Mathematics

This challenging book argues that a new way of speaking of mathematics and describing it emerged at the end of the sixteenth century. Leading mathematicians like Hariot, Stevin, Galileo, and Cavalieri began referring to their field in terms drawn from the exploration accounts of Columbus and Magellan. As enterprising explorers in search of treasures of knowledge, these mathematicians described themselves as sailing the treacherous seas of mathematics, facing shipwreck on the shoals of paradox, and seeking shelter and refuge on the shores of geometrical demonstrations. Mathematics, formerly praised for its logic, clarity, and inescapable truths, was for them a hazardous voyage in inhospitable geometrical lands.

Significantly, many of the same practitioners who promoted the vision of mathematics as heroic exploration also played central roles in developing the most important mathematical innovation of the period—the infinitesimal methods. This was no coincidence: the heroic tales of exploration and discovery helped shape a new form of mathematical practice, complete with new questions, new acceptable answers, and new standards of evidence. It was this new vision of mathematics as a grand adventure that allowed for the development of the new techniques that led to the Newtonian calculus.

In demonstrating this, the book moves from real voyages to imaginary ones, from the coasts of the Canadian Arctic to the tropical forests of Guyana, and from the inner structure of matter to the intricacies of the mathematical continuum. Throughout, a common rhetoric and imagery of exploration and discovery run like a thread through these diverse elements and bind them together.

Two features of mathematics stand out: its menagerie of seemingly eternal objects (numbers, spaces, patterns, functions, categories, morphisms, graphs, and so on), and the hieroglyphics of special notations, signs, symbols, and diagrams associated with them. The author challenges the widespread belief in the extra-human origins of these objects and the understanding of mathematics as either a purely mental activity about them or a formal game of manipulating symbols. Instead, he argues that mathematics is a vast and unique man-made imagination machine controlled by writing.

Mathematics as Sign addresses both aspects—mental and linguistic—of this machine. The opening essay, "Toward a Semiotics of Mathematics" (long acknowledged as a seminal contribution to its field), sets out the author's underlying model. According to this model, "doing" mathematics constitutes a kind of waking dream or thought experiment in which a proxy of the self is propelled around imagined worlds that are conjured into intersubjective being through signs.

Other essays explore the status of these signs and the nature of mathematical objects, how mathematical ideograms and diagrams differ from each other and from written words, the probable fate of the real number continuum and calculus in the digital era, the manner in which Platonic and Aristotelean metaphysics are enshrined in the contemporary mathematical infinitude of endless counting, and the possibility of creating a new conception of the sequence of whole numbers based on what the author calls non-Euclidean counting.

Reprising and going beyond the critique of number in Ad Infinitum, the essays in this volume offer an accessible insight into Rotman's project, one that has been called "one of the most original and important recent contributions to the philosophy of mathematics."

Two features of mathematics stand out: its menagerie of seemingly eternal objects (numbers, spaces, patterns, functions, categories, morphisms, graphs, and so on), and the hieroglyphics of special notations, signs, symbols, and diagrams associated with them. The author challenges the widespread belief in the extra-human origins of these objects and the understanding of mathematics as either a purely mental activity about them or a formal game of manipulating symbols. Instead, he argues that mathematics is a vast and unique man-made imagination machine controlled by writing.

Mathematics as Sign addresses both aspects—mental and linguistic—of this machine. The opening essay, "Toward a Semiotics of Mathematics" (long acknowledged as a seminal contribution to its field), sets out the author's underlying model. According to this model, "doing" mathematics constitutes a kind of waking dream or thought experiment in which a proxy of the self is propelled around imagined worlds that are conjured into intersubjective being through signs.

Other essays explore the status of these signs and the nature of mathematical objects, how mathematical ideograms and diagrams differ from each other and from written words, the probable fate of the real number continuum and calculus in the digital era, the manner in which Platonic and Aristotelean metaphysics are enshrined in the contemporary mathematical infinitude of endless counting, and the possibility of creating a new conception of the sequence of whole numbers based on what the author calls non-Euclidean counting.

Reprising and going beyond the critique of number in Ad Infinitum, the essays in this volume offer an accessible insight into Rotman's project, one that has been called "one of the most original and important recent contributions to the philosophy of mathematics."