PM Press

A monumental work, expansive in scope, covering the life, times, and culture of that most famous of the Wobblies—songwriter, poet, hobo, thinker, humorist, martyr—Joe Hill. It is a journey into the Wobbly culture that made Hill and the capitalist culture that killed him. Many aspects of the life and lore of Joe Hill receive their first and only discussion in IWW historian Franklin Rosemont’s opus.

In great detail, the issues that Joe Hill raised and grappled with in his life: capitalism, white supremacy, gender, religion, wilderness, law, prison, and industrial unionism are shown in both the context of Hill’s life and for their enduring relevance in the century since his death.

Collected too is Joe Hill’s art, plus scores of other images featuring Hill-inspired art by IWW illustrators from Ralph Chaplin to Carlos Cortez, as well as contributions from many other labor artists.

As Rosemont suggests in this remarkable book, Joe Hill never really died. He lives in the minds of young (and old) rebels as long as his songs are sung, his ideas are circulated, and his political descendants keep fighting for a better day.

Maxim Arturovitch Pyatnitski, that charming but despicable mythomaniac who first appeared in Byzantium Endures, is back. Having fled Bolshevik Russia in late 1919, Pyat’s progress is a series of leaps from crisis to crisis, as he begins affairs with a Baroness and a Greek prostitute while undertaking schemes to build flying machines in Europe and the United States. His devotion to flamboyantly racist, particularly anti-Semitic doctrines—like his devotion to cocaine—remains unabated, and he both sings the praises of Mussolini and lectures across America for the Ku Klux Klan. (His best kept secret is of course, the fact that he is Jewish.) As the novel ends, Pyat is in Hollywood—his new Byzantium—hobnobbing with movie stars and dreaming of making films like those of his hero, D.W. Griffith.

Engineer, braggart, addict, Pyat is a magnificent invention, a genius of innocent vituperation: his finest achievement (and that of the author) is that his own warped and deluded vision is powerful enough to redefine reality. This authoritative edition presents the first time this work has been available in paperback in the U.S., along with a new introduction by Alan Wall.

Jena, LA - In a small town in Louisiana, six families are fighting for their sons' lives.

Two nooses are left as a warning to black students trying to integrate their playground, fights break out across town, a white man pulls a shotgun on black students, someone burns down most of the school, the DA puts six black students on trial for attempted murder,and the quiet town of Jena becomes the site of the largest civil rights demonstration in the South since the 1960s.

The Sámi, who have inhabited Europe’s far north for thousands of years, are often referred to as the continent’s “forgotten people.” With Sápmi, their traditional homeland, divided between four nation-states—Norway, Sweden, Finland, and Russia—the Sámi have experienced the profound oppression and discrimination that characterize the fate of indigenous people worldwide: their lands have been confiscated, their beliefs and values attacked, their communities and families torn apart. Yet the Sámi have shown incredible resilience, defending their identity and their territories and retaining an important social and ecological voice—even if many, progressives and leftists included, refuse to listen.

Liberating Sápmi is a stunning journey through Sápmi and includes in-depth interviews with Sámi artists, activists, and scholars boldly standing up for the rights of their people. In this beautifully illustrated work, Gabriel Kuhn, author of over a dozen books and our most fascinating interpreter of global social justice movements, aims to raise awareness of the ongoing fight of the Sámi for justice and self-determination. The first accessible English-language introduction to the history of the Sámi people and the first account that focuses on their political resistance, this provocative work gives irrefutable evidence of the important role the Sámi play in the resistance of indigenous people against an economic and political system whose power to destroy all life on earth has reached a scale unprecedented in the history of humanity.

The book contains interviews with Mari Boine, Harald Gaski, Ann-Kristin Håkansson, Aslak Holmberg, Maxida Märak, Stefan Mikaelsson, May-Britt Öhman, Synnøve Persen, Øyvind Ravna, Niillas Somby, Anders Sunna, and Suvi West.

A major study of movements that strive to overthrow the U.S. government, that often claim to be anti-imperialist and sometimes even anti-capitalist yet also consciously promote inequality, hierarchy, and domination, generally along explicitly racist, sexist, and homophobic lines. Revolutionaries of the far right: insurgent supremacists.

In this book, Matthew N. Lyons takes readers on a tour of neonazis and Christian theocrats, by way of the patriot movement, the LaRouchites, and the alt-right. Supplementing this, thematic sections explore specific dimensions of far-right politics, regarding gender, decentralism, and anti-imperialism.

Intervening directly in debates within left and antifascist movements, Lyons examines both the widespread use and abuse of the term “fascism,” and the relationship between federal security forces and the paramilitary right. His final chapter offers a preliminary analysis of the Trump presidential administration relationship with far-right politics and the organized far right’s shifting responses to it.

Both for its analysis and as a guide to our opponents, Insurgent Supremacists promises to be a powerful tool in organizing to resist the forces at the cutting edge of reaction today.

¡Veintisiete páginas de diversión feminista! Este es un libro para colorear y para cualquier edad; ¡y nunca somos demasiado grandes! Las niñas pueden ser reyes ofrece una manera alegre y subversiva de examinar cómo los estereotipos de género se encuentran en todos los aspectos de nuestras vidas. Este libro ayuda a deconstruir la homogeneidad de la expresión de género en los medios infantiles, presentando imágenes más diversificadas que refuerzan los roles de género positivos para las niñas.

Las niñas son pensadoras, creadoras, luchadoras, curanderas y superheroínas.

Hugo and Nebula award-winner Terry Bisson is best known for his short stories, which range from the southern sweetness of “Bears Discover Fire” to the alienated aliens of “They’re Made Out of Meat.” He is also a 1960’s New Left vet with a history of activism and an intact (if battered) radical ideology.

The Left Behind novels (about the so-called “Rapture” in which all the born-agains ascend straight to heaven) are among the bestselling Christian books in the United States, describing in lurid detail the adventures of those “left behind” to battle the Anti-Christ. Put Bisson and the born-agains together, and what do you get? The Left Left Behind—a sardonic, merciless, tasteless, take-no-prisoners satire of the entire apocalyptic enterprise that spares no one—predatory preachers, goth lingerie, Pacifica Radio, Indian casinos, gangsta rap, and even “art cars” at Burning Man.

Plus: “Special Relativity,” a one-act drama that answers the question: When Albert Einstein, Paul Robeson, and J. Edgar Hoover are raised from the dead at an anti-Bush rally, which one wears the dress? As with all Outspoken Author books, there is a deep interview and autobiography: at length, in-depth, no-holds-barred and all-bets off: an extended tour through the mind and work, the history and politics of our Outspoken Author. Surprises are promised.

Karl Marx remarked that the only way to write about the origins of capitalism is in the letters of blood and fire used to drive workers from the common lands, forests, and waters in the sixteenth century. In this collection of essays, George Caffentzis argues that the same is true for the annals of twenty-first-century capitalism. Information technology, immaterial production, financialization, and globalization have been trumpeted as inaugurating a new phase of capitalism that puts it beyond its violent origins. Instead of being a period of major social and economic novelty, however, the course of recent decades has been a return to the fire and blood of struggles at the advent of capitalism.

Emphasizing class struggles that have proliferated across the social body of global capitalism, Caffentzis shows how a wide range of conflicts and antagonisms in the labor-capital relation express themselves within and against the work process. These struggles are so central to the dynamic of the system that even the most sophisticated machines cannot liberate capitalism from class struggle and the need for labor. Themes of war and crisis permeate the text and are given singular emphasis, documenting the peculiar way in which capital perpetuates violence and proliferates misery on a world scale. This collection draws upon a careful rereading of Marx’s thought in order to elucidate political concerns of the day. Originally written to contribute to the debates of the anticapitalist movement over the last thirty years, this book makes Caffentzis’s writings readily available as tools for the struggle in this period of transition to a common future.

This book examines one of the most important labor conflicts in the United States today. In 2006 and 2007, disputes developed concerning the practice and direction of the 150,000 member healthcare workers union in California, United Healthcare Workers-West (UHW), with its “parent” organization, the Service Employees International Union (SEIU).

SEIU is the second largest union in the US, the fastest growing in recent years. It is a well-organized, well-financed organization, with an ambitious agenda. SEIU perspectives, while packaged as progressive, reject traditional union traditions and practices – union democracy and the idea of “class struggle” are replaced with class collaboration, and the union frequently “wheels and deals” directly with top management and politicians. In 2007 UHW rejected these perspectives and contested them within the union.

The SEIU international leadership retaliated by placing UHW in trusteeship, firing its officers, seizing its assets, and taking control of all union’s activities. UHW leaders and members responded by forming a new union, the National Union of Healthcare Workers (NUHW) and challenging the SEIU in virtually every unionized site in the state.

This California conflict—SEIU vs. NUHW—is no local brawl; it is not about personalities, it is not about West Coast eccentricities. Its significance is not confined to the fortunes of just one particular union. SEIU’s attack, however regrettable, is not the first such—nor will it be the last. The truth is that labor has always been divided, comprised of many currents. The truth is also that there are rights and wrongs in labor, as elsewhere, and that these can expose fundamental divides—in this case two contesting souls in the workers’ movement. These are sharply on display today in this dispute—the one soul authoritarian, top-down, collaborationist, the other bottom-up, rank-and-file, class conscious.

Our world is in the grips of the most calamitous economic crisis since the Great Depression—and its epicenter is the imperial United States, where hallowed investment banks have disappeared overnight, giants of industry have gone bankrupt, and the financial order has been shaken to the core.

While many around the globe are increasingly wondering if another world is indeed possible, few are mapping out potential avenues – and flagging wrong turns – en route to a post-capitalist future. In this groundbreaking analysis of the meltdown, renowned radical political economists Albo, Gindin, and Panitch lay bare the roots of the crisis, which they locate in the dynamic expansion of capital on a global scale over the last quarter century—and in the inner logic of capitalism itself.

With an unparalleled understanding of the inner workings of capitalism, the authors of In and Out of Crisis provocatively challenge the call by much of the Left for a return to a largely mythical Golden Age of economic regulation as a check on finance capital unbound. They deftly illuminate how the era of neoliberal free markets has been, in practice, undergirded by state intervention on a massive scale. With clarity and erudition, they argue persuasively that given the current balance of social forces—as bank bailouts around the globe make evident—regulation is not a means of fundamentally reordering power in society, but rather a way of preserving markets.

Contrary to those who believe US hegemony is on the wane, Albo, Gindin, and Panitch contend that the meltdown has, in fact, reinforced the centrality of the American state as the dominant force within global capitalism, while simultaneously increasing the difficulties entailed in managing its imperial role.

In conclusion, the authors argue that it’s time to start thinking about genuinely transformative alternatives to capitalism—and how to build the collective capacity to get us there. We should be thinking bigger and preparing to go further. In and Out of Crisis stands to be the enduring critique of the crisis and an indispensable springboard for a renewed Left.

The six women of the Knitting Circle meet every week to chat, eat cake, and make fabulous sweaters. Until the night they realize that they’ve all survived rape—and that not one of their assailants has suffered a single consequence. Enough is enough. The Knitting Circle becomes the Knitting Circle Rapist Annihilation Squad. They declare open season on rapists, with no licenses and no bag limits. With needles as their weapons, the revolution begins.

A cop is stabbed through a doughnut hole and into his heart. A country-western singer is found with knitting needles jammed into both ears and his no-means-yes hit song playing. A pedophile priest is killed in the sacristy. As the Circle swells, perpetrators learn to shudder at the sight of business women with knitted briefcases, students with knitted backpacks, roller derby queens with knitted kneepads. They also push back, as organizations of men—from the Chamber of Commerce to the Department of Agriculture to the Autonomous Federated Association of Coalitions of Anarchists for Spontaneous Insurrectionary Sexual Freedom (the AFACASISF, with their unique musical style: deathvomitnoise)—issue statements against the Knitting Circle. More sinister is MAWAR (Men Against Women Against Rape), with their Bible Scrabble and their beefcake Jesus calendar—and a plot to stop the Knitting Circle.

Will the Knitting Circle triumph? Or will Officer Flint learn to knit in time to infiltrate it? Will Nick the male ally brave Daisy’s Craft Barn to secure more weapons for the women? Will Marilyn put down her teenage attitude and pick up her knitting needles? Will Circle member Jasmine find true love with MAWAR’s Zebediah?

Cuando Filomena Buscarsela, detective privado trabajando en Nueva York, lleva a su hija adolescente Antonia a Ecuador para que conozca a sus familiares, la visita se trastoca en más que un simple regreso a casa. Filomena no ha pisado Ecuador en años, y este viaje le devuelve episodios de su vida pasada en los que fue una revolucionaria. Ni siquiera logra tener tiempo de adaptarse a su nuevo entorno cuando es asesinado el sacerdote que, años atrás, le salvó la vida y la ayudó a escapar hacia Estados Unidos.

La investigación que emprende Filomena sobre dicho asesinato la lleva a reencontrarse con las personas de las que tuvo que escapar en el pasado. Mientras el país está atormentado por desastres naturales y sociales—deslizamiento de tierras, inundaciones, escasez de alimentos, protestas, represiones—Filomena se convierte en una fugitiva de la ley que atraviesa el país para tener un enfrentamiento culminante en la selva amazónica. Wishnia construye una novela rica en paisajes, sonidos y peligros de Ecuador, además provee una mirada irresistible sobre las raíces de una de las heroínas más dinámicas del género ficción criminal.

Journey through Utopia is a richly detailed and critically compelling examination of utopian literature, beginning with Plato’s Republic and continuing through to Huxley’s Brave New World. Utopias have been penned with diverse intentions: some as pictures of an ideal society, some as blueprints for action, yet others, especially in times of severe censorship, as covert criticisms of existing conditions.

Marie Louise Berneri exposes the dark shadow that lingers above most utopian works by emphasising the intolerant and authoritarian nature of these visions, and she warns of the doom that awaits those foolish enough to put their trust in an ordered and regimented world.

This new edition is framed with an Introduction from Matthew S. Adams that situates Berneri’s work in the context of her life, and concludes with an Afterword from Rhiannon Firth that extends Berneri’s analysis into contemporary utopias. Journey through Utopia is a necessary companion, and in many cases an antidote, to imagined fictions from antiquity to the present.

For fifteen-year-old Joe Martin, growing up on the outskirts of West London, the summer of 1977 means punk rock, busy pubs, disco girls, stolen cars, social-club lager, cutthroat Teddy Boys and a job picking cherries with the gypsies. Life is sweet—until he is attacked by a gang of youths and thrown into the Grand Union Canal with his best friend Smiles.

Fast forward to 1988, and Joe is travelling home on the Trans-Siberian Express after three years away, remembering the highs and lows of the intervening years as he comes to terms with tragedy. Fast forward to 2000, and life is sweet once more. Joe is earning a living selling records and fight tickets, playing his favourite 45s as a punk DJ, but when a face from the past steps out of the mist he is forced to relive that night in 1977 and deal with the fallout.

Human Punk is the story of punk, a story of friendship, a story of common bonds and a shared culture—sticking the boot in, sticking together.

A RADICAL LABOR CLASSIC

Undoubtedly the most popular book in American labor history, the I.W.W.’s Little Red Song Book has been a staple item on picket lines and at other workers’ gatherings for generations, and has gone through numerous editions.

As a result of I.W.W. efforts to keep up with the times, however, recent versions of the songbook have omitted most of the old-time favorites, especially the raucous lyrics of the free-spirited hoboes who made up such a large portion of the union’s membership in its heyday. For example, recent versions have left out all but a few of the celebrated songs of Joe Hill, T-Bone Slim, Ralph Chaplin, and other pioneer bards of the One Big Union—and many of the few remaining older songs have been abridged or otherwise modified.

The steadily mounting interest in Wobbly history and culture warrants this facsimile edition of a classic Little Red Song Book from the union’s Golden Age. Reprinted here is the Nineteenth Edition, originally issued in 1923, the year the I.W.W. reached its peak membership.

Of the fifty-two songs in this book, the overwhelming majority have not been included in the I.W.W.’s own songbooks for many years. Here are such classics as Joe Hill’s “John Golden and the Lawrence Strike,” “We Will Sing One Song,” “Scissor Bill,” “The Tramp,” and others; T-Bone Slim’s “I’m Too Old to Be a Scab,” “Mysteries of a Hobo’s Life,” “I Wanna Free Miss Liberty,” and others; Ralph Chaplin’s “All Hell Can’t Stop Us,” “Up from Your Knees,” “May Day Song,” and more; and other songs by C.G. Allen, Richard Brazier, Pat Brennan, James Connolly, Laura Payne Emerson, and many others.

Ninety years ago these songs were sung with gusto in Wobbly halls and hobo jungles from Brooklyn to San Pedro. And they’re still fun to sing today!

The world today has no shortage of economic crises—or politicians and pundits who claim to have the vision that will get us out of the Great Recession. For 25 years, the labor-community coalition Jobs with Justice (JwJ) has endured the brutal vagaries of the global economy with a single alternative economic vision. By putting its ideas into practice, it has won powerful victories with working-class communities.

Through a series of interviews and essays, this book allows the community, labor, immigrant, student, and faith activists that have built Jobs with Justice to show us why their economic vision matters. They tell us why the organization’s core principle—the power of solidarity between unions, community groups, and immigrant, student, and faith organizations—continues to drive its victories at the local, national, and international levels. They tell us how the belief in solidarity leads not only to short-term alliances, but also to transformed relationships and permanent coalitions. They tell us how it has led—and will lead—to concrete victories for social and economic justice.

Though the book reflects on the last 25 years of the Jobs with Justice coalition, it’s very much directed at the next 25. It includes the perspectives of longtime national leaders like founder Larry Cohen, newcomers like Ai-Jen Poo of the National Domestic Workers Alliance, and the locally-based, working-class men and women who have built JwJ from the ground up.

It is 1988. Judit Klemmer is a filmmaker who is assembling a fortieth-anniversary official documentary about the birth of Judenstaat, the Jewish homeland surrendered by defeated Germany in 1948. Her work is complicated by Cold War tensions between the competing U.S. and Soviet empires and by internal conflicts among the “black-hat” Orthodox Jews, the far more worldly Bundists, and reactionary Saxon nationalists who are still bent on destroying the new Jewish state.

But Judit’s work has far more personal complications. A widow, she has yet to deal with her own heart’s terrible loss—the very public assassination of her husband, Hans Klemmer, shot dead while conducting a concert.

Then a shadowy figure slips her a note with new and potentially dangerous information about her famous husband’s murder.

”I will admit I was lured into temptation during the twenties and thirties, and I blame no one for what happened then, least of all myself.”

Unmistakably, this is the voice of Colonel Pyat, addict, inventor, and bizarre Everyman for the twentieth century. In Jerusalem Commands, the third of the Pyat quartet, our hero schemes and fantasises his way from New York to Hollywood, from Cairo to Marrakech, from cult success to the utter limits of sexual degradation, leaving a trail of mechanical and human wreckage in his wake as he crashes towards an inevitable appointment with the worst nightmare this century has to offer.

It is Michael Moorcock’s extraordinary achievement to convert the life of Maxim Pyatnitski into epic and often hilariously comic adventure. Sustained by his dreams and profligate inventions, his determination to turn his back on the realities of his own origins, Pyat runs from crisis to crisis, every ruse a further link in a vast chain of deceit, suppression, betrayal. Yet, in his deranged self-deception, his monumentally distorted vision, this thoroughly unreliable narrator becomes a lens for focusing, through the dimensions of wild farce and chilling terror, on an uneasy brand of truth.

Spanning the famous Homestead steel strike of 1892 through the century-long fight for a union and union democracy, Homestead Steel Mill—the Final Ten Years is a case history on the vitality of organized labor. Written by fellow worker and musician Mike Stout, the book is an insider’s portrait of the union at the U.S. Steel’s Homestead Works, specifically the workers, activists, and insurgents that made up the radically democratic Rank and File Caucus from 1977 to 1987. Developing its own “inside-outside” approach to unionism, the Rank and File Caucus drastically expanded their sphere of influence so that, in addition to fighting for their own rights as workers, they fought to prevent the closures of other steel plants, opposed U.S. imperialism in Central America, fought for civil rights, and built strategic coalitions with local environmental groups.

Mike Stout skillfully chronicles his experience in the takeover and restructuring of the union’s grievance procedure at Homestead by regular workers and put at the service of its thousands of members. Stout writes with raw honesty and pulls no punches when recounting the many foibles and setbacks he experienced along the way. The Rank and File Caucus was a profound experiment in democracy that was aided by the 1397 Rank and File newspaper—an ultimate expression of truth, democracy, and free speech that guaranteed every union member a valuable voice.

Profusely illustrated with dozens of photographs, Homestead Steel Mill—the Final Ten Years is labor history at its best, providing a vivid account of how ordinary workers can radicalize their unions.

The Housing Monster is a scathing illustrated essay that takes one seemingly simple, everyday thing—a house—and looks at the social relations that surround it. Moving from intensely personal thoughts and interactions to large-scale political and economic forces, it reads alternately like a worker’s diary, a short story, a psychology of everyday life, a historical account, an introduction to Marxist critique of political economy, and an angry flyer someone would pass you on the street.

Starting with the construction site and the physical building of houses, the book slowly builds and links more and more issues together: from gentrification and city politics to gender roles and identity politics, from subcontracting and speculation to union contracts and negotiation, from individual belief, suffering, and resistance to structural division, necessity, and instability. What starts as a look at housing broadens into a critique of capitalism as a whole. The text is accompanied by clean black-and-white illustrations that are mocking, beautiful, and bleak.

Jewish Noir is a unique collection of new stories by Jewish and non-Jewish literary and genre writers, including numerous award-winning authors such as Marge Piercy, Harlan Ellison, S.J. Rozan, Nancy Richler, Moe Prager (Reed Farrel Coleman), Wendy Hornsby, Charles Ardai, and Kenneth Wishnia. The stories explore such issues as the Holocaust and its long-term effects on subsequent generations, anti-Semitism in the mid- and late-twentieth-century United States, and the dark side of the Diaspora (the decline of revolutionary fervor, the passing of generations, the Golden Ghetto, etc.). The stories in this collection also include many “teachable moments” about the history of prejudice, and the contradictions of ethnic identity and assimilation into American society.

Stories include:
“A Simkhe” (A Celebration), first published in Yiddish in the Forverts in 1912 by one of the great unsung writers of that era, Yente Serdatsky. This story depicts the disillusionment that sets in among a group of Russian Jewish immigrant radicals after several years in the United States. This is the story’s first appearance in English.

“Trajectories,” Marge Piercy’s story of the divergent paths taken by two young men from the slums of Cleveland and Detroit in a rapidly changing post-World War II society.

“Some You Lose,” Nancy Richler’s empathetic exploration of the emotional and psychological challenges of trying to sum up a man’s life in a eulogy.

“Her Daughter’s Bat Mitzvah,” Rabbi Adam Fisher’s darkly comic profanity-filled monologue in the tradition of Sholem Aleichem, the writer best known as the source material for Fiddler on the Roof (minus the profanity, that is).

“Flowers of Shanghai,” S.J. Rozan’s compelling tale of hope and despair set in the European refugee community of Japanese-occupied Shanghai during World War II.

“Yahrzeit Candle,” Stephen Jay Schwartz’s take on the subtle horrors of the inevitable passing of time.

Clay Blackburn has two jobs. Most of the time he’s your average bisexual book scout in Berkeley. Some of the time he’s… not quite a private detective. He doesn’t have a license, he doesn’t have a gun, he doesn’t have a business card—but people come to him for help and in helping them he comes across more than his fair share of trouble. And trouble finds him seeking the fountain of youth, the myth of paradise, the pie in the sky…The Incredible Double.

Clay fights his way through corporate shills, Berkeley loonies, and CEO thugs on his way to understanding the secret of The Double. Follow his journey to a state of Grace, epiphanies, perhaps the meaning of life. This follow-up to The Chandler Apartments, red meat to charter members of the Clay Blackburn cult, is also an excellent introduction to the series. Hill brings back Blackburn’s trusty, if goofy sidekicks: Marvin, best friend and lefty soldier of fortune; Bailey Dao, ex-FBI agent; Dino Centro, as smarmy as he is debonair. He also introduces a new cast of bizarre characters: drug casualty turned poet Loose Bruce, conspiracy theorist Larry Sasway, and Grace, the Tallulah Bankhead of Berkeley. Together—and sometimes not so together—they team up to foil Drugstore Wally, the CEO with an evil plan.

In, Against, and Beyond Capitalism is based on three recent lectures delivered by John Holloway at the California Institute of Integral Studies in San Francisco. The lectures focus on what anticapitalist revolution can mean today—after the historic failure of the idea that the conquest of state power was the key to radical change—and offer a brilliant and engaging introduction to the central themes of Holloway’s work.

The lectures take as their central challenge the idea that “We Are the Crisis of Capital and Proud of It.” This runs counter to many leftist assumptions that the capitalists are to blame for the crisis, or that crisis is simply the expression of the bankruptcy of the system. The only way to see crisis as the possible threshold to a better world is to understand the failure of capitalism as the face of the push of our creative force. This poses a theoretical challenge. The first lecture focuses on the meaning of “We,” the second on the understanding of capital as a system of social cohesion that systematically frustrates our creative force, and the third on the proposal that we are the crisis of this system of cohesion.

“His Marxism is premised on another form of logic, one that affirms movement, instability, and struggle. This is a movement of thought that affirms the richness of life, particularity (non-identity) and ‘walking in the opposite direction’; walking, that is, away from exploitation, domination, and classification. Without contradictory thinking in, against, and beyond the capitalist society, capital once again becomes a reified object, a thing, and not a social relation that signifies transformation of a useful and creative activity (doing) into (abstract) labor. Only open dialectics, a right kind of thinking for the wrong kind of world, non-unitary thinking without guarantees, is able to assist us in our contradictory struggle for a world free of contradiction.”—Andrej Grubačić, from his Preface

Headhunters is the story of five friends. Carter USM is a live wire who lives on the edge and tries not to think too much; Mango can’t stop thinking, has made money but is weighed down by family tragedy; Harry is a beer-lover and dreamer; Balti is his drinking partner, out of work and hoping for a fresh start; while Will is the quiet romantic, a voice of reason as the lives of the others become increasingly chaotic and veer towards disaster.

Headhunters is also a story of London. The novel is rooted in its streets, workplaces, pubs and music, but a parallel society exists, where the planet’s wealthy are able to buy and sell whatever they like. This is a world from which the Londoners of this novel are excluded, resentment too often directed against their own kind. The Unity is the boys’ local pub and it is here that they form a tongue-in-cheek Sex Division to celebrate a new year. Based on the idea of a football league, the most Woman can offer Man is four points—unless she leaves her handbag unattended.

Carter is the Unstoppable Sex Machine and soon leads the table, while Mango breaks the rules and buys success. Harry and Balti are overweight and hard up, know they have little to offer apart from their personalities, turn to cold lager and hot curries instead of sex. Will falls in loves and retires. Recognition of the affinities between the sexes soon becomes clear. Background is more important than gender.

Headhunters mixes humor and longing as the real feelings of these men break through, moving beyond expectations. A missing brother, prophetic visions, genuine romance and a tit-for-tat confrontation draw the characters out into the open—revealing the individuals behind the words and their craving for respect. Events run out of control, but several happy endings seem possible.

“May Day is about affirmation, the love of life, and the start of spring, so it has to be about the beginning of the end of the capitalist system of exploitation, oppression, war, and overall misery, toil, and moil.” So writes celebrated historian Peter Linebaugh in an essential compendium of reflections on the reviled, glorious, and voltaic occasion of May 1st.

It is a day that has made the rich and powerful cower in fear and caused Parliament to ban the Maypole—a magnificent and riotous day of rebirth, renewal, and refusal. These reflections on the Red and the Green—out of which arguably the only hope for the future lies—are populated by the likes of Native American anarcho-communist Lucy Parsons, the Dodge Revolutionary Union Movement, Karl Marx, José Martí, W.E.B. Du Bois, Rosa Luxemburg, SNCC, and countless others, both sentient and verdant. The book is a forceful reminder of the potentialities of the future, for the coming of a time when the powerful will fall, the commons restored, and a better world born anew.

The Impossible Community confronts a critical moment when social and ecological catastrophes loom, the Left seems unable to articulate a response, and the Right controls public debates. This book offers a fresh and highly readable reformulation of anarchist social and political theory to develop a communitarian anarchist solution.

In this stunningly original work, John P. Clark, author, lifelong activist, and one of the most fascinating anarchist luminaries of our time, skillfully argues that a free and just social order requires a radical transformation of the modes of domination exercised through social ideology, the social imaginary, the social ethos, and social institutional structures. Communitarian anarchism unites a universalist concern for social and ecological justice while recognizing the integrity and individuality of the person. The Impossible Community is a renewed examination of the anarchist principles of mutual aid and voluntary cooperation and provides convincingly lucid examples in various contexts, from the rebuilding of New Orleans after Katrina to social movements in South Asia.

Ambitious in scope and compelling in its strength and imagination, The Impossible Community offers readers an accessible theoretical framework along with concrete case studies to show how contemporary anarchist practice continues a long tradition of successfully synthesizing personal and communal liberation. This provocatively innovative work will appeal not only to students of anarchism and political theory but also to activists and anyone interested in making the world a better place.

The U.S. does not have a health system. Instead we have market for health-related goods and services, a market in which the few profit from the public’s ill-health.

Health Care Revolt looks around the world for examples of health care systems that are effective and affordable, pictures such a system for the U.S., and creates a practical playbook for a political revolution in health care that will allow the nation to protect health while strengthening democracy.

Dr. Fine writes with the wisdom of a clinician, the savvy of a state public health commissioner, the precision of a scholar, and the energy and commitment of a community organizer.

Written in an engaging and accessible style, Ideas for Action gives activists the intellectual tools to turn discontent into a plan of action. Exploring a wide range of political traditions—including Marxism, anarchism, anti-imperialism, postmodernism, feminism, critical race theory, and environmentalism—Cynthia Kaufman acknowledges the strengths and weaknesses of a variety of political movements and the ideologies inspired by or generated through them. Kaufman incorporates elements of her own activist experiences and presents a coherent analysis without pretending to offer “the final word” on complex issues. Instead, she helps orient a critical understanding of the social world and a glimpse of the excitement and rewards of serious intellectual engagement with political ideas.

Fully updated to confront pressing issues of today—from mass incarceration to climate change, from the war on terror to the national security state, from rising inequality to a global shortage of care, Ideas for Action also examines the work of diverse thinkers such as Adam Smith, Paulo Freire, Grace Lee Boggs, and Stuart Hall. Kaufman’s insights break the chains of cynicism and lay a foundation for more effective organizing.

Ken MacLeod is one of the brightest and most progressive of Britain’s “Hard SF” stars who navigate exciting new futures to the delight of legions of fans around the world. His works combine cutting-edge scientific speculation, socialist and anarchist themes, and a deeply humanistic vision. Described by fans and adversaries alike as a “techno-utopian socialist,” MacLeod thrusts his characters into uncanny encounters that have included AI singularities, divergent human evolution, and posthuman cyborg-resurrection.

In his novella The Human Front, a young Scottish guerrilla fighter is drawn into low-intensity sectarian war in a high-intensity dystopian future, and the arrival of an alien intruder (complete with saucer!) calls for new tactics and strange alliances. Its companion piece, “Other Deviations,” first published in this edition, reveals the complex origins of MacLeod’s alternate history.

Plus: “The Future Will Happen Here, Too,” in which a Hebridean writer celebrates the landscapes that shaped his work, measures Scotland’s past against humanity’s future, and peers into the eyes of an eel.

And Featuring: our irreverent Outspoken Interview, a candid and often cantankerous conversation that showcases our author’s deep erudition and mordant wit.

Music is fundamental to human existence, a cultural universal among all humans for all times. It is embedded in our evolution, encoded in our DNA, which is to say, essential to our survival. Academics in a variety of disciplines have considered this idea to devise explanations that Richard Manning, a lifelong journalist, finds hollow, arcane, incomplete, ivory-towered, and just plain wrong. He approaches the question from a wholly different angle, using his own guitar and banjo as instruments of discovery. In the process, he finds himself dancing in celebration of music rough and rowdy.

American roots music is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, field hands, drunks, slackers, and hucksters. Yet these people—poor, working people—built the foundations of jazz, gospel, blues, bluegrass, rock ’n’ roll, and country music, an unparalleled burst of invention. This is the counterfactual to the academics’ story. This is what tells us music is essential, but by pulling this thread, Manning takes us down a long, strange path, following music to deeper understandings of racism, slavery, inequality, meditation, addiction, the science of our brains, and ultimately to an enticing glimpse of pure religion.

Use this book to follow where his guitar leads. Ultimately it sings the American body, electric.

Cory Doctorow burst on the SF scene in 2000 like a rocket, inspiring awe in readers (and envy in other writers) with his bestselling novels and stories, which he insisted on giving away via Creative Commons. Meanwhile, as coeditor of the wildly popular blog Boing Boing, he became the radical new voice of the Web, boldly arguing for internet freedom from corporate control.

Doctorow’s activism and artistry are both on display in this Outspoken Author edition. The crown jewel is his novella The Great Big Beautiful Tomorrow, the high-velocity adventures of a transhuman teenager in a toxic post-Disney dystopia, battling wireheads and wumpuses (and having fun doing it!) until he meets the “meat girl” of his dreams, and is forced to choose between immortality and sex.

Plus a live transcription of Cory’s historic address to the 2010 World SF Convention, “Creativity vs. Copyright,” dramatically presenting his controversial case for open-source in both information and art.

Also included is an international Outspoken Interview (Skyped from England, Canada, and the U.S.) in which Doctorow reveals the surprising sources of his genius.

Strikes and union battles occurred throughout American industry during the early part of the twentieth century, but none of these stories compare to the West Virginia Mine Wars of 1912 and 1921. These two workers’ rebellions quickly drew national attention to an area known principally for its “black gold,” the coal that was vital for U.S. factories, power plants, and warships of that age.

In 1912, miners struck against the harsh conditions in the work camps of Paint and Cabin Creeks and coal operators responded with force. The ensuing battles caused the West Virginia governor to declare martial law, prompting Samuel Gompers to dub the state “Russianized West Virginia [where] the people can be naught but serfs.”

There was little improvement in working conditions by 1921, when another army—thousands of union miners—went up against similar numbers of state police, local deputies, and paid company guards. The weeklong Battle of Blair Mountain ended only after President Warren Harding sent 2,000 U.S. troops and a small unit of bombers to pacify the region

Gun Thugs, Rednecks, and Radicals tells the story of these union battles as seen by the leaders, rank-and-file participants, and the journalists who came to West Virginia to cover them for papers including The Nation and the New York Times.

Union leaders like Gompers, Frank Keeney, Fred Mooney, Bill Blizzard, and Mother Jones discuss the lives and struggles of the miners for their union. The book also contains articles, speeches, and personal testimony heard by two U.S. Senate committees sent to investigate West Virginia’s labor problems. In this testimony, miners and their family members describe life and work in the coal camps, telling why they participated in these violent episodes in West Virginia history.

Special attention is given to the role of Huntington’s own radical newspaper, The Socialist and Labor Star, a forgotten monument in the history of American heresy and radicalism.

This book reveals Australia’s radical past through more than 500 tales of Indigenous resistance, convict revolts and escapes, picket line hijinks, student occupations, creative direct action, street art, media pranks, urban interventions, squatting, blockades, banner drops, guerilla theatre, and billboard liberation. Twelve key Australian activists and pranksters are interviewed regarding their opposition to racism, nuclear power, war, economic exploitation, and religious conservatism via humor and creativity. Featuring more than 300 spectacular images How to Make Trouble and Influence People is an inspiring, and at times hilarious, record of resistance that will appeal to readers everywhere.

In this collection of interviews, Derrick Jensen discusses the destructive dominant culture with ten people who have devoted their lives to undermining it.

Whether it is Carolyn Raffensperger and her radical approach to public health, or Thomas Berry on perceiving the sacred; be it Kathleen Dean Moore reminding us that our bodies are made of mountains, rivers, and sunlight; or Vine Deloria asserting that our dreams tell us more about the world than science ever can, the activists and philosophers interviewed in How Shall I Live My Life? each bravely present a few of the endless forms that resistance can and must take.

Interviews include: George Draffan, Jesse Wolf Hardin, Vine Deloria, David Abram, Steven Wise, Jan Lundber, David Edwards, Thomas Berry, Carolyn Raffensperger, and Kathleen Dean Moore.

Ex-NYPD cop Filomena Buscarsela—the irrepressible urban crime fighter of 23 Shades of Black and Soft Money—is back. This time, the tough-talking, street-smart Latina heroine sets her sights on seemingly idyllic suburbia, where an endless sea of green lawns hides a toxic trail of money… and murder.

But something is rotten on Long Island. When Filomena discovers that a high-tech Long Island factory is spewing poisons into the water supply, she’s sure that the contaminator is none other than her nemesis, a cutthroat industrial polluter with an airtight financial empire. Armed only with an ax to grind, the gutsy Filomena knows she’ll have to play dirty to clean up the neighborhood.

Her search for justice introduces her to the unfamiliar scent of privilege—from the state-of-the-art chemistry lab of a local university to the crumbling ruins of a beachfront estate, from a glittering high-society party to an intimidating high-security chemical plant—and immerses her in the all-too-familiar stench of political corruption and personal greed. Once again, Filomena’s nose for trouble has drawn her into a case that’s more than a little hazardous to her health. As the action heats up, she must juggle the dangers of the investigation with the demands of her three-year-old daughter and the delights of a surprising new romance.

This book brings to life social movements of the 1960s, a period of world-historical struggles. With discussions of more than fifty countries, Katsiaficas articulates an understanding that is neither bounded by national and continental divides nor focused on “Great Men and Women.” Millions of people went into the streets, and their aspirations were remarkably similar. From the Prague revolt against Soviet communism to the French May uprising, the Vietnam Tet offensive, African anticolonial insurgencies, the civil rights movement, and campus eruptions in Latin America, Yugoslavia, the United States, and beyond, this book portrays the movements of the 1960s as intuitively tied together.

Student movements challenged authorities in almost every country, giving the insurgency a global character, and contemporary feminist, Latino, and gay liberation movements all came to life. A focus on the French general strike of May 1968 and the U.S. movement’s high point in 1970—from the May campus strike to the revolt in the military, workers’ wildcat strikes, the national women’s strike, the Chicano Moratorium, and the Black Panther Party’s Revolutionary Peoples’ Constitutional Convention in September—reveals the revolutionary aspirations of the insurgencies in the core of the world system. Despite the apparent failure of the movements of 1968, their profound influence on politics, culture, and social movements continues to be felt today. As globally synchronized uprisings occur with increasing frequency in the twenty-first century, the lessons of 1968 provide useful insights for future struggles.

Originally published in England in 1938 (the same year as his magnum opus The Black Jacobins) and expanded in 1969, this work remains the classic account of global black resistance. Robin D.G. Kelley’s substantial introduction contextualizes the work in the history and ferment of the times, and explores its ongoing relevance today.

“A History of Pan-African Revolt is one of those rare books that continues to strike a chord of urgency, even half a century after it was first published. Time and time again, its lessons have proven to be valuable and relevant for understanding liberation movements in Africa and the diaspora. Each generation who has had the opportunity to read this small book finds new insights, new lessons, new visions for their own age…. No piece of literature can substitute for a crystal ball, and only religious fundamentalists believe that a book can provide comprehensive answers to all questions. But if nothing else, A History of Pan-African Revolt leaves us with two incontrovertible facts. First, as long as black people are denied freedom, humanity and a decent standard of living, they will continue to revolt. Second, unless these revolts involve the ordinary masses and take place on their own terms, they have no hope of succeeding.” —Robin D.G. Kelley, from the Introduction

“I wish my readers to understand the history of Pan-African Revolt. They fought, they suffered—they are still fighting. Once we understand that, we can tackle our problems with the necessary mental equilibrium.” —C.L.R. James

Heart X-rays is a twenty-first-century beat epic poem that ranges across landscapes and voices, with appearances by Banksy, Pussy Riot, hip-hop, the down and out, the up and coming, heartbreak and joybreak, while exploring the mystery we call the human heart.

Now in its second printing, Heart X-rays offers poetry that strikes a cord today with non-traditional style and timeless poetic craft.

If indeed poetry can offer an RX, a prescription to the bloody joyful teary-eyed American paradox, it is one that calls forth all the voices that have not yet been heard, that harbors an innocence that reaches into the very heart of our own excellence. A collaborative work between two poets and working-class activists, Heart X-rays is a poetic memory of today written in the alphabet of a future.

Spanning the famous Homestead steel strike of 1892 through the century-long fight for a union and union democracy, Homestead Steel Mill—the Final Ten Years is a case history on the vitality of organized labor. Written by fellow worker and musician Mike Stout, the book is an insider’s portrait of the union at the U.S. Steel’s Homestead Works, specifically the workers, activists, and insurgents that made up the radically democratic Rank and File Caucus from 1977 to 1987. Developing its own “inside-outside” approach to unionism, the Rank and File Caucus drastically expanded their sphere of influence so that, in addition to fighting for their own rights as workers, they fought to prevent the closures of other steel plants, opposed U.S. imperialism in Central America, fought for civil rights, and built strategic coalitions with local environmental groups.

Mike Stout skillfully chronicles his experience in the takeover and restructuring of the union’s grievance procedure at Homestead by regular workers and put at the service of its thousands of members. Stout writes with raw honesty and pulls no punches when recounting the many foibles and setbacks he experienced along the way. The Rank and File Caucus was a profound experiment in democracy that was aided by the 1397 Rank and File newspaper—an ultimate expression of truth, democracy, and free speech that guaranteed every union member a valuable voice.

Profusely illustrated with dozens of photographs, Homestead Steel Mill—the Final Ten Years is labor history at its best, providing a vivid account of how ordinary workers can radicalize their unions.

Getting Up for the People tells the story of the Assembly of Revolutionary Artists of Oaxaca (ASARO) by remixing their own images and words with curatorial descriptions. Part of a long tradition of socially conscious Mexican art, ASARO gives respect to Mexican national icons; but their themes are also global, entering contemporary debates on issues of corporate greed, genetically modified organisms, violence against women, and abuses of natural resources.

In 2006 ASARO formed as part of a broader social movement, part of which advocated for higher teachers’ salaries and access to school supplies. They exercised extralegal means to “get up,” displaying their artwork in public spaces. ASARO stands out for their revitalizing remix of collective social action with modern conventions in graffiti, traditional processes in Mexican printmaking, and contemporary communication through social networking.

Now they enjoy international recognition as well as state-sanctioned support for their artists’ workshops. They use their notoriety to teach Oaxacan youth the importance of publicly expressing and exhibiting their perspectives on the visual landscape.

Inspired by author Rick Dakan’s own eventful experiences in the video game and comic book industries, the Geek Mafia series satisfies the hunger in all of us to buck the system, take revenge on corporate America, and live a life of excitement and adventure.

Key West—southernmost point in the United States, Mile Zero on Highway 1; and as far as you can run away from your past troubles without swimming to Cuba. Key West—originally Cayo Huesos or Isle of Bones, for centuries a refuge for pirates, wreckers, writers, scoundrels, drunks, and tourists. Now home to a Crew of techno geek con artists who’ve turned it into their own private hunting ground. Paul and Chloe have the run of the sun-drenched island, free to play and scam far from the enemies they left behind in Silicon Valley. But that doesn’t mean they can’t bring a little high tech know how to the paradise. They and their new Crew have covered the island with their own private Big Brother style network—hidden cameras, RFID sensors, and a web of informers that tip them off about every crime committed and tourist trapped on the island. But will all the gadgets and games be enough when not one but three rival crews of con artists come to hold a top-secret gang summit? And when one of them is murdered, who will solve the crime?

Since his debut in Terry Carr’s legendary Ace Specials of the 1980s, Carter Scholz has occupied an enviable, if demanding, position on the cutting edge of modern speculative literature (vulgarly called SF).

Proudly debuting in this volume, Gypsy is his first major work since his 2002 nuclear thriller Radiance. An interstellar adventure grounded in the hard science of accurate physics and biology, Gypsy soars far beyond the heliosphere of conventional science fiction. Jettisoning the easy warp-drives of fantasy and space opera, Scholz chronicles with chilling realism the epic voyage of a team of far-seeing scientists, who crowdsource a secret starship and abandon the doomed Earth for the Alpha Centauri system, our nearest stellar neighbor and last desperate chance. Heartbreak and hope collide in this moving and visionary tale.

Plus...
An epistolary story about a story, “The Nine Billion Names of God,” uses a classic SF text to deconstruct literary deconstruction itself, with hilarious results. In the wickedly droll “Bad Pennies,” a spy tasked with trashing a foreign economy testifies before a complacent Congress. Quietly furious, “The United States of Impunity” is an alarming look under the tent of today’s political sideshow. Adults only.

And Featuring: “Gear. Food. Rocks.”—our Outspoken Interview, in which a postmodern Renaissance man charts the synergies and dissonances of a career that embraces both literary and musical composition, reveals the hidden link between winemaking and deep space astronomy, and tells you how to steal his car.

This is the first and best intellectual biography of Guy Debord, prime mover of the Situationist International (1957–1972) and author of The Society of the Spectacle, perhaps the seminal book of the May 1968 uprising in France. Anselm Jappe offers a powerful corrective to the continual attempts to incorporate Debord’s theoretical work into “French theory.” Jappe’s focus, to the contrary, is on Debord’s debt to the Hegelian-Marxist tradition, to Karl Korsch and Georg Lukács, and more generally to left-Marxist currents of council communism. His close reading of Debord’s magnum opus supplies a superb gloss that has never been rivaled despite the great flood of writing on the Situationists in recent decades.

At the same time, Debord is placed squarely in context among the Letterist and Situationist anti-artists who, in the aftermath of World War II, sought to criticize and transcend the legacy of Dada and Surrealism. Jappe’s book offers a lively account of the Situationists’ theory and practice as this “last avant-garde” made its way from radical bohemianism to revolutionary theory and action.

Guy Debord has been translated into many languages. This PM Press reprint edition benefits from a new author’s preface and a bibliographical update.

Between 1910 and the mid-1920s, more than sixty black students from the South bravely traveled north to Ferris Institute, a small, mostly white school in Big Rapids, Michigan. They came to enroll in college programs and college preparatory courses—and to escape, if only temporarily, the daily and ubiquitous indignities suffered under the Jim Crow racial hierarchy. They excelled in their studies and became accomplished in their professional fields. Many went on to both ignite and help lead the explosive civil rights movement. Very few people know their stories—until now.

Haste to Rise is a book about the incredible resilience and breathtaking accomplishments of those students. It was written to unearth, contextualize, and share their stories and important lessons with this generation. Along the way we are introduced to dozens of these Jim Crow–era students, including the first African American to win a case before the U.S. Supreme Court, Belford Lawson, the lead attorney in New Negro Alliance v. Sanitary Grocery Co. (1938), a landmark court battle that safeguarded the right to picket. We also meet one of Lawson’s contemporaries, Percival L. Prattis, a pioneering journalist and influential newspaper executive. In 1947, he became the first African American news correspondent admitted to the U.S. House and Senate press galleries. There is also an in-depth look into the life and work of the institute’s founder, Woodbridge Nathan Ferris, a racial justice pioneer who created educational opportunities for women, international students, and African Americans.

Haste to Rise is a challenge to others to look beyond a university’s official history and seek a more complete knowledge of its past. This is American history done right!

Executed by a British firing squad on May 12, 1916, for his role in organizing the Easter Rising, James Connolly was one of the most prominent radical organizers and agitators of his day. Born in Scotland in 1868 to Irish immigrant parents, Connolly spent most of his adult life organizing for labor unions and socialist organizations in Ireland, Scotland, and the United States. Despite attending school for only a few years, Connolly became a leading socialist writer and theoretician, founding and editing newspapers including The Socialist (Scotland), The Harp (United States), and The Workers’ Republic (Ireland). As a labor organizer, Connolly stressed the importance of direct action, broad working-class unity, and a commitment to ending labor’s exploitation. As a socialist agitator, Connolly saw economic and political independence as inextricably intertwined. This pamphlet, the first graphic treatment of Connolly’s life, is issued on the centenary of the Easter Rising.

China Martens started her pioneering mamazine The Future Generation in 1990. She was a young anarchist punk rock mother who didn’t feel that the mamas in her community had enough support, so she began publishing articles on radical parenting in an age before the internet.

The anthology of her zine, The Future Generation: The Zine-Book for Subculture Parents, Kids, Friends & Others, was first printed in 2007 and has been out of print for many years. Covering sixteen years, it uses individual issues as chapters, focusing on personal writing, and retaining the character of a zine that changed over the years—from her daughter’s birth to teenagehood and beyond.

We are proud to present a tenth-anniversary edition including a new afterword by China’s grown daughter, Clover. The Future Generation remains a timeless resource for parents, caregivers, and those who care about them. Though first published in the 1990s, many of the essays and observations—about parenting, children, and surviving in a hostile political climate—still ring true today. The next four years are going to be especially demanding for those trying to balance parenting, politics, and survival. We’re going to need the voices and experiences in The Future Generation now more than ever.

Global Slump analyzes the global financial meltdown as the first systemic crisis of the neoliberal stage of capitalism. It argues that—far from having ended—the crisis has ushered in a whole period of worldwide economic and political turbulence. In developing an account of the crisis as rooted in fundamental features of capitalism, Global Slump challenges the view that its source lies in financial deregulation.

The book locates the recent meltdown in the intense economic restructuring that marked the recessions of the mid-1970s and early 1980s. Through this lens, it highlights the emergence of new patterns of world inequality and new centers of accumulation, particularly in East Asia, and the profound economic instabilities these produced. Global Slump offers an original account of the “financialization” of the world economy during this period, and explores the intricate connections between international financial markets and new forms of debt and dispossession, particularly in the Global South.

Analyzing the massive intervention of the world’s central banks to stave off another Great Depression, Global Slump shows that, while averting a complete meltdown, this intervention also laid the basis for recurring crises for poor and working class people: job loss, increased poverty and inequality, and deep cuts to social programs. The book takes a global view of these processes, exposing the damage inflicted on countries in the Global South, as well as the intensification of racism and attacks on migrant workers. At the same time, Global Slump also traces new patterns of social and political resistance—from housing activism and education struggles, to mass strikes and protests in Martinique, Guadeloupe, France and Puerto Rico—as indicators of the potential for building anti-capitalist opposition to the damage that neoliberal capitalism is inflicting on the lives of millions.

Godless is a compilation of wide-ranging texts, both hilarious and horrifying, on atheism, belief, and religion. The selections in the book appeared in various formats from the late nineteenth century through the early twenty-first, and their authors were often active in the anarchist, Marxist, or radical leftist movements of their day. Derived from printed pamphlets, periodicals, and newspaper pieces that were mass-produced and widely distributed, these texts serve as freethinking propaganda in a media war against morbid authoritarian doctrines.

With both a sophisticated analysis of inconsistencies in deistic beliefs and a biting satirical edge, Godless gives ammunition to those fighting fundamentalist bigotry—and more than a few reasons to abandon Christianity.

Readers previously familiar with the authors’ political polemics will be rewarded in contemplating another side of their remarkable literary output. Contributors include Emma Goldman, Ambrose Bierce, Chaz Bufe, E. Haldeman-Julius, Earl Lee, G. Richard Bozarth, Johann Most, Joseph McCabe, Matilda Gage, Pamela Sutter, S.C. Hitchcock, and Sébastien Faure.

The product of decades of work and multiple self-published editions, Going Underground, written by 1980s scene veteran George Hurchalla, is the most comprehensive look yet at America’s nationwide underground punk scene.

Despite the mainstream press declarations that “punk died with Sid Vicious” or that “punk was reborn with Nirvana,” author Hurchalla followed the DIY spirit of punk underground, where it not only survived but thrived nationally as a self-sustaining grassroots movement rooted in seedy clubs, rented fire halls, Xeroxed zines, and indie record shops.

Rather than dwell solely on well-documented scenes from Los Angeles, New York, and Washington, DC, Hurchalla delves deep into the counterculture, rooting out stories from Chicago, Philadelphia, Austin, Cincinnati, Miami, and elsewhere. The author seamlessly mixes his personal experiences with the oral history of dozens of band members, promoters, artists, zinesters, and scenesters. Some of the countless bands covered include Articles of Faith, Big Boys, Necros, Hüsker Dü, Bad Brains, Government Issue, and Minutemen, as well as many of the essential zines of the time such as Big Takeover, Maximum RocknRoll, Flipside, and Forced Exposure.

Going Underground features over a hundred unique photos from Marie Kanger-Born of Chicago, Dixon Coulbourn of Austin, Brian Trudell of LA, Malcolm Riviera of DC, Justina Davies of New York, Ed Arnaud of Arizona, and many others, along with flyers from across the nation.

“Communisation” means something quite straightforward: a revolution that starts to change social relations immediately. It would extend over years, decades probably, but from Day One it would begin to do away with wage-labour, profit, productivity, private property, classes, States, masculine domination, and more. There would be no “transition period” in the Marxist sense, no period when the “associated producers” continue furthering economic growth to create the industrial foundations of a new world. Communisation means a creative insurrection that would bring about communism, not its preconditions.

Thus stated, it sounds simple enough. The questions are what, how, and by whom. That is what this book is about.

Communisation is not the be-all and end-all that solves everything and proves wrong all past critical theory. The concept was born out of a specific period, and we can fully understand it by going back to how people personally and collectively experienced the crises of the 1960s and ’70s. The notion is now developing in the maelstrom of a new crisis, deeper than the Depression of the 1930s, among other reasons because of its ecological dimension, a crisis that has the scope and magnitude of a crisis of civilisation.

This is not a book that glorifies existing struggles as if their present accumulation were enough to result in revolution. Radical theory is meaningful if it addresses the question: How can proletarian resistance to exploitation and dispossession achieve more than aggravate the crisis? How can it reshape the world?

Free City! The Fight for San Francisco’s City College and Education for All tells the story of the five years of organizing that turned a seemingly hopeless defensive fight into a victory for the most progressive free college measure in the US. In 2012, the accreditor sanctioned City College of San Francisco, one of the biggest and best community colleges in the country, and a year later proposed terminating its accreditation, leading to a state takeover. Free City! follows the multipronged strategies of the campaign and the diverse characters that carried them out. Teachers, students, labor unions, community groups, public officials, and concerned individuals saved a treasured public institution as San Francisco’s working-class communities of color battled the gentrification that was forcing them out of the city. And they pushed back against the national “reform” agenda of corporate workforce training that drives students towards debt and sidelines lifelong learning and community service programs. Combining analysis with narrative, Free City! offers a case study in the power of positive vision and solution-oriented organizing and a reflection on what education can and should be.

Girl Gangs, Biker Boys, and Real Cool Cats is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves.

Girl Gangs features approximately 400 full-color covers, many of them never reprinted before. With 70 in-depth author interviews, illustrated biographies, and previously unpublished articles from more than 20 popular culture critics and scholars from the US, UK, and Australia, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and—often overlooked—the actual words they wrote. Books by well-known authors such as Harlan Ellison and Lawrence Block are discussed alongside neglected obscurities and former bestsellers ripe for rediscovery. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture.

Contributors include Nicolas Tredell, Alwyn W. Turner, Mike Stax, Clinton Walker, Bill Osgerby, David Rife, J.F. Norris, Stewart Home, James Cockington, Joe Blevins, Brian Coffey, James Doig, David James Foster, Matthew Asprey Gear, Molly Grattan, Brian Greene, John Harrison, David Kiersh, Austin Matthews, and Robert Baker.

Twenty-seven pages of feminist fun! This is a coloring book you will never outgrow. Girls Are Not Chicks is a subversive and playful way to examine how pervasive gender stereotypes are in every aspect of our lives. This book helps to deconstruct the homogeneity of gender expression in children’s media by showing diverse pictures that reinforce positive gender roles for girls.

Color the Rapunzel for a new society. She now has power tools, a roll of duct tape, a Tina Turner album, and a bus pass!

Paint outside the lines with Miss Muffet as she tells that spider off and considers a career as an arachnologist

Girls are not chicks. Girls are thinkers, creators, fighters, healers, and superheroes.

This updated edition of the iconic coloring book Girls Will Be Boys Will Be Girls Will Be… by Jacinta Bunnell contains all new illustrations and questions for contemplation. In this groundbreaking coloring book, you will meet girls who build drum sets and fix bikes, boys who bake and knit, and all manner of children along the gender spectrum. Children are tender, vulnerable, tough, zany, courageous, and gentle, no matter what their gender. This coloring book is for all the heroic handsome beauties of the world and for everyone who has ever colored outside the lines—a reminder that we never need to compromise ourselves to fit someone else’s idea of who we ought to be.

Featuring illustrations by Giselle Potter, Nicole Georges, Kristine Virsis, Simi Stone, Jacinta Bunnell, Nicole Rodrigues, Richard Wentworth, and many more, this is the perfect book for the gender creative person in your life. The future is gender fabulous.

Carol is a small-time cocaine dealer in 1987 London. She’s on her own with a young daughter, a good mother who is especially careful in her working life. For some punters, this involves being Simone. One of these customers is Phil, a financial analyst in the City who, with his longtime pal and fellow analyst Jack, fantasizes a cocaine futures market while on a coke binge. They look at it as they would look at any other commodity.

At the top of the wholesale business are Gordon Murray and his brothers, who have an “in” with the Drug Squad and are prepared to shop anyone to keep it that way, on top of the violence they use as and when needed.

When the cocaine futures market becomes a reality, Carol has an opportunity to go for the big deal that could get her out of the business altogether. Meanwhile, a stock market crash creates havoc, and a once-in-a lifetime hurricane sweeps across London, ripping down trees and the communication systems of the stock market itself. Carol must make her choice, as three very different worlds are about to collide.

The Football Factory is driven by its two main characters—late-twenties warehouseman Tommy Johnson and retired ex-soldier Bill Farrell. Tommy is angry at his situation in life and those running the country. Outside of work, he is a lively, outspoken character, living for his time with a gang of football hooligans, the excitement of their fights and the comradeship he finds with his friends. He is a violent man, at the same time moral and intelligent.

Bill, meanwhile, is a former Second World War hero who helped liberate a concentration camp and married a survivor. He is a strong, principled character who sees the self-serving political and media classes for what they are. Tommy and Bill have shared feelings, but express their views in different ways. Born at another time, they could have been the other. As the book unfolds both come to their own crossroads and have important decisions to make.

The Football Factory is a book about modern-day pariahs, people reduced to the level of statistics by years of hypocritical, self-serving party politics. It is about the insulted, marginalised, unseen. Graphic and disturbing, at times very funny, The Football Factory is a rush of literary adrenalin.

The floodgates holding back anarchy are constantly under strain. The liberal would ease the pressure by diverting some of the water; the conservative would shore up the dykes, the totalitarian would construct a stronger dam.

But is anarchy a destructive force? The absence of government may alarm the authoritarian, but is a liberated people really its own worst enemy—or is the true enemy of mankind, as the anarchists claim, the means by which he is governed? Without government the world could manage to end exploitation and war. Anarchy should not be confused with weak, divided or manifold government. As Christie and Meltzer point out, only with the total abolition of government can society develop in freedom.

Fired from a job he hated at a company he loved, videogame designer Paul Reynolds is drowning his sorrows in late-morning margaritas when he meets an alluring, pink-haired conwoman named Chloe. With her gang of technopirate friends, Chloe helps Paul not only take revenge on his former employers, but also extort a small fortune from them in the process. What more could a recently unemployed, over-worked videogame designer in Silicon Valley ask for?

In return for Chloe’s help, Paul agrees to create counterfeit comic books for one of her crew’s criminal schemes. In the process he falls in for their fun loving, drug fueled “off the grid” lifestyle almost as fast as he falls head over heels for Chloe. Wary of the Crew’s darker side, but eager to impress both the girl and the gang, Paul uses his game design expertise to invent a masterful con of his own. If all goes according to plan, it will be one for the ages. But can he trust any of them, or is he the one who’s really being conned?

Inspired by author Rick Dakan’s own eventful experiences in the videogame and comic book industries, Geek Mafia, satisfies the hunger in all of us to buck the system, take revenge on corporate America, and live a life of excitement and adventure.

In a long history of ruination and destruction, neoliberalism is the most recent and virulent form of capitalism. This book is a call to action against the most persistent and pestilent disease of our time. Translated into over twenty different languages, the book offers a call to action that transcends local contexts and speaks to the violent global conditions of our neoliberal age.

Fuck Neoliberalism: Translating Resistance is a worldwide middle finger to the all-encompassing ideology of our era. The original essay sparked controversy in the academy when it was first released and has since spread around the world as enthusiastic rebels translated it into their own languages. This book brings those translations together, accompanied by short essays from each translator explaining why they translated the text and describing struggles against neoliberalism in their regions.

With translations into languages from across the globe, including Mandarin, German, Indonesian, Spanish, Hindi, Italian, Korean, and many more, this book highlights the international nature of resistance to the totalitarian ideology of neoliberalism. Featuring a cover produced by renowned artist Ed Repka (a.k.a. the King of Thrash Metal Art), this internationalized, heavy-metal rant against the all-powerful ideology highlights a chink in its armor. When people across the world find a way to communicate a shared message and stand together, resistance can be both beautiful and inspiring.

In 1970, a jury convicted Robert Hillary King of a crime he did not commit and sentenced him to 35 years in prison. He became a member of the Black Panther Party while in Angola State Penitentiary, successfully organizing prisoners to improve conditions. In return, prison authorities beat him, starved him, and gave him life without parole after framing him for a second crime. He was thrown into solitary confinement, where he remained in a six-by-nine-foot cell for 29 years as one of the Angola 3. In 2001, the state grudgingly acknowledged his innocence and set him free. This is his story.

It begins at the beginning: born black, born poor, born in Louisiana in 1942, King journeyed to Chicago as a hobo at the age of 15. He married and had a child, and briefly pursued a semi-pro boxing career to help provide for his family. Just a teenager when he entered the Louisiana penal system for the first time, King tells of his attempts to break out of this system, and his persistent pursuit of justice where there is none.

Yet this remains a story of inspiration and courage, and the triumph of the human spirit. The conditions in Angola almost defy description, yet King never gave up his humanity, or the work towards justice for all prisoners that he continues to do today. From the Bottom of the Heap, so simply and humbly told, strips bare the economic and social injustices inherent in our society, while continuing to be a powerful literary testimony to our own strength and capacity to overcome. The paperback edition includes additional writings from Robert King and an update on the case of the Angola 3.

From Here to There collects unpublished talks and hard-to-find essays from legendary activist historian Staughton Lynd.

The first section of the Reader collects reminiscences and analyses of the 1960s. A second section offers a vision of how historians might immerse themselves in popular movements while maintaining their obligation to tell the truth. In the last section Lynd explores what nonviolence, resistance to empire as a way of life, and working class self-activity might mean in the twenty-first century. Together, they provide a sweeping overview of the life, and work—to date—of Staughton Lynd.

Both a definitive introduction and further exploration, it is bound to educate, enlighten, and inspire those new to his work and those who have been following it for decades. In a wide-ranging Introduction, anarchist scholar Andrej Grubačić considers how Lynd’s persistent concerns relate to traditional anarchism.

It’s 1959 in socialist Virginia. The Deep South is an independent Black nation called Nova Africa. The second Mars expedition is about to touch down on the red planet. And a pregnant scientist is climbing the Blue Ridge in search of her great-great grandfather, a teenage slave who fought with John Brown and Harriet Tubman’s guerrilla army.

Long unavailable in the U.S., published in France as Nova Africa, Fire on the Mountain is the story of what might have happened if John Brown’s raid on Harper’s Ferry had succeeded—and the Civil War had been started not by the slave owners but the abolitionists.

Fire and Flames was the first comprehensive study of the German autonomous movement ever published. Released in 1990, it reached its fifth edition by 1997, with the legendary German Konkret journal concluding that “the movement had produced its own classic.” The author, writing under the pseudonym of Geronimo, has been an autonomous activist since the movement burst onto the scene in 1980–81. In this book, he traces its origins in the Italian Autonomia project and the German social movements of the 1970s, before describing the battles for squats, “free spaces,” and alternative forms of living that defined the first decade of the autonomous movement. Tactics of the “Autonome” were militant, including the construction of barricades or throwing molotov cocktails at the police. Because of their outfit (heavy black clothing, ski masks, helmets), the Autonome were dubbed the “Black Bloc” by the German media, and their tactics have been successfully adopted and employed at anticapitalist protests worldwide.

Fire and Flames is no detached academic study, but a passionate, hands-on, and engaging account of the beginnings of one of Europe’s most intriguing protest movements of the last thirty years. An introduction by George Katsiaficas, author of The Subversion of Politics, and an afterword by Gabriel Kuhn, a long-time autonomous activist and author, add historical context and an update on the current state of the Autonomen.

From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, and the North; from Seattle to Genova, and the War on Terror in New York, Afghanistan, and Iraq, The Fourth World War is the story of men and women around the world who resist being annihilated in this war.

While our airwaves are crowded with talk of a new world war, narrated by generals and filmed from the noses of bombs, the human story of this global conflict remains untold. The Fourth World War brings together the images and voices of the war on the ground. It is a story of a war without end and of those who resist.

The product of over two years of filming on the inside of movements on five continents, The Fourth World War is a film that would have been unimaginable at any other moment in history. Directed by the makers of This Is What Democracy Looks Like and Zapatista, produced through a global network of independent media and activist groups, it is a truly global film from our global movement.

Narrated by Michael Franti and Suheir Hammad

Seeking to reclaim a history that has remained largely ignored by most historians, this dramatic and stirring account examines each of the definitive American cooperative movements for social change—farmer, union, consumer, and communalist—that have been all but erased from collective memory.

Focusing far beyond one particular era, organization, leader, or form of cooperation, For All the People documents the multigenerational struggle of the American working people for social justice. While the economic system was in its formative years, generation after generation of American working people challenged it by organizing visionary social movements aimed at liberating themselves from what they called wage slavery. Workers substituted a system based on cooperative work and constructed parallel institutions that would supersede the institutions of the wage system.

With an expansive sweep and breathtaking detail, this scholarly yet eminently readable chronicle follows the American worker from the colonial workshop to the modern mass-assembly line, from the family farm to the corporate hierarchy, ultimately painting a vivid panorama of those who built the United States and those who will shape its future.

John Curl, with over forty years of experience as both an active member and scholar of cooperatives, masterfully melds theory, practice, knowledge, and analysis, to present the definitive history from below of cooperative America. This second edition contains a new introduction by Ishmael Reed; a new author’s preface discussing cooperatives in the Great Recession of 2008 and their future in the 21st century; and a new chapter on the role co-ops played in the Food Revolution of the 1970s.

On November 7, 1938, a small, slight seventeen-year-old Polish-German Jew named Herschel Grynszpan entered the German embassy in Paris and shot dead a consular official. Three days later, in supposed response, Jews across Germany were beaten, imprisoned, and killed, their homes, shops, and synagogues smashed and burned—Kristallnacht, the Night of Broken Glass.

Based on the historical record and told through his “letters” from German prisons, the novel begins in 1936, when fifteen-year-old Herschel flees Germany. Penniless and alone, he makes it to Paris where he lives hand-to-mouth, his shadow existence mixing him with the starving and the wealthy, with hustlers, radicals, and seamy sides of Paris nightlife.

In 1938, the French state rejects refugee status for Herschel and orders him out of the country. With nowhere to go, and now sought by the police, he slips underground in immigrant east Paris.

Soon after, the Nazis round up all Polish Jews in Germany—including Herschel’s family—and dump them on the Poland border. Herschel’s response is to shoot the German official, then wait calmly for the French police.

June 1940, Herschel is still in prison awaiting trial when the Nazi army nears Paris. He is evacuated south to another jail but escapes into the countryside amid the chaos of millions of French fleeing the invasion. After an incredible month alone on the road, Herschel seeks protection at a prison in the far south of France. Two weeks later the French state hands him to the Gestapo.

The Nazis plan a big show trial, inviting the world press to Berlin for the spectacle, to demonstrate through Herschel that Jews had provoked the war. Except that Herschel throws a last-minute wrench in the plans, bringing the Nazi propaganda machine to a grinding halt. Hitler himself postpones the trial and orders that no decision be made about Herschel’s fate until the Führer personally gives an order—one way or another.

In his foreword to an earlier collection of essays on libertarian communism, Daniel Guérin addressed himself to younger people “alienated from ideologies and ‘isms’ shorn of any meaning by an earlier generation” and particularly from “socialism, which has so often been betrayed by those who claimed to speak in its name, and which now provokes an understandable skepticism.”

In this collection of essays, written between the 1950s and 1980s and published here for the first time in English, Guérin not only provides a critique of the socialist and communist parties of his day, he analyzes some of the most fundamental and pressing questions with which all radicals must engage. He does this by revisiting and attempting to draw lessons from the history of the revolutionary movement from the French Revolution, through the conflicts between anarchists and Marxists in the International Workingmen’s Association and the Russian and Spanish revolutions, to the social revolution of 1968. These are not just abstract theoretical reflections, but are informed by the experiences of a lifetime of revolutionary commitments and by his constant willingness to challenge orthodoxies of all kinds: “Far from allowing ourselves to sink into doubt, inaction, and despair, the time has come for the left to begin again from zero, to rethink its problems from their very foundations. The failure of both reformism and Stalinism imposes on us the urgent duty to find a way of reconciling (proletarian) democracy with socialism, freedom with Revolution.”

The First Socialist Schism chronicles the conflicts in the International Working Men’s Association (the First International, 1864–1877), which represents an important milestone in the history of political ideas and socialist theory. In defending their autonomy, federations in the International became aware of what separated them from the social democratic movement that relied on the establishment of national labor parties and the conquest of political power. This can be seen as a decisive moment in the history of political ideas: the split between centralist party politics and the federalist grassroots movement. The separate movements in the International—which would later develop into social democracy, communism, and anarchism—found their greatest advocates in Mikhail Bakunin and Karl Marx. However, the significance of this alleged clash of titans is largely a modern invention. It was not the rivalry between two arch-enemies or a personal vendetta based on mutual resentment that made the conflict between Bakunin and Marx so important but rather that it heralded the first socialist schism between parliamentary party politics aiming to conquer political power and social-revolutionary concepts.

Instead of focusing exclusively on what Marx and Bakunin said, many other contributions to this debate are examined, making this the first reconstruction of a dispute that gripped the entire organization. This book also provides the first detailed account of the International’s Congress of The Hague (September, 1872); including the background, the sequence of events, and international reaction. The book sets new standards when it comes to source material, taking into account documents from numerous archives and libraries that have previously gone unnoticed or were completely unknown.

This work by Bartolomeo Vanzetti, edited and with a detailed introduction by Jon Curley, features a never-before-published short story by this famous anarchist and victim of legal persecution, xenophobia, and condemnation for his radical politics. That fact that Vanzetti, an Italian immigrant, learned to write in English while jailed for a capital crime is remarkable enough. What is even more astonishing is that he chose to use his new language skills to write creatively, inventing a parable about worker exploitation and environmental disaster that is as relevant today as it was almost one hundred years ago when this prisoner took up his pen.

“Events and Victims” allows Vanzetti a new literary and historical voice, an important document that narrates the very injustice that its author suffered and fought. In a time of assault on immigrants, dissidents, radicals, and the environment, “Events and Victims” is as timely as ever.

First Earth is about a massive paradigm shift for shelter—building healthy houses in the old ways, out of the very earth itself, and living together like in the old days, by recreating villages. An audiovisual manifesto filmed over four years on four continents, it proposes that earthen homes are the healthiest housing in the world; and that since it still takes a village to raise a healthy child, we must transform our suburban sprawl into eco-villages.

First Earth is not a how-to film, but a why-to film. It establishes the appropriateness of earthen building in every cultural context, under all socio-economic conditions, from third-world communities to first-world countryside, from Arabian deserts to American urban jungles. In the age of collapse and converging emergencies, the solution to many of our ills might just be getting back to basics, for material reasons and for spiritual reasons, both personal and political.

First Earth features curving art-poem dwellings in the Pacific Northwest in Canada and the US; thousand-year-old apartment-and-ladder architecture of Taos Pueblo; centuries-old and contemporary cob homes in England; classic round thatched huts in West Africa; bamboo-and-cob structures now on the rise in Thailand; and soaring Moorish-style earthen skyscrapers in Yemen. Featuring appearances by renowned cultural observers and activists Derrick Jensen, Daniel Quinn, James Howard Kunstler, Richard Heinberg, Starhawk, Chellis Glendinning, and Mark Lakeman as well as major natural building teachers Michael G. Smith, Becky Bee, Joseph Kennedy, Sunray Kelly, Janell Kapoor, Elke Cole, Ianto Evans, Bob Theis, and Stuart Cowan.

Hand, Elizabeth, or Liz as she’s known to her colleagues, students, and devoted fans, is a maverick in modern fiction: a fearless literary sojourner whose award-winning novels and short stories mix murder and magic, high fantasy and post-punk noir in extravagant and unforgettable new ways.

The title story, “Fire.”—written especially for this volume—is a harrowing postapocalyptic adventure in a world threatened by global conflagration. Based on Hand’s real-life experience as a participant in a governmental climate change think tank, it follows a ragtag cadre of scientists and artists racing to save both civilization and themselves from fast-moving global fires.

“The Woman Men Didn’t See” is an expansion of Hand’s acclaimed critical assessment of author Alice Sheldon, who wrote award-winning SF as “James Tiptree, Jr.” in order to conceal identity from both the SF community and her CIA overlords. Another nonfiction piece, “Beyond Belief,” recounts her difficult passage from alienated teen to serious artist.

Also included are “Kronia,” a poignant time-travel romance, and “The Saffron Gatherers,” two of Hand’s favorite and less familiar stories. Plus: a bibliography and our candid and illuminating Outspoken Interview with one of today’s most inventive authors.

In the years following 1968, a number of people involved in the most radical aspects of the French general strike felt the need to reflect on their experiences and to relate them to past revolutionary endeavors. This meant studying previous attempts and theories, namely those of the post-1917 German-Dutch and Italian Communist Left. The original essays included here were first written between 1969 and 1972 and circulated amongst left communist and worker circles.

But France was not the only country where radicals sought to contextualize their political environment and analyze their own radical pasts. Over the years these three essays have been published separately in various languages and printed as books in both the United States and the UK with few changes. This third English edition is updated to take into account the contemporary political situation; half of the present volume is new material.

The book argues that doing away with wage-labor, class, the State, and private property is necessary, possible, and can only be achieved by a historical break, one that would certainly differ from October 1917… yet it would not be a peaceful, gradual, piecemeal evolution either. Like their historical predecessors—Marx, Rosa Luxemburg, Anton Pannekoek, Amadeo Bordiga, Durruti, and Debord—the authors maintain a belief in revolution.

Industrial civilization is devouring the planet and the future. The oceans are acidifying, whole mountains have been laid to waste, and the climate is teetering into chaos. Every biome is approaching collapse. And fifty years of environmentalism hasn’t even slowed the rate of destruction. Yet environmentalists are not considering strategies that might actually prevent the looming biocide we are facing.

Until Earth at Risk.

Earth at Risk: Building a Resistance Movement to Save the Planet is an annual conference featuring environmental thinkers and activists who are willing to ask the hardest questions about the seriousness of our situation. The conference is convened by Derrick Jensen, acclaimed author of Endgame, who has argued that we need a resistance movement against civilization itself.

The seven people in this film present an impassioned critique of the dominant culture from every angle: Thomas Linzey gives a fiery call for community sovereignty; Aric McBay discusses historically effective resistance strategies; and Stephanie McMillan takes down capitalism. One by one, they build an unassailable case that we need to deprive the rich of their ability to steal from the poor and the powerful of their ability to destroy the planet. These speakers offer their ideas on what can be done to build a real resistance movement, one that includes all levels of direct action—action that can actually match the scale of the problem. Earth at Risk includes Derrick Jensen, Arundhati Roy, Thomas Linzey, Waziyatawin, Aric McBay, Stephanie McMillan, and Lierre Keith. This collection is sure to inform, engage, and inspire.

Produced by Jai Jai Noire.

From the acclaimed coauthor of A Manual for Direct Action comes Facilitating Group Learning, an essential resource designed to help educators, trainers, workshop leaders, and anyone who assists groups to learn. George Lakey presents the core principles and proven techniques of direct education, an approach he developed for effectively teaching adults in groups. To illustrate how it works in action, Lakey includes a wealth of compelling stories from his vast experience facilitating groups in a variety of situations.

Direct education cuts through the pretense and needless complications that can distance learners from subject matter. It removes false expectations (for example, that kinesthetic learners will strongly benefit from slide presentations) and false assumptions (for example, that a group is simply the sum of the individuals). This approach focuses the encounter between teacher and group; it replaces scattered attention—of a teacher preoccupied with curriculum and participants preoccupied with distractions—with gathered attention.

Unlike in other books on group facilitation, the author emphasizes critical issues related to diversity, as well as authenticity and emotions. Step by step, this groundbreaking book describes how to design effective learning experiences and shows what it takes to facilitate them. Ultimately, it brings all the elements of the author’s direct education approach together.

Facilitating Group Learning also contains material on sustaining the educator, addresses working with social movements, and includes the Training for Change toolkit of group learning techniques.

As the fiftieth anniversary of the Summer of Love floods the media with debates and celebrations of music, political movements, “flower power,” “acid rock,” and “hippies,”The Explosion of Deferred Dreams offers a critical reexamination of the interwoven political and musical happenings in San Francisco in the Sixties. Author, musician, and native San Franciscan Mat Callahan explores the dynamic links between the Black Panthers and Sly and the Family Stone, the United Farm Workers and Santana, the Indian Occupation of Alcatraz and the San Francisco Mime Troupe, and the New Left and the counterculture.

Callahan’s meticulous, impassioned arguments both expose and reframe the political and social context for the San Francisco Sound and the vibrant subcultural uprisings with which it is associated. Using dozens of original interviews, primary sources, and personal experiences, the author shows how the intense interplay of artistic and political movements put San Francisco, briefly, in the forefront of a worldwide revolutionary upsurge.

A must-read for any musician, historian, or person who “was there” (or longed to have been), The Explosion of Deferred Dreams is substantive and provocative, inviting us to reinvigorate our historical sense-making of an era that assumes a mythic role in the contemporary American zeitgeist.

Facebooking the Anthropocene in Raja Ampat is a deeply intimate look at the cataclysmic shifts between humans, technology, and the so-called natural world. Amid the breakneck pace of both technological advance and environmental collapse, Robert Ostertag explores how we ourselves are changing as fast as the world around us—from how we make music, to how we have sex, to what we do to survive, and who we imagine ourselves to be. And though the environmental crisis terrifies and technology overwhelms, Ostertag finds enough creativity, compassion, and humor in our evolving behavior to keep us laughing and inspired as the world we are building overtakes the world we found.

A true polymath who covered the wars in Central America during the 1980s, recorded dozens of music projects, and published books on startlingly eclectic subjects, Ostertag fuses his travels as a touring musician with his journalist’s eye for detail and the long view of a historian. Wander both the physical and the intellectual world with him. Watch Buddhist monks take selfies while meditating and DJs who make millions of dollars pretend to turn knobs in front of crowds of thousands. Shiver with families huddling through the stinging Detroit winter without heat or electricity. Meet Spice Islanders who have never seen flushing toilets yet have gay hookup apps on their phones.

Our best writers have struggled with how to address the catastrophes of our time without looking away. Ostertag succeeds where others have failed, with the moral acuity of Susan Sontag, the technological savvy of Lewis Mumford, and the biting humor of Jonathan Swift.

Don’t Mourn, Balkanize! is the first book written from the radical left perspective on the topic of Yugoslav space after the dismantling of the country. In this collection of essays, commentaries, and interviews, written between 2002 and 2010, Andrej Grubačić speaks about the politics of balkanization—about the trial of Slobodan Milosevic, the assassination of Prime Minister Zoran Djindjic, neoliberal structural adjustment, humanitarian intervention, supervised independence of Kosovo, occupation of Bosnia, and other episodes of Power which he situates in the long historical context of colonialism, conquest, and intervention.

But he also tells the story of the balkanization of politics, of the Balkans seen from below. A space of bogumils—those medieval heretics who fought against Crusades and churches—and a place of anti-Ottoman resistance; a home to hajduks and klefti, pirates and rebels; a refuge of feminists and socialists, of antifascists and partisans; of new social movements of occupied and recovered factories; a place of dreamers of all sorts struggling both against provincial “peninsularity” as well as against occupations, foreign interventions and that process which is now, in a strange inversion of history, often described by that fashionable term, “balkanization.”

For Grubačić, political activist and radical sociologist, Yugoslavia was never just a country—it was an idea. Like the Balkans itself, it was a project of inter-ethnic co-existence, a trans-ethnic and pluricultural space of many diverse worlds. Political ideas of inter-ethnic cooperation and mutual aid as we had known them in Yugoslavia were destroyed by the beginning of the 1990s—disappeared in the combined madness of ethno-nationalist hysteria and humanitarian imperialism. This remarkable collection chronicles political experiences of the author who is himself a Yugoslav, a man without a country; but also, as an anarchist, a man without a state. This book is an important reading for those on the Left who are struggling to understand the intertwined legacy of inter-ethnic conflict and inter-ethnic solidarity in contemporary, post-Yugoslav history.

Acompañada de fotografías y arte político, esta compilación poderosa de testimonios de organizadores, artistas, amas de casa, periodistas, estudiantes, maestros y otros que participaron en la Asamblea Popular de los Pueblos de Oaxaca provee un vistazo abierto y honesto de las protestas oaxaqueñas del 2006 contra la situación política en el estado mexicano--protestas que se convertirían en una de las revueltas sociales más importantes del siglo XX1.

Edge City, from the author of Low Bite, takes place in an every-noir-city (a thinly veiled portrait of San Francisco’s North Beach), and its newest resident is Reno, an angry fledgling just hatched out of prison. Getting out is like a weird dream, and the streets of the City are a muddle of sensations pooling around her.

First there’s the bustle—everybody busy with mysterious businesses—an amplifying racket of choices. Staggering out onto the late night streets of the City, Reno ends up at the infamous Istanbul Club: dim lights, Arabic music and the sensual Su’ad dancing. Music, booze, babes and drugs: what more could a felonious girl want?

She encounters Huntington, the poisonous charmer who lives above the Club—perverse and powerful in the way only the wealthy can be. Eddie, the underage bartender, is happy to chemically enhance every waking moment. Slowmotion, the sound light technician, huge and darkly mysterious, has connections to people and places that Reno didn’t even know existed. Slowmotion’s elegant friend, Poppy, offers mental transport to realms beyond Xanadu; in her little valise there’s everything necessary for any trip, including the hallucinogenic “Teeth of Idi Amin.”

The owner of the club, handsome gambler Sinclair, hires Reno to waitress. Grumbling, drinking, snarling, and swearing, Reno bangs her way through everyone else’s complicated plans, entangling herself in a byzantine labyrinth of betrayal, revenge, general mayhem, and yes, good times.

Don’t Leave Your Friends Behind is a collection of concrete tips, suggestions, and narratives on ways that non-parents can support parents, children, and caregivers in their communities, social movements, and collective processes. Don’t Leave Your Friends Behind focuses on issues affecting children and caregivers within the larger framework of social justice, mutual aid, and collective liberation.

How do we create new, nonhierarchical structures of support and mutual aid, and include all ages in the struggle for social justice? There are many books on parenting, but few on being a good community member and a good ally to parents, caregivers, and children as we collectively build a strong all-ages culture of resistance. Any group of parents will tell you how hard their struggles are and how they are left out, but no book focuses on how allies can address issues of caretakers’ and children’s oppression. Many well-intentioned childless activists don’t interact with young people on a regular basis and don’t know how. Don’t Leave Your Friends Behind provides them with the resources and support to get started.

Contributors include: The Bay Area Childcare Collective, Ramsey Beyer, Rozalinda Borcilă, Mariah Boone, Marianne Bullock, Lindsey Campbell, Briana Cavanaugh, CRAP! Collective, a de la maza pérez tamayo, Ingrid DeLeon, Clayton Dewey, David Gilbert, A.S. Givens, Jason Gonzales, Tiny (aka Lisa Gray-Garcia), Jessica Hoffman, Heather Jackson, Rahula Janowski, Sine Hwang Jensen, Agnes Johnson, Simon Knaphus, Victoria Law, London Pro-Feminist Men’s Group, Amariah Love, Oluko Lumumba, mama raccoon, Mamas of Color Rising/Young Women United, China Martens, Noemi Martinez, Kathleen McIntyre, Stacey Milbern, Jessica Mills, Tomas Moniz, Coleen Murphy, Maegan ‘la Mamita Mala’ Ortiz, Traci Picard, Amanda Rich, Fabiola Sandoval, Cynthia Ann Schemmer, Mikaela Shafer, Mustafa Shakur, Kate Shapiro, Jennifer Silverman, Harriet Moon Smith, Mariahadessa Ekere Tallie, Darran White Tilghman, Jessica Trimbath, Max Ventura, and Mari Villaluna.

END:CIV examines our culture’s addiction to systematic violence and environmental exploitation, and probes the resulting epidemic of poisoned landscapes and shell-shocked nations. Based in part on Endgame, the best-selling book by Derrick Jensen, END:CIV asks: “If your homeland was invaded by aliens who cut down the forests, poisoned the water and air, and contaminated the food supply, would you resist?”

The causes underlying the collapse of civilizations are usually traced to overuse of resources. As we write this, the world is reeling from economic chaos, peak oil, climate change, environmental degradation, and political turmoil. Every day, the headlines re-hash stories of scandal and betrayal of the public trust. We don’t have to make outraged demands for the end of the current global system—it seems to be coming apart already.

But acts of courage, compassion and altruism abound, even in the most damaged places. By documenting the resilience of the people hit hardest by war and repression, and the heroism of those coming forward to confront the crisis head-on, END:CIV illuminates a way out of this all-consuming madness and into a saner future.

Backed by Jensen’s narrative, the film calls on us to act as if we truly love this land. The film trips along at a brisk pace, using music, archival footage, motion graphics, animation, slapstick and satire to deconstruct the global economic system, even as it implodes around us. END:CIV illustrates first-person stories of sacrifice and heroism with intense, emotionally-charged images that match Jensen’s poetic and intuitive approach. Scenes shot in the back country provide interludes of breathtaking natural beauty alongside clearcut evidence of horrific but commonplace destruction.

END:CIV features interviews with Paul Watson, Waziyatawin, Gord Hill, Michael Becker, Peter Gelderloos, Lierre Keith, James Howard Kunstler, Stephanie McMillan, Qwatsinas, Rod Coronado, John Zerzan, Steven Best, Aric McBay, George Poitras, Shusli, Zoe Blunt, Dru Oja Jay, Maya Rolbin-Ghanie, Shannon Walsh, Macdonald Stainsby, and Mike Mercredi.

Deserter is the journey of Ryan and Jen Johnson--a deserting soldier and his young wife—as they flee across the country to seek refugee status over the Canadian border. As they move from safe house to safe house, we get to know Ryan and Jen—two, shy, small-town kids from the Central Valley who joined the military because there were no jobs, and find they must make a heroic stand in order to escape an illegal and immoral war. Deserter is a political road movie with one of the few happy endings that this war has given us.

Special Feature: Discussion with Amy Goodman and US Army Deserter Ryan Johnson at the North American premiere of Deserter.

“In America, four hundred people own the wealth of more than half of the American population. We should not be saying tax the rich, but instead we should be saying take their money and redistribute it, take their property and redistribute it.”
—Arundhati Roy

Industrial civilization is devouring the planet and the future. The oceans are acidifying, whole mountains have been laid to waste, and the climate is teetering into chaos. Every biome is approaching collapse. And fifty years of environmentalism hasn’t even slowed the rate of destruction. Yet environmentalists are not considering strategies that might actually prevent the looming biocide we are facing.

Until Earth at Risk.

Earth at Risk: Building a Resistance Movement to Save the Planet is an annual conference featuring environmental thinkers and activists who are willing to ask the hardest questions about the seriousness of our situation. The conference is convened by Derrick Jensen, acclaimed author of Endgame, who has argued that we need a resistance movement against civilization itself.

The twelve people in this volume present an impassioned critique of the dominant culture from every angle: William Catton Jr. explains ecological overshoot; Thomas Linzey gives a fiery call for community sovereignty; Jane Caputi exposes patriarchy’s mythic dismemberment of the Goddess; Aric McBay discusses historically effective resistance strategies; and Stephanie McMillan takes down capitalism. One by one, they build an unassailable case that we need to deprive the rich of their ability to steal from the poor and the powerful of their ability to destroy the planet. These speakers offer their ideas on what can be done to build a real resistance movement, one that includes all levels of direct action—action that can actually match the scale of the problem.

Earth at Risk includes:

• Derrick Jensen, author of Endgame, A Language Older than Words, and many others.
• Lierre Keith, author of The Vegetarian Myth: Food, Justice, and Sustainability; coauthor of Deep Green Resistance: Strategy to Save the Planet.
• Nora Barrows-Friedman, journalist and photographer; correspondent for outlets such as The Electronic Intifada, Al Jazeera, and Truthout.org.
• Jane Caputi, author of The Age of Sex Crime; Gossips, Gorgons, and Crones: The Fates of the Earth; and Goddesses and Monsters: Women, Myth, Power and Popular Culture.
• William Catton Jr., sociologist, author of Overshoot: The Ecological Basis of Revolutionary Change, and Bottleneck: Humanity’s Impending Impasse.
• Gail Dines, a founding member of Stop Porn Culture, author of Pornland: How Porn Has Hijacked Our Sexuality.
• Thomas Linzey, executive director of the Community Environmental Legal Defense Fund.
• Aric Mcbay, coauthor of Deep Green Resistance: Strategy to Save the Planet.
• Stephanie Mcmillan, cartoonist; author of The Beginning of the American Fall; organizer for the anti-capitalist/anti-imperialist collective One Struggle.
• Riki Ott, marine biologist, author of Not One Drop: Betrayal and Courage in the Wake of the Exxon Valdez Oil Spill.
• Arundhati Roy, author of An Ordinary Person’s Guide to Empire; Field Notes on Democracy: Listening to Grasshoppers; and many others.
• Waziyatawin, historian and anti-colonial activist, author of For Indigenous Eyes Only; What Does Justice Look Like? The Struggle for Liberation in Dakota Homeland; and other books.

A declaration of love to Peter Kuper’s adoptive city, where he has lived since 1977, this diary is a vibrant survey of New York City’s history. Kuper’s illustrations depict a climb to the top of the Brooklyn Bridge, the homeless living in Times Square, roller skaters in Central Park, the impact of September 11, the luxury of Wall Street, street musicians, and other scenes unique to the city. With comics, illustrations, and sketches, this work of art portrays everything from the low life to the high energy that has long made people from around the world flock to the Big Apple.

Drawn to New York is a reflection of one artist’s thirty-four years on twelve miles of island with eight million people in a city whose story is ever being written.

Five years after his death in 1972, Paul Goodman was characterized by anarchist historian George Woodcock as “the only truly seminal libertarian thinker in our generation.” In this new PM Press initiative, Goodman’s literary executor Taylor Stoehr has gathered together nine core texts from his anarchist legacy to future generations.

Here will be found the “utopian essays and practical proposals” that inspired the dissident youth of the Sixties, influencing movement theory and practice so profoundly that they have become underlying assumptions of today’s radicalism. Goodman’s analyses of citizenship and civil disobedience, decentralism and the organized system, show him Drawing the Line Once Again, mindful of the long anarchist tradition, and especially of the Jeffersonian democracy that resonated strongly in his own political thought. This is a deeply American book, a potent antidote to US global imperialism and domestic anomie.

Navigating the broad “river of anarchy,” from Taoism to Situationism, from Ranters to Punk rockers, from individualists to communists, from anarcho-syndicalists to anarcha-feminists, Demanding the Impossible is an authoritative and lively study of a widely misunderstood subject. It explores the key anarchist concepts of society and the state, freedom and equality, authority and power, and investigates the successes and failure of the anarchist movements throughout the world. While remaining sympathetic to anarchism, it presents a balanced and critical account. It covers not only the classic anarchist thinkers, such as Godwin, Proudhon, Bakunin, Kropotkin, Reclus and Emma Goldman, but also other libertarian figures, such as Nietzsche, Camus, Gandhi, Foucault and Chomsky. No other book on anarchism covers so much so incisively.

In this updated edition, a new epilogue examines the most recent developments, including “post-anarchism” and “anarcho-primitivism” as well as the anarchist contribution to the peace, green and Global Justice movements.

Demanding the Impossible is essential reading for anyone wishing to understand what anarchists stand for and what they have achieved. It will also appeal to those who want to discover how anarchism offers an inspiring and original body of ideas and practices which is more relevant than ever in the twenty-first century.

The pamphlets reprinted here were first published in the 1910s amid great controversy. Even then, the tactics of direct action and sabotage were often associated with the cartoonists’ image of the disheveled, wild-eyed anarchist armed with stiletto, handgun, or bomb—the clandestine activity of a militant minority or the desperate acts of the unorganized.

The activist authors of the texts in this collection challenged the prevailing stereotypes. As they point out, the practices of direct action and sabotage are as old as class society itself and have been an integral part of the everyday work life of wage-earners in all times and places. To the Industrial Workers of the World (IWW) belongs the distinction of being the first workers’ organization in the U.S. to discuss these common practices openly, and to recognize their place in working-class struggle. Viewing direct action and sabotage in the spirit of creative nonviolence, Wobblies readily integrated these tactics into their struggle to build industrial unions.

Direct action is recognized as a valuable and effective tactic by many movements around the globe and remains a cutting-edge tool for social change. Whenever communities in struggle find more conventional methods of resistance closed to them, direct action and sabotage will be employed.

This new edition from the Charles H. Kerr Library contains “Direct Action and Sabotage” (1912) by William E. Trautmann, “Sabotage: Its History, Philosophy & Function” (1913) by Walker C. Smith, and Elizabeth Gurley Flynn’s “Sabotage: The Conscious Withdrawal of the Workers’ Industrial Efficiency” (1916), edited and with an introduction by Salvatore Salerno.

Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers' strike and led to a seven-month siege.

When award-winning cartoonist Peter Kuper and his wife and daughter moved to the beautiful 16th-century colonial town of Oaxaca in 2006, they planned to spend a quiet year or two enjoying a different culture and taking a break from the U.S. political climate under the Bush administration. What they hadn't counted on was landing in the epicenter of Mexico's biggest political struggle in recent years. Timely and compelling, this extraordinary firsthand account presents a distinct artistic vision of Oaxacan life, from explorations of the beauty of the environment to graphic portrayals of the fight between strikers and government troops that left more than twenty people dead, including American journalist Brad Will.

This expanded paperback edition includes 32 pages of new material.

The Day the Country Died features author, historian, and musician Ian Glasper (Burning Britain) exploring in minute detail the influential, esoteric, UK anarcho punk scene of the early Eighties.

If the colorful ’80s punk bands captured in Burning Britain were loud, political, and uncompromising, those examined in The Day the Country Died were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately.

With Crass and Poison Girls opening the floodgates, the arrival of bands such as Zounds, Flux of Pink Indians, Conflict, Subhumans, Chumbawamba, Amebix, Rudimentary Peni, Antisect, Omega Tribe, and Icons of Filth heralded a brand new age of honesty and integrity in underground music. With a backdrop of Thatcher’s Britain, punk music became self-sufficient and considerably more aggressive, blending a DIY ethos with activism to create the perfectly bleak soundtrack to the zeitgeist of a discontented British youth.

It was a time when punk stopped being merely a radical fashion statement, and became a force for real social change; a genuine revolutionary movement, driven by some of the most challenging noises ever committed to tape. Anarchy, as regards punk rock, no longer meant “cash from chaos.” It meant “freedom, peace, and unity.“ Anarcho punk took the rebellion inherent in punk from the beginning to a whole new level of personal awareness.

All the scene’s biggest names, and most of the smaller ones, are comprehensively covered with new, exclusive interviews and hundreds of previously unseen photographs.

The battles between Michael Bakunin and Karl Marx in the First International (aka the International Working Men's Association, 1864–1876) began a pattern of polemics and rancor between anarchists and Marxists that still exists today. Outlining the profound similarities between Bakunin and Marx in their early lives and careers as activists, Mark Leier suggests that the differences have often been exaggerated and have prevented activists from learning useful lessons about creating vibrant movements.

Over the last thirty years, as wages have stagnated across the country, average household debt has more than doubled. Increasingly, we are forced to take on debt to meet our needs—from housing, to education, to medical care. The results—wrecked lives, devastated communities, and an increasing reliance on credit to maintain our basic living standards—reveal an economic system that enriches the few at the expense of the many.

The Debt Resisters’ Operations Manual is a handbook for debtors everywhere to understand how this system really works, while providing practical tools for fighting debt in its most exploitative forms. Inside, you’ll find detailed strategies, resources, and insider tips for dealing with some of the most common kinds of debt, including credit card debt, medical debt, student debt, and housing debt. The book also contains tactics for navigating the pitfalls of personal bankruptcy, and information to help protect yourself from credit reporting agencies, debt collectors, payday lenders, check cashing outlets, rent-to-own stores, and more.

Written and edited by a network of activists, writers, and academics from Occupy Wall Street, additional chapters cover tax debt, sovereign debt, the relationship between debt and climate, and an expanded vision for a movement of mass debt resistance.

Perhaps no period has so marked, so deformed, or so defined the anarchist movement as the three years in France from 1892 to 1894, the years known as the Age of Attentats, the years dominated by the Propagandists of the Deed.

Death to Bourgeois Society tells the story of four young anarchists who were guillotined in France in the 1890s. Their courage was motivated by noble ideals whose realization they saw their bombs and assassinations as hastening. In a time of cynicism and political decay for many, they represented a purity lacking in society, and their actions when they were captured, their forthrightness, their defiance up to the guillotine only added to their luster.

The texts collected in Death to Bourgeois Society focus on the main avatars of this movement: the grave robber/murderer/terrorist Ravachol; Auguste Vaillant, who bombed the Chamber of Deputies; Emile Henry, who attacked both the bourgeois in their class function and their very existence; and the Italian immigrant Santo Caserio, who brought down the curtain on the age when he assassinated the French president Sadi Carnot.

The volume contains key first person narratives of the events, from Ravachol’s forbidden speech and his account of his life, to Henry’s questioning at his trial and his programmatic letter to the director of the prison in which he was held, to Vaillant’s confrontation with the investigators immediately after tossing his bomb, and Caserio’s description of the assassination and his defense at his trial.

Dead Kennedys routinely top both critic and fan polls as the greatest punk band of their generation. Their debut full-length, Fresh Fruit for Rotting Vegetables, in particular, is regularly voted among the top albums in the genre. Fresh Fruit offered a perfect hybrid of humor and polemic strapped to a musical chassis that was as tetchy and inventive as Jello Biafra’s withering broadsides. Those lyrics, cruel in their precision, were revelatory. But it wouldn’t have worked if the underlying sonics were not such an uproarious rush, the paraffin to Biafra’s naked flame.

Dead Kennedys’ continuing influence is an extraordinary achievement for a band that had practically zero radio play and only released records on independent labels. They not only existed outside of the mainstream but were, as V. Vale of Search and Destroy noted, the first band of their stature to turn on and attack the music industry itself. The DKs set so much in motion. They were integral to the formulation of an alternative network that allowed bands on the first rung of the ladder to tour outside of their own backyard. They were instrumental in supporting the concept of all-ages shows and spurned the advances of corporate rock promoters and industry lapdogs. They legitimized the notion of an American punk band touring internationally while disseminating the true horror of their native country’s foreign policies, effectively serving as anti-ambassadors on their travels.

The book uses dozens of first-hand interviews, photos, and original artwork to offer a new perspective on a group who would become mired in controversy almost from the get-go. It applauds the band’s key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening—and enormously funny. The author offers context in terms of both the global and local trajectory of punk and, while not flinching from the wildly differing takes individual band members have on the evolution of the band, attempts to be celebratory—if not uncritical.

Drawn by South African political cartoonists the Trantraal brothers and Ashley Marais, Crossroads: I Live Where I Like is a graphic nonfiction history of women-led movements at the forefront of the struggle for land, housing, water, education, and safety in Cape Town over half a century. Drawing on over sixty life narratives, it tells the story of women who built and defended Crossroads, the only informal settlement that successfully resisted the apartheid bulldozers in Cape Town. The story follows women’s organized resistance from the peak of apartheid in the 1970s to ongoing struggles for decent shelter today. Importantly, this account was workshopped with contemporary housing activists and women’s collectives who chose the most urgent and ongoing themes they felt spoke to and clarified challenges against segregation, racism, violence, and patriarchy standing between the legacy of the colonial and apartheid past and a future of freedom still being fought for.

Presenting dramatic visual representations of many personalities and moments in the daily life of this township, the book presents a thoughtful and thorough chronology, using archival newspapers, posters, photography, pamphlets, and newsletters to further illustrate the significance of the struggles at Crossroads for the rest of the city and beyond. This collaboration has produced a beautiful, captivating, accessible, forgotten, and in many ways uncomfortable history of Cape Town that has yet to be acknowledged.

Crossroads: I Live Where I Like raises questions critical to the reproduction of segregation and to gender and generational dynamics of collective organizing, to ongoing anticolonial struggles and struggles for the commons, and to new approaches to social history and creative approaches to activist archives.

“A declaration of rights is indispensable in order to halt the ravages of despotism.” So wrote the revolutionary Antoine Barnave in support of the Declaration of the Rights of Man and of the Citizen (1789). Over two centuries after the Great French Revolution, Raoul Vaneigem writes that today, “in a situation comparable to the condition of France on the eve of its Revolution,” we cannot limit ourselves to demanding liberties—the so-called bourgeois freedoms—that came into being with free trade, for now the free exchange of capital is the totalitarian form of a system which reduces human beings and the earth itself to merchandise. The time has come to give priority to the real individual rather than to Man in the abstract, the citizen answerable to the State and to the sole dictates of God’s successor, the economy.

Sometimes playful or poetic, always provocative, Vaneigem reviews the history of bills of rights before offering his own call, with commentary, for fifty-eight rights yet to be won in a world where the “freedoms accorded to Man” are no longer merely “the freedoms accorded by man to the economy.”

Every human being has the right, for example: to become human and to be treated as such; to dispose freely of their time; to comfort and luxury; to free modes of transport set up by and for the collectivity; to permanent control over scientific experimentation; to association by affinity; to bend toward life what was turned toward death; to the flux of passions and the freedoms of love; to a natural life and a natural death; to hold nothing sacred; to excess and to moderation; to desire what seems beyond the realm of the possible.

Readers of Vaneigem’s now-classic work The Revolution of Everyday Life will find much to engage with in this unique work of subversive utopianism.

Damnificados is loosely based on the real-life occupation of a half-completed skyscraper in Caracas, Venezuela, the Tower of David. In this fictional version, six hundred “damnificados”—vagabonds and misfits—take over an abandoned urban tower and set up a community complete with schools, stores, beauty salons, bakeries, and a rag-tag defensive militia. Their always heroic (and often hilarious) struggle for survival and dignity pits them against corrupt police, the brutal military, and the tyrannical “owners.”

Taking place in an unnamed country at an unspecified time, the novel has elements of magical realism: avenging wolves, biblical floods, massacres involving multilingual ghosts, arrow showers falling to the tune of Beethoven’s Ninth, and a trash truck acting as a Trojan horse. The ghosts and miracles woven into the narrative are part of a richly imagined world in which the laws of nature are constantly stretched and the past is always present.

Originally published in 1970, Marge Piercy’s second novel follows the lives of four teenagers, in a near-future society, as they rebel against a military draft and “the system.” The occupation of Franklin High School begins, and with it, the open rebellion of America’s youth against their channeled, unrewarding lives and the self-serving, plastic society that directs them.

From the disillusionment and alienation of the young at the center of the revolt, to their attempts to build a visionary new society, the nationwide following they gain and the brutally complete repression that inevitably follows, this is a future fiction without a drop of fantasy. As driving, violent, and nuanced today as it was 40 years ago, this anniversary edition includes a new introduction by the author reflecting unapologetically on the novel and the times from which it emerged.

Counterpoints: A San Francisco Bay Area Atlas of Displacement and Resistance brings together cartography, essays, illustrations, poetry, and more in order to depict gentrification and resistance struggles from across the San Francisco Bay Area and act as a roadmap to counter-hegemonic knowledge making and activism. Compiled by the Anti-Eviction Mapping Project, each chapter reflects different frameworks for understanding the Bay Area’s ongoing urban upheaval, including: evictions and root shock, indigenous geographies, health and environmental racism, state violence, transportation and infrastructure, migration and relocation, and speculative futures. By weaving these themes together, Counterpoints expands normative urban-studies framings of gentrification to consider more complex, regional, historically grounded, and entangled horizons for understanding the present. Understanding the tech boom and its effects means looking beyond San Francisco’s borders to consider the region as a socially, economically, and politically interconnected whole and reckoning with the area’s deep history of displacement, going back to its first moments of settler colonialism. Counterpoints combines work from within the project with contributions from community partners, from longtime community members who have been fighting multiple waves of racial dispossession to elementary school youth envisioning decolonial futures. In this way, Counterpoints is a collaborative, co-created atlas aimed at expanding knowledge on displacement and resistance in the Bay Area with, rather than for or about, those most impacted.

In 1970 a small group of West German revolutionaries decided to go underground, set up safe houses, and learn the skills of the urban guerilla. They were the Red Army Faction.

Seven years later, almost all of the original combatants were in prison or dead, yet, through their example, they had inspired a militant and illegal support movement, comrades willing to take up arms in defense of the prisoners.

1977 was to be a year of reckoning. Through daring attacks and devastating errors, the West German guerilla brought their society to the brink, mounting one of the most desperate and incredible campaigns of asymmetrical warfare ever waged in postwar Europe. That they failed is no excuse to not learn their story, to see who they were and what they fought for—and, most tragically, to bear witness to the lengths the state would go to silence them. This pamphlet is our very modest introduction to this story.

The talk was sponsored by the Brecht Forum and cosponsors included the Education Ministry of the Riverside Church, Mission and Social Justice Commission of the Riverside Church, Theatre of the Oppressed at the Riverside Church, the Theater of the Oppressed Laboratory, and Bluestockings Books.

More than 2,000 people attended the lecture captured here, in which Chomsky offered a powerful analysis of the current economic crisis and its structural roots, the continuity in U.S. foreign policy under the Barack Obama administration, and the class interests driving U.S. domestic and foreign policy. He also speaks at length about the tradition of worker self-management as a concrete alternative to the business-as-usual approach of corporations and the government during the current crisis. The DVD also features an introduction by Amy Goodman and an exclusive one-on-one interview with Chomsky.