed observations of Pharaonic monuments, sculptures, and mummies. An early and ardent champion of archaeological conservation, ʿAbd al-Laṭīf condemns the vandalism wrought by tomb-robbers and notes with distaste that Egyptian grocers price their goods with labels written on recycled mummy-wrappings.

The book’s second half relates his horrific eyewitness account of the great famine that afflicted Egypt in the years 597–598/1200–1202. ʿAbd al-Laṭīf was a keen observer of humanity, and he offers vivid first-hand depictions of starvation, cannibalism, and a society in moral free-fall.

A Physician on the Nile contains great diversity in a small compass, distinguished by the acute, humane, and ever-curious mind of its author. It is rare to be able to hear the voice of such a man responding so directly to novelty, beauty, and tragedy.

A bilingual Arabic-English edition.

One of the Wall Street Journal's Top 10 Books of the Year

Winner, 2020 Sheikh Zayed Book Award, Translation Category

Shortlist, 2021 National Translation Award

Finalist, 2021 PROSE Award, Literature Category


Fifty rogue’s tales translated fifty ways

An itinerant con man. A gullible eyewitness narrator. Voices spanning continents and centuries. These elements come together in Impostures, a groundbreaking new translation of a celebrated work of Arabic literature.

Impostures follows the roguish Abū Zayd al-Sarūjī in his adventures around the medieval Middle East—we encounter him impersonating a preacher, pretending to be blind, and lying to a judge. In every escapade he shows himself to be a brilliant and persuasive wordsmith, composing poetry, palindromes, and riddles on the spot. Award-winning translator Michael Cooperson transforms Arabic wordplay into English wordplay of his own, using fifty different registers of English, from the distinctive literary styles of authors such as Geoffrey Chaucer, Mark Twain, and Virginia Woolf, to global varieties of English including Cockney rhyming slang, Nigerian English, and Singaporean English.

Featuring picaresque adventures and linguistic acrobatics, Impostures brings the spirit of this masterpiece of Arabic literature into English in a dazzling display of translation.

An English-only edition.

Love poems from late nineteenth-century Arabia

Arabian Romantic captures what it was like to live in central Arabia before the imposition of austere norms by the Wahhabi authorities in the early twentieth century: tales of robbery and hot pursuit; perilous desert crossings; scenes of exhaustion and chaos when water is raised from deep wells under harsh conditions; the distress of wounded and worn-out animals on the brink of perdition; once proud warriors who are at the mercy of their enemy on the field of battle. Such images lend poignancy to the suffering of the poet’s love-stricken heart, while also painting a vivid portrait of typical Bedouin life.

Ibn Sbayyil (ca. 1853–1933), a town dweller from the Najd region of the Arabian Peninsula, was a key figure in the Nabati poetic tradition. His poetry, which is still recited today, broke with the artifice of the preceding generation by combining inherited idiom and original touches reflecting his environment. Translated into English for the first time by Marcel Kurpershoek, Arabian Romantic will delight readers with a poetry that is direct, fluent, and expressive, and that has entertained Arabic speakers for over a century.

A bilingual Arabic-English edition.

Unique in pre-twentieth-century Arabic literature for taking the countryside as its central theme, Yūsuf al-Shirbīnī’s Brains Confounded combines a mordant satire on seventeenth-century Egyptian rural society with a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day.

In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion and rural dervish—offering numerous anecdotes testifying to the ignorance, dirtiness, illiteracy, lack of proper religious understanding, and criminality of each. He follows it in Volume Two with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes and bewails, above all, the lack of access to delicious foods to which his poverty has condemned him. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire of the ignorant rustic with numerous digressions into love, food, and flatulence.

Witty, bawdy, and vicious, Brains Confounded belongs to an unrecognized genre from an understudied period in Egypt’s Ottoman history, and is a work of outstanding importance for the study of pre-modern colloquial Egyptian Arabic, pitting the “coarse” rural masses against the “refined” and urbane in a contest for cultural and religious primacy, with a heavy emphasis on the writing of verse as a yardstick of social acceptability.

A bilingual Arabic-English edition.

The Sword of Ambition belongs to a genre of religious polemic written for the rulers of Egypt and Syria between the twelfth and the fourteenth centuries. Unlike most medieval Muslim polemic, the concerns of this genre were more social and political than theological. Leaving no rhetorical stone unturned, the book’s author, an unemployed Egyptian scholar and former bureaucrat named 'Uthman ibn Ibrahim al-Nabulusi (d. 660/1262), poured his deep knowledge of history, law, and literature into the work. Now edited in full and translated for the first time, The Sword of Ambition opens a new window onto the fascinating culture of elite rivalry in the late-medieval Islamic Middle East. It contains a wealth of little-known historical anecdotes, unusual religious opinions, obscure and witty poetry, and humorous cultural satire. Above all, it reveals that much of the inter-communal animosity of the era was conditioned by fierce competition for scarce resources that were increasingly mediated by an ideologically committed Sunni Muslim state. This insight reminds us that seemingly timeless and inevitable “religious” conflict must be considered in its broader historical perspective.

The Sword of Ambition is both the earliest and most eclectic of several independent works composed in medieval Egypt against the employment of Coptic and Jewish officials, and is vivid testimony to the gradual integration of Islamic scholarship and state administration that was well underway in its day.

A bilingual Arabic-English edition.

Unique in pre-twentieth-century Arabic literature for taking the countryside as its central theme, Yūsuf al-Shirbīnī’s Brains Confounded combines a mordant satire on seventeenth-century Egyptian rural society with a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day.

In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion and rural dervish—offering numerous anecdotes testifying to the ignorance, dirtiness, illiteracy, lack of proper religious understanding, and criminality of each. He follows it in Volume Two with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes and bewails, above all, the lack of access to delicious foods to which his poverty has condemned him. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire of the ignorant rustic with numerous digressions into love, food, and flatulence.

Witty, bawdy, and vicious, Brains Confounded belongs to an unrecognized genre from an understudied period in Egypt’s Ottoman history, and is a work of outstanding importance for the study of pre-modern colloquial Egyptian Arabic, pitting the “coarse” rural masses against the “refined” and urbane in a contest for cultural and religious primacy, with a heavy emphasis on the writing of verse as a yardstick of social acceptability.

A bilingual Arabic-English edition.

Aḥmad ibn Ḥanbal (d. 241/855), renowned for his profound knowledge of hadith—the reports of the Prophet’s sayings and deeds—is a major figure in the history of Islam. Ibn Ḥanbal’s piety and austerity made him a folk hero, especially after his principled resistance to the attempts of two Abbasid caliphs to force him to accept rationalist doctrine. His subsequent imprisonment and flogging became one of the most dramatic episodes of medieval Islamic history. Ibn Ḥanbal’s resistance influenced the course of Islamic law, the rise of Sunnism, and the legislative authority of the caliphate.

Virtues of the Imam Aḥmad ibn Ḥanbal is a translation of the biography of Ibn Ḥanbal penned by the Baghdad preacher, scholar, and storyteller, Ibn al-Jawzī (d. 597/1201). It includes insights into Ibn Ḥanbal’s childhood, travels, and teachings, as well as descriptions of his way of life. This second and final volume gives a vivid account of Ibn Ḥanbal’s legendary confrontation with the caliphal Inquisition, including his imprisonment, trial, and flogging. Ultimately, it recounts how the people of Baghdad came to admire him as a symbol of Sunni Islam.

A bilingual Arabic-English edition.

This lively volume collects poems by Hmedan al-Shwe'ir, who lived in Najd in the Arabian Peninsula shortly before the hegemony of the Wahhabi movement in the early eighteenth century.

A master of satire known for his ribald humor, self-deprecation, and invective verse (hija'), Hmedan was acerbic in his criticisms of society and its morals, voiced in in a poetic idiom that is widely referred to as “Nabati,” here a mix of Najdi vernacular and archaic vocabulary and images dating back to the origins of Arabic poetry. In Arabian Satire, Hmedan is mostly concerned with worldly matters, and addresses these in different guises: as the patriarch at the helm of the family boat and its unruly crew; as a picaresque anti-hero who revels in taking potshots at the established order, its hypocrisy, and its moral failings; as a peasant who labors over his palm trees, often to no avail and with no guarantee of success; and as a poet recording in verse how he thinks things ought to be.

The poems in Arabian Satire reveal a plucky, headstrong, yet intensely socially committed figure—representative of the traditional Najdi ethos—who infuses his verse with proverbs, maxims, and words of wisdom expressed plainly and conversationally. Hmedan is accordingly quoted by historians of the Gulf region and in anthologies of popular sayings. This is the first full translation of this remarkable poet.

A bilingual Arabic-English edition.

Written in mid-seventeenth-century Egypt, Risible Rhymes is in part a short, comic disquisition on “rural” verse, mocking the pretensions and absurdities of uneducated poets from Egypt’s countryside.

The interest in the countryside as a cultural, social, economic, and religious locus in its own right that is hinted at in this work may be unique in pre-twentieth-century Arabic literature. As such, the work provides a companion piece to its slightly younger contemporary, Yūsuf al-Shirbīnī’s Brains Confounded by the Ode of Abū Shādūf Expounded, which also takes examples of mock-rural poems and subjects them to grammatical analysis. The overlap between the two texts may indicate that they both emanate from a common corpus of pseudo-rural verse that circulated in Ottoman Egypt. Risible Rhymes also examines various kinds of puzzle poems—another popular genre of the day—and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī.

Taken as a whole, Risible Rhymes offers intriguing insight into the critical concerns of mid-Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics that dominated discussions of poetry in al-Sanhūrī's day and shedding light on the literature of this understudied era.

A bilingual Arabic-English edition.

With What ʿĪsā ibn Hishām Told Us, the Library of Arabic Literature brings readers an acknowledged masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muḥammad al-Muwayliḥī, this exceptional title was first introduced in serialized form in his family’s pioneering newspaper Miṣbāḥ al-Sharq (Light of the East), on which this edition is based, and later published in book form in 1907. Widely hailed for its erudition and its mordant wit, What ʿĪsā ibn Hishām Told Us was embraced by Egypt’s burgeoning reading public and soon became required reading for generations of Egyptian school students.

Bridging classical genres and the emerging tradition of modern Arabic fiction, What ʿĪsā ibn Hishām Told Us is divided into two parts, the second of which was only added to the text with the fourth edition of 1927. Sarcastic in tone and critical in outlook, the book relates the excursions of its narrator ʿĪsā ibn Hishām
and his companion, the Pasha, through a rapidly Westernized Cairo at the height of British occupation, providing vivid commentary of a society negotiating—however imperfectly—the clash of imported cultural values and traditional norms of conduct, law, and education. The “Second Journey” takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwayliḥī casts the same relentlessly critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe.

Paving the way for the modern Arabic novel, What ʿĪsā ibn Hishām Told Us is invaluable both for its sociological insight into colonial Egypt and its pioneering role in Arabic literary history.

A bilingual Arabic-English edition.

A collection of insightful and personal essays on the role of food in our lives

In an age of mass factory farming, processed and pre-packaged meals, and unprecedented food waste, how does one eat ethically?

Featuring a highly diverse ensemble of award-winning writers, chefs, farmers, activists, educators, and journalists, Good Eats invites readers to think about what it means to eat according to individual and collective values. These essays are not lectures about what you should eat, nor an advertisement for the latest diet. Instead, the contributors tell stories of real people—real bellies, real bodies—including the writers themselves, who seek to understand the experiences, cultures, histories, and systems that have shaped their eating and their ethics.

A wide array of themes, topics, and perspectives inform the selections within Good Eats, contributing to an enhanced understanding of how we eat as individuals and in groups. From factory farming and the exploitative labor practices surrounding chocolate production, to Indigenous foodways and home and community gardens, the topics featured in this collection describe the wider context of sustenance and ethical choices.

Good Eats will encourage you to become more mindful of what and how you eat—and to consider the larger systems and cultures that shape that eating. These essays turn mundane meals into remarkable symbols of how we live, encouraging each of us to find food that is both sustaining and sustainable.

Contributors include Ross Gay, DeLyssa Begay, Lynn Z. Bloom, Michael P. Branch, Nikky Finney, Shirley Geok-lin Lim, Barbara J. King, Aimee Nezhukumatathil, Leah Penniman, Adrienne Su, Ira Sukrungruang, Tina Vasquez, Nicole Walker, Thérèse Nelson, Lisa Knopp, Jane Brox, Maureen Stanton, Taté Walker, and many others.

An exposition of Arabic literate culture

In eleventh-century Cordoba, the celebrated poet Ibn Zaydūn found himself jockeying for the affections of Wallādah, accomplished poet and free-spirited daughter of an Umayyad caliph. Looking to embarrass a rival suitor, Ibn Zaydūn mischievously wrote and publicized an eloquent, erudite, and searing rejection letter in Wallādah’s name, which went on to become one of the most widely read works of Arabic literature. His letter was so rich with historical references and sophisticated metaphors that it became a cultural touchstone among the literary elite. One could not belong in refined circles if one did not understand Ibn Zaydūn’s letter.

Three centuries later, the Egyptian litterateur Ibn Nubātah wrote a guide to this widely-admired text. In The Genius of Invective, a brilliant work of explication, Ibn Nubātah supplements Ibn Zaydūn’s complete letter with concise biographies of every figure referenced in it and glosses arcane Arabic terms. This wide-ranging volume offered readers a veritable encyclopedia of the key cultural and literary references that peppered Ibn Zaydūn’s famous letter.

As impressive in its own right as the remarkable letter that inspired it, The Genius of Invective is a peerless example of the breadth, depth, and complexity of the Arabic classical literary tradition.

A bilingual Arabic-English edition.

The adventures of the man who created Aladdin

The Book of Travels is Ḥannā Diyāb’s remarkable first-person account of his travels as a young man from his hometown of Aleppo to the court of Versailles and back again, which forever linked him to one of the most popular pieces of world literature, the Thousand and One Nights.

Diyāb, a Maronite Christian, served as a guide and interpreter for the French naturalist and antiquarian Paul Lucas. Between 1706 and 1716, Diyāb and Lucas traveled through Syria, Cyprus, Egypt, Tripolitania, Tunis, Italy, and France. In Paris, Ḥannā Diyāb met Antoine Galland, who added to his wildly popular translation of the Thousand and One Nights several tales related by Diyāb, including “Aladdin” and “Ali Baba and the Forty Thieves.” When Lucas failed to make good on his promise of a position for Diyāb at Louis XIV’s Royal Library, Diyāb returned to Aleppo. In his old age, he wrote this engaging account of his youthful adventures, from capture by pirates in the Mediterranean to quack medicine and near-death experiences.

Translated into English for the first time, The Book of Travels introduces readers to the young Syrian responsible for some of the most beloved stories from the Thousand and One Nights.

A bilingual Arabic-English edition.

Insights into power, spectacle, and performance in the courts of Middle Eastern rulers

In recent decades, scholars have produced much new research on courtly life in medieval Europe, but studies on imperial and royal courts across the Middle East have received much less attention, particularly for courts before 1500AD. In the Presence of Power, however, sheds new light on courtly life across the region. This insightful, exploratory collection of essays uncovers surprising commonalities across a broad swath of cultures.

The pre-modern period in this volume includes roughly seven centuries, opening with the first dynasty of Islam, the Umayyads, whose reign marked an important watershed for Late Antique culture, and closing with the rule of the so-called “gunpowder” empires of the Ottomans and Safavids over much of the Near East in the sixteenth century. In between, this volume locates similarities across the Western Medieval, Byzantine and Islamicate courtly cultures, spanning a vast history and geography to demonstrate the important cross-pollinations that occurred between their literary and cultural legacies. This study does not presume the presence of one shared courtly institution across time and space, but rather seeks to understand the different ways in which contemporaries experienced and spoke about these places of power and performance. Adopting a very broad view of performances, In the Presence of Power includes exuberant expressions of love in Arabic stories, shadow plays in Mamluk Cairo, Byzantine storytelling, religious food traditions in Christian Cyprus, advice, and political and ethnographic performances of power.

Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war

The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices.

Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war’s most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all—collective, national, or private—is the major preoccupation of the texts and critiques in this diverse collection.

With What ʿĪsā ibn Hishām Told Us, the Library of Arabic Literature brings readers an acknowledged masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muḥammad al-Muwayliḥī, this exceptional title was first introduced in serialized form in his family’s pioneering newspaper Miṣbāḥ al-Sharq (Light of the East), on which this edition is based, and later published in book form in 1907. Widely hailed for its erudition and its mordant wit, What ʿĪsā ibn Hishām Told Us was embraced by Egypt’s burgeoning reading public and soon became required reading for generations of Egyptian school students.

Bridging classical genres and the emerging tradition of modern Arabic fiction, What ʿĪsā ibn Hishām Told Us is divided into two parts, the second of which was only added to the text with the fourth edition of 1927. Sarcastic in tone and critical in outlook, the book relates the excursions of its narrator ʿĪsā ibn Hishām
and his companion, the Pasha, through a rapidly Westernized Cairo at the height of British occupation, providing vivid commentary of a society negotiating—however imperfectly—the clash of imported cultural values and traditional norms of conduct, law, and education. The “Second Journey” takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwayliḥī casts the same relentlessly critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe.

Paving the way for the modern Arabic novel, What ʿĪsā ibn Hishām Told Us is invaluable both for its sociological insight into colonial Egypt and its pioneering role in Arabic literary history.

A bilingual Arabic-English edition.

Scheherazade’s Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book’s metamorphoses on stage and screen as well as in literature—from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book’s complex history. Polemical issues are thereby given unprecedented and enlightening interpretations.
Organized under the rubrics of Translating, Engaging, and Staging, these essays view the Nights corpus as a uniquely accretive cultural bundle that absorbs the works upon which it has exerted influence. In this view, the Arabian Nights is a dynamic, living and breathing cross-cultural phenomenon that has left its mark on fields as disparate as the European novel and early Indian cinema. While scholarly, the writers’ approach is also lively and entertaining, and the book is richly illustrated with unusual materials to deliver a sparkling and highly original exploration of the Arabian Nights’ radiating influence on world literature, performance, and culture.

"Passionate and revealing love letters from the iconic lesbian novelist . . . Radclyffe Hall is getting a fresh look. . . . Glasgow has chosen these letters well and provides helpful context."
--Kirkus Review
"Many assumptions have been made about the degree to which Radclyffe Hall's lesbian classic, The Well of Loneliness, may be autobiographical. Your John dismisses such notions. This exhaustive collection of letters written between 1934 and 1942 to Evguenia Souline, a White Russian émigré with whom Hall fell deeply in love are detailed, intimate records of Hall's personal life and convictions. . . . the collection is a heart-wrenching record of how politics, money, and geography converged to undermine these women's dreams."
--Publisher's Weekly
This landmark book represents the first publication of original writing by Radclyffe Hall, author of The Well of Loneliness, in over 50 years.
One of the most famous and influential lesbian novelists of the twentieth century, Hall became a cause clbre in 1928, upon the publication of her novel The Well of Loneliness, when the British government brought action on behalf of the Crown to declare the book obscene. Probably the most widely read lesbian novel ever written, the book has been continuously in print since its first publication and remains to this day an important part of the literary landscape.
Expertly deciphered and edited by Hall scholar and biographer Joanne Glasgow, Your John is a selection of Hall's love letters to Evguenia Souline, a White Russian èmigrè with whom Hall fell completely and passionately in love in the summer of 1934. Written between this first meeting and the onset of Hall's last illness in 1942, these letters detail Hall's growing obsession, the pain to her life partner Una Troubridge of this betrayal, and the poignant hopelessness of a happy resolution for any of the three women. It was ultimately this relationship, Glasgow argues, which tragically precipitated the decline in Hall's creative work and her health. The letters also provide important new information about her views on lesbianism and take us well beyond the artistic limits she imposed on the characters in The Well of Loneliness. They shed light on her views on religion, politics, war, and the literary and artistic scene. Illuminating both the nature of her relationships and her views on the current politics of the time, Your John will greatly extend the range of our knowledge about Radclyffe Hall.

In Selected Letters of William Makepeace Thackeray, Edgar F. Harden provides a lively and accessible framework for selected letters, diaries, and comical illustrations of Thackeray. Harden has carefully selected documents which convey the essential biographical developments of a very interesting life and pictorial expressions of a great man of letters. He traces Thackeray's growth and development as a writer, from his school days in Southhampton to Cambridge University, which he left without a degree, to his ascendence as a writer.
In spite of his personal struggles Thackeray articulates in his letters a great exuberance for life. Harden has included seventy five of Thackeray's comical illustrations, which support and enhance the letters they accompany.

Spotlights the remarkable writers who will not be silenced by persecution

Following the August 12 attack on author Salman Rushdie, readers everywhere realized the vulnerability — and the courage — of writers who speak truth to power. The freedom to write is under threat today throughout the world, with more than 1,000 writers, journalists, and publishers known to be imprisoned or persecuted in more than 100 countries. Writers Under Siege bears witness to the power and danger of the pen, and to the powerful longing for the right to use it without fear. Collected here are fifty contributions by writers who have paid dearly for the privilege of writing. Some have been tortured; some have been killed. All understand the cost of speaking up and speaking out.

This book was prepared by PEN, which is both the world’s oldest human rights organization and the oldest international literary organization. It commemorates PEN’s eighty-fifth anniversary and celebrates PEN’s work by giving voice to persecuted writers from around the globe. The contributors come from more than twenty countries, from Belarus to Zimbabwe. Many are well-known in the English-speaking world, including Orhan Pamuk, from Turkey, winner of the 2006 Nobel Prize for Literature; Harold Pinter, from England, winner of the 2005 Nobel Prize for Literature; Aung San Suu Kyi, from Burma, winner of the 1991 Nobel Peace Prize; and Anna Politkovskaya, from Russia, the noted journalist and author who was murdered in 2006, shortly after writing the piece that appears in this collection. Other contributors are less famous, perhaps, but their contributions are no less compelling. In prose and poetry, in fiction and non-fiction, they reveal the personal consequences of war, conflict, terrorism, and authoritarianism.

While the pieces collected here differ in their settings and their subjects, all are riveting. Grouped into four sections — Prison, Death, Asylum, and The Freedom to Write — they call our attention to the fundamental humanity we share and highlight the inhumanity we can so easily condone.

Contributors include: Chris Abani, Angel Cuadra Landrove, Asiye Guzel, Augusto Ernesto Llosa Giraldo, Mamadali Makhmudov, Orhan Pamuk, Harold Pinter, Anna Politkovskaya, Aung San Suu Kyi, Thich Tue Sy, Gai Tho, and Ken Saro-Wiwa.

Set among the spinning cogs and wheels of a lavish dinner club for the "gastronomical Elect," The Ruins is a black-eyed, Machiavellian fairy tale for adults, a gleeful cautionary discourse on ambition and ingratitude, and the penalties for disbelief in those forces within oneself.
Like all fairy tales, it turns on subjection–the increasingly comic and catastrophic subjection of "our hero, Tom," a high-minded and half-starved shoeshine boy. Tom shifts for himself in a dank and vaguely apocalyptic city where "the days come and go in a flat, lurid tide, noon and midnight like sullen twins, so indifferently does light distinguish itself from darkness."
Easily enticed from the artless squalor of his past into the dazzling and treacherous table politics of TheRuins, our hero soon finds himself at escalating odds with the diabolical proprietor, Jones, "an extravagant if charismatic crackpot." Tom's ill-fated efforts to reform The Ruins–finally and improbably rewarded at the glittering Fool's Ball–lead him on a devastating rise and illustrious tumble to humility, humanity, and practical grace.
In the tradition of Thomas Pynchon and Kurt Vonnegut, Trace Farrell delivers this highly original first novel with the arch rhetoric and insinuating charm of a seasoned carnival barker. Slyly drawing the eye to a world teeming with life, after all, no more horrid than gorgeous, The Ruins marks the arrival of a major new literary talent.

Winner of the Colorado Book Award;
Winner of the Willa Literary Award
As heard on Public Radio International's The Writer's Almanac!
Full of music and evocative word play, Veronica Patterson's Swan, What Shores? offers alluring poems varied in form and inventive in approach. In language that is both precise and lyrical, Patterson's work, like much of the best poetry, plumbs the human condition with depth, wit, and, above all, compassion.
The poems offer fine surprises, from the lyrical litany of "The Riddle of My Want" ("the stride of your eyes / a summering of skin") to the unusual elegy "Three Photographs Not of My Father" to the mysteries embodied in "Where Are My Swans?": "All movement in their dreams is theirs / that glide-without-haste, for what core of the universe / has to hurry?"
Swan, What Shores? marks the blossoming of a major poetic talent.

"Brings together the pwerful works of a mother/daughter combination... These novels will prove a foundation for any college-level course on literature and feminism."
—The Bookwatch
"A gripping tale of incestuous desire... vitalized by the powerful evocation of nature and the bolder passions of full-blown Romanticism."
—Belles Lettres
This volume for the first time brings together three extraordinary works of fiction by Mary Wollstonecraft, generally recognized as the mother of the feminist movement, and Mary Shelley.

The first reader and introductory guide to literary theory—includes close readings and a full glossary and bibliography

Literary Theories is the first reader and introductory guide in one volume. Divided into 12 sections covering structuralism, feminism, marxism, reader-response theory, psychoanalysis, deconstruction, post-structuralism, postmodernism, new historicism, postcolonialism, gay studies and queer theory, and cultural studies, Literary Theories introduces the reader to the most challenging and engaging aspects of critical studies in the humanities today.

Classic essays representing the different theoretical positions and offering striking examples of close readings of literature are preceded by new introductions which present the theory in question and discuss its main currents. With a full glossary and detailed bibliography, Literary Theories is the perfect introductory guide and reader in one volume.
Included are essays by Roland Barthes, Jean Baudrillard, Homi K. Bhabha, Judith Butler, Terry Castle, Iain Chambers, Rey Chow, Paul de Man, Jacques Derrida, Jonathan Dollimore, Terry Eagleton, Catherine Gallagher, Stephen Heath, Wolfgang Iser, Fredric Jameson, Hans Robert Jauss, Claire Kahane, Gail Ching Liang Low, Mary Lydon, Jean-François Lyotard, James M. Mellard, D.A. Miller, J. Hillis Miller, Louis Adrian Montrose, Michael Riffaterre, Avital Ronell, Nicholas Royle, Eve Kosofsky Sedgwick, Alan Sinfield, and Raymond Williams.

It's 1975. Bud Salem, 18-years-old, is fleeing his mother's TV church and meets a woman pitching oranges in the Mojave. She's Sylvia Cushman, a 45-year-old housewife, who loves driving alone through the desert. They odyssey through western motels and Apache gas stations where Sylvia gives long lectures about Emily Dickinson and drags Bud up into the mesas to search for petroglyphs. After sharing adventures in Detroit, New York, and Amherst, the travelers part...
In many ways Let the Dog Drive is an askew detective novel— when a character dies under strange circumstances in Texas, Bud goes to the panhandle to uncover what happened. His strange narration does contain pleasures of the genre: a shootout inside an aquarium; a faked death; another shootout on a chicken farm in Texas...But Let the Dog Drive is also a freewheeling merging of many other genres and concerns-- Hollywood, hardboiled novels of the 1930s, Emily Dickinson's white dress, hallucinatory cacti, The Book of Luke...And dogs.

Indentation and Other Stories is a collection of nine stories ranging from the wildly funny and idiosyncratic to the downright bizarre. The title story features a pathological dentist who seeks a quirky catharsis by decorating his apartment in hygienic dental paraphernalia. Other tales frolic through the lives of characters who border on the delightfully absurd: a woman, after going through menopause, struggles to recreate her menstrual periods by altering her diet; a former New York street reporter, fired because of his "ideals," aspires to become a credible street person and decides, tentatively, to have a religious experience; an English major turned psychologist writes a pseudoscientific "article"—complete with footnotes and a University of New Jersey cover letter—which argues, by example, for the use of figurative language in scientific journal writing. Other stories are more humanizing: "The Perils of Asthma" is a sympathetic lok at a twelve-year-old boy struggling to grow up amidst his perplexing asthma, his eccentric Catholic parents, and his mystifying quasi-erections. All of the stories are grounded in the allure of language, the luxuriance of detail, and the celebration of human compulsion and obsession.

“[My life] is so rich with blessings—an immense capacity of enjoyment, books, and beloved friends. . . . Most earnestly I pray the dear Heavenly Father that I may sometime make myself far more worthy of the love shown to me than I am now.”
—April 22, 1900 letter from Helen Keller to John Hitz, AFB
When Helen Keller died in 1968, at the age of eighty-eight years old, she was one of the most widely known women in the world. The overnight success of her biography, The Story of My Life, written at age twenty-three, made it obvious to Keller that she was endowed with a gift for writing and speaking. As she got older, she increasingly began to do both on a variety of subjects extending beyond her own disability, including social, political, and theological issues.
Helen Keller: Selected Writings collects Keller’s personal letters, political writings, speeches, and excerpts of her published materials from 1887 to 1968. The book also includes an introductory essay by Kim E. Nielsen, headnotes to each document, and a selected bibliography of work by and about Keller. The majority of the letters and some prints, all drawn from the Helen Keller Archives at the American Foundation for the Blind in New York, are being published for the first time.
Literature, education, advocacy, politics, religion, travel: the many interests of Helen Keller culminate in this book and are reflected in her spirited narration. Also portrayed are the individuals Keller inspired and took inspiration from, including her teacher Annie Sullivan, her family, and others with whom she formed friendships throughout the course of her life.
This often charming collection revels in and preserves Keller’s public and private life, coming to us in the year which marks the 125th anniversary of her birthday.

Dorothy Wordsworth (1771-1885) published nothing in her lifetime, save short extracts from her journals and letters which her brother, William, included in his Guide to the Lakes. She spent most of her life caring for her brother and his family, working, traveling and studying with him and his friends who include de Quincey and Coleridge. This selection for the first time presents her writings as a discrete text, giving her a separate authorial voice from that of her brother and bringing her to a new generation of students, scholars and enthusiasts.
Wordsworth's journals, analyzed and set into context by Paul Hamilton's insightful introduction, chronicle the hardships and indispositions, the comings and goings, the windfalls and losses of those around her, both at home and during her many travels, revealing a relish for the experiences of others distinctly free from Romantic egoism. Most significantly, in her Grasmere Journal, she tells her own story, imposing her own narrative structure on events and discovering the plot of her own life.

The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. Christened the “Post-Bellum-Pre-Harlem” era by the novelist Charles Chesnutt, these years look back to the antislavery movement and forward to the artistic flowering and racial self-consciousness of the Harlem Renaissance.
Post-Bellum, Pre-Harlem offers fresh perspectives on the literary and cultural achievements of African American men and women during this critically neglected, though vitally important, period of our nation's past. Using a wide range of disciplinary approaches, the sixteen scholars gathered here offer both a reappraisal and celebration of African American cultural production during these influential decades. Alongside discussions of political and artistic icons such as Booker T. Washington, W.E.B. Du Bois, Henry Ossawa Tanner, and James Weldon Johnson are essays revaluing figures such as the writers Paul and Alice Dunbar-Nelson, the New England painter Edward Mitchell Bannister, and Georgia-based activists Lucy Craft Laney and Emmanuel King Love.
Contributors explore an array of forms from fine art to anti-lynching drama, from sermons to ragtime and blues, and from dialect pieces and early black musical theater to serious fiction.
Contributors include: Frances Smith Foster, Carla L. Peterson, Gwendolyn DuBois Shaw, Audrey Thomas McCluskey, Barbara Ryan, Robert M. Dowling, Barbara A. Baker, Paula Bernat Bennett, Philip J. Kowalski, Nikki L. Brown, Koritha A. Mitchell, Margaret Crumpton Winter, Rhonda Reymond, and Andrew J. Scheiber.

Collected stories from renowned and emerging voices writing fiction, poetry, and dramatic prose in the aftermath of 9/11

New York is a city of writers. And when the city was attacked on 9/11, its writers began to do what writers do, they began to look and feel and think and write, began to struggle to process an event unimaginable before, and even after, it happened. The work of journalists appeared immediately, in news reports, commentaries, and personal essays. But no single collection has yet recorded how New York writers of fiction, poetry, and dramatic prose have responded to 9/11.

Now, in 110 Stories, Ulrich Baer has gathered a multi-hued range of voices that convey, with vivid immediacy and heightened imagination, the shock and loss suffered in September. From a stunning lineup of 110 renowned and emerging writers-including Paul Auster, Lynne Sharon Schwartz, Edwidge Danticat, Vivian Gornick, Phillip Lopate, Dennis Nurkse, Melvin Bukiet, Susan Wheeler-these stories give readers not so much an analysis of what happened as the very shape and texture of a city in crisis, what it felt like to be here, the external and internal damage that the city and its inhabitants absorbed in the space and the aftermath of a few unforgettable hours. As A.M. Homes says in one of the book's eyewitness accounts, "There is no place to put this experience, no folder in the mental hard drive that says, 'catastrophe.' It is not something that you want to remember, not something that you want to forget." This collection testifies to the power of poetry and storytelling to preserve and give meaning to what seems overwhelming. It showcases the literary imagination in its capacity to gauge the impact of 9/11 on how we view the world.

Just as the stories of the World Trade towers were filled with people from all walks of life, the stories collected here reflect New York's true diversity, its boundless complexity and polyglot energy, its regenerative imagination, and its spirit of solidarity and endurance.

The editor’s proceeds will be donated to charity. Cover art donated by Art Spiegelman.
List of Contributors: Humera Afridi, Ammiel Alcalay, Elena Alexander, Meena Alexander, Jeffery Renard Allen, Roberta Allen, Jonathan Ames, Darren Aronofsky, Paul Auster, Jennifer Belle, Jenifer Berman, Charles Bernstein, Star Black, Breyten Breytenbach, Melvin Jules Bukiet, Peter Carey, Lawrence Chua, Ira Cohen, Imraan Coovadia, Edwidge Danticat, Alice Elliot, Eric Darton, Lydia Davis, Samuel R. Delany, Maggie Dubris, Rinde Eckert, Janice Eidus, Masood Farivar, Carolyn Ferrell, Richard Foreman, Deborah Garrison, Amitav Ghosh, James Gibbons, Carol Gilligan, Thea Goodman, Vivian Gornick, Tim Griffin, Lev Grossman, John Guare, Sean Gullette, Jessica Hagedorn, Kimiko Hahn, Nathalie Handal, Carey Harrison, Joshua Henkin, Tony Hiss, David Hollander, A.M. Homes, Richard Howard, Laird Hunt, Siri Hustvedt, John Keene, John Kelly, Wayne Koestenbaum, Richard Kostelanetz, Guy Lesser, Jonathan Lethem, Jocelyn Lieu, Tan Lin, Sam Lipsyte, Phillip Lopate, Karen Malpede, Charles McNulty, Pablo Medina, Ellen Miller, Paul D. Miller/DJ Spooky, Mark Jay, Tova Mirvis, Albert Mobilio, Alex Molot, Mary Morris, Tracie Morris, Anna Moschovakis, Richard Eoin Nash, Josip Novakovich, Dennis Nurkse, Geoffrey O'Brien, Larry O'Connor, Robert Polito, Nelly Reifler, Rose-Myriam Réjouis, Roxana Robinson, Avital Ronell, Daniel Asa Rose, Joe Salvatore, Grace Schulman, Lynne Sharon Schwartz, Dani Shapiro, Akhil Sharma, Suzan Sherman, Jenefer Shute, Hal Sirowitz, Pamela Sneed, Chris Spain, Art Spiegelman, Catharine R. Stimpson, Liz Swados, Lynne Tillman, Mike Topp, David Trinidad, Val Vinokurov, Chuck Wachtel, Mac Wellman, Owen West, Rachel Wetzsteon, Susan Wheeler, Peter Wortsman, John Yau, Christopher Yu.

Among The Village Voices 25 Favorite Books of 2006
Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category.
Sometime after Andy Warhol’s heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as “Downtown.“ Willfully unpolished and subversively intelligent, figures such as Spalding Gray, Kathy Acker, Richard Hell, David Wojnarowicz, Lynne Tillman, Miguel Piñero, and Eric Bogosian broke free from mainstream publishing to produce a flood of fiction, poetry, experimental theater, art, and music that breathed the life of the street.
The first book to capture the spontaneity of the Downtown literary scene, Up Is Up, But So Is Down collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. Reflecting the unconventional genres that marked this period, the book includes flyers, zines, newsprint weeklies, book covers, and photographs of people and the city, many of them here made available to readers outside the scene for the first time. The book's striking and quirky design—complete with 2-color interior—brings each of these unique documents and images to life.
Brandon Stosuy arranges this hugely varied material chronologically to illustrate the dynamic views at play. He takes us from poetry readings in Alphabet City to happenings at Darinka, a Lower East Side apartment and performance space, to the St. Mark's Bookshop, unofficial crossroads of the counterculture, where home-printed copies of the latest zines were sold in Ziploc bags. Often attacking the bourgeois irony epitomized by the New Yorker’s short fiction, Downtown writers played ebulliently with form and content, sex and language, producing work that depicted the underbelly of real life.
With an afterword by Downtown icons Dennis Cooper and Eileen Myles, Up Is Up, But So Is Down gathers almost twenty years of New York City’s smartest and most explosive—as well as hard to find—writing, providing an indispensable archive of one of the most exciting artistic scenes in U.S. history.

An 1830s African-American slave narrative written in Arabic. Dafydd Morgan, the only American immigrant novel published in Welsh. The Native American epic, Walum Olum, in the Lenape language. Theodor Adorno's dream transcripts, in German. A short story about the politics of abortion in working-class Chinatown. "Lesbian Love," a surprisingly explicit chapter from an 1853 New Orleans novel. A haunting 1904 ballad, "The Revenge of the Forests," that is one of the first expressions of radical environmentalism in the United States.
Largely ignored in the debates over canon and multiculturalism in America, indigenous American works written in languages other than English have over time disappeared from view.
The first anthology of its kind, The Multilingual Anthology of American Literature brings together American writings in diverse languages from Arabic and Spanish to Swedish and Yiddish, among others. Presenting each work in its original language with facing page translation, the book provides an important complement to all other anthologies of American writing, and will serve to complicate our understanding of what exactly American literature is.
American literature appears here as more than an offshoot of a single mother country, or of many mother countries, but rather as the interaction among diverse linguistic and cultural trajectories.
Consider that Cotton Mather spoke half a dozen languages and wrote in both Spanish and Latin. Or that the first short story known to have been written by an African American (and reproduced here) was written in French. Not only a literature of immigration and assimilation, American multilingual literature participates in the larger literary tradition which too often marginalizes authors who complicate the fit of authorship, citizenship, and language.

Fifty more essays from famous writers on their incurable love affair with the Big Apple

What do Francine Prose, Suketu Mehta, and Edwidge Danticat have in common? Each suffers from an incurable love affair with the Big Apple, and each contributed to the canon of writing New York has inspired by way of the New York Times City Section, a part of the paper that once defined Sunday afternoon leisure for the denizens of the five boroughs. Former City Section editor Constance Rosenblum has again culled a diverse cast of voices that brought to vivid life our metropolis through those pages in this follow-up to the publication New York Stories (2005).

The fifty essays in More New York Stories unite the city’s best-known writers to provide a window to the bustle and richness of city life. As with the previous collection, many of the contributors need no introduction, among them Kevin Baker, Laura Shaine Cunningham, Dorothy Gallagher, Colin Harrison, Frances Kiernan, Nathaniel Rich, Jonathan Rosen, Christopher Sorrentino, and Robert Sullivan; they are among the most eloquent observers of our urban life. Others are relative newcomers. But all are voices worth listening to, and the result is a comprehensive and entertaining picture of New York in all its many guises.

The section on “Characters’’ offers a bouquet of indelible profiles. The section on “Places” takes us on journeys to some of the city’s quintessential locales. “Rituals, Rhythms, and Ruminations” seeks to capture the city’s peculiar texture, and the section called “Excavating the Past” offers slices of the city’s endlessly fascinating history.

Delightful for dipping into and a great companion for anyone planning a trip, this collection is both a heart-warming introduction to the human side of New York and a reminder to life-long New Yorkers of the reasons we call the city home.

Writer, artist, Manhattan gallery owner, and co-editor of the Little Review, Jane Heap was one of the most dynamic figures of the international avant garde, creating a life that defined the "modernist experience" as a syncretic one. Deliberately seeking a low profile throughout her life, Heap has frustrated many scholars interested in her personal life and the extraordinarily vital period in which she lived. Through her correspondence, Heap here reveals her intimate self as well as her more public, creative relationships with some of the legends of modern art, literature, and spirituality. Focusing primarily on the voluminous letters written by Heap to Florence Reynolds, the correspondence included in this volume spans the years from 1908-1949, incorporating additional illuminating letters to Reynolds from other significant figures in Heap's life.
Heap's letters reveal the radical transformation of a dreamy, young Midwestern woman into a forceful, sophisticated arbiter of international modernism and provide rare insight into the struggle for lesbian identity and community during the inter-war period. They detail her eventual abandonment of art in the search for the transcendent in the seductive and esoteric mysticism of George Gurdjieff. Holly Baggett's accompanying essay further highlights the boldness of Jane Heap's aesthetics and life.

It is widely accepted that the canon of African American literature has racial realism at its core: African American protagonists, social settings, cultural symbols, and racial-political discourse. As a result, writings that are not preoccupied with race have long been invisible—unpublished, out of print, absent from libraries, rarely discussed among scholars, and omitted from anthologies.
However, some of our most celebrated African American authors—from Zora Neale Hurston and Richard Wright to James Baldwin and Toni Morrison—have resisted this canonical rule, even at the cost of critical dismissal and commercial failure. African American Literature Beyond Race revives this remarkable literary corpus, presenting sixteen short stories, novelettes, and excerpts of novels-from the postbellum nineteenth century to the late twentieth century-that demonstrate this act of literary defiance. Each selection is paired with an original introduction by one of today's leading scholars of African American literature, including Hazel V. Carby, Gerald Early, Mae G. Henderson, George Hutchinson, Carla Peterson, Amritjit Singh, and Werner Sollors.
By casting African Americans in minor roles and marking the protagonists as racially white, neutral, or ambiguous, these works of fiction explore the thematic complexities of human identity, relations, and culture. At the same time, they force us to confront the basic question, “What is African American literature?”
Stories by: James Baldwin, Octavia E. Butler, Samuel R. Delany, Paul Laurence Dunbar, Frances Ellen Watkins Harper, Chester B. Himes, Zora Neale Hurston, Nella Larsen, Toni Morrison, Ann Petry, Wallace Thurman, Jean Toomer, Frank J. Webb, Richard Wright, and Frank Yerby.
Critical Introductions by: Hazel V. Carby, John Charles, Gerald Early, Hazel Arnett Ervin, Matthew Guterl, Mae G. Henderson, George B. Hutchinson, Gene Jarrett, Carla L. Peterson, Amritjit Singh, Werner Sollors, and Jeffrey Allen Tucker.