Miscellaneous

For readers of Oliver Sacks and Being Mortal by Atul Gawande comes a “shimmery account of performing … for a series of patients with varied afflictions, including the inevitable final one.”—New York Times

A celebrated art therapist plays the cello for her patients—and offers a moving reflection on the extraordinary power of music to enrich our lives, all the way to the very end.

When Claire Oppert plays the cello, miracles happen. Children with profound autism, patients in extreme pain and distress, even people on the threshold of death smile, cry, laugh, sing and dance. “When you play, I’m not sick anymore,” one man tells her. “I feel happy, I feel alive.”

In The Schubert Treatment, Oppert recounts her remarkable story of healing suffering through music, alongside portraits of the many people she has helped. Born into a family of doctors and artists, Oppert trained as a classical cellist and began playing at a center for autistic youth, where she witnessed how music could connect with even the most difficult-to-reach patients. Later, she began working as an art therapist with people with neurodegenerative diseases and palliative care patients, eventually conducting clinical trials that proved the effect of her “Schubert treatment”: using music as a counter-stimulation to reduce pain and anxiety during stressful procedures.

Oppert’s crystalline, lyrical vignettes of the patients whose lives she has touched are punctuated with anecdotes from her own life as a musician, as well as reflections on the meaning of art and the human need for connection and creativity. Compassionate, uplifting, and deeply humane, The Schubert Treatment is a testament to the incredible power of music to heal our bodies, minds, and souls.

Manuscript 9 of the Biblioteca Storico-Francescana of the Chiesa Nuova in Assisi is an anthology of Franciscan writings in the Occitan language. Since the appearance in 1955 of Ingrid Arthur’s ed. of the Occitan version of Bonaventure’s bio. of St. Francis, scholars have devoted increasing attention to MS. 9. However, studies of Occitan biblical translations have not dealt with the translations of John XII-XVII found in that manuscript. This work provides an ed. of these passages accomp. by a study of their Vulgate origin among the Spiritual Franciscans. Because of the widespread & growing interest in the manuscript as a whole, this vol. offers a general historical treatment of the religious milieu which spawned the translations & the collection containing them.