Photography

Brown and Holley are interested in place and what makes people who they are. With particular interest in how people take the hand they’ve been dealt—fate, family, circumstance, luck—and craft a life for themselves, the authors celebrate the grit and gumption of these Texas originals. Introducing quirky characters and tenacious spirits, Holley’s stories seek out the personality of the small town while Brown’s photographs capture the essence of a changing landscape. Hometown Texas aims not to be nostalgic or sentimental but rather to show readers an unknown Texas—one that, while not vanishing, is certainly on the wane.

Organized into five topographical, geographic, and cultural sections—East, West, North, South, and Central—three dozen stories and more than eighty complementary images work to create a parallel narrative to reveal what Brown has described as the “collective, various, remarkably complex soul that makes Texas unique.”

Hometown Texas is an exploration across miles and cultures, of well-traveled roads and forgotten byways, deep into the heart of Texas.

East Austin, just across Interstate 35 from Austin, Texas’s capital city, is a historically working-class neighborhood that in recent years has become an arts district and hotbed for real estate developers targeting a young urban population. The shops and restaurants that for decades served Latino and African American residents are being crowded out by coffee shops, cocktail bars, and upscale bakeries hoping to attract newer residents. The resulting tensions, part of a trend debated in cities across the country, have received national media attention.

After years of observing the fragmentation of east Austin’s Latino and African American communities, photographer John Langmore began to chronicle the historic neighborhood and its residents. His aim was to capture the gentrifying neighborhood’s unique nature and to make Texans aware of the people and places negatively affected by the state’s growth.

Fault Lines features more than a hundred color and black-and-white photographs taken between 2006 and 2010, during which time Langmore was fully aware that the window for capturing the east Austin community was rapidly closing. Indeed today many of the neighborhood places, and even the people, have been lost to development and increasing rents and property taxes.

The book features a foreword by Michael King, a longtime political reporter for the Austin Chronicle; essays by east Austin resident Wilhelmina Delco, Austin’s first African American elected official and a ten-term member of the Texas House of Representatives, and Johnny Limón, a sixty-six-year resident of east Austin and a prominent member of the neighborhood’s Latino community; and an epilogue by Langmore.

Brown and Holley are interested in place and what makes people who they are. With particular interest in how people take the hand they’ve been dealt—fate, family, circumstance, luck—and craft a life for themselves, the authors celebrate the grit and gumption of these Texas originals. Introducing quirky characters and tenacious spirits, Holley’s stories seek out the personality of the small town while Brown’s photographs capture the essence of a changing landscape. Hometown Texas aims not to be nostalgic or sentimental but rather to show readers an unknown Texas—one that, while not vanishing, is certainly on the wane.

Organized into five topographical, geographic, and cultural sections—East, West, North, South, and Central—three dozen stories and more than eighty complementary images work to create a parallel narrative to reveal what Brown has described as the “collective, various, remarkably complex soul that makes Texas unique.”

Hometown Texas is an exploration across miles and cultures, of well-traveled roads and forgotten byways, deep into the heart of Texas.

In Ranch Gates of the Southwest, Daniel Olsen and Henk van Assen present more than 100 full-color photographs of ranch gates taken across Colorado, Utah, Nevada, Texas, Oklahoma, New Mexico, and Arizona. From rugged and functional to stylized and adorned, ranches with names such as F. V. Cuahope Ranch, High Lonesome, Felix River Ranch, and Rancho Quatro Hermanas reveal cultural history, landscape features, and individualism through language and design. Lucy R. Lippard’s introduction offers historical and cultural context of ranches and their gates. Landscape architecture professor Kenneth I. Helphand explains the environmental history of ranches from land appropriation and naming to the impact of gates on the landscape. In their own essays, Olsen and van Assen tell the behind-the-scenes story of making the book and describe type design and language from their perspectives as designers and photographers. Ranch Gates of the Southwestis both a sumptuous documentary record and a tribute to a quintessentially American symbol.

Along with the movement Humans of New York, a project to share the stories of New Yorkers, Humans of San Antonio is part of the Global Humans Project, a network of major cities around the world dedicated to capturing a glimpse into the lives of everyday citizens. From Amsterdam to Rio de Janeiro, San Antonio joins the ranks of cities photographed and shown through social media to the rest of the world.

Michael Cirlos is the photojournalist behind Humans of San Antonio, a social media project founded in 2012 that combines photography and storytelling to promote the spirit of San Antonio's growing downtown community. The book Humans of San Antonio is the culmination of more than four years of photographs highlighting the people, culture, and vibrancy of San Antonio. As a community that has weathered economic imbalance and proven itself a leader in urban redevelopment and twenty-first-century innovation, San Antonio embraces change while continuing to celebrate the diversity, history, and individuality that makes it unique. This book reflects the the city's heart and its melting pot of cultures. Through images and his subjects' own stories, Cirlos communicates not just vulnerability to fear, sadness, and anger but also resilience, strength, hope, tolerance, and perseverance. Humans of San Antonio is uniquely individual as a photography collection while celebrating the international collaborative that forms its roots.