PM Press

In 1974, women imprisoned at New York’s maximum-security prison at Bedford Hills staged what is known as the August Rebellion. Protesting the brutal beating of a fellow prisoner, the women fought off guards, holding seven of them hostage, and took over sections of the prison.

While many have heard of the 1971 Attica prison uprising, the August Rebellion remains relatively unknown even in activist circles. Resistance Behind Bars is determined to challenge and change such oversights. As it examines daily struggles against appalling prison conditions and injustices, Resistance documents both collective organizing and individual resistance among women incarcerated in the U.S. Emphasizing women’s agency in resisting the conditions of their confinement through forming peer education groups, clandestinely arranging ways for children to visit mothers in distant prisons and raising public awareness about their lives, Resistance seeks to spark further discussion and research into the lives of incarcerated women and galvanize much-needed outside support for their struggles.

This updated and revised edition of the 2009 PASS Award winning book includes a new chapter about transgender, transsexual, intersex, and gender-variant people in prison.

Originally published just months before the May 1968 upheavals in France, Raoul Vaneigem’s The Revolution of Everyday Life offered a lyrical and aphoristic critique of the “society of the spectacle” from the point of view of individual experience. Whereas Debord’s masterful analysis of the new historical conditions that triggered the uprisings of the 1960s armed the revolutionaries of the time with theory, Vaneigem’s book described their feelings of desperation directly, and armed them with “formulations capable of firing point-blank on our enemies.”

“I realise,” writes Vaneigem in his introduction, “that I have given subjective will an easy time in this book, but let no one reproach me for this without first considering the extent to which the objective conditions of the contemporary world advance the cause of subjectivity day after day.”

Vaneigem names and defines the alienating features of everyday life in consumer society: survival rather than life, the call to sacrifice, the cultivation of false needs, the dictatorship of the commodity, subjection to social roles, and above all the replacement of God by the Economy. And in the second part of his book, “Reversal of Perspective,” he explores the countervailing impulses that, in true dialectical fashion, persist within the deepest alienation: creativity, spontaneity, poetry, and the path from isolation to communication and participation.

For “To desire a different life is already that life in the making.” And “fulfillment is expressed in the singular but conjugated in the plural.”

The present English translation was first published by Rebel Press of London in 1983. This new edition of The Revolution of Everyday Life has been reviewed and corrected by the translator and contains a new preface addressed to English-language readers by Raoul Vaneigem. The book is the first of several translations of works by Raoul Vaneigem that PM Press plans to publish in uniform volumes. Vaneigem’s classic work is to be followed by The Knight, the Lady, the Devil, and Death (2003) and The Inhumanity of Religion (2000).

Red Nation Rising is the first book ever to investigate and explain the violent dynamics of bordertowns. Bordertowns are white-dominated towns and cities that operate according to the same political and spatial logics as all other American towns and cities. The difference is that these settlements get their name from their location at the borders of current-day reservation boundaries, which separates the territory of sovereign Native nations from lands claimed by the United States.

Bordertowns came into existence when the first US military forts and trading posts were strategically placed along expanding imperial frontiers to extinguish indigenous resistance and incorporate captured indigenous territories into the burgeoning nation-state. To this day, the US settler state continues to wage violence on Native life and land in these spaces out of desperation to eliminate the threat of Native presence and complete its vision of national consolidation “from sea to shining sea.” This explains why some of the most important Native-led rebellions in US history originated in bordertowns and why they are zones of ongoing confrontation between Native nations and their colonial occupier, the United States.

Despite this rich and important history of political and material struggle, little has been written about bordertowns. Red Nation Rising marks the first effort to tell these entangled histories and inspire a new generation of Native freedom fighters to return to bordertowns as key front lines in the long struggle for Native liberation from US colonial control. This book is a manual for navigating the extreme violence that Native people experience in reservation bordertowns and a manifesto for indigenous liberation that builds on long traditions of Native resistance to bordertown violence.

The San Francisco Bay Area is currently the jewel in the crown of capitalism—the tech capital of the world and a gusher of wealth from the Silicon Gold Rush. It has been generating jobs, spawning new innovation, and spreading ideas that are changing lives everywhere. It boasts of being the Left Coast, the Greenest City, and the best place for workers in the USA. So what could be wrong? It may seem that the Bay Area has the best of it in Trump’s America, but there is a dark side of success: overheated bubbles and spectacular crashes; exploding inequality and millions of underpaid workers; a boiling housing crisis, mass displacement, and severe environmental damage; a delusional tech elite and complicity with the worst in American politics.

This sweeping account of the Bay Area in the age of the tech boom covers many bases. It begins with the phenomenal concentration of IT in Greater Silicon Valley, the fabulous economic growth of the bay region and the unbelievable wealth piling up for the 1% and high incomes of Upper Classes—in contrast to the fate of the working class and people of color earning poverty wages and struggling to keep their heads above water. The middle chapters survey the urban scene, including the greatest housing bubble in the United States, a metropolis exploding in every direction, and a geography turned inside out. Lastly, it hits the environmental impact of the boom, the fantastical ideology of TechWorld, and the political implications of the tech-led transformation of the bay region.

As an ambitious, alienated, and awesomely talented kid from the Bronx, Norman Spinrad rode the revolutionary “New Wave” of 1960s science fiction to fame, if not fortune. His usually angry, often hilarious, and always radical novels changed the field forever. Once devoted to interplanetary adventure, SF began to explore the uneasy intersection between today’s illusions and tomorrow’s dystopian disasters. It grew dark, grew wild, grew up.

An all-new novella designed to take a poke at both Christian fundamentalists and corporate CEOs, Raising Hell is a rousing account of the fight to improve working conditions in Hell, for both demons and the damned, with the help of such deceased immortals as Jimmy Hoffa, John L. Lewis, and César Chávez.

Plus…
“The Abnormal New Normal,” an impolite inquiry into today’s high-finance low-jinks, which unmasks the manipulations of the 1% and proposes a radical fix.

And Featuring: our Outspoken Interview, the usual mix of intimate revelation, gossip, and tales from the front lines of writing and publishing.

A scathing indictment of U. S. domestic and foreign policy, this collection of interviews gathers incendiary insights from 10 of today’s most experienced and knowledgeable activists. Whether it’s Ramsey Clark describing the long history of military invasion, Alfred McCoy detailing the relationship between CIA activities and the increase in the global heroin trade, Stephen Schwartz reporting the obscene costs of nuclear armaments, or Katherine Albrecht tracing the horrors of the modern surveillance state, this investigation of global governance is sure to inform, engage, and incite readers.

Full list of Interviewees:

• Stephen Schwartz, author of Atomic Audit: The Costs and Consequences of U. S. Nuclear Weapons Since 1940, is a guest scholar at the Brooking Institute and the director of the U.S. Nuclear Weapons Cost Study Project.
• Katherine Albrecht is the director of CASPIAN (Consumers Against Supermarket Privacy Invasion and Numbering), and is widely recognized as one of the world’s leading experts on consumer privacy.
• Robert McChesney is the author of seven books concerned with the contradiction between a for-profit corporate media and the communications requirements of a democratic society.
• J.W. Smith is the author of The World’s Wasted Wealth and is the director of The Institute for Cooperative Capitalism.
• Juliet Schor is co-founder of the Center for a New American Dream, and has written three books focused on trends in work and leisure, consumerism, the relationship between work and family, women’s issues and economic justice.
• Alfred McCoy is the author of The Politics of Heroin in Southeast Asia and was winner of the Grant Goodman Prize in 2001.
• Christian Parenti is the author of Lockdown America: Police and Prisons in the Age of Crisis, a critique the “incipient American police state.”
• Kevin Bales is an expert on modern slavery and is the author of Disposable People: New Slavery in the Global Economy, which was nominated for the Pulitzer Prize.
• Ramsey Clark was Attorney General under Lyndon Johnson, playing an important role in the history of the Civil Rights movement and continuing on as unstinting critic of US foreign policy.
• Anuradha Mittal is an internationally renowned expert on trade, development, human rights, democracy, and agriculture issues, and is the founder of The Oakland Institute, which works to ensure public participation and democratic debate on crucial economic and social policy issues.

This edited volume reassesses the ongoing transnational turn in anarchist and syndicalist studies, a field where the interest in cross-border connections has generated much innovative literature in the last decade. It presents and extends up-to-date research into several dynamic historiographic fields, and especially the history of the anarchist and syndicalist movements and the notions of transnational militancy and informal political networks.

Whilst restating the relevance of transnational approaches, especially in connection with the concepts of personal networks and mediators, the book underlines the importance of other scales of analysis in capturing the complexities of anarchist militancy, due to both their centrality as a theme of reflection for militants, and their role as a level of organization. Especially crucial is the national level, which is often overlooked due to the internationalism which was so central to anarchist ideology.

In the context of resurgent populist nationalism across the global North, especially Europe, as well as parts of the Global South, Reassessing the Transnational Turn is a timely and welcome exploration focusing on the high point of the historical anarchist movement, approximately between the 1870s and 1939. In it, some of the more problematic, politically ambiguous, and underexplored relationships between anarchist movements and (trans)nationalism are interrogated by a range of historians and political scholars.

Contributors include Davide Turcato, Ruth Kinna, Isabelle Felici, Kenyon Zimmer, Pietro Di Paola, Raymond Craib, Nino Kühnis, and Martin Baxmeyer.

Douglas Pike is no longer the murderous hustler he was in his youth, but reforming hasn't made him much kinder. He's just living out his life in his Appalachian hometown, working odd jobs with his partner, Rory, hemming in his demons the best he can. And his best seems just good enough until his estranged daughter overdoses and he takes in his twelve-year-old granddaughter, Wendy.

Just as the two are beginning to forge a relationship, Derrick Kreiger, a dirty Cincinnati cop, starts to take an unhealthy interest in the girl. Pike and Rory head to Cincinnati to learn what they can about Derrick and the death of Pike’s daughter, and the three men circle, evenly matched predators in a human wilderness of junkie squats, roadhouse bars, and homeless Vietnam vet encampments

Consisting of ten collaborative picture-essays that weave Cindy Milstein’s poetic words within Erik Ruin’s intricate yet bold paper-cut and scratch-board images, Paths toward Utopia suggests some of the here-and-now practices that prefigure, however imperfectly, the self-organization that would be commonplace in an egalitarian society. The book mines what we do in our daily lives for the already-existent gems of a freer future—premised on anarchistic ethics like cooperation and direct democracy. Its pages depict everything from seemingly ordinary activities like using parks as our commons to grandiose occupations of public space that construct do-it-ourselves communities, if only temporarily, including pieces such as “The Gift,” “Borrowing from the Library,” “Solidarity Is a Pizza,” and “Waking to Revolution.” The aim is to supply hints of what it routinely would be like to live, every day, in a world created from below, where coercion and hierarchy are largely vestiges of the past.

Paths toward Utopia is not a rosy-eyed stroll, though. The book retains the tensions in present-day attempts to “model” horizontal institutions and relationships of mutual aid under increasingly vertical, exploitative, and alienated conditions. It tries to walk the line between potholes and potential. Yet if anarchist and other autonomist efforts are to serve as a clarion call to action, they must illuminate how people qualitatively, consensually, and ecologically shape their needs as well as desires. They must offer stepping-stones toward emancipation. This can only happen through experimentation, by us all, with diverse forms of self-determination and self-governance, even if riddled with contradictions in this contemporary moment. As the title piece to this book steadfastly asserts, “The precarious passage itself is our road map to a liberatory society.”

First she was a beat cop, then she was unemployed. Now, Kenneth Wishnia’s dynamic Filomena Buscarsela has apprenticed herself to a New York City PI firm to put in the three years necessary to get her own PI license, which she needs to earn enough money to support herself and her daughter. Trouble is, she often agrees to take on sticky neighborhood cases pro bono—like the group of squatters restoring an abandoned building in the neighborhood—rather than handle the big-bucks clients her bosses would prefer.

While helping out her more “senior” colleagues with her own superior investigative techniques bred from years on the beat, Fil agrees to look into the disappearance of a young immigrant. Then, witnessing the arrest of a neighbor on marijuana-possession charges that nearly turns into a shoot-out with the police, Fil is roped into finding out what went wrong. Trying to balance charity cases like these with bread-and-butter cases, not to mention single motherhood, Fil is quickly in over her head dodging bullish cops, aggressive businessmen, and corrupt landlords in their working-class Queens neighborhood.

After years of policing and backstreet bloodhounding, Filomena Buscarsela is apprenticing to earn her own private investigator’s license. She pours on her Spanish, her clever tricks, and her battle-tested charms to uncover a labyrinth of deceit, racial prejudice, and impenetrable bureaucracy that not only rocks her neighborhood but also threatens the foundation of the big red house that is this PI’s America.

Rad Dad: Dispatches from the Frontiers of Fatherhood combines the best pieces from the award-winning zine Rad Dad and from the blog Daddy Dialectic, two kindred publications that have tried to explore parenting as political territory. Both of these projects have pushed the conversation around fathering beyond the safe, apolitical focus most books and websites stick to; they have not been complacent but have worked hard to create a diverse, multi-faceted space in which to grapple with the complexity of fathering.

Today more than ever, fatherhood demands constant improvisation, risk, and struggle. With grace and honesty and strength, Rad Dad’s writers tackle all the issues that other parenting guides are afraid to touch: the brutalities, beauties, and politics of the birth experience, the challenges of parenting on an equal basis with mothers, the tests faced by transgendered and gay fathers, the emotions of sperm donation, and parental confrontations with war, violence, racism, and incarceration. Rad Dad is for every father out in the real world trying to parent in ways that are loving, meaningful, authentic, and ultimately revolutionary.

Contributors Include:

Steve Almond, Jack Amoureux, Mike Araujo, Mark Andersen, Jeff Chang, Ta-Nehisi Coates, Jeff Conant, Sky Cosby, Jason Denzin, Cory Doctorow, Craig Elliott, Chip Gagnon, Keith Hennessy, David L. Hoyt, Simon Knapus, Ian MacKaye, Tomas Moniz, Zappa Montag, Raj Patel, Jeremy Adam Smith, Jason Sperber, Burke Stansbury, Shawn Taylor, Tata, Jeff West, and Mark Whiteley.

No one is immune to the byproducts of compulsory schooling and standardized testing. And while reform may be a worthy cause for some, it is not enough for countless others still trying to navigate the tyranny of what schooling has always been. Raising Free People argues that we need to build and work within systems truly designed for any human to learn, grow, socialize, and thrive, regardless of age, ability, background, or access to money.

Families and conscious organizations across the world are healing generations of school wounds by pivoting into self-directed, intentional community-building, and Raising Free People shows you exactly how unschooling can help facilitate this process.

Individual experiences influence our approach to parenting and education, so we need more than the rules, tools, and “bad adult” guilt trips found in so many parenting and education books. We need to reach behind our behaviors to seek and find our triggers; to examine and interrupt the ways that social issues such as colonization still wreak havoc on our ability to trust ourselves, let alone children. Raising Free People explores examples of the transition from school or homeschooling to unschooling, how single parents and people facing financial challenges unschool successfully, and the ways unschooling allows us to address generational trauma and unlearn the habits we mindlessly pass on to children.

In these detailed and unabashed stories and insights, Richards examines the ways that her relationships to blackness, decolonization, and healing work all combine to form relationships and enable community-healing strategies rooted in an unschooling practice. This is how millions of families center human connection, practice clear and honest communication, and raise children who do not grow up to feel that they narrowly survived their childhoods.

“Theft exists only through the exploitation of man by man…when Society refuses you the right to exist, you must take it…the policeman arrested me in the name of the Law, I struck him in the name of Liberty.”

In 1887, Clément Duval joined the tens of thousands of convicts sent to the “dry guillotine” of the French penal colonies. Few survived and fewer were able to tell the stories of their life in that hell. Duval spent fourteen years doing hard labor—espousing the values of anarchism and demonstrating the ideals by being a living example the entire time—before making his daring escape and arriving in New York City, welcomed by the Italian and French anarchists there.

This is much more than an historical document about the anarchist movement and the penal colony. It is a remarkable story of survival by one man’s self-determination, energy, courage, loyalty, and hope. It was thanks to being true and faithful to his ideals that Duval survived life in this hell. Unlike the well-known prisoner Papillon, who arrived and dramatically escaped soon after Duval, he encouraged his fellow prisoners to practice mutual aid, through their deeds and not just their words. It is a call to action for mindful, conscious people to fight for their rights to the very end, to never give up or give in.

More than just a story of a life or a testament of ideals, here is a monument to the human spirit and a war cry for freedom and justice.

One out of every hundred adults in the U.S. is in prison. This book provides a crash course in what drives mass incarceration, the human and community costs, and how to stop the numbers from going even higher. Collected in this volume are the three comic books published by the Real Cost of Prisons Project. The stories and statistical information in each comic book are thoroughly researched and documented.

Prison Town: Paying the Price tells the story of how the financing and site locations of prisons affects the people of rural communities in which prison are built. It also tells the story of how mass incarceration affects people of urban communities where the majority of incarcerated people come from.

Prisoners of the War on Drugs includes the history of the war on drugs, mandatory minimums, how racism creates harsher sentences for people of color, stories of how the war on drugs works against women, three strikes laws, obstacles to coming home after incarceration, and how mass incarceration destabilizes neighborhoods.

Prisoners of a Hard Life: Women and Their Children includes stories about women trapped by mandatory sentencing and the “costs” of incarceration for women and their families. Also included are alternatives to the present system, a glossary, and footnotes.

Over 125,000 copies of the comic books have been printed and more than 100,000 have been sent to people who are incarcerated, to their families, and to organizers and activists throughout the country. The book includes a chapter with descriptions of how the comix have been put to use in the work of organizers and activists in prison and in the “free world” by ESL teachers, high school teachers, college professors, students, and health care providers throughout the country. The demand for the comix is constant and the ways in which they are being used are inspiring.

Bang. The door to your cell is shut. You have survived the arrest, you are mad that you weren’t more careful, you worry that they will get others too, you wonder what will happen to your group and whether a lawyer has been called yet—of course you show none of this. The weapon, the fake papers, your own clothes, all gone. The prison garb and the shoes they’ve thrown at you are too big—maybe because they want to play silly games with you, maybe because they really blow “terrorists” out of proportion in their minds—and the control over your own appearance taken out of your hands. You look around, trying to get an understanding of where you’ll spend the next few years of your life.

Prison Round Trip was first published in German in 2003 as “Einmal Knast und zurück.” The essay’s author, Klaus Viehmann, had been released from prison ten years earlier, after completing a 15-year sentence for his involvement in urban guerilla activities in Germany in the 1970s. The essay was subsequently reprinted in various forums. It is a reflection on prison life and on how to keep one’s sanity and political integrity within the hostile and oppressive prison environment; “survival strategies” are its central theme.

“Einmal Knast und zurück” soon found an audience extending beyond Germany’s borders. Thanks to translations by comrades and radical distribution networks, it has since been eagerly discussed amongst political prisoners from Spain to Greece. This is the first time the text is available to a wider English-speaking audience.

“Klaus’s take on survival strategy tells us we can not only survive thusly but can as well continue to serve the cause of liberation—which are really the same thing. We can be captured without giving in or giving up.” —From the Preface by North American political prisoner Bill Dunne

Patty Hearst & The Twinkie Murders is a darkly satiric take on two of the most famous cases of our era: the kidnapping of heiress Patty Hearst, and the shocking assassination of San Francisco Mayor George Moscone and gay leader Harvey Milk. As a reporter for the Berkeley Barb, Paul Krassner was ringside at the spectacular California trials. Krassner’s deadpan, hilarious style captures the nightmare reality behind the absurdities of the courtroom circus.

Using his infamous satiric pen and investigative chops, Krassner gets to the truth behind the events: the role of the police and FBI, the real deal with Patty and the SLA, and what really happened in Patty’s infamous closet.

Plus: A merciless exposé of the “Taliban” wing of the gay movement and their scandalous attacks on alt-rock star Michelle Shocked.

Also featured is our Outspoken Interview, an irreverent and fascinating romp through the secret history of America’s radical underground. Names will be named.

Queercore: How to Punk a Revolution: An Oral History is the very first comprehensive overview of the movement that defied both the music underground and the LGBT mainstream community—queercore.

Through exclusive interviews with protagonists like Bruce LaBruce, G.B. Jones, Jayne County, Kathleen Hanna of Bikini Kill and Le Tigre, film director and author John Waters, Lynn Breedlove of Tribe 8, Jon Ginoli of Pansy Division, and many more, alongside a treasure trove of never-before-seen photographs and reprinted zines from the time, Queercore traces the history of a scene originally “fabricated” in the bedrooms and coffee shops of Toronto and San Francisco by a few young, queer punks to its emergence as a relevant and real revolution. Queercore gets a down-to-details firsthand account of the movement explored through the people that lived it—from punk’s early queer elements, to the moments Toronto kids decided they needed to create a scene that didn’t exist, to the infiltration of the mainstream by Pansy Division, and the emergence of riot grrrl as a sister movement—as well as the clothes, zines, art, film, and music that made this movement an exciting in-your-face middle finger to complacent gay and straight society. Queercore will stand as both a testament to radically gay politics and culture and an important reference for those who wish to better understand this explosive movement.

Organizing Cools the Planet offers a challenge to all concerned about the ecological crisis: find your frontline. This booklet weaves together stories, analysis, organizing tools, and provocative questions, to offer a snapshot of the North American Climate Justice movement and provide pathways for readers to participate in it. Authors share hard lessons learned, reflect on strategy, and grapple with the challenges of their roles as organizers who do not come from “frontline communities” but work to build a movement big enough for everyone and led by the priorities and solutions of low-income people, communities of color, Indigenous, youth, and other constituencies most directly impacted by the crisis. Rooted in the authors’ experiences organizing in local, national, and international arenas, they challenge readers to look at the scale of ecological collapse with open eyes, without falling prey to disempowering doomsday narratives. This booklet is for anyone who wants to build a movement with the resiliency to navigate one of the most rapid transitions in human history.

No one is immune to the byproducts of compulsory schooling and standardized testing. And while reform may be a worthy cause for some, it is not enough for countless others still trying to navigate the tyranny of what schooling has always been. Raising Free People argues that we need to build and work within systems truly designed for any human to learn, grow, socialize, and thrive, regardless of age, ability, background, or access to money.

Families and conscious organizations across the world are healing generations of school wounds by pivoting into self-directed, intentional community-building, and Raising Free People shows you exactly how unschooling can help facilitate this process.

Individual experiences influence our approach to parenting and education, so we need more than the rules, tools, and “bad adult” guilt trips found in so many parenting and education books. We need to reach behind our behaviors to seek and find our triggers; to examine and interrupt the ways that social issues such as colonization still wreak havoc on our ability to trust ourselves, let alone children. Raising Free People explores examples of the transition from school or homeschooling to unschooling, how single parents and people facing financial challenges unschool successfully, and the ways unschooling allows us to address generational trauma and unlearn the habits we mindlessly pass on to children.

In these detailed and unabashed stories and insights, Richards examines the ways that her relationships to blackness, decolonization, and healing work all combine to form relationships and enable community-healing strategies rooted in an unschooling practice. This is how millions of families center human connection, practice clear and honest communication, and raise children who do not grow up to feel that they narrowly survived their childhoods.

A Gothic Horror novel about severe mental distress and punk rock. The novel is written in the form of a diary kept by a psychiatrist, Dr. Rodney H. Dweller, concerning his patient, Nathaniel Snoxell, brought to him in 1979 because of several attempted suicides. Snoxell gets involved in the nascent UK anarcho-punk scene, recording EPs and playing gigs in squatted Anarchy Centers. In 1985, the good doctor himself “goes insane” and disappears.

This semi-autobiographical novel from Rudimentary Peni singer, guitarist, lyricist, and illustrator Nick Blinko, plunges into the worlds of madness, suicide, and anarchist punk. Lovecraft meets Crass in the squats and psychiatric institutions of early ‘80s England. This new edition collects Blinko”s long sought after artwork from the three previous incarnations.

With its own fashion, culture, and chaotic energy, punk rock boasted a do-it-yourself ethos that allowed anyone to take part. Vibrant and volatile, the punk scene left an extraordinary legacy of music and cultural change. John Robb talks to many of those who cultivated the movement, such as John Lydon, Lemmy, Siouxsie Sioux, Mick Jones, Chrissie Hynde, Malcolm McLaren, Henry Rollins, and Glen Matlock, weaving together their accounts to create a raw and unprecedented oral history of UK punk. All the main players are here: from The Clash to Crass, from The Sex Pistols to the Stranglers, from the UK Subs to Buzzcocks—over 150 interviews capture the excitement of the most thrilling wave of rock ’n’ roll pop culture ever. Ranging from its widely debated roots in the late 1960s to its enduring influence on the bands, fashion, and culture of today, this history brings to life the energy and the anarchy as no other book has done.

Pacifism as Pathology has long since emerged as a dissident classic. Originally written during the mid-1980s, the seminal essay “Pacifism as Pathology” was prompted by veteran activist Ward Churchill’s frustration with what he diagnosed as a growing—and deliberately self-neutralizing—”hegemony of nonviolence” on the North American left. The essay’s publication unleashed a raging debate among activists in both the U.S. and Canada, a significant result of which was Michael Ryan’s penning of a follow-up essay reinforcing Churchill’s premise that nonviolence, at least as the term is popularly employed by white “progressives,” is inherently counterrevolutionary, adding up to little more than a manifestation of its proponents’ desire to maintain their relatively high degrees of socioeconomic privilege and thereby serving to stabilize rather than transform the prevailing relations of power.

This short book challenges the pacifist movement’s heralded victories—Gandhi in India, 1960s antiwar activists, even Martin Luther King Jr.’s civil rights movement—suggesting that their success was in spite of, rather than because of, their nonviolent tactics. Churchill also examines the Jewish Holocaust, pointing out that the overwhelming response of Jews was nonviolent, but that when they did use violence they succeeded in inflicting significant damage to the nazi war machine and saving countless lives.

As relevant today as when they first appeared, Churchill’s and Ryan’s trailblazing efforts were first published together in book form in 1998. Now, along with the preface to that volume by former participant in armed struggle/political prisoner Ed Mead, postscripts by both Churchill and Ryan, and a powerful new foreword by leading oppositionist intellectual Dylan Rodríguez, these vitally important essays are being released in a fresh edition.

Humanity stands at the brink of global environmental and economic collapse. We have pinned our future to an economic system that centralizes power in fewer and fewer hands, and whose benefits increasingly flow to smaller and smaller numbers of people. Our system of government is similarly medieval—relying on a 1780s constitutional form of government written to guarantee the exploitation of the natural environment and elevate “the endless production of more” over the rights of people, nature, and their communities.

But right now, people within the community rights movement aren’t waiting for power brokers to fix the system. They’re beginning to envision a new sustainability constitution by adopting new laws at the local level that are forcing those ideas upward into the state and national ones. In doing so, they are directly challenging the basic operating system of this country—one which currently elevates corporate “rights” above the rights of people, nature, and their communities—and changing it into one which recognizes a right to local, community self-government that cannot be overridden by corporations, or by governments wielded by corporate interests.

This short primer from the Community Environmental Legal Defense Fund explores and describes the philosophy and underpinnings of the community rights movement that has emerged in the United States­—a movement of nonviolent civil disobedience based on municipal lawmaking.

The world of sports is often associated with commercialism, corruption, and reckless competition. Liberals have objected to sport being used for political propaganda, and leftists have decried its role in distracting the masses from the class struggle. Yet, since the beginning of organized sports, athletes, fans, and officials have tried to administer and play it in ways that strengthen, rather than hinder, progressive social change. From the workers' sports movement in the early twentieth century to the civil rights struggle transforming sports in the 1960s to the current global network of grassroots sports clubs, there has been a growing desire to include sports in the struggle for liberation and social justice. It is a struggle that has produced larger-than-life figures like Muhammad Ali and iconic images such as the Black Power salute by Tommie Smith and John Carlos at the 1968 Mexico Olympics. It is also a struggle that has seen sport fans in increasing number reclaiming the games they love from undemocratic associations, greedy owners, and corporate interests.

With the help of over a hundred full-color illustrations—from posters and leaflets to paintings and photographs—Playing as if the World Mattered makes this history tangible. Extensive lists of resources, including publications, films, and websites, will allow the reader to explore areas of interest further.

Being the first illustrated history of its kind, Playing as if the World Mattered introduces an understanding of sports beyond chauvinistic jingoism, corporate media chat rooms, and multi-billion-dollar business deals.

Upending and recombining familiar genres with fearless abandon, Nick Mamatas is known for his wicked satires in which Horror rides shotgun with SF as they power through Fantasy’s rush-hour traffic. Lanes are crossed, speed limits exceeded, and minds often blown.

Our title piece, original to this volume, is something entirely new. Trust me. “The Planetbreaker’s Son” is a starship novella in which interstellar emigrants maintain their stadium-sized vessel with dreams and play. On the fly. Think Pinocchio meets Ender’s Game.

“Ring, Ring, Ring, Ring, Ring, Ring, Ring” is a cautionary tale about the perilous interface between ancient wizardry and modern ringtones. And it’s for you. “The Term Paper Artist” is Nick’s celebrated and hilarious how-to on embellishing the academic establishment with equal parts imitation and duct tape. Based on a true story of lies.

And Featuring: of course, our casually candid Outspoken Interview, in which Greek sailors, Japanese manga mavens, Doc Martens, Lovecraft, Grandma, and Kerouac mingle and mix. Care to dance?

Michael Albert’s latest work, Practical Utopia is a succinct and thoughtful discussion of ambitious goals and practical principles for creating a desirable society. It presents concepts and their connections to current society; visions of what can be in a preferred, participatory future; and an examination of the ends and means required for developing a just society. Neither shying away from the complexity of human issues, nor reeking of dogmatism, Practical Utopia presupposes only concern for humanity.

Part one offers conceptual tools for understanding society and history, for discerning the nature of the oppressions people suffer and the potentials they harbor. Part two promotes a vision for a better way of organizing economy, polity, kinship, culture, ecology, and international relations. It is not a blueprint, of course, but does address the key institutions needed if people are to be free to determine their own circumstances. Part three investigates the means of seeking change using a variety of tactics and programs.

The story of Puerto Rican leader Oscar López Rivera is one of courage, valor, and sacrifice. A decorated Viet Nam veteran and well-respected community activist, López Rivera now holds the distinction of being one of the longest held political prisoners in the world. Behind bars since 1981, López Rivera was convicted of the thought-crime of “seditious conspiracy,” and never accused of causing anyone harm or of taking a life. This book is a unique introduction to his story and struggle, based on letters between him and the renowned lawyer, sociologist, educator, and activist Luis Nieves Falcón.

In photographs, reproductions of his paintings, and graphic content, Oscar’s life is made strikingly accessible—so all can understand why this man has been deemed dangerous to the U.S. government. His ongoing fight for freedom, for his people and for himself (his release date is 2027, when he will be 84 years old), is detailed in chapters which share the life of a Latino child growing up in the small towns of Puerto Rico and the big cities of the U.S. It tells of his emergence as a community activist, of his life underground, and of his years in prison. Most importantly, it points the way forward.

With a vivid assessment of the ongoing colonial relationship between the U.S. and Puerto Rico, it provides tools for working for López Rivera’s release—an essential ingredient if U.S.-Latin American relations, both domestically and internationally, have any chance of improvement. Between Torture and Resistance tells a sad tale of human rights abuses in the U.S. which are largely unreported. But it is also a story of hope—that there is beauty and strength in resistance.

“In spite of the fact that here the silence from outside is more painful than the solitude inside the cave, the song of a bird or the sound of a cicada always reaches me to awaken my faith and keep me going.” —Oscar López Rivera

Mixing outlaw humor, SF adventure, and cutting social criticism, Shirley draws upon his entire arsenal of narrative and commentary. The title essay, “New Taboos” is his prescription for a radical revisioning of America. A new novella, A State of Imprisonment, is a horrifying and grimly hilarious look at the privatization of the prison industry. “Why We Need Forty Years of Hell,” Shirley’s 2011 TEDx address, presents his proudly contrarian view of the near future.

Also featured is our Outspoken Interview showcasing the author’s transgressive sensibility, deep humanity, and mordant wit.

When the Bastille was stormed on July 14, 1789, it wasn’t a crowd of breeches-wearing professionals that attacked the prison, freed the internees, and killed its superintendent, carrying off his head on a pike. It was the working people of Paris, who didn’t wear breeches, the sans-culottes. In the course of the French Revolution the sans-culottes questioned the economic system, the nature of property, the role and even the legitimacy of religion, and for the first time placed class relations at the heart of a revolutionary upheaval. They did so in an often-inchoate fashion, but they were new players on the stage of history, and the Revolution constituted their learning curve.

The Permanent Guillotine is an anthology of figures who expressed the will and wishes of this nascent revolutionary class, in all its rage, directness, and contradictoriness. Taken together, these documents provide a full portrait of the left of the left of the Revolution, of the men whose destruction by Robespierre allowed for Robespierre himself to be destroyed and for all the progressive measures they advocated and he implemented to be rolled back.

The Revolution they made was ultimately stolen from them, but their attempt was a fertile one, as their ideas flourished in the actions of generations of French revolutionaries.

Barcelona, 1976: Hired gunmen brutally murder a lifelong friend and fellow anarchist, forcing Farquhar McHarg into a race to document an epic history before he too can be silenced. The first volume of his memoirs finds him a Glasgow boy, dropped by chance into Barcelona’s revolutionary underworld at the tail end of the great imperialist war of 1914–1918, recruited by Spanish anarchists to act as a go-between with Britain’s Secret Service Bureau. McHarg tells of a corrupt and brutal Spanish regime, bent on bringing a rebellious working class back under its heel, and the generous and recklessly idealistic men and women who struggled to transform it after rejecting traditional party politics.

Pistoleros! is a thrilling tale of intrigue and romance, and a sweeping inside view of the saboteurs and spies, the capitalists and bold insurrectionaries of Spain’s bloody past.

Children inevitably turn to their parents for more than just food and security; equally important are assurance, recognition, and interpretation of life. A child develops best in an environment where creativity and discovery are unimpeded by the artificial restrictions of blind faith and dogmatic belief.Parenting without God is for parents, and future parents, who lack belief in a god and are seeking guidance on raising freethinkers and social-justice-aware children in a nation where public dialogue has been controlled by the Christian Right.

Dan Arel, activist and critically acclaimed author, has penned a magnificently practical guide to help parents provide their children with the intellectual tools for standing up to attempts at religious proselytism, whether by teachers, coaches, friends, or other family members. Parenting without God is also for the parent activist who is trying to make the world a better place for all children by first educating their own children about racism, sexism, and all forms of discrimination that serve as barriers to the fundamentals of human dignity and democracy. It’s for parents who wish for their children to question everything and to learn how to reach their own conclusions based on verifiable evidence and reason. Above all, Arel makes the penetrating argument that parents should lead by example—both by speaking candidly about the importance of secularism and by living an openly and unabashedly secular life.

Parenting without God is written with humility, compassion, and understanding. Dan Arel’s writing conveys the unmistakable impression of a loving father dedicated to redefining the role of parenthood so that it also includes the vitally important task of nurturing every child’s latent impulse for freedom and autonomy.

This second edition has been expanded with new material from the author.

The first anthology of its kind, On the Fly! brings forth the lost voices of Hobohemia. Dozens of stories, poems, songs, stories, and articles produced by hoboes are brought together to create an insider history of the subculture’s rise and fall. Adrenaline-charged tales of train hopping, scams, and political agitation are combined with humorous and satirical songs, razor sharp reportage and unique insights into the lives of the women and men who crisscrossed America in search of survival and adventure.

From iconic figures such as labor martyr Joe Hill and socialist novelist Jack London through to pioneering blues and country musicians, and little-known correspondents for the likes of the Hobo News, the authors and songwriters contained in On the Fly! run the full gamut of Hobohemia’s wide cultural and geographical embrace. With little of the original memoirs, literature, and verse remaining in print, this collection, aided by a glossary of hobo vernacular and numerous illustrations and photos, provides a comprehensive and entertaining guide to the life and times of a uniquely American icon. Read on to enter a world where hoboes, tramps, radicals, and bums gather in jungles, flop houses, and boxcars; where gandy dancers, bindlestiffs, and timber beasts roam the rails once more.

Peter Linebaugh, in an extraordinary historical and literary tour de force, enlists the anonymous and scorned 19th century loom-breakers of the English midlands into the front ranks of an international, polyglot, many-colored crew of commoners resisting dispossession in the dawn of capitalist modernity.

There once was a time when teachers and communities were able to exercise democratic control over their schools. Now that power has been taken away, both centralised and privatised, under the guise of “reform.” There is a forgotten history of the time before reform, and within it a bright horizon is visible, reachable only if educators and society at large can learn the lessons of the past.

Robb Johnson entered the classroom as a new teacher in the 1980s and has spent a lifetime alongside his pupils encouraging both creativity and a healthy distrust of authority. This book is both memoir and polemic, a celebration of children’s innate desire to learn, share, cooperate, and play, as well as a critique of bureaucratic interference. Johnson details how we ended up with the contemporary mass education systems and why they continually fail to give children what they need. Combining practical experience as a teacher with detailed pedagogical knowledge, and a characteristic playful style, Johnson is both court chronicler and jester, imparting information and creatively admonishing the self-important figureheads of the reform agenda.

This book considers how schools and education relate to the wider society in which they are located and how they relate to the particular needs and abilities of the people who experience them. It shows that schools and education are contested spaces that need to be reclaimed from the state, and turned into places where people can grow, not up, not old, but as individuals. It offers alternative ways of running classrooms, schools, and perhaps even society.

A one-man think-tank for the New Left, Paul Goodman wrote over thirty books, most of them before his decade of fame as a social critic in the Sixties. A Paul Goodman Reader that does him justice must be a compendious volume, with excerpts not only from best-sellers like Growing Up Absurd, but also from his landmark books on education, community planning, anarchism, psychotherapy, language theory, and poetics. Samples as well from The Empire City, a comic novel reviewers compared to Don Quixote, prize-winning short stories, and scores of poems that led America’s most respected poetry reviewer, Hayden Carruth, to exclaim, “Not one dull page. It’s almost unbelievable.”

Goodman called himself as an old-fashioned man of letters, which meant that all these various disciplines and occasions added up to a single abiding concern for the human plight in perilous times, and for human promise and achieved grandeur, love and hope.

Contemporary educational practices and policies across the world are heeding the calls of Wall Street for more corporate control, privatization, and standardized accountability. There are definite shifts and movements towards more capitalist interventions of efficiency and an adherence to market fundamentalist values within the sphere of public education. In many cases, educational policies are created to uphold and serve particular social, political, and economic ends. Schools, in a sense, have been tools to reproduce hierarchical, authoritarian, and hyper-individualistic models of social order. From the industrial era to our recent expansion of the knowledge economy, education has been at the forefront of manufacturing and exploiting particular populations within our society.

The important news is that emancipatory educational practices are emerging. Many are emanating outside the constraints of our dominant institutions and are influenced by more participatory and collective actions. In many cases, these alternatives have been undervalued or even excluded within the educational research. From an international perspective, some of these radical informal learning spaces are seen as a threat by many failed states and corporate entities.

Out of the Ruins sets out to explore and discuss the emergence of alternative learning spaces that directly challenge the pairing of public education with particular dominant capitalist and statist structures. The authors construct philosophical, political, economic and social arguments that focus on radical informal learning as a way to contest efforts to commodify and privatize our everyday educational experiences. The major themes include the politics of learning in our formal settings, constructing new theories on our informal practices, collective examples of how radical informal learning practices and experiences operate, and how individuals and collectives struggle to share these narratives within and outside of institutions.

Contributors include David Gabbard, Rhiannon Firth, Andrew Robinson, Farhang Rouhani, Petar Jandrić, Ana Kuzmanić, Sarah Amsler, Dana Williams, Andre Pusey, Jeff Shantz, Sandra Jeppesen, Joanna Adamiak, Erin Dyke, Eli Meyerhoff, David I. Backer, Matthew Bissen, Jacques Laroche, Aleksandra Perisic, and Jason Wozniak.

In this glorious 2 DVD set, Britain’s finest living songwriters are captured live (on tour in Berkeley, CA), presenting two nights of their original songs, words, and inimitable performance.

Turning Silence into Song (Disc One) showcases a pair of career-spanning “greatest hits,“ with a suitable sprinkling of new and previously unreleased material. All introduced and contextualized with a large helping of trademark wit and dry irony.

The Liberty Tree (Disc Two) tells the story of Tom Paine’s extraordinary life, interweaving Paine’s own words, from his letters and the pamphlets which made him one of the most influential and dangerous writers of his age, with extracts from newspaper reports, diaries, letters, and other documents of the times. The songs of Robb Johnson and Leon Rosselson add another dimension to the story, reflecting Paine’s radical ideas and evaluating them in the context of the 21st century. This unique blend of words and music challenges received opinion in the same way Paine’s writings did.

Together, herein you’ll find over four hours of the finest contemporary songs, stories, humor, and observation from the greatest practitioners of the craft.

Our world today is not only a world in crisis but also a world in profound movement, with increasingly large numbers of people joining or forming movements: local, national, transnational, and global. The dazzling diversity of ideas and experiences recorded in this collection capture something of the fluidity within campaigns for a more equitable planet. This book, taking internationalism seriously without tired dogmas, provides a bracing window into some of the central ideas to have emerged from within grassroots struggles from 2006 to 2010. The essays here cross borders to look at the politics of caste, class, gender, religion, and indigeneity, and move from the local to the global.

What Makes Us Move?, the first of two volumes, provides a background and foundation for understanding the extraordinary range of uprisings around the world: Tahrir Square in Egypt, Occupy in North America, the indignados in Spain, Gezi Park in Turkey, and many others. It draws on the rich reflection that took place following the huge wave of creative direct actions that had preceded it, from the 1990s through to the early 2000s, including the Zapatistas in Mexico, the Battle of Seattle in the United States, and the accompanying formations such as Peoples’ Global Action and the World Social Forum.

Edited by Jai Sen, who has long occupied a central position in an international network of intellectuals and activists, this book will be useful to all who work for egalitarian social change—be they in universities, parties, trade unions, social movements, or religious organisations.

Contributors include Taiaiake Alfred, Tariq Ali, Daniel Bensaid, Hee-Yeon Cho, Ashok Choudhary, Lee Cormie, Jeff Corntassel, Laurence Cox, Guillermo Delgado-P, Andre Drainville, David Featherstone, Christopher Gunderson, Emilie Hayes, Francois Houtart, Fouad Kalouche, Alex Khasnabish, Xochitl Leyva Solano, Roma Malik, David McNally, Roel Meijer, Eric Mielants, Peter North, Shailja Patel, Emir Sader, Andrea Smith, Anand Teltumbde, James Toth, Virginia Vargas, and Peter Waterman.

The legacy of anarchist ideas in the Philippines was first brought to the attention of a global audience by Benedict Anderson’s book Under Three Flags: Anarchism and the Anti-Colonial Imagination. Activist-author Bas Umali proves with stunning evidence that these ideas are still alive in a country that he would like to see replaced by an “archepelagic confederation.”

Pangayaw and Decolonizing Resistance: Anarchism in the Philippines is the first-ever book specifically about anarchism in the Philippines. Pangayaw refers to indigenous ways of maritime warfare. Bas Umali expertly ties traditional forms of communal life in the archipelago that makes up the Philippine state together with modern-day expressions of antiauthoritarian politics. Umali’s essays are deliciously provocative, not just for apologists of the current system, but also for radicals in the Global North who often forget that their political models do not necessarily fit the realities of postcolonial countries.

In weaving together independent research and experiences from grassroots organizing, Umali sketches a way for resistance in the Global South that does not rely on Marxist determinism and Maoist people’s armies but the self-empowerment of the masses. His book addresses the crucial questions of liberation: who are the agents and what are the means?

More than a sterile case study, Pangayaw and Decolonizing Resistance is the start of a new paradigm and a must-read for those interested in decolonization, anarchism, and social movements of the Global South.

Paper Politics: Socially Engaged Printmaking Today is a major collection of contemporary politically and socially engaged printmaking. This full-color book showcases print art that uses themes of social justice and global equity to engage community members in political conversation. Based on an art exhibition that has traveled to a dozen cities in North America, Paper Politics features artwork by over 200 international artists; an eclectic collection of work by both activist and non-activist printmakers who have felt the need to respond to the monumental trends and events of our times.

Paper Politics presents a breathtaking tour of the many modalities of printing by hand: relief, intaglio, lithography, serigraph, collagraph, monotype, and photography. In addition to these techniques, included are more traditional media used to convey political thought, finely crafted stencils and silk-screens intended for wheat pasting in the street. Artists range from the well established (Sue Coe, Swoon, Carlos Cortez) to the up-and-coming (Favianna Rodriguez, Chris Stain, Nicole Schulman), from street artists (BORF, You Are Beautiful) to rock poster makers (EMEK, Bughouse).

What are the ways forward for organizing for progressive social change in an era of unprecedented economic, social, and ecological crises? How do political activists build power and critical analysis in their daily work for change?

Grounded in struggles in Canada, the United States, Aotearoa/New Zealand, as well as transnational activist networks, Organize! Building from the Local for Global Justice links local organizing with global struggles to make a better world. In over twenty chapters written by a diverse range of organizers, activists, academics, lawyers, artists, and researchers, this book weaves a rich and varied tapestry of dynamic strategies for struggle. From community-based labor organizing strategies among immigrant workers to mobilizing psychiatric survivors, from arts and activism for Palestine to organizing in support of Indigenous Peoples, the authors reflect critically on the tensions, problems, limits, and gains inherent in a diverse range of organizing contexts and practices. The book also places these processes in historical perspective, encouraging us to use history to shed light on contemporary injustices and how they can be overcome. Written in accessible language, Organize! will appeal to college and university students, activists, organizers and the wider public.

Contributors include: Aziz Choudry, Jill Hanley, Eric Shragge, Devlin Kuyek, Kezia Speirs, Evelyn Calugay, Anne Petermann, Alex Law, Jared Will, Radha D’Souza, Edward Ou Jin Lee, Norman Nawrocki, Rafeef Ziadah, Maria Bargh, Dave Bleakney, Abdi Hagi Yusef, Mostafa Henaway, Emilie Breton, Sandra Jeppesen, Anna Kruzynski, Rachel Sarrasin, Dolores Chew, David Reville, Kathryn Church, Brian Aboud, Joey Calugay, Gada Mahrouse, Harsha Walia, Mary Foster, Martha Stiegman, Robert Fisher, Yuseph Katiya, and Christopher Reid.

All across North America, people are looking to make better choices, but also eat healthier, more environmentally friendly and, most of all, great-tasting food. New American Vegan breaks from a steady stream of cookbooks inspired by fusion and California cuisines that put catchy titles and esoteric ingredients first in their efforts to cater to a cosmopolitan taste. Instead, Vincent goes back to his midwestern roots to play a humble but important role in the reinvention of American cuisine while bringing the table back to the center of American life.

Weaving together small town values, personal stories, and 120 great recipes, New American Vegan delivers authentically American food that simply has to be tasted to be believed. Recipes range from very basic to the modestly complicated, but always with an eye on creating something that is both beautiful and delicious while keeping it simple. Clear instructions provide step-by-steps, but also help new cooks find their feet in the kitchen, with a whole chapter devoted just to terms, tools, and techniques. With an eye towards improvisation, the book provides a detailed basic recipe that’s good as-is, but also provides additional notes that explain how to take each recipe further, increase flavor, add drama to the presentation, or add a little extra flourish for new cooks and seasoned kitchen veterans alike.

Other Avenues Are Possible offers a vivid account of the dramatic rise and fall of the San Francisco People’s Food System of the 1970s.

Weaving new interviews, historical research, and the author’s personal story as a longstanding co-op member, the book captures the excitement of a growing radical social movement along with the struggles, heartbreaking defeats, and eventual resurgence of today’s thriving network of Bay Area cooperatives, the greatest concentration of co-ops anywhere in the country.

Integral to the early natural foods movement, with a radical vision of “Food for People, Not for Profit,” the People’s Food System challenged agribusiness and supermarkets, and quickly grew into a powerful local network with nationwide influence before flaming out, often in dramatic fashion. Other Avenues Are Possible documents how food co-ops sprouted from grassroots organizations with a growing political awareness of global environmental dilapidation and unequal distribution of healthy foods to proactively serve their local communities. The book explores both the surviving businesses and a new network of support organizations that is currently expanding.

It’s a physical thing. The hairs on the back on your arms stand up. You get goosebumps. There’s a tingling in your spine. Your heart is racing. Your eyes shine and all your senses are heightened: sights, sounds, smells are all more intense. Somebody brushes past you, skin on skin, and you feel sparks. Even the acrid rasp of tear gas at the back of your throat becomes addictive, whilst a sip of water has come from the purest mountain spring. You have an earnest conversation with the total stranger standing next to you and it feels completely normal. (Not something that happens too often in the checkout queue at the supermarket.) Everybody is more attractive. You can’t stop grinning. Fuck knows what endorphins your brain’s producing, but it feels great. Collectivity is visceral!

The first decade of the twenty-first century was marked by a series of global summits which seemed to assume ever-greater importance—from the WTO ministerial meeting in Seattle at the end of 1999, through the G8 summits at Genoa, Evian and Gleneagles, up to the United Nations Climate Change Conference (COP15) at Copenhagen in 2009.

But these global summits did not pass uncontested. Alongside and against them, there unfolded a different version of globalization. Moments of Excess is a collection of texts which offer an insider analysis of this cycle of counter-summit mobilisations. It weaves lucid descriptions of the intensity of collective action into a more sober reflection on the developing problematics of the ‘movement of movements’. The collection examines essential questions concerning the character of anti-capitalist movements, and the very meaning of movement; the relationship between intensive collective experiences—‘moments of excess’—and ‘everyday life’; and the tensions between open, all-inclusive, ‘constitutive’ practices, on the one hand, and the necessity of closure, limits and antagonism, on the other.

Moments of Excess includes a new introduction explaining the origin of the texts and their relation to event-based politics, and a postscript which explores new possibilities for anti-capitalist movements in the midst of crisis.

For over sixty years, Selma James has been organizing from the perspective of unwaged women who, with their biological and caring work, reproduce the whole human race—whatever else they do. This work goes on almost unnoticed everywhere, in every culture. It is not prioritized economically, politically, or socially, and women are discriminated against and impoverished for doing it.

This much-anticipated follow-up to her first anthology, Sex, Race, and Class, compiles several decades of James’s work with a focus on more recent writings, including a groundbreaking analysis of two of CLR James’s masterpieces, The Black Jacobins and Beyond a Boundary, and an account of her formative partnership with him. Her experience in the movement for Caribbean federation and independence is reflected in her introduction to Ujamaa, the socialism that Tanzanian villagers built, and in her work with Guyana, Haiti, and Venezuela.

Steeped in the tradition of Marx urging the need for a “practical movement,” James recounts the unusual history of how autonomous organizations formed within the International Wages for Housework Campaign and reshaped it. Women of colour, queer women, sex workers, women with disabilities … each independent but mutually accountable (including to the men’s network with whom they work) as they confront sexism, racism, deportation, rape, and other violence.

James makes the powerful argument that the struggle for climate justice can draw on all the movements people have formed to refuse exploitation and to end the capitalist hierarchy that is destroying the world.

There is one continuum between the care and protection of people and of the planet. The care income she campaigns for prioritizes both. Our time is now.

A coloring book that brings back the whimsy and delight of the olden days, when more often than not it was the maiden who slayed the dragon, and the heads of tyrants were carried off at the end of a pike.

In four short years (1965–1969), the underground press grew from five small newspapers in as many cities in the U.S. to over 500 newspapers—with millions of readers—all over the world. Completely circumventing (and subverting) establishment media by utilizing their own news service and freely sharing content amongst each other, the underground press, at its height, became the unifying institution for the counterculture of the 1960s.

Frustrated with the lack of any mainstream media criticism of the Vietnam War, empowered by the victories of the Civil Rights era, emboldened by the anti-colonial movements in the third world and with heads full of acid, a generation set out to change the world. The underground press was there documenting, participating in, and providing the resources that would guarantee the growth of this emergent youth culture. Combining bold visuals, innovative layouts, and eschewing any pretense toward objectivity, the newspapers were wildly diverse and wonderfully vibrant.

Neither meant to be an official nor comprehensive history, On the Ground focuses on the anecdotal detail that brings the history alive. Composed of stories told by the people involved with the production and distribution of the newspapers—John Sinclair, Art Kunkin, Paul Krassner, Emory Douglas, John Wilcock, Bill Ayers, Spain Rodriguez, Trina Robbins, Al Goldstein, Harvey Wasserman, Ben Morea, and more—and featuring over 100 full-color scans taken from a broad range of newspapers—Basta Ya, Berkeley Barb, Berkeley Tribe, Chicago Seed, Helix, It Ain’t Me Babe, Los Angeles Free Press, Osawatomie, Rat Subterranean News, San Francisco Express Times, San Francisco Oracle, Screw: The Sex Review, The Black Panther, The East Village Other, The Realist, and many more—the book provides a true window into the spirit of the times, giving the reader a feeling for the energy on the ground.

In lives where there is a new diagnosis or drama every day, the stories in this collection provide parents of “special needs” kids with a welcome chuckle, a rock to stand on, and a moment of reality held far enough from the heart to see clearly. Featuring works by “alternative” parents who have attempted to move away from mainstream thought—or remove its influence altogether—this anthology, taken as a whole, carefully considers the implications of parenting while raising children with disabilities.

From professional writers to novice storytellers including Robert Rummel-Hudson, Ayun Halliday, and Kerry Cohen, this assortment of authentic, shared experiences from parents at the fringe of the fringes is a partial antidote to the stories that misrepresent, ridicule, and objectify disabled kids and their parents.

Arguably (and who doesn’t like to argue?) the world’s bestselling cult author, Joe R. Lansdale is celebrated across several continents for his dark humor, his grimly gleeful horror, and his outlaw politics. Welcome to Texas. With hits like Bubba Ho-Tep and The Drive-In the Lansdale secret was always endangered, and the spectacular new Hap and Leonard Sundance TV series is busily blowing whatever cover Joe had left.

Backwoods noir some call it; others call it redneck surrealism. Joe’s signature style is on display here in all its grit, grime, and glory, beginning with two (maybe three) previously unpublished Hap and Leonard tales revealing the roots of their unlikely partnership.

Plus…
A hatful and a half of Joe’s notorious Texas Observer pieces that helped catapult him from obscurity into controversy; and “Miracles Ain’t What They Used to Be,” Lansdale’s passionately personal take on the eternal tussles between God and Man, Texas and America, racism and reason—and religion and common sense.

And Featuring: Our Outspoken Interview, in which piney woods dialect, Bible thumpery, martial arts, crime classics and Hollywood protocols are finally awarded the attention they deserve. Or don’t.

Originally published in 1985, One Chord Wonders was the first full-length study of the glory years of British punk rock. The book argues that one of punk’s most significant political achievements was to expose the operations of power in the British entertainment industries as they were thrown into confusion by the sound and the fury of musicians and fans.

Through a detailed examination of the conditions under which punk emerged and then declined, Dave Laing develops a view of the music as both complex and contradictory. Special attention is paid to the relationship between punk and the music industry of the late 1970s, in particular the political economy of the independent record companies through which much of punk was distributed. The rise of punk is also linked to the febrile political atmosphere of Britain in the mid-1970s.

Using examples from a wide range of bands, individual chapters use the techniques of semiology to consider the radical approach to naming in punk (from Johnny Rotten to Poly Styrene), the instrumental and vocal sound of the music, and its visual images. Another section analyses the influence of British punk in Europe prior to the music’s division into “real punk” and “post-punk” genres.

The concluding chapter critically examines various theoretical explanations of the punk phenomenon, including the class origins of its protagonists and the influential view that punk represented the latest in a line of British youth “subcultures.” There is also a chronology of the punk era, plus discographies and a bibliography.

New Reformation was Paul Goodman’s last book of social criticism. The man who set the agenda for the Youth Movement of the Sixties with his best-selling Growing Up Absurd, and who wrote a book a year to keep his “crazy young allies” focused on the issues as he saw them, stepped back in 1970 to re-assess the results of what he considered a moral and spiritual upheaval comparable to the Protestant Reformation—“the breakdown of belief, and the emergence of new belief, in sciences and professions, education, and civil legitimacy.”

Michael Fisher’s introduction situates Goodman in his era and traces the development of his characteristic insights, now the common wisdom of every radical critique of American society. A poet and novelist famous in his day for books on decentralization, community planning, psychotherapy, education, linguistics, and media, nowhere is Goodman’s voice more prescient and still relevant than in New Reformation.

Was anarchism in areas outside of Europe an import and a script to be mimicked? Was it perpetually at odds with other currents of the Left? The authors in this collection take up these questions of geographical and political peripheries. Building on recent research that has emphasized the plural origins of anarchist thought and practice, they reflect on the histories and cultures of the antistatist mutual aid movements of the last century beyond the boundaries of an artificially coherent Europe. At the same time, they reexamine the historical relationships between anarchism and communism without starting from the position of sectarian difference (Marxism versus anarchism). Rather, they look at how anarchism and communism intersected; how the insurgent Left could appear—and in fact was—much more ecumenical, capacious, and eclectic than frequently portrayed; and reveal that such capaciousness is a hallmark of anarchist practice, which is prefigurative in its politics and antihierarchical and antidogmatic in its ethics.

Copublished the with Institute for Comparative Modernities, this collection includes contributions by Gavin Arnall, Mohammed Bamyeh, Bruno Bosteels, Raymond Craib, Silvia Rivera Cusicanqui, Geoffroy de Laforcade, Silvia Federici, Steven J. Hirsch, Adrienne Carey Hurley, Hilary Klein, Peter Linebaugh, Barry Maxwell, David Porter, Maia Ramnath, Penelope Rosemont, and Bahia Shehab.

Monsters is an illustrated collection of wild, weird, and whimsical tales with a twist. These stories are not about mythical creatures; here, the creatures speak for themselves. There’s an orc who hates Tolkien, a young demon awash in teenage angst, an angel abandoned by Jesus who finds the Fates. Jensen creates a world both delicately dreamlike and all too real, where the villain is sometimes the victim and evil is not always what we thought.

If stories teach us how to be human, then the stories in Monsters are the ones we need now. These are fractured fairy tales for grown-ups, where the roots of sadism are laid bare and the horrors of human supremacism are firmly faced. But as in all of Jensen’s work, love is both always possible and also a call to action. By turns macabre, melancholy, and magical, these stories and their accompanying images will leave you wondering who the real monsters are and how they can be defeated.

Fifteen years ago, Kate Ryan and her daughter Ruby moved to the secluded village of Zamora in northern New Mexico to find a quiet life off the grid. But when Kate invites the wrong drifter home for the night, the delicate peace of their domain is shattered.

Troy Mason manages to hang onto Kate for a few weeks, though his charm increasingly fails to offset his lies and delusions of grandeur. It is only a matter of time before the lies turn abusive, igniting a chain reaction of violence and murder. Not even a bullet in the leg will keep Troy from seeking revenge as he chases the missing Ruby over back roads through the Sangre de Cristo Mountains, down the River of No Return, and to a white supremacy enclave in Idaho’s Bitterroot Wilderness. Nearly Nowhere explores the darkest places of the American West, emerging with only a fragile hope of redemption in the maternal ties that bind.

Originally published by Gallimard’s la Serie noire as Presque nulle part.

In the nineteenth century anarchists were accused of conspiracy by governments afraid of revolution, but in the current century various “conspiracy theories” suggest that anarchists are controlled by government itself. The Illuminati were a network of intellectuals who argued for self-government and against private property, yet the public is now often told that they were (and are) the very group that controls governments and defends private property around the world. Intervening in such misinformation, Lagalisse works with primary and secondary sources in multiple languages to set straight the history of the Left and illustrate the actual relationship between revolutionism, pantheistic occult philosophy, and the clandestine fraternity.

Exploring hidden correspondences between anarchism, Renaissance magic, and New Age movements, Lagalisse also advances critical scholarship regarding leftist attachments to secular politics. Inspired by anthropological fieldwork within today’s anarchist movements, her essay challenges anarchist atheism insofar as it poses practical challenges for coalition politics in today’s world.

Studying anarchism as a historical object, Occult Features of Anarchism also shows how the development of leftist theory and practice within clandestine masculine public spheres continues to inform contemporary anarchist understandings of the “political,” in which men’s oppression by the state becomes the prototype for power in general. Readers behold how gender and religion become privatized in radical counterculture, a historical process intimately linked to the privatization of gender and religion by the modern nation-state.

The Chinese Revolution changed the face of the twentieth century, and the politics that issued from it—often referred to as “Maoism”—resonated with colonized and oppressed people from the 1970s down to the anticapitalist movements of today. But how did these politics first emerge? And what do they offer activists today, who seek to transform capitalist society at its very foundations?

Maoism and the Chinese Revolution offers the novice reader a sweeping overview of five decades of Maoist revolutionary history. It covers the early years of the Chinese Communist Party, through decades of guerrilla warfare and rapid industrialization, to the massive upheavals of the Cultural Revolution. It traces the development of Mao Zedong’s military and political strategy, philosophy, and statecraft amid the growing contradictions of the Chinese revolutionary project. All the while, it maintains a perspective sympathetic to the everyday workers and peasants who lived under the party regime, and who in some moments stood poised to make the revolution anew.

From the ongoing “people’s wars” in the Global South, to the radical lineages of many black, Latino, and Asian revolutionaries in the Global North, Maoist politics continue to resonate today. As a new generation of activists take to the streets, this book offers a critical review of our past in order to better transform the future.

G.W. Sok co-founded of the internationally acclaimed independent Dutch music group The Ex in 1979. He became the singer and lyricist, more or less by coincidence, since he wrote the occasional poem and nobody else wanted to sing. At the same time he turned himself into a graphic designer of record sleeves, posters, and books. Together with The Ex he was awarded the Dutch Pop Prize of 1991. The band is well known for their energetic live performances, inventive music, and politically outspoken and thought-provoking lyrics. After 1,400 concerts in Holland and abroad, and 25 record albums later, G.W. Sok decided to leave the group at the end of 2008.

A Mix of Bricks & Valentines showcases the lyrics G.W. Sok wrote during his three-decade period of Ex-istence. More than 250 songs of agitprop lyrics, poetry, and rantings are included along with an introduction by the author discussing his development as a writer. A foreword by English journalist, author, and musician John Robb (the Membranes, Punk: An Oral History and Death to Trad Rock) puts the work of G.W. Sok into perspective.

A Mix of Bricks & Valentines is written with a sharp pen; provocative, creative, and witty, everything punk and art intended to be from the start. And yes, it can be quite loud at times, too.

Bureaucratic labor unions are under assault. Most unions have surrendered the achievements of the mid-twentieth century, when the working class was a militant force for change throughout the world. Now trade unions seem incapable of defending, let alone advancing, workers’ interests.

As unions implode and weaken, workers are independently forming their own unions, drawing on the tradition of syndicalism and autonomism—a resurgence of self-directed action that augurs a new period of class struggle throughout the world. In Africa, Asia, the Americas, and Europe, workers are rejecting leaders and forming authentic class-struggle unions rooted in sabotage, direct action, and striking to achieve concrete gains.

This is the first book to compile workers’ struggles on a global basis, examining the formation and expansion of radical unions in the Global South and Global North. The tangible evidence marshaled in this book serves as a handbook for understanding the formidable obstacles and concrete opportunities for workers challenging neoliberal capitalism, even as the unions of the old decline and disappear.

Contributors include Au Loong-Yu, Bai Ruixue, Shawn Hattingh, Piotr Bizyukov, Irina Olimpieva, Genese M. Sodikoff, Aviva Chomsky, Dario Bursztyn, Gabriel Kuhn, Erik Forman, Steven Manicastri, Arup Kumar Sen, Verity Burgmann, Ray Jureidini, Meredith Burgmann, and Jack Kirkpatrick.

C.L.R. James was a leading figure in the independence movement in the West Indies, and the black and working-class movements in both Britain and the United States. As a major contributor to Marxist and revolutionary theory, his project was to discover, document, and elaborate the aspects of working-class activity that constitute the revolution in today’s world. In this volume, Noel Ignatiev, author of How the Irish Became White, provides an extensive introduction to James’ life and thought, before presenting two critical works that together illustrate the tremendous breadth and depth of James’ worldview.

“The Invading Socialist Society,” for James the fundamental document of his political tendency, shows clearly the power of James’ political acumen and its relevance in today’s world with a clarity of analysis that anticipated future events to a remarkable extent. “Every Cook Can Govern,” is a short and eminently readable piece counterpoising direct with representative democracy, and getting to the heart of how we should relate to one another. Together these two works represent the principal themes that run through James’s life: implacable hostility toward all “condescending saviors” of the working class, and undying faith in the power of ordinary people to build a new world.

Our world today is not only a world in crisis but also a world in profound movement, with increasing numbers of people joining or forming movements: local, national, transnational, and global. The dazzling diversity of ideas and experiences recorded in this collection captures something of the fluidity within campaigns for a more equitable planet. This book, taking internationalism seriously without tired dogmas, provides a bracing window into some of the central ideas to have emerged from within grassroots struggles from 2006 to 2010. The essays here cross borders to look at the politics of caste, class, gender, religion, and indigeneity, and move from the local to the global.

Rethinking Our Dance, the second of two volumes, offers a wide range of essays from frontline activists in Afghanistan, Argentina, Brazil, Niger, and Taiwan, as well as from Europe and North America that address the question, “What do we need to do in order to bring about justice and peace?” The Movements of Movements aims to make the bewildering range of contemporary movements more meaningful to the observer and also to be a space where global movements speak to each other.

This book will be useful to all who work for egalitarian social change—be they in universities, parties, trade unions, social movements, or religious organisations.

Contributors include Kolya Abramsky, Ezequiel Adamovsky, Ousseina Alidou, Samir Amin, Chris Carlsson, John Brown Childs, Lee Cormie, Anila Daulatzai, Massimo De Angelis, The Free Association, David Graeber, Josephine Ho, John Holloway, François Houtart, Jeffrey Juris, Michael Löwy, Tomás Mac Sheoin, Matt Meyer, Muto Ichiyo, Rodrigo Nunes, Michal Osterweil, Shailja Patel, Geoffrey Pleyers, Stephanie Ross, and Nicola Yeates.

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the frontlines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war as she travels from village to village organizing the peasant population, and helps plan a major nationwide offensive that led the FMLN into the historic peace pact of 1992. Skirting bullets and mortar attacks, recounting a childhood of poverty and abuse by government troops, suffering the tragic loss of her daughter to enemy fire, and spending precious moments with her husband and surviving daughters, Maria brings viewers to the heart of the fight for a more just society.

This critically acclaimed and award-winning film first aired on the PBS Documentary Series, P.O.V. in 1991. Revolutionary in its making, Maria’s Story broke ground as one of the first documentaries to use small format video. Traveling with only backpacks and solar powered batteries and living on the run with the guerrillas for two months, the filmmakers were able to capture otherwise unattainable footage. The resulting intimate portrait of Maria and her compatriots reveals a universal tale of love and survival in times of war.

Celebrating its 20th anniversary, the film is available for the first time on DVD. Included is an update of Maria Serrano and her family twenty years after the end of the civil war.

DVD contains both English and Spanish versions

Produced by Pamela Cohen and Catherine M. Ryan, Directed by Monona Wali and Pamela Cohen, Camera John Knoop, Featuring English Voiceovers by Alma Martinez and Edward James Olmos.

In a candid and intimate new collection of essays, poems, memoirs, reviews, rants, and railleries, Piercy discusses her own development as a working-class feminist, the highs and lows of TV culture, the ego-dances of a writer’s life, the homeless and the housewife, Allen Ginsberg and Marilyn Monroe, feminist utopias (and why she doesn’t live in one), why fiction isn’t physics; and of course, fame, sex, and money, not necessarily in that order. The short essays, poems, and personal memoirs intermingle like shards of glass that shine, reflect—and cut. Always personal yet always political, Piercy’s work is drawn from a deep well of feminist and political activism.

Also featured is our Outspoken Interview, in which the author lays out her personal rules for living on Cape Cod, finding your poetic voice, and making friends in Cuba.

Combining dazzling speculation with a profoundly humanist vision, Kim Stanley Robinson is known as not only the most literary but also the most progressive (read “radical”) of today’s top rank SF authors. His bestselling Mars Trilogy tells the epic story of the future colonization of the red planet, and the revolution that inevitably follows. The Years of Rice and Salt is based on a devastatingly simple idea: If the medieval plague had wiped out all of Europe, what would our world look like today? His novel Galileo’s Dream is a stunning combination of historical drama and far-flung space opera, in which the ten dimensions of the universe itself are rewoven to ensnare history’s most notorious torturers.

“The Lucky Strike,” the classic and controversial story Robinson has chosen for PM’s Outspoken Authors series, begins on a lonely Pacific island, where a crew of untested men are about to take off in an untried aircraft with a deadly payload that will change our world forever. Until something goes wonderfully wrong …

Plus: “A Sensitive Dependence on Initial Conditions,” in which Robinson dramatically deconstructs “alternate history” to explore what might have been if things had gone differently over Hiroshima that day. As with all Outspoken Author books, there is a deep interview and autobiography: at length, in-depth, no-holds-barred, and all-bets-off: an extended tour though the mind and work, the history and politics of our Outspoken Author. Surprises are promised.

Called by Marx “The Philosopher of Socialism,” Joseph Dietzgen was a pioneer of dialectical materialism and a fundamental influence on anarchist and socialist thought who we would do well not to forget.

Dietzgen examines what we do when we think. He discovered that thinking is a process involving two opposing processes: generalization, and specialization. All thought is therefore a dialectical process. Our knowledge is inherently limited however, which makes truth relative and the seeking of truth on-going. The only absolute is existence itself, or the universe, everything else is limited or relative. Although a philosophical materialist, he extended these concepts to include all that was real, existing or had an impact upon the world. Thought and matter were no longer radically separated as in older forms of materialism. The Nature of Human Brain Work is vital for theorists today in that it lays the basis for a non-dogmatic, flexible, non-sectarian, yet principled socialist politics.

A Moment of Doubt is at turns hilarious, thrilling, and obscene. Jim Nisbet’s novella is ripped from the zeitgeist of the ’80s, and set in a sex-drenched San Francisco, where the computer becomes the protagonist’s co-conspirator and both writer and machine seem to threaten the written word itself.

The City as whore provides a backdrop oozing with drugs, poets and danger. Nisbet has written a madcap meditation on the angst of a writer caught in a world where the rent is due, new technology offers up illicit ways to produce the latest bestseller, and the detective and other characters of the imagination might just sidle up to the bar and buy you a drink in real life. The world of A Moment of Doubt is the world of phone sex, bars and bordellos, AIDS, and the lure of hacking. Coming up against the rules of the game—the detective genre itself—has never been such a nasty and gender-defying challenge.

Plus: An interview with Jim Nisbet, who is “Still too little read in the United States, it's a joy for us that Nisbet has been recognized here...” Regards: Le Mouvement des Idées

The world’s most influential living intellectual, Noam Chomsky, holds forth on the root causes of the conflicts in the Middle East and talks about hopes for future social change. The renowned foreign policy critic and linguist brings the full force of his rapier-like mind and deadpan wit to bear in slicing through mainstream misconceptions—many of them intentional—about the internal and external politics of Iran and Israel/ Palestine. Chomsky eloquently contextualizes the power of the Israel lobby and the centrality of the U.S. in resolving the underlying antagonisms in the Middle East, as well as weighing in on how U.S. public opinion has shifted over the past several decades and addressing various positive directions for activism.

The Mafia Principle of Global Hegemony includes the hour long DVD extra of Noam Chomsky conversing with Larry Bensky about the media, class, and right wing populism.

When ordinary people have done, seen, or failed to prevent something that betrays their deeply held sense of right and wrong, it may shake their moral foundation. They may feel that what they did was unforgivable. In this thoughtful book culled from a wide range of experiences, Alice and Staughton Lynd introduce readers to what modern clinicians, philosophers, and theologians have attempted to describe as “moral injury.”

Moral injury, if not overcome, can lead to an individual giving up, turning to drugs, alcohol, or suicide. But moral injury can also demand that one turn one’s life around. It offers hope because it indicates resistance to the use of violence that offends a sense of decency. Within the military and in prisons—institutions created to use force and violence against perceived enemies—there have arisen new forms of saying “No” to violence. From combat veterans of America’s foreign wars to Israeli refuseniks, and from “hardened” criminals in supermax confinement in Ohio to hunger strikers in California’s Pelican Bay prison, the Lynds give us the voices of those breaking the cycle of violence with courageous acts of nonviolent resistance.

As we become more awake to the horrors that we as a society have done or failed to prevent, and when we become aware of what conscience demands of us in the face of recognizable violations of fundamental human rights, we may take heart from the exemplary actions by individuals and groups of individuals described in this book.

A gender nonbinary protagonist named Harmon Jitney finds their joy and purpose in a magical satchel which leads to an extraordinary, previously undiscovered universe. This book features LGBTQAI+ characters seamlessly woven into a delightful, imagination-sparking story, without overtly being a lesson book about gender and sexual orientation. Follow Harmon as they unlock the key to their own inner happiness and sense of community.

What happens when a popular and young emperor suddenly dies, and the only person available to succeed him is his sister? How can people in an island country survive as climate change and martial law are eroding more and more opportunities for local sustainability and mutual aid? And what can be done to challenge the rise of a new authoritarian political leadership at a time when the general public is obsessed with fears related to personal and national “security”? These and other provocative questions provide the backdrop for this powerhouse novel about young adults embroiled in what appear to be more private matters—friendships, sex, a love suicide, and struggles to cope with grief and work.

PM Press is proud to bring you this first English translation of a full-length novel by the award-winning author Tomoyuki Hoshino.

“Everything in this book is fictional and everything is true,” wrote Victor Serge in the epigraph to Men in Prison. “I have attempted, through literary creation, to bring out the general meaning and human content of a personal experience.”

The author of Men in Prison served five years in French penitentiaries (1912–1917) for the crime of “criminal association”—in fact for his courageous refusal to testify against his old comrades, the infamous “Tragic Bandits” of French anarchism. “While I was still in prison,” Serge later recalled, “fighting off tuberculosis, insanity, depression, the spiritual poverty of the men, the brutality of the regulations, I already saw one kind of justification of that infernal voyage in the possibility of describing it. Among the thousands who suffer and are crushed in prison—and how few men really know that prison!—I was perhaps the only one who could try one day to tell all… There is no novelist’s hero in this novel, unless that terrible machine, prison, is its real hero. It is not about ‘me,’ about a few men, but about men, all men crushed in that dark corner of society.”

Ironically, Serge returned to writing upon his release from a GPU prison in Soviet Russia, where he was arrested as an anti-Stalinist subversive in 1928. He completed Men in Prison (and two other novels) in “semi-captivity” before he was rearrested and deported to the Gulag in 1933. Serge’s classic prison novel has been compared to Dostoyevsky’s House of the Dead, Koestler’s Spanish Testament, Genet’s Miracle of the Rose, and Solzhenitsyn’s One Day in the Life of Ivan Denisovitch both for its authenticity and its artistic achievement.

This edition features a substantial new introduction by translator Richard Greeman, situating the work in Serge’s life and times.

Amid music festivals and moon landings, the tumultuous year of 1969 included an infamous case in the annals of criminal justice and Black liberation: the New York City Black Panther 21. Though some among the group had hardly even met one another, the 21 were rounded up by the FBI and New York Police Department in an attempt to disrupt and destroy the organization that was attracting young people around the world. Involving charges of conspiracy to commit violent acts, the Panther 21 trial—the longest and most expensive in New York history—revealed the illegal government activities which led to exile, imprisonment on false charges, and assassination of Black liberation leaders. Solidarity for the 21 also extended well beyond “movement” circles and included mainstream publication of their collective autobiography, Look for Me in the Whirlwind, which is reprinted here for the first time.

Look for Me in the Whirlwind: From the Panther 21 to 21st-Century Revolutions contains the entire original manuscript, and includes new commentary from surviving members of the 21: Sekou Odinga, Dhoruba Bin Wahad, Jamal Joseph, and Shaba Om. Still-imprisoned Sundiata Acoli, Imam Jamil Al-Amin, and Mumia Abu-Jamal contribute new essays. Never or rarely seen poetry and prose from Afeni Shakur, Kuwasi Balagoon, Ali Bey Hassan, and Michael “Cetewayo” Tabor is included. Early Panther leader and jazz master Bilal Sunni-Ali adds a historical essay and lyrics from his composition “Look for Me in the Whirlwind,” and coeditors kioni-sadiki, Meyer, and Panther rank-and-file member Cyril “Bullwhip” Innis Jr. help bring the story up to date.

At a moment when the Movement for Black Lives recites the affirmation that “it is our duty to win,” penned by Black Liberation Army (BLA) militant Assata Shakur, those who made up the BLA and worked alongside of Assata are largely unknown. This book—with archival photos from David Fenton, Stephen Shames, and the private collections of the authors— provides essential parts of a hidden and missing-in-action history. Going well beyond the familiar and mythologized nostalgic Panther narrative, From the Panther 21 to 21st-Century Revolutions explains how and why the Panther legacy is still relevant and vital today.

“Marxists envisage a total change in the basic structure of human relations. With that change our problems will not be solved overnight, but we will be able to tackle them with confidence. Such are the difficulties, contradictions, and antagonisms; and in the solution of them society moves forward and men and women feel they have a role in the development of their social surroundings. It is in this movement that we have the possibility of a good life.” —C.L.R. James, from Modern Politics

This volume provides a brilliant and accessible summation of the ideas of left Marxist giant C.L.R. James. Originally delivered in 1960 as a series of lectures in his native Trinidad, these writings powerfully display his wide-ranging erudition and enduring relevance. From his analysis of revolutionary history (from the Athenian City-States through the English Revolution, Russian Revolution, and the Hungarian Revolution of 1956), to the role of literature, art, and culture in society (from Charlie Chaplin to Pablo Picasso, via Camus and Eisenstein), to an interrogation of the ideas and philosophy of such thinkers as Rousseau, Lenin, and Trotsky, this is a magnificent tour de force from a critically engaged thinker at the height of his powers. An essential introduction to a body of work as necessary and illuminating for this century as it proved for the last.

As the editor of London’s revolutionary New Worlds magazine in the swinging sixties, Michael Moorcock has been credited with virtually inventing modern Science Fiction: publishing such figures as Norman Spinrad, Samuel R. Delany, Brian Aldiss and J.G. Ballard.

Moorcock’s own literary accomplishments include his classic Mother London, a romp through urban history conducted by psychic outsiders; his comic Pyat quartet, in which a Jewish antisemite examines the roots of the Nazi Holocaust; Behold The Man, the tale of a time tourist who fills in for Christ on the cross; and of course the eternal hero Elric, swordswinger, hellbringer and bestseller.

And now Moorcock’s most audacious creation, Jerry Cornelius—assassin, rock star, chronospy and maybe-Messiah—is back in Modem Times 2.0, a time-twisting odyssey that connects 60s London with post-Obama America, with stops in Palm Springs and Guantanamo. Modem Times 2.0 is Moorcock at his most outrageously readable—a masterful mix of erudition and subversion.

Plus: The non-fiction essay “My Londons” and an Outspoken Interview with literature’s authentic Lord of Misrule.

Tar sands “development” comes with an enormous environmental and human cost. In the tar sands of Alberta, the oil industry is using vast quantities of water and natural gas to produce synthetic crude oil, creating drastically high levels of greenhouse gas emissions and air and water pollution. But tar sands opponents—fighting a powerful international industry—are likened to terrorists, government environmental scientists are muzzled, and public hearings are concealed and rushed.

Yet, despite the formidable political and economic power behind the tar sands, many opponents are actively building international networks of resistance, challenging pipeline plans while resisting threats to Indigenous sovereignty and democratic participation. Including leading voices involved in the struggle against the tar sands, A Line in the Tar Sands offers a critical analysis of the impact of the tar sands and the challenges opponents face in their efforts to organize effective resistance.

Contributors include: Greg Albo, Sâkihitowin Awâsis, Toban Black, Rae Breaux, Jeremy Brecher, Linda Capato, Jesse Cardinal, Angela V. Carter, Emily Coats, Stephen D’Arcy, Yves Engler, Cherri Foytlin, Sonia Grant, Harjap Grewal, Randolph Haluza-DeLay, Ryan Katz-Rosene, Naomi Klein, Melina Laboucan-Massimo, Winona LaDuke, Crystal Lameman, Christine Leclerc, Kerry Lemon, Matt Leonard, Martin Lukacs, Tyler McCreary, Bill McKibben, Yudith Nieto, Joshua Kahn Russell, Macdonald Stainsby, Clayton Thomas-Muller, Brian Tokar, Dave Vasey, Harsha Walia, Tony Weis, Rex Weyler, Will Wooten, Jess Worth, and Lilian Yap.

The editors’ proceeds from this book will be donated to frontline grassroots environmental justice groups and campaigns.

At the heart of a city, a river is dying, children have cancer, and people are burning with despair. From the safe distance that wealth buys, a corporation called Vexcorp counts these lives as another expense on a balance sheet. But that distance is about to collapse.

Malia is an activist who has fiercely fought the everyday atrocities of environmental racism. After years of watching countless children die, she’s lost faith in the possibility of systemic reform. Dennis is a lawyer who still believes that if enough people have the correct information they will do the right thing. Dujuan is a young street thug torn by a chaos of grief and rage at his little sister’s death. And Larry Gordon is Vexcorp’s CEO.

Their lives converge when Dujuan mugs Malia. Her scornful comparison of Dujuan to Vexcorp triggers a storm inside him. That storm only clears when he identifies the real agent of his pain: Larry Gordon. Injury requires justice, so Dujuan kidnaps Gordon and assembles a rough court to try him for murder. He picks Malia to be the judge because she knows the facts and because, as Dujuan says, “You want this as bad as me.” As bystanders become involved and time runs out, Malia is forced to make grueling moral decisions between survival and loyalty, safety and courage, agency and despair.

Derrick Jensen has written a novel as compelling as it is necessary: with our planet under serious threat, Malia’s decisions face us all.

Russell Maroon Shoatz is a political prisoner who has been held unjustly for over thirty years, including two decades in solitary confinement. He was active as a leader in the Black Liberation Movement in Philadelphia, both above and underground. His successful escapes from maximum-security prisons earned him the title “Maroon.” This is the first published collection of his accumulated written works, and also includes new essays written expressly for this volume.

Despite the torture and deprivation that has been everyday life for Maroon over the last several decades, he has remained at the cutting edge of history through his writings. His work is innovative and revolutionary on multiple levels:
• His self-critical and fresh retelling of the Black liberation struggle in the U.S. includes many practical and theoretical insights;
• His analysis of the prison system, particularly in relation to capitalism, imperialism, and the drug war, takes us far beyond the recently-popular analysis of the Prison Industrial Complex, contained in books such as The New Jim Crow;
• His historical research and writings on Maroon communities throughout the Americas, drawing many insights from these societies in the fields of political and military revolutionary strategy are unprecedented; and finally
• His sharp and profound understanding of the current historical moment, with clear proposals for how to move forward embracing new political concepts and practices (including but not limited to eco-socialism, matriarchy and eco-feminism, food security, prefiguration and the Occupy Wall Street movement) provide cutting-edge challenges for today’s movements for social change.

Escaping slavery in the Americas, maroons made miracles in the mountains, summoned new societies in the swamps, and forged new freedoms in the forests. They didn’t just escape and steal from plantations—they also planted and harvested polycultures. They not only fought slavery but proved its opposite, and for generations they defended it with blood and brilliance.

Maroon Comix is a fire on the mountain where maroon words and images meet to tell stories together. Stories of escape and homecoming, exile and belonging. Stories that converge on the summits of the human spirit, where the most dreadful degradation is overcome by the most daring dignity. Stories of the damned who consecrate their own salvation.

With selections and citations from the writings of Russell Maroon Shoatz, Herbert Aptheker, C.L.R. James, and many more, accompanied by comics and illustrations from Songe Riddle, Mac McGill, Seth Tobocman, and others, Maroon Comix is an invitation to never go back, to join hands and hearts across space and time with the maroons and the mountains that await their return.

Don’t pass up dessert! Even if you are vegan or trying to eat healthy there’s no reason to deny yourself sweet treats. Lickin’ the Beaters brings you over 80 fabulous low fat, dairy free desserts where even the second helping is guilt free. Breads, cakes, donuts, candies, cookies and bars, pies, ice creams, puddings, toppings, fruity stuff, drinks, and a whole lot more. Illustrated with beautiful linocuts and zany cartoons, you’ll find the recipes fun, easy to follow and so good you’ll eat half the batter.

Written by Siue Moffat with Illustrations by Allyson Mitchell, Daryl Vocat, Missy Kulik, Five Seventeen, Brenda Goldstein, Jonathan Culp, Joe Ollman, and Zoe Dodd.

The history of anarchist-Marxist relations is usually told as a history of factionalism and division. These essays, based on original research and written especially for this collection, reveal some of the enduring sores in the revolutionary socialist movement in order to explore the important, too often neglected left-libertarian currents that have thrived in revolutionary socialist movements. By turns, the collection interrogates the theoretical boundaries between Marxism and anarchism and the process of their formation, the overlaps and creative tensions that shaped left-libertarian theory and practice, and the stumbling blocks to movement cooperation. Bringing together specialists working from a range of political perspectives, the book charts a history of radical twentieth-century socialism, and opens new vistas for research in the twenty-first. Contributors examine the political and social thought of a number of leading socialists—Marx, Morris, Sorel, Gramsci, Guérin, C.L.R. James, Hardt and Negri—and key movements including the Situationist International, Socialisme ou Barbarie and Council Communism. Analysis of activism in the UK, Australasia, and the U.S. serves as the prism to discuss syndicalism, carnival anarchism, and the anarchistic currents in the U.S. civil rights movement.

Contributors include Paul Blackledge, Lewis H. Mates, Renzo Llorente, Carl Levy, Christian Høgsbjerg, Andrew Cornell, Benoît Challand, Jean-Christophe Angaut, Toby Boraman, and David Bates.

Lucasville tells the story of one of the longest prison uprisings in U.S. history. At the maximum-security Southern Ohio Correctional Facility in Lucasville, Ohio, prisoners seized a major area of the prison on Easter Sunday, 1993. More than 400 prisoners held L block for eleven days. Nine prisoners alleged to have been informants, or “snitches,” and one hostage correctional officer, were murdered. There was a negotiated surrender. Thereafter, almost wholly on the basis of testimony by prisoner informants who received deals in exchange, five spokespersons or leaders were tried and sentenced to death, and more than a dozen others received long sentences.

Lucasville examines the causes of the disturbance, what happened during the eleven days, and the fairness of the trials. Particular emphasis is placed on the interracial character of the action, as evidenced in the slogans that were found painted on walls after the surrender: “Black and White Together,” “Convict Unity,” and “Convict Race.”

An eloquent Foreword by Mumia Abu-Jamal underlines these themes. He states, as does the book, that the men later sentenced to death “sought to minimize violence, and indeed, according to substantial evidence, saved the lives of several men, prisoner and guard alike.” Of the five men, three black and two white, who were sentenced to death, Mumia declares, “They rose above their status as prisoners, and became, for a few days in April 1993, what rebels in Attica had demanded a generation before them: men. As such, they did not betray each other; they did not dishonor each other; they reached beyond their prison ‘tribes’ to reach commonality.”

When President Thomas Jefferson sent Lewis and Clark to explore the West, he told them to look especially for mammoths. Jefferson had seen bones and tusks of the great beasts in Virginia, and he suspected—he hoped!—that they might still roam the Great Plains. In Eleanor Arnason’s imaginative alternate history, they do: shaggy herds thunder over the grasslands, living symbols of the oncoming struggle between the Native peoples and the European invaders. And in an unforgettable saga that soars from the badlands of the Dakotas to the icy wastes of Siberia, from the Russian Revolution to the AIM protests of the 1960s, Arnason tells of a modern woman’s struggle to use the weapons of DNA science to fulfill the ancient promises of her Lakota heritage.

PLUS: “Writing SF During World War III,” and an Outspoken Interview that takes you straight into the heart and mind of one of today’s edgiest and most uncompromising speculative authors.

A former policeman, now a major in the Spanish Republican Army, is sent to Madrid to investigate the circumstances in which the legendary anarchist, Buenaventura Durruti, was killed. In his search for the truth he interviews key witnesses and uncovers a number of contradictory accounts. Nobody tells the same story in quite the same way, but as an experienced police officer, he knows it is not inconceivable that they are all telling the truth. But it is also possible that some of them are lying, that some are trying to hide what they know, and more sinisterly, that some may be seeking to sabotage his investigation for darker political ends.

Making imaginative and ingenious use of the detective novel as a literary device, Pedro de Paz explores various hypotheses and scenarios that could at least provide us, seventy years on, with believable explanations about the chain of events leading to the death of a truly remarkable man. Also included are numerous photographs of Durruti and his funeral, and a lengthy afterword by Stuart Christie, putting his life, times, and untimely death into the context of Spanish anarchism, the social revolution, and civil war.

Let Freedom Ring presents a two-decade sweep of essays, analyses, histories, interviews, resolutions, People’s Tribunal verdicts, and poems by and about the scores of U.S. political prisoners and the campaigns to safeguard their rights and secure their freedom. In addition to an extensive section on the campaign to free death-row journalist Mumia Abu-Jamal, represented here are the radical movements that have most challenged the U.S. empire from within: Black Panthers and other Black liberation fighters, Puerto Rican independentistas, Indigenous sovereignty activists, white anti-imperialists, environmental and animal rights militants, Arab and Muslim activists, Iraq war resisters, and others. Contributors in and out of prison detail the repressive methods—from long-term isolation to sensory deprivation to politically inspired parole denial—used to attack these freedom fighters, some still caged after 30+ years. This invaluable resource guide offers inspiring stories of the creative, and sometimes winning, strategies to bring them home.

Contributors include: Mumia Abu-Jamal, Dan Berger, Dhoruba Bin-Wahad, Bob Lederer, Terry Bisson, Laura Whitehorn, Safiya Bukhari, The San Francisco 8, Angela Davis, Bo Brown, Bill Dunne, Jalil Muntaqim, Susie Day, Luis Nieves Falcón, Ninotchka Rosca, Meg Starr, Assata Shakur, Jill Soffiyah Elijah, Jan Susler, Chrystos, Jose Lopez, Leonard Peltier, Marilyn Buck, Oscar López Rivera, Sundiata Acoli, Ramona Africa, Linda Thurston, Desmond Tutu, Mairead Corrigan Maguire and many more.

Lessons of the Spanish Revolution examines the many ways in which Spain’s revolutionary movement contributed to its own defeat. Was it too weak to carry through the revolution? To what extent was the purchase of arms and raw materials from outside sources dependent upon the appearance of a constitutional government inside Republican Spain? What chances had an improvised army of guerrillas against a trained fighting force? These were some of the practical problems facing the revolutionary movement and its leaders.

But in seeking to solve these problems, the anarchists and revolutionary syndicalists were also confronted with other fundamental questions. Could they collaborate with political parties and reformist unions? Given the circumstances, was one form of government to be supported against another? Should the revolutionary impetus of the first days of resistance be halted in the interests of the armed struggle against Franco or be allowed to develop as far as the workers were prepared to take it? Was the situation such that the social revolution could triumph and, if not, what was to be the role of the revolutionary workers?

Originally written as a series of weekly articles in the 1950s and expanded, republished, and translated into many languages over the years, Vernon Richards’s analysis remains essential reading for all those interested in revolutionary praxis.

Voted by the London Times as one of the best writers since 1945, Michael Moorcock was shortlisted for the Whitbread Prize and won the Guardian Fiction Prize. He has won almost all the major Science Fiction, Fantasy, and lifetime achievement awards including the “Howie,” the Prix Utopiales and the Stoker. Best known for his rule-breaking SF and Fantasy, including the classic Elric and Hawkmoon series, he is also the author of several graphic novels.

Now, in London Peculiar and Other Nonfiction, Michael Moorcock personally selects the best of his published, unpublished, and uncensored essays, articles, reviews, and opinions covering a wide range of subjects: books, films, politics, reminiscences of old friends, and attacks on new foes. Drawn from over fifty years of writing, including his most recent work from the pages of the Los Angeles Times, and the Guardian, along with obscure and now unobtainable sources, the pieces in London Peculiar and Other Nonfiction showcase Moorcock at his acerbic best. They include:

• “London Peculiar,” an impassioned statement of Moorcock’s memories of wartime London. The architectural “improvements” wrought by the rebuilding of the city after World War Two brought cultural changes as well, many to the detriment of the city’s inhabitants.
• Review of R. Crumb’s Genesis, previously unavailable in English, this lengthy review of the underground comic artist’s retelling of the first book of the Bible leads Moorcock to address nostalgia for the sixties.
• “A Child’s Christmas in the Blitz”—An autobiographical recounting of Moorcock’s childhood in wartime London, with memories of the freedom and hardships he encountered during the bombings, and the happy times he spent with his parents.

These, along with dozens more, make this a collection Moorcock fans won’t want to miss, and the perfect introduction for new readers who will soon discover why Alan Moore (Watchmen) says: “Moorcock seizes the 21st century bull by its horns and wrestles it into submission with a Texan rodeo confidence.”

A nice Jewish boy from suburban Boston—hell, an Eagle Scout!—David Gilbert arrived at Columbia University just in time for the explosive Sixties. From the early anti-Vietnam War protests to the founding of SDS, from the Columbia Strike to the tragedy of the Townhouse, Gilbert was on the scene: as organizer, theoretician, and above all, activist. He was among the first militants who went underground to build the clandestine resistance to war and racism known as “Weatherman.” And he was among the last to emerge, in captivity, after the disaster of the 1981 Brink’s robbery, an attempted expropriation that resulted in four deaths and long prison terms. In this extraordinary memoir, written from the maximum-security prison where he has lived for almost thirty years, Gilbert tells the intensely personal story of his own Long March from liberal to radical to revolutionary.

Today a beloved and admired mentor to a new generation of activists, he assesses with rare humor, with an understanding stripped of illusions, and with uncommon candor the errors and advances, terrors and triumphs of the Sixties and beyond. It’s a battle that was far from won, but is still not lost: the struggle to build a new world, and the love that drives that effort. A cautionary tale and a how-to as well, Love and Struggle is a book as candid, uncompromising, and humane as its author.

Low Bite: Sin Soracco’s prison novel about survival, dignity, friendship, and insubordination. The view from inside a women’s prison isn’t a pretty one, and Morgan, the narrator, knows that as well as anyone. White, female, 26, convicted of nighttime breaking and entering with force, she works in the prison law library, giving legal counsel of more-or-mostly-less usefulness to other convicts. More useful is the hooch stash she keeps behind the law books.

And she has plenty of enemies—like Johnson, the lesbian-hating warden, and Alex, the “pretty little dude” lawyer who doesn’t like her free legal advice. Then there’s Rosalie and Birdeye—serious rustlers whose loyalty lasts about as long as their cigarettes hold out. And then there’s China: Latina, female, 22, holding U.S. citizenship through marriage, convicted of conspiracy to commit murder—a dangerous woman who is safer in prison than she is on the streets. They’re all trying to get through without getting caught or going straight, but there’s just one catch—a bloodstained bank account that everybody wants, including some players on the outside.

Low Bite: an underground classic reprinted at last and the first title in the new imprint from The Green Arcade.

Late in the Day, Ursula K. Le Guin’s newest collection of poems, seeks meaning in an ever-connected world. In part evocative of Neruda’s Odes to Common Things and Mary Oliver’s poetic guides to the natural world, Le Guin gives voice to objects that may not speak a human language but communicate with us nevertheless through and about the seasonal rhythms of the earth, the minute and the vast, the ordinary and the mythological.

As Le Guin herself states, “science explicates, poetry implicates.” Accordingly, this immersive, tender collection implicates us (in the best sense) in a subjectivity of everyday objects and occurrences. Deceptively simple in form, the poems stand as an invitation both to dive deep and to step outside of ourselves and our common narratives. As readers, we emerge refreshed, having peered underneath cultural constructs toward the necessarily mystical and elemental, no matter how late in the day.

The poems are bookended with two short essays, “Deep in Admiration” and “Form, Free Verse, Free Form: Some Thoughts.”

In 2014, the National Book Foundation awarded Le Guin the Medal for Distinguished Contribution to American Letters, a lifetime achievement award. Her celebrated acceptance speech, which criticized Amazon as a “profiteer” and praised her fellow authors of fantasy and science fiction, is included in Late in the Day as a postscript.

First published in 1982 as part of the Crass record album Christ: The Album, Penny Rimbaud’s The Last of the Hippies is a fiery anarchist polemic centered on the story of his friend, Phil Russell (aka Wally Hope), who was murdered by the State while incarcerated in a mental institution.

Wally Hope was a visionary and a freethinker, whose life had a profound influence on many in the culture of the UK underground and beyond. He was an important figure in what may loosely be described as the organization of the Windsor Free Festival from 1972 to 1974, as well providing the impetus for the embryonic Stonehenge Free Festival.

Wally was arrested and incarcerated in a mental institution after having been found in possession of a small amount of LSD. He was later released, and subsequently died. The official verdict was that Russell committed suicide, although Rimbaud uncovered strong evidence that he was murdered. Rimbaud’s anger over unanswered questions surrounding his friend’s death inspired him in 1977 to form the anarchist punk band Crass.

In the space of seven short years, from 1977 to their breakup in 1984, Crass almost single-handedly breathed life back into the then moribund peace and anarchist movements. The Last of the Hippies fast became the seminal text of what was then known as anarcho-punk and which later blossomed into the anti-globalization movement.

This revised edition comes complete with a new introduction in which Rimbaud questions some of the premises that he laid down in the original.

Over the last couple of decades, an ideological battle has raged over the political legacy and cultural symbolism of the “golden age” pirates who roamed the seas between the Caribbean Islands and the Indian Ocean from roughly 1690 to 1725. They are depicted as romanticized villains on the one hand and as genuine social rebels on the other. Life Under the Jolly Roger examines the political and cultural significance of these nomadic outlaws by relating historical accounts to a wide range of theoretical concepts—reaching from Marshall Sahlins and Pierre Clastres to Mao Zedong and Eric J. Hobsbawm via Friedrich Nietzsche and Michel Foucault. With daring theoretical speculation and passionate, respectful inquiry, Gabriel Kuhn skillfully contextualizes and analyzes the meanings of race, gender, sexuality, and disability in golden age pirate communities, while also surveying the breathtaking array of pirates’ forms of organization, economy, and ethics.

Life Under the Jolly Roger also provides an extensive catalog of scholarly references for the academic reader. Yet this delightful and engaging study is written in language that is wholly accessible for a wide audience.

This expanded second edition includes two new prefaces and an appendix with interviews about contemporary piracy, the ongoing fascination with pirate imagery, and the thorny issue of colonial implications in the romanticization of pirates.

David Ranney’s vivid memoir describes his work experiences between 1976 and 1982 in the factories of southeast Chicago and northwest Indiana. The book opens with a detailed description of what it was like to live and work in one of the heaviest industrial concentrations in the world. The author takes the reader on a walk through the heart of the South Side of Chicago, observing the noise, heavy traffic, the 24-hour restaurants and bars, the rich diversity of people on the streets at all hours of the day and night, and the smell of the highly polluted air.

Factory life includes stints at a machine shop, a shortening factory, a railroad car factory, a structural steel shop, a box factory, a chemical plant, and a paper cup factory. Along the way there is a wildcat strike, an immigration raid, shop-floor actions protesting supervisor abuses, serious injuries, a failed effort to unionize, and a murder. Ranney’s emphasis is on race and class relations, working conditions, environmental issues, and broader social issues in the 1970s that impacted the shop floor.

Forty years later, the narrator returns to Chicago’s South Side to reveal what happened to the communities, buildings, and the companies that had inhabited them. Living and Dying on the Factory Floor concludes with discussions on the nature of work; racism, race, and class; the use of immigration policy for social control; and our ability to create a just society.

“The great contribution of Žiga Vodovnik is that his writing rescues anarchism from its dogma, its rigidity, its isolation from the majority of the human race. He reveals the natural anarchism of our everyday lives, and in doing so, enlarges the possibilities for a truly human society, in which our imaginations, our compassion, can have full play.” —Howard Zinn, author of A People’s History of the United States, from the Introduction

At the end of the nineteenth century, the network of anarchist collectives represented the first-ever global antisystemic movement and the very center of revolutionary tumult. In this groundbreaking and magisterial work, Žiga Vodovnik establishes that anarchism today is not only the most revolutionary current but, for the first time in history, the only one left. According to the author, many contemporary theoretical reflections on anarchism marginalize or neglect to mention the relevance of the anarchy of everyday life. Given this myopic (mis)conception of its essence, we are still searching for anarchism in places where the chances of actually finding it are the smallest.

Erich Mühsam (1878–1934), poet, bohemian, revolutionary, is one of Germany’s most renowned and influential anarchists. Born into a middle-class Jewish family, he challenged the conventions of bourgeois society at the turn of the century, engaged in heated debates on the rights of women and homosexuals, and traveled Europe in search of radical communes and artist colonies. He was a primary instigator of the ill-fated Bavarian Council Republic in 1919 and held the libertarian banner high during a Weimar Republic that came under increasing threat by right-wing forces. In 1933, four weeks after Hitler’s ascension to power, Mühsam was arrested in his Berlin home. He spent the last sixteen months of his life in detention and died in the Oranienburg Concentration Camp in July 1934.

Mühsam wrote poetry, plays, essays, articles, and diaries. His work unites a burning desire for individual liberation with anarcho-communist convictions, and bohemian strains with syndicalist tendencies. The body of his writings is immense, yet hardly any English translations have been available before now. This collection presents not only Liberating Society from the State: What Is Communist Anarchism?, Mühsam’s main political pamphlet and one of the key texts in the history of German anarchism, but also some of his best-known poems, unbending defenses of political prisoners, passionate calls for solidarity with the lumpenproletariat, recollections of the utopian community of Monte Verità, debates on the rights of homosexuals and women, excerpts from his journals, and essays contemplating German politics and anarchist theory as much as Jewish identity and the role of intellectuals in the class struggle.

An appendix documents the fate of Zenzl Mühsam, who, after her husband’s death, escaped to the Soviet Union where she spent twenty years in Gulag camps.

Have you ever felt your blood boil at work but lacked the tools to fight back and win? Or have you acted together with your co-workers, made progress, but wondered what to do next? If you are in a union, do you find that it operates top-down just like the boss and ignores the will of its members?

Labor Law for the Rank and Filer: Building Solidarity While Staying Clear of the Law is a guerrilla legal handbook for workers in a precarious global economy. It demonstrates how a powerful model of organizing called “solidarity unionism” can help workers avoid the pitfalls of the legal system and use direct action to win. Blending cutting-edge legal strategies for winning justice at work with a theory of dramatic social change from below, Staughton Lynd and Daniel Gross deliver a practical guide for making work better while reinvigorating the labor movement. The book examines specific cases concerning fundamental labor rights and includes a section on tactics and principles of practicing solidarity unionism. Illustrative stories of workers’ struggles make the legal principles come alive.

The New York Times has reported on the book’s importance in recent and ongoing labor organizing in the tech industry—for example among employees of Google, Kickstarter, and Uber, whose union campaigns were influenced by ideas gleaned from Labor Law for the Rank and Filer. Meredith Whittaker, a former Google research scientist who was one of the organizers of the 2018 Google employee walkout, said that the book has been “incredibly helpful in thinking through options for action, ways of building collective power, and giving workers who often aren’t familiar with labor law some working knowledge that can guide decision making.”

The beaters go on—in Lickin’ the Beaters 2: Vegan Chocolate and Candy, the second of Siue Moffat’s fun vegan dessert cookbooks.

Themed around the duality of dessert—an angel on one shoulder and a devil on the other—Siue takes chocolate, candy and even ice creem (vegan alternative to ice cream) head-on with quirky illustrations, useful hints and a handy “Quick Recipe” indicator to make using this book simple and amusing. With an understanding that dessert should be an indulgence, Moffat provides vegan renditions of tantalizing delicacies both traditional and original.

Recipes include old favorites such as Carmel Corn, Salt Water Taffy, Pralines, Cookies, Cakes, and Fudge as well as some brave new recipes like Fabulous Flourless Chocolate Torte and Toll-Free Chocolate Chip cookies.

The nineteenth century witnessed the growth of anarchist literature, which advocated a society based on voluntary cooperation without government authority. Although his classical writings on mutual aid and the philosophy of anarchism are still published today, Peter Kropotkin remains a neglected figure. A talented geographer and a revolutionary socialist, Kropotkin was one of the most important theoreticians of the anarchist movement.

In Kropotkin: The Politics of Community, Brian Morris reaffirms with an attitude of critical sympathy the contemporary relevance of Kropotkin as a political and moral philosopher and as a pioneering social ecologist. Well-researched and wide-ranging, this volume not only presents an important contribution to the history of anarchism, both as a political tradition and as a social movement, but also offers insightful reflections on contemporary debates in political theory and ecological thought. After a short biographical note, the book analyzes in four parts Kropotkin’s writings on anarchist communism, agrarian socialism, and integral education; modern science and evolutionary theory; the French Revolution and the modern state; and possessive individualism, terror, and war.

Standing as a comprehensive and engaging introduction to anarchism, social ecology, and the philosophy of evolutionary holism, Kropotkin is written in a straightforward manner that will appeal to those interested in social anarchism and in alternatives to neoliberal doctrines.

With the timely reprinting of this selection of Malatesta’s writings, first published in 1965 by Freedom Press, the full range of this great anarchist activist’s ideas are once again in circulation. Life and Ideas gathers excerpts from Malatesta’s writings over a lifetime of revolutionary activity.

The editor, Vernon Richards, has translated hundreds of articles by Malatesta, taken from the journals Malatesta either edited himself or contributed to, from the earliest, L’En Dehors of 1892, through to Pensiero e Volontà, which was forced to close by Mussolini’s fascists in 1926, and the bilingual Il Risveglio/Le Réveil, which published most of his writings after that date. These articles have been pruned down to their essentials and collected under subheadings ranging from “Ends and Means” to “Anarchist Propaganda.” Through the selections Malatesta’s classical anarchism emerges: a revolutionary, nonpacifist, nonreformist vision informed by decades of engagement in struggle and study. In addition there is a short biographical piece and an essay by the editor.

Readers of Vaneigem’s now-classic work The Revolution of Everyday Life, which as one of the main contributions of the Situationist International was a herald of the May 1968 uprisings in France, will find much to challenge them in these pages written in the highest idiom of subversive utopianism.

Written some thirty-five years after the May “events,” this short book poses the question of what kind of world we are going to leave to our children. “How could I address my daughters, my sons, my grandchildren and great-grandchildren,” wonders Vaneigem, “without including all the others who, once precipitated into the sordid universe of money and power, are in danger, even tomorrow, of being deprived of the promise of a life that is undeniably offered at birth as a gift with nothing expected in return?”

A Letter to My Children provides a clear-eyed survey of the critical predicament into which the capitalist system has now plunged the world, but at the same time, in true dialectical fashion, and “far from the media whose job it is to ignore them,” Vaneigem discerns all the signs of “a new burgeoning of life forces among the younger generations, a new drive to reinstate true human values, to proceed with the clandestine construction of a living society beneath the barbarity of the present and the ruins of the Old World.”

Zelmont Raines has slid a long way since his ability to jook, to outmaneuver his opponents on the field, made him a Super Bowl–winning wide receiver, earning him lucrative endorsement deals and more than his share of female attention. But Zee hasn’t always been good at saying no, so a series of missteps involving drugs, a paternity suit or two, legal entanglements, shaky investments, and recurring injuries have virtually sidelined his career.

That is until Los Angeles gets a new pro franchise, the Barons, and Zelmont has one last chance at the big time he dearly misses. Just as it seems he might be getting back in the flow, he’s enraptured by Wilma Wells, the leggy and brainy lawyer for the team—who has a ruthless game plan all her own. And it’s Zelmont who might get jooked.

Left of the Dial features interviews by musical journalist, folklorist, educator, and musician David Ensminger with leading figures of the punk underground: Ian MacKaye (Minor Threat/Fugazi), Jello Biafra (Dead Kennedys), Dave Dictor (MDC), and many more. Ensminger probes the legacy of punk’s sometimes fuzzy political ideology, its ongoing DIY traditions, its rupture of cultural and social norms, its progressive media ecology, its transgenerational and transnational appeal, its pursuit of social justice, its hybrid musical nuances, and its sometimes ambivalent responses to queer identities, race relations, and its own history. Passionate, far-reaching, and fresh, these conversations illuminate punk’s oral history with candor and humor.

Rather than focus on discographies and rehashed gig memories, the interviews aim to unveil the secret history of punk and hardcore ideologies and values, as understood by the performers. In addition, Ensminger has culled key graphics from his massive punk flyer collection to celebrate the visual history of the bands represented. The book also features rare photographs shot by Houston-based photographer Ben DeSoto during the heyday of punk and hardcore, which capture the movement’s raw gusto, gritty physicality, and resilient determination.

Interviews include Peter Case (Nerves, Plimsouls), Captain Sensible (The Damned), Tony Kinman (The Dils), El Vez, Charlie Harper (UK Subs), The Deaf Club (an oral history of the landmark San Francisco club), Mike Palm (Agent Orange), Gregg Turner (Angry Samoans), Ian MacKaye (Minor Threat, Fugazi), Jello Biafra (Dead Kennedys), Gary Floyd (Dicks, Sister Double Happiness), Mike Watt (Minutemen, fIREHOSE), Shawn Stern (Youth Brigade), Kira Roessler (Black Flag, Dos), Jack Grisham (TSOL), Keith Morris (Circle Jerks, Off!) Fred “Freak” Smith (Beefeater), U-Ron Bondage (Really Red), Vic Bondi (Articles of Faith), Lisa Fancher (Frontier Records), Dave Dictor (MDC), and Thomas Barnett (Strike Anywhere).